User:Samanem

For New Members at Librivox

Introduction

This page is dedicated to helping new users begin their journey at Librivox. We will mainly be concerned with how to get up to speed with recording for Librivox, and making it as easy as possible. We will discuss microphone selection and placement, as well as the use of pop screens and other methods for cleaning up the capture of your voice into your microphone. We'll talk about the input volume levels of your recordings and how to increase them, which is a common problem among new readers. We'll help you understand noise and why it appears on your recordings, where it comes from, and how to minimize it so that your voice is maximized relative to the noise. We'll touch on recognizing some different types of noise, such as fans vs. electrical hums and some easy ways to avoid recording them.

We'll also go through Audacity and some of the common Effects that are used, such as:

• Noise Removal
• Normalization
• Compression
• Amplification
• Leveller

I'll explain what the settings mean and what to set them on in typical situations, and try to give a rough guide to when to use each of them, and when its probably best not to use them. Keep in mind many of these Effects are done to the ear of the listener, and therefore are subjective - i.e. my ear may not agree with your ear.

Once we've gone through these things, we've have you ready to record and submit your 1-Minute Test. I'll show you how to do it, where to upload it, what username and password to use, and where and how to post the url to get comments. When you've gotten your 1-Minute Test OK'd, you'll be ready to enter the Public Domain, and I'll show you where to go to get started with recording - where to go to find things to record, and what your options are for choosing works in the Public Domain.

Once you're done with these steps, you will be Grade A Certified and 100% Qualified as a Librivox reader, and should be able to produce quality recordings that will endure in the Digital Cloud forever and bring pleasure and happiness to many listeners around the world!

Microphone Selection

The microphone is sometimes an obstacle. Without mandating a certain type of microphone, it can reasonably be stated that the better the microphone, the better you are going to sound, and the easier it will be to sound good.

The microphone's job is to capture the sounds you make. Your job is to keep it from capturing the sound that are made by other things around you. The good news is, the more you give the mic to capture with your voice, the less interested the mic will be in the other stuff. Basically the more signal you give you mic with you voice, the less noise is picked up. One very easy way to avoid picking up noise!

Some mics are more sensitive to others, and some are more directional in how they capture sound. That means some will capture sounds that come mostly just in front of the mic, while others will cpature sounds from all-around the mic. When you're buying a mic for recording voice, its best to try to get a mic that is directional, so it will not be picking up sounds from behind the mic while you're talking into it.

One useful way to categorize mics is in terms of how they deliver their signal to the computer. We can group these as:

• Built-in Mics (Often seen in laptop computers)
• Analog Mics (Round plugs)
• USB Mics (Flat broad plugs)

It is almost always true that there are good and bad in every category, but that rule is, well, just not very true in this case. For recording voice, it is very difficult to achieve the kind of volume levels we need while at the same time avoiding noise with the built-in mics. This is also true of many analog mics, although there are exceptions here. There are some analog headset mics that are being used that can achieve good results, but they require lots of practice, careful placement and dutiful attention to how the capturing membrane is positioned relative to the mouth while you're speaking.

In many cases these analog mics end up with noise in the recording that comes through the system, related to the computer's sound card and the analog-to-digital converter as the analog signal is processed and delivered into digital form. We have worked with many of these mics and been unable to get this noise down to happy levels, and at that point thwe only real solution is to upgrade to a USB mic.

USB mics are the best category, generally speaking. If you were to purchase a new mic, it would be best to seek out one of these, since they will have a much better chance of producing a good result with a minimum of system noise. Many of these types of mics are self contained, but this category can see the quality and price go up considerably, and have the mic plug into various processing boxes before the signal comes into the computer. At the starter level, however, there are many on the market that are plug 'n play, and produce excellent results for our purposes.

Input Volume

The most common problem new user have is a low input volume with their recordings. When we work with people and their 1-Minute Tests, we often have to go back and forth several times before people are convinced that they truly do need to turn up their input volume levels all the way, and in every area possible.

Noise

have a significant amount of noise in the background. Some of this will be reduced if you increase your input volume, but you also need to work on reducing the level of noise, if possible. If you're on a laptop, obviously this is much easier to do, whereas if you're stuck at your PC, this gets harder.

Optimizing Your Environment

Acoustics

The surrounding environment can make a huge difference when you're recording your voice. Your voice creates sound waves, and these sound saves proceed into the mic to be recorded. Unfortunately, these sound waves also continue to proceed in every direction until they hit something. At that point they either are absorbed, are disrupted, are deflected and dispersed, or they bounce off and countinue on in another direction. Think of how you've seen ripples move in water. If they hit a smooth solid surface, they will bounce off, almost perfectly reflected. While this is pretty, it's bad for sound if you're trying to record.

A good mic can make some difference here, only picking up what's close to the mic and what's directed in the direction toward the mic, but for most mics, recording in the typical room witout making any considerations for acoustics is going to make for some compromises in your quality.

The most common thing we hear in readers' recordings is commonly referred to as "room bounce". This is simply where the sound is bouncing off the bare walls and coming right back at the mic. The result is an echo or reverb type sound that is unpleasant to the ear, especially after listening for a long while. This can be reduced or eliminated by breaking up the "flat-ness" of the walls around the area where you are recording. Many people at Librivox record in their closets, believe it or not, because of the soft clothes surrounding them, and the lack of bare walls. I have four book cases that I have moved (with the good wife's permission) into a cubicle, and the shelves are cluttered with random stuff, oddly sized books haphazardly arranged, and magazines in messy piles.

Other Librivoxateers simply have arranged their recording areas with clutter such that the sound is inhibited to a large degree from being able to bounce right off walls and come back to the mic, such as in a corner of a room, with the walls piled high. Many people make use of hanging blankets, also. There is a lot that can be done at a minimum of cost. There is also a lot that can be done at very high cost, going all the way up to "whisper rooms" that pro voice actors have installed at obviously very great cost.

It's always good to remember our friend the signal to noise ratio. You may have heard of this somewhere in the murky recesses of your past memories. We can win our battle by increasing the signal, and by reducing noise.

Electrical Considerations

A microphone is an electrical device, as is the computer that is handling the recording of your voice. That seems obvious, but these devices have some mysterious properties that amaze and counfound us regular people. One of these properties is that the mic tends to pick up sounds that we cannot hear with our own ears. We make a nice clean, then take a listen, and then - poof!, ofr perhaps I should say, buzz! there's a strange noise there, and we have no idea where it came from.

Many of these types of sounds come from other electrical devices. There are things such as computer fans, air conditioning units and certain types of lights that make sounds we might hear once we think about it. There are other things, however, like tangled cables, large electrical wires, elctrical supply hubs, etc. that can produce sounds that we can't necessarily hear before the recording, but that the mic picks up. We find these by listening to the recording afterward.

In order to avoid all of these these types of things being recorded, and the headaches that go along with re-recording or removing the sounds later, here are some tips for arranging your recording area while you are recording. These are things that are meant to be done temporarily to your area for your recording session, specifically with regard to electrical considerations:

• Turn off any air conditioning units you can hear
• Disconnect any unneeded USB devices, such as extra hard drives, fans, etc.
• Keep cellphones on the other side of the room
• Unplug everything possible from the wall outlet and powerstrip being used, i.e. minimize things that are plugged in
• Unplug PC speakers from wall
• Plug mic (if it has its own plug) into a different wall outlet than the computer
• Avoid tangles of wires - only allow wires to cross at right angles (yes, it's true)
• Make sure there are no large appliances running nearby - turn them off if possible
• Turn off as many lights as possible - some cause some sounds
• Be aware of things like fish tank pumps and other sources of sound that might not immediately come to mind (turn them off)
• If you are on a laptop:
  • Try recording on and off battery power. Some people report a buzz when the battery is charging, but this is not universal
  • Being mobile, you can get away from sources of electrical sounds - the walk-in closet is ideal
  • Beware of the fan - you can cool hot/cold bags from pharmacy and balance the laptop on several of these to keep laptop cool
    • This will minimize the fan coming on
    • Do NOT freeze the bags, since this will cause condensation which could cause problems with your laptop!

Please investigate where you are doing your recording and see if you have a large electrical source nearby, appliances, a tangle of large wires, large wires crossing at odd angles (i.e. non right-angles), any devices plugged in that you don't need absolutely such as extra hard drives, the electrical plugs for your PC sound system, fish tank, etc. etc. Also anything like an Air-Conditioning unit running that you might not think about right off. Basically anything that could directly or indirectly cause the noise.

If you're on a laptop, obviously this is much easier to do, whereas if you're stuck at your PC, this gets harder. But even so, at a PC you can pile things around or put a bookshelf on the bare wall here and there that will improve the sound remarkably. The mic will pick up more of your voice and less of the noise, and you'll sound more close and immediate, and you'll also be able to do more processing like amplification, Noise Removal, etc. to your files and make them sound even better.

Other Types of Noise

You can also try recording on battery power, since sometimes the charging of the battery when plugged in can cause an electrical noise (I don't have this problem but some do). I plotted your sound spectrum but didn't see a significant hum that would indicated that your noise is an electrical power supply, but it could be indirectly.

It's also possible this noise is just due to your mic and your system (what kind of mic are you using?), but if so its even more important to minimize other sources of noise so you can optimize your sound.

Using Audacity

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Normalization

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Compression

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Noise Removal

it's good to leave a little bit of noise so the ear doesn't hear complete silence in betweene the words - it sounds too weird that way.

Waveform with significant noise

If you're using Audacity, here's a tutorial on how to do it, and I would suggest settings like 12/200/0.1 for the three numbers that you can change, which are probably lighter than the ones you've used in the past. It's also better to do light settings twice than to use heavy settings once, as far as it affecting the voice:

http://wiki.librivox.org/index.php/Noisecleaning_With_Pics

Make sure you leave several seconds of quiet at the end so you can select that as your "Noise" Profile for use with the Noise Removal. You wouldn't want to do it twice with heavier settings, and even once with heavier settings can cause distortion. Here's a more detailed primer on using Noise Removal:

http://wiki.librivox.org/index.php/Detailed_Audacity_Noise_Removal

Waveform after noise removal

but basically the first number is how much volume you want the noise reduced by (lower is by less volume and will leave more noise, higher number will remove more noise but might distort voice), the second is how broad a "brush" you want the program to use in deciding what is noise (i.e. a higher number would be better for more complex sounds, a lower one for simple sounds), and the third relates to how quickly you want the noise to drop off toward silence after your word has ended (a 0.0 will chop off immediately after the word has ended and might sound chopped off).

I usually use 12/200 and 0.0, but I have very little noise in my recordings. Some people use hefiter numbers in the first two, but if you do, it'll sound chopped off unless you give it a little space on the last number, like a 0.1 or 0.15.

In the end you have to find what works best or your voice and your setup and your recordings.

Amplification

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The 1-Minute Test

Our format needs to be in mp3, mono, 44,100Hz, 16-bit, 128kbps and usually louder than most people think! :D This is so all our files can be handled on the far end uniformly. The links will also explain how to upload here at Librivox. People here are very helpful and friendly, so don't be afraid to ask any questions you have along the way.

But the first step will be to upload a [b]1-Minute Test Recording[/b] for each reader: [url=http://wiki.librivox.org/index.php/1-Minute_Test]1-Minute Test[/url] The test is uploaded and then the url is posted as a new topic thread in the Listeners Wanted Forum. Instructions are in the link.

This test is of course not for any kind of audition purposes, just to make sure it fits our format technically and that your levels are okay. Once you complete this step, and your test is marked [OK], let me know in this thread and I can get you signed up for reading a section! Let me know if you have any questions or problems.