Project Status Table: Difference between revisions
Line 11: | Line 11: | ||
== PL Status Table == | == PL Status Table == | ||
Data current as of | Data current as of 08 April 4:00 pm CDT | ||
{| class="wikitable sortable" | {| class="wikitable sortable" | ||
Line 36: | Line 36: | ||
| | | | ||
<div align="right"> | <div align="right">39</div> | ||
| | | | ||
<div align="right"> | <div align="right">98</div> | ||
| | | | ||
Line 61: | Line 61: | ||
| | | | ||
<div align="right"> | <div align="right">70</div> | ||
| | | | ||
<div align="right"> | <div align="right">93</div> | ||
| | | | ||
Line 324: | Line 324: | ||
|- | |- | ||
| | | | ||
[https://forum.librivox.org/viewtopic.php?f=28&t= | [https://forum.librivox.org/viewtopic.php?f=28&t=64315 Bible (YLT) 09: 1 Samuel] | ||
| | | | ||
<div align="right"> | <div align="right">6</div> | ||
| | | | ||
<div align="right"> | <div align="right">6</div> | ||
| | | | ||
Line 336: | Line 336: | ||
| | | | ||
<div align="right"> | <div align="right">3</div> | ||
| | | | ||
Line 349: | Line 349: | ||
|- | |- | ||
| | | | ||
[https://forum.librivox.org/viewtopic.php?f=28&t= | [https://forum.librivox.org/viewtopic.php?f=28&t=63913 The Fireside Chats] | ||
| | | | ||
<div align="right"> | <div align="right">36</div> | ||
| | | | ||
<div align="right"> | <div align="right">31</div> | ||
| | | | ||
<div align="right"> | <div align="right">86</div> | ||
| | | | ||
<div align="right"> | <div align="right">18</div> | ||
| | | | ||
<div align="right"> | <div align="right">50</div> | ||
| | | | ||
Line 374: | Line 374: | ||
|- | |- | ||
| | | | ||
[https://forum.librivox.org/viewtopic.php?f=28&t= | [https://forum.librivox.org/viewtopic.php?f=28&t=43453 The Journal of John Woolman] | ||
| | | | ||
<div align="right"> | <div align="right">14</div> | ||
| | | | ||
<div align="right"> | <div align="right">14</div> | ||
| | | | ||
Line 389: | Line 389: | ||
| | | | ||
<div align="right"> | <div align="right">50</div> | ||
| | | | ||
Line 399: | Line 399: | ||
|- | |- | ||
| | | | ||
[https://forum.librivox.org/viewtopic.php?f=28&t= | [https://forum.librivox.org/viewtopic.php?f=28&t=64434 The Old Old Fairy Tales] | ||
| | | | ||
<div align="right"> | <div align="right">22</div> | ||
| | | | ||
<div align="right"> | <div align="right">22</div> | ||
| | | | ||
<div align="right"> | <div align="right">100</div> | ||
| | | | ||
<div align="right"> | <div align="right">11</div> | ||
| | | | ||
<div align="right"> | <div align="right">50</div> | ||
| | | | ||
Fully Subscribed | |||
| | | | ||
Line 424: | Line 424: | ||
|- | |- | ||
| | | | ||
[https://forum.librivox.org/viewtopic.php?f=28&t= | [https://forum.librivox.org/viewtopic.php?f=28&t=63274 Compilation de poèmes - 008] | ||
| | | | ||
<div align="right"> | <div align="right">25</div> | ||
| | | | ||
<div align="right"> | <div align="right">13</div> | ||
| | | | ||
<div align="right"> | <div align="right">52</div> | ||
| | | | ||
<div align="right"> | <div align="right">12</div> | ||
| | | | ||
<div align="right"> | <div align="right">48</div> | ||
| | | | ||
Line 449: | Line 449: | ||
|- | |- | ||
| | | | ||
[https://forum.librivox.org/viewtopic.php?f=28&t= | [https://forum.librivox.org/viewtopic.php?f=28&t=49287 I Racconti delle Fate] | ||
| | | | ||
<div align="right"> | <div align="right">15</div> | ||
| | | | ||
<div align="right"> | <div align="right">15</div> | ||
| | | | ||
<div align="right"> | <div align="right">100</div> | ||
| | | | ||
<div align="right"> | <div align="right">7</div> | ||
| | | | ||
<div align="right"> | <div align="right">47</div> | ||
| | | | ||
Fully Subscribed | |||
| | | | ||
Line 474: | Line 474: | ||
|- | |- | ||
| | | | ||
[https://forum.librivox.org/viewtopic.php?f=28&t= | [https://forum.librivox.org/viewtopic.php?f=28&t=62136 The Little Colonel's Knight Comes Riding] | ||
| | | | ||
<div align="right"> | <div align="right">15</div> | ||
| | | | ||
<div align="right"> | <div align="right">9</div> | ||
| | | | ||
<div align="right"> | <div align="right">60</div> | ||
| | | | ||
<div align="right"> | <div align="right">7</div> | ||
| | | | ||
<div align="right"> | <div align="right">47</div> | ||
| | | | ||
Open | |||
| | | | ||
Line 499: | Line 499: | ||
|- | |- | ||
| | | | ||
[https://forum.librivox.org/viewtopic.php? | [https://forum.librivox.org/viewtopic.php?f=28&t=60530 A Cruising Voyage Around the World] | ||
| | | | ||
<div align="right"> | <div align="right">20</div> | ||
| | | | ||
<div align="right"> | <div align="right">9</div> | ||
| | | | ||
<div align="right"> | <div align="right">45</div> | ||
| | | | ||
<div align="right"> | <div align="right">9</div> | ||
| | | | ||
<div align="right"> | <div align="right">45</div> | ||
| | | | ||
Open | |||
| | | | ||
Line 524: | Line 524: | ||
|- | |- | ||
| | | | ||
[https://forum.librivox.org/viewtopic.php?f=28&t= | [https://forum.librivox.org/viewtopic.php?f=28&t=64828 God-Speed to the Snow] | ||
| | | | ||
<div align="right"> | <div align="right">20</div> | ||
| | | | ||
<div align="right"> | <div align="right">8</div> | ||
| | | | ||
<div align="right"> | <div align="right">40</div> | ||
| | | | ||
<div align="right"> | <div align="right">8</div> | ||
| | | | ||
<div align="right"> | <div align="right">40</div> | ||
| | | | ||
Open | |||
| | | | ||
Line 549: | Line 549: | ||
|- | |- | ||
| | | | ||
[https://forum.librivox.org/viewtopic.php?f=28&t= | [https://forum.librivox.org/viewtopic.php?f=28&t=64643 Birds and Nature, Vol. VIII, No 3, October 1900] | ||
| | | | ||
<div align="right"> | <div align="right">23</div> | ||
| | | | ||
<div align="right"> | <div align="right">16</div> | ||
| | | | ||
<div align="right"> | <div align="right">70</div> | ||
| | | | ||
<div align="right"> | <div align="right">9</div> | ||
| | | | ||
<div align="right"> | <div align="right">39</div> | ||
| | | | ||
Open | |||
| | | | ||
Line 574: | Line 574: | ||
|- | |- | ||
| | | | ||
[https://forum.librivox.org/viewtopic.php?f=28&t= | [https://forum.librivox.org/viewtopic.php?f=28&t=62165&p=1275901 Conversations on the Plurality of Worlds] | ||
| | | | ||
<div align="right"> | <div align="right">14</div> | ||
| | | | ||
<div align="right"> | <div align="right">14</div> | ||
| | | | ||
<div align="right"> | <div align="right">100</div> | ||
| | | | ||
<div align="right"> | <div align="right">5</div> | ||
| | | | ||
<div align="right"> | <div align="right">36</div> | ||
| | | | ||
Fully Subscribed | |||
| | | | ||
Line 599: | Line 599: | ||
|- | |- | ||
| | | | ||
[https://forum.librivox.org/viewtopic.php? | [https://forum.librivox.org/viewtopic.php?p=952636 Niels Lyhne] | ||
| | | | ||
<div align="right"> | <div align="right">14</div> | ||
| | | | ||
<div align="right"> | <div align="right">14</div> | ||
| | | | ||
<div align="right"> | <div align="right">100</div> | ||
| | | | ||
<div align="right"> | <div align="right">5</div> | ||
| | | | ||
<div align="right"> | <div align="right">36</div> | ||
| | | | ||
Fully Subscribed | |||
| | | | ||
Line 624: | Line 624: | ||
|- | |- | ||
| | | | ||
[https://forum.librivox.org/viewtopic.php? | [https://forum.librivox.org/viewtopic.php?f=28&t=39205 Wandering (彷徨)] | ||
| | | | ||
<div align="right"> | <div align="right">11</div> | ||
| | | | ||
<div align="right"> | <div align="right">11</div> | ||
| | | | ||
<div align="right"> | <div align="right">100</div> | ||
| | | | ||
<div align="right"> | <div align="right">4</div> | ||
| | | | ||
<div align="right"> | <div align="right">36</div> | ||
| | | | ||
Fully Subscribed | |||
| | | | ||
Line 649: | Line 649: | ||
|- | |- | ||
| | | | ||
[https://forum.librivox.org/viewtopic.php?f= | [https://forum.librivox.org/viewtopic.php?f=28&t=61525 Leonorenlieder] | ||
| | | | ||
<div align="right"> | <div align="right">52</div> | ||
| | | | ||
<div align="right"> | <div align="right">28</div> | ||
| | | | ||
<div align="right"> | <div align="right">54</div> | ||
| | | | ||
<div align="right"> | <div align="right">18</div> | ||
| | | | ||
<div align="right"> | <div align="right">35</div> | ||
| | | | ||
Line 674: | Line 674: | ||
|- | |- | ||
| | | | ||
[https://forum.librivox.org/viewtopic.php? | [https://forum.librivox.org/viewtopic.php?p=1327040 One Act Play Collection 010] | ||
| | | | ||
<div align="right"> | <div align="right">70</div> | ||
| | | | ||
<div align="right"> | <div align="right">30</div> | ||
| | | | ||
<div align="right"> | <div align="right">43</div> | ||
| | | | ||
<div align="right"> | <div align="right">22</div> | ||
| | | | ||
<div align="right"> | <div align="right">31</div> | ||
| | | | ||
Line 699: | Line 699: | ||
|- | |- | ||
| | | | ||
[https://librivox.org/ | [https://forum.librivox.org/viewtopic.php?f=28&t=52351 Tabai al-Istibdad wa-Masari al-Isti’bad] | ||
| | | | ||
<div align="right"> | <div align="right">11</div> | ||
| | | | ||
<div align="right"> | <div align="right">10</div> | ||
| | | | ||
<div align="right"> | <div align="right">91</div> | ||
| | | | ||
Line 714: | Line 714: | ||
| | | | ||
<div align="right"> | <div align="right">27</div> | ||
| | | | ||
Line 724: | Line 724: | ||
|- | |- | ||
| | | | ||
[https://forum.librivox.org/viewtopic.php?f= | [https://forum.librivox.org/viewtopic.php?f=28&t=55387 Le Rime] | ||
| | | | ||
<div align="right"> | <div align="right">110</div> | ||
| | | | ||
<div align="right"> | <div align="right">33</div> | ||
| | | | ||
<div align="right"> | <div align="right">30</div> | ||
| | | | ||
<div align="right"> | <div align="right">23</div> | ||
| | | | ||
<div align="right"> | <div align="right">21</div> | ||
| | | | ||
Line 749: | Line 749: | ||
|- | |- | ||
| | | | ||
[https:// | [https://librivox.org/stats/active_projects Children's Short Works Collection, Vol. 024] | ||
| | | | ||
<div align="right"> | <div align="right">15</div> | ||
| | | | ||
<div align="right"> | <div align="right">5</div> | ||
| | | | ||
<div align="right"> | <div align="right">33</div> | ||
| | | | ||
<div align="right"> | <div align="right">3</div> | ||
| | | | ||
<div align="right"> | <div align="right">20</div> | ||
| | | | ||
Line 774: | Line 774: | ||
|- | |- | ||
| | | | ||
[https://forum.librivox.org/viewtopic.php?f= | [https://forum.librivox.org/viewtopic.php?f=26&t=64697 To The Common Golfer] | ||
| | | | ||
<div align="right"> | <div align="right">20</div> | ||
| | | | ||
<div align="right"> | <div align="right">4</div> | ||
| | | | ||
<div align="right"> | <div align="right">20</div> | ||
| | | | ||
<div align="right"> | <div align="right">4</div> | ||
| | | | ||
<div align="right"> | <div align="right">20</div> | ||
| | | | ||
Line 799: | Line 799: | ||
|- | |- | ||
| | | | ||
[https://forum.librivox.org/viewtopic.php?f= | [https://forum.librivox.org/viewtopic.php?f=28&t=62794 The Child of the Moat] | ||
| | | | ||
<div align="right"> | <div align="right">30</div> | ||
| | | | ||
<div align="right"> | <div align="right">11</div> | ||
| | | | ||
<div align="right"> | <div align="right">37</div> | ||
| | | | ||
<div align="right"> | <div align="right">5</div> | ||
| | | | ||
<div align="right"> | <div align="right">17</div> | ||
| | | | ||
Line 824: | Line 824: | ||
|- | |- | ||
| | | | ||
[https://forum.librivox.org/viewtopic.php?f=28&t= | [https://forum.librivox.org/viewtopic.php?f=28&t=64689 Cowboy Songs and Other Frontier Ballads] | ||
| | | | ||
<div align="right"> | <div align="right">156</div> | ||
| | | | ||
<div align="right"> | <div align="right">39</div> | ||
| | | | ||
<div align="right"> | <div align="right">25</div> | ||
| | | | ||
<div align="right"> | <div align="right">25</div> | ||
| | | | ||
<div align="right"> | <div align="right">16</div> | ||
| | | | ||
Open | |||
| | | | ||
Line 849: | Line 849: | ||
|- | |- | ||
| | | | ||
[https://forum.librivox.org/viewtopic.php?f=28&t= | [https://forum.librivox.org/viewtopic.php?f=28&t=60485 A Voice From Harper's Ferry] | ||
| | | | ||
<div align="right"> | <div align="right">7</div> | ||
| | | | ||
<div align="right"> | <div align="right">7</div> | ||
| | | | ||
<div align="right"> | <div align="right">100</div> | ||
| | | | ||
<div align="right"> | <div align="right">1</div> | ||
| | | | ||
<div align="right"> | <div align="right">14</div> | ||
| | | | ||
Fully Subscribed | |||
| | | | ||
Line 874: | Line 874: | ||
|- | |- | ||
| | | | ||
[https://forum.librivox.org/viewtopic.php?f= | [https://forum.librivox.org/viewtopic.php?f=2&t=62260 Corporal Cameron of the North West Mounted Police--A Tale of the Macleod Trial] | ||
| | | | ||
<div align="right"> | <div align="right">25</div> | ||
| | | | ||
<div align="right"> | <div align="right">7</div> | ||
| | | | ||
<div align="right"> | <div align="right">28</div> | ||
| | | | ||
<div align="right"> | <div align="right">3</div> | ||
| | | | ||
<div align="right"> | <div align="right">12</div> | ||
| | | | ||
Line 899: | Line 899: | ||
|- | |- | ||
| | | | ||
[https://forum.librivox.org/viewtopic.php?f=28&t= | [https://forum.librivox.org/viewtopic.php?f=28&t=60770&p=1235075 Ulysses (version 3)] | ||
| | | | ||
<div align="right"> | <div align="right">90</div> | ||
| | | | ||
<div align="right"> | <div align="right">90</div> | ||
| | | | ||
<div align="right"> | <div align="right">100</div> | ||
| | | | ||
<div align="right"> | <div align="right">11</div> | ||
| | | | ||
<div align="right"> | <div align="right">12</div> | ||
| | | | ||
Fully Subscribed | |||
| | | | ||
Line 924: | Line 924: | ||
|- | |- | ||
| | | | ||
[https://forum.librivox.org/viewtopic.php?f=28&t= | [https://forum.librivox.org/viewtopic.php?f=28&t=62832 Le Piacevoli Notti, Libro 2] | ||
| | | | ||
<div align="right"> | <div align="right">58</div> | ||
| | | | ||
<div align="right"> | <div align="right">18</div> | ||
| | | | ||
<div align="right"> | <div align="right">31</div> | ||
| | | | ||
<div align="right"> | <div align="right">6</div> | ||
| | | | ||
<div align="right"> | <div align="right">10</div> | ||
| | | | ||
Open | |||
| | | | ||
Line 949: | Line 949: | ||
|- | |- | ||
| | | | ||
[https://forum.librivox.org/viewtopic.php?f=28&t= | [https://forum.librivox.org/viewtopic.php?f=28&t=63047 Los Cuatro Jinetes del Apocalipsis] | ||
| | | | ||
<div align="right"> | <div align="right">30</div> | ||
| | | | ||
<div align="right"> | <div align="right">3</div> | ||
| | | | ||
<div align="right"> | <div align="right">10</div> | ||
| | | | ||
<div align="right"> | <div align="right">3</div> | ||
| | | | ||
<div align="right"> | <div align="right">10</div> | ||
| | | | ||
Line 974: | Line 974: | ||
|- | |- | ||
| | | | ||
[https://forum.librivox.org/viewtopic.php?f=28&t= | [https://forum.librivox.org/viewtopic.php?f=28&t=42569 Recollections of Old Liverpool by a Nonagenarian] | ||
| | | | ||
<div align="right"> | <div align="right">20</div> | ||
| | | | ||
<div align="right"> | <div align="right">5</div> | ||
| | | | ||
<div align="right"> | <div align="right">25</div> | ||
| | | | ||
<div align="right"> | <div align="right">2</div> | ||
| | | | ||
<div align="right"> | <div align="right">10</div> | ||
| | | | ||
Line 999: | Line 999: | ||
|- | |- | ||
| | | | ||
[https://forum.librivox.org/viewtopic.php?f=28&t= | [https://forum.librivox.org/viewtopic.php?f=28&t=64619 Jo's Boys] | ||
| | | | ||
<div align="right"> | <div align="right">82</div> | ||
| | | | ||
<div align="right"> | <div align="right">70</div> | ||
| | | | ||
<div align="right"> | <div align="right">85</div> | ||
| | | | ||
<div align="right"> | <div align="right">7</div> | ||
| | | | ||
<div align="right"> | <div align="right">9</div> | ||
| | | | ||
Line 1,024: | Line 1,024: | ||
|- | |- | ||
| | | | ||
[https://forum.librivox.org/viewtopic.php?p= | [https://forum.librivox.org/viewtopic.php?f=28&t=36339&p=660670 The Naval Pioneers of Australia] | ||
| | | | ||
<div align="right"> | <div align="right">12</div> | ||
| | | | ||
<div align="right"> | <div align="right">12</div> | ||
| | | | ||
<div align="right"> | <div align="right">100</div> | ||
| | | | ||
Line 1,039: | Line 1,039: | ||
| | | | ||
<div align="right"> | <div align="right">8</div> | ||
| | | | ||
Fully Subscribed | |||
| | | | ||
Line 1,049: | Line 1,049: | ||
|- | |- | ||
| | | | ||
[https://forum.librivox.org/viewtopic.php? | [https://forum.librivox.org/viewtopic.php?f=28&t=57748 Skandinaviska äventyr - Skandinaviske eventyr] | ||
| | | | ||
<div align="right"> | <div align="right">15</div> | ||
| | | | ||
<div align="right"> | <div align="right">1</div> | ||
| | | | ||
<div align="right"> | <div align="right">7</div> | ||
| | | | ||
<div align="right">1</div> | |||
| | | | ||
<div align="right"> | <div align="right">7</div> | ||
| | | | ||
Open | |||
| | | | ||
Line 1,074: | Line 1,074: | ||
|- | |- | ||
| | | | ||
[https://forum.librivox.org/viewtopic.php?f= | [https://forum.librivox.org/viewtopic.php?f=28&t=64578 Elsie Venner] | ||
| | | | ||
<div align="right"> | <div align="right">36</div> | ||
| | | | ||
<div align="right">2</div> | |||
| | | | ||
<div align="right"> | <div align="right">6</div> | ||
| | | | ||
<div align="right">2</div> | |||
| | | | ||
<div align="right"> | <div align="right">6</div> | ||
| | | | ||
Line 1,099: | Line 1,099: | ||
|- | |- | ||
| | | | ||
[https://forum.librivox.org/viewtopic.php?f=28&t= | [https://forum.librivox.org/viewtopic.php?f=28&t=63315 <nowiki>The Enterprise of the ''Mayflower''</nowiki>] | ||
| | | | ||
<div align="right"> | <div align="right">18</div> | ||
| | | | ||
<div align="right"> | <div align="right">10</div> | ||
| | | | ||
<div align="right"> | <div align="right">56</div> | ||
| | | | ||
<div align="right">1</div> | |||
| | | | ||
<div align="right"> | <div align="right">6</div> | ||
| | | | ||
Line 1,124: | Line 1,124: | ||
|- | |- | ||
| | | | ||
[https://forum.librivox.org/viewtopic.php? | [https://forum.librivox.org/viewtopic.php?p=1300498 Multilingual Short Works Collection 017 - Poetry and Prose] | ||
| | | | ||
<div align="right"> | <div align="right">20</div> | ||
| | | | ||
<div align="right"> | <div align="right">14</div> | ||
| | | | ||
<div align="right"> | <div align="right">70</div> | ||
| | | | ||
<div align="right">1</div> | |||
| | | | ||
<div align="right"> | <div align="right">5</div> | ||
| | | | ||
Open | |||
| | | | ||
Line 1,149: | Line 1,149: | ||
|- | |- | ||
| | | | ||
[https://forum.librivox.org/viewtopic.php?f=28&t= | [https://forum.librivox.org/viewtopic.php?f=28&t=64574 The History of Pendennis] | ||
| | | | ||
<div align="right"> | <div align="right">78</div> | ||
| | | | ||
<div align="right"> | <div align="right">3</div> | ||
| | | | ||
<div align="right"> | <div align="right">4</div> | ||
| | | | ||
<div align="right">1</div> | |||
| | | | ||
<div align="right"> | <div align="right">1</div> | ||
| | | | ||
Open | |||
| | | | ||
Line 1,174: | Line 1,174: | ||
|- | |- | ||
| | | | ||
[https://forum.librivox.org/viewtopic.php? | [https://forum.librivox.org/viewtopic.php?p=1170142 A Prefect's Uncle] | ||
| | | | ||
<div align="right"> | <div align="right">18</div> | ||
| | | | ||
<div align="right"> | <div align="right">18</div> | ||
| | | | ||
<div align="right"> | <div align="right">100</div> | ||
| | | | ||
Line 1,192: | Line 1,192: | ||
| | | | ||
Fully Subscribed | |||
| | | | ||
Line 1,199: | Line 1,199: | ||
|- | |- | ||
| | | | ||
[https://forum.librivox.org/viewtopic.php?f= | [https://forum.librivox.org/viewtopic.php?f=12&t=64573 Anything You Can Do] | ||
| | | | ||
<div align="right"> | <div align="right">6</div> | ||
| | | | ||
<div align="right"> | <div align="right">5</div> | ||
| | | | ||
<div align="right"> | <div align="right">83</div> | ||
| | | | ||
Line 1,224: | Line 1,224: | ||
|- | |- | ||
| | | | ||
[https://forum.librivox.org/viewtopic.php?f=28&t= | [https://forum.librivox.org/viewtopic.php?f=28&t=64847 Arts and Crafts Essays] | ||
| | | | ||
<div align="right"> | <div align="right">36</div> | ||
| | | | ||
<div align="right">12</div> | |||
| | | | ||
<div align="right"> | <div align="right">33</div> | ||
| | | | ||
Line 1,249: | Line 1,249: | ||
|- | |- | ||
| | | | ||
[https://forum.librivox.org/viewtopic.php?f=28&t= | [https://forum.librivox.org/viewtopic.php?f=28&t=63878 As a Man Thinketh (version 5)] | ||
| | | | ||
<div align="right"> | <div align="right">8</div> | ||
| | | | ||
<div align="right">8</div> | |||
| | | | ||
<div align="right"> | <div align="right">100</div> | ||
| | | | ||
Line 1,267: | Line 1,267: | ||
| | | | ||
Fully Subscribed | |||
| | | | ||
Line 1,274: | Line 1,274: | ||
|- | |- | ||
| | | | ||
[https://forum.librivox.org/viewtopic.php?f= | [https://forum.librivox.org/viewtopic.php?f=28&t=64692 Bel-Ami] | ||
| | | | ||
<div align="right"> | <div align="right">18</div> | ||
| | | | ||
<div align="right"> | <div align="right">18</div> | ||
| | | | ||
<div align="right"> | <div align="right">100</div> | ||
| | | | ||
Line 1,292: | Line 1,292: | ||
| | | | ||
Fully Subscribed | |||
| | | | ||
Line 1,299: | Line 1,299: | ||
|- | |- | ||
| | | | ||
[https://forum.librivox.org/viewtopic.php?f=28&t=64803 Concerning Isabel Carnaby] | |||
| | | | ||
<div align="right"> | <div align="right">25</div> | ||
| | | | ||
| | | | ||
<div align="right"> | <div align="right">0</div> | ||
| | | | ||
Line 1,317: | Line 1,317: | ||
| | | | ||
Open | |||
| | | | ||
Line 1,324: | Line 1,324: | ||
|- | |- | ||
| | | | ||
El Libro de Las Mil Noches y Una Noche Volumen 3 | |||
| | | | ||
<div align="right"> | <div align="right">10</div> | ||
| | | | ||
<div align="right"> | <div align="right">10</div> | ||
| | | | ||
<div align="right"> | <div align="right">100</div> | ||
| | | | ||
Line 1,342: | Line 1,342: | ||
| | | | ||
Fully Subscribed | |||
| | | | ||
Line 1,430: | Line 1,430: | ||
| | | | ||
<div align="right"> | <div align="right">5</div> | ||
| | | | ||
<div align="right"> | <div align="right">22</div> | ||
| | | | ||
Line 1,474: | Line 1,474: | ||
|- | |- | ||
| | | | ||
[https://forum.librivox.org/viewtopic.php?f=28&t= | [https://forum.librivox.org/viewtopic.php?f=28&t=64281 Love Affairs of the Courts of Europe] | ||
| | | | ||
<div align="right"> | <div align="right">29</div> | ||
| | | | ||
<div align="right"> | <div align="right">8</div> | ||
| | | | ||
<div align="right"> | <div align="right">28</div> | ||
| | | | ||
Line 1,499: | Line 1,499: | ||
|- | |- | ||
| | | | ||
[https://forum.librivox.org/viewtopic.php?f=28&t= | [https://forum.librivox.org/viewtopic.php?f=28&t=64856 Marion Harland's Cookery for Beginners] | ||
| | | | ||
<div align="right"> | <div align="right">14</div> | ||
| | | | ||
<div align="right"> | <div align="right">13</div> | ||
| | | | ||
<div align="right"> | <div align="right">93</div> | ||
| | | | ||
Line 1,674: | Line 1,674: | ||
|- | |- | ||
| | | | ||
[https://forum.librivox.org/viewtopic.php?f= | [https://forum.librivox.org/viewtopic.php?f=19&t=64886 Poems] | ||
| | | | ||
<div align="right"> | <div align="right">88</div> | ||
| | | | ||
<div align="right">25</div> | |||
| | | | ||
<div align="right"> | <div align="right">28</div> | ||
| | | | ||
Line 1,699: | Line 1,699: | ||
|- | |- | ||
| | | | ||
[https://forum.librivox.org/viewtopic.php?f= | [https://forum.librivox.org/viewtopic.php?f=26&t=64706 The Dream of the Red Chamber Book II] | ||
| | | | ||
<div align="right"> | <div align="right">63</div> | ||
| | | | ||
Line 1,724: | Line 1,724: | ||
|- | |- | ||
| | | | ||
[https://forum.librivox.org/viewtopic.php?f=28&t= | [https://forum.librivox.org/viewtopic.php?f=28&t=64235&p=1328352 THE GOLD OF FAIRNILEE] | ||
| | | | ||
<div align="right"> | <div align="right">13</div> | ||
| | | | ||
<div align="right"> | <div align="right">5</div> | ||
| | | | ||
<div align="right"> | <div align="right">38</div> | ||
| | | | ||
Line 1,749: | Line 1,749: | ||
|- | |- | ||
| | | | ||
[https://forum.librivox.org/viewtopic.php?f=28&t= | [https://forum.librivox.org/viewtopic.php?f=28&t=64949 The Life Everlasting: A Reality of Romance] | ||
| | | | ||
<div align="right"> | <div align="right">21</div> | ||
| | | | ||
<div align="right"> | <div align="right">21</div> | ||
| | | | ||
<div align="right"> | <div align="right">100</div> | ||
| | | | ||
Line 1,767: | Line 1,767: | ||
| | | | ||
Fully Subscribed | |||
| | | | ||
Line 1,774: | Line 1,774: | ||
|- | |- | ||
| | | | ||
[https://forum.librivox.org/viewtopic.php?f=28&t= | [https://forum.librivox.org/viewtopic.php?f=28&t=64433 The Little Minister] | ||
| | | | ||
<div align="right"> | <div align="right">46</div> | ||
| | | | ||
<div align="right">2</div> | |||
| | | | ||
<div align="right"> | <div align="right">4</div> | ||
| | | | ||
Line 1,799: | Line 1,799: | ||
|- | |- | ||
| | | | ||
[https://forum.librivox.org/viewtopic.php?f=28&t=64104&p=1324892 The Picture of Dorian Gray (version 4)] | [https://forum.librivox.org/viewtopic.php?f=28&t=64261 The Man Who Ended War] | ||
| | |||
<div align="right">20</div> | |||
| | |||
| | |||
<div align="right">0</div> | |||
| | |||
| | |||
<div align="right">0</div> | |||
| | |||
Open | |||
| | |||
|- | |||
| | |||
[https://forum.librivox.org/viewtopic.php?f=28&t=64104&p=1324892 The Picture of Dorian Gray (version 4)] | |||
| | | | ||
Line 1,824: | Line 1,849: | ||
|- | |- | ||
| | | | ||
[https://forum.librivox.org/viewtopic.php?f=28&t= | [https://forum.librivox.org/viewtopic.php?f=28&t=64887 The Spook Ballads] | ||
| | | | ||
<div align="right"> | <div align="right">62</div> | ||
| | | | ||
<div align="right">5</div> | |||
| | | | ||
<div align="right"> | <div align="right">8</div> | ||
| | | | ||
Line 1,874: | Line 1,899: | ||
|- | |- | ||
| | | | ||
[https://forum.librivox.org/viewtopic.php?f=28&t=64627 The World’s Famous Orations, Vol. II: Rome] | [https://forum.librivox.org/viewtopic.php?f=28&t=64800&p=1339238 The Wheat Princess] | ||
| | |||
<div align="right">27</div> | |||
| | |||
| | |||
<div align="right">0</div> | |||
| | |||
| | |||
<div align="right">0</div> | |||
| | |||
Open | |||
| | |||
|- | |||
| | |||
[https://forum.librivox.org/viewtopic.php?f=28&t=64627 The World’s Famous Orations, Vol. II: Rome] | |||
| | | | ||
Line 1,905: | Line 1,955: | ||
| | | | ||
<div align="right"> | <div align="right">3</div> | ||
| | | | ||
<div align="right"> | <div align="right">10</div> | ||
| | | | ||
Line 1,924: | Line 1,974: | ||
|- | |- | ||
| | | | ||
[https://forum.librivox.org/viewtopic.php?f= | [https://forum.librivox.org/viewtopic.php?f=28&t=64846 Thrilling Narratives of Mutiny, Murder and Piracy] | ||
| | |||
<div align="right">47</div> | |||
| | |||
<div align="right">6</div> | |||
| | | | ||
<div align="right"> | <div align="right">13</div> | ||
| | | | ||
Line 1,984: | Line 2,034: | ||
| | | | ||
<div align="right">10</div> | <div align="right">10</div> | ||
| | | |
Revision as of 21:26, 8 April 2017
How to Use These Tables
Use the PL status table to see which projects do not currently have an assigned Dedicated Proof Listener (DPL).
Use the section status table to see which projects are currently underway, which ones are close to completion, which need just a couple of sections claimed to be fully subscribed, and so on.
For both tables, the project titles are links to the project thread.
To Sort - Click on the icon next to the column title to sort the table by that column. If you sort by sections claimed or completed, it will sort by the NUMBER of sections, not the percentage. Refresh the page to revert it to the default sort.
PL Status Table
Data current as of 08 April 4:00 pm CDT
Project Name | Sections | Assigned | % | Completed | % | Status | DPL Name |
---|---|---|---|---|---|---|---|
40
|
40
|
100
|
39
|
98
|
Fully Subscribed |
| |
Antologia Brasileira, Coletânea em Prosa e Verso de Escritores Nacionais, Volume 1 |
75
|
74
|
99
|
70
|
93
|
Open |
|
39
|
36
|
92
|
35
|
90
|
Open |
| |
17
|
17
|
100
|
15
|
88
|
Fully Subscribed |
| |
30
|
30
|
100
|
25
|
83
|
Fully Subscribed |
| |
51
|
51
|
100
|
40
|
78
|
Fully Subscribed |
| |
8
|
8
|
100
|
6
|
75
|
Fully Subscribed |
| |
75
|
55
|
73
|
55
|
73
|
Open |
| |
24
|
17
|
71
|
17
|
71
|
Open |
| |
25
|
25
|
100
|
17
|
68
|
Fully Subscribed |
| |
37
|
27
|
73
|
24
|
65
|
Open |
| |
283
|
253
|
89
|
169
|
60
|
Open |
| |
6
|
6
|
100
|
3
|
50
|
Fully Subscribed |
| |
36
|
31
|
86
|
18
|
50
|
Open |
| |
14
|
14
|
100
|
7
|
50
|
Fully Subscribed |
| |
22
|
22
|
100
|
11
|
50
|
Fully Subscribed |
| |
25
|
13
|
52
|
12
|
48
|
Open |
| |
15
|
15
|
100
|
7
|
47
|
Fully Subscribed |
| |
15
|
9
|
60
|
7
|
47
|
Open |
| |
20
|
9
|
45
|
9
|
45
|
Open |
| |
20
|
8
|
40
|
8
|
40
|
Open |
| |
23
|
16
|
70
|
9
|
39
|
Open |
| |
14
|
14
|
100
|
5
|
36
|
Fully Subscribed |
| |
14
|
14
|
100
|
5
|
36
|
Fully Subscribed |
| |
11
|
11
|
100
|
4
|
36
|
Fully Subscribed |
| |
52
|
28
|
54
|
18
|
35
|
Open |
| |
70
|
30
|
43
|
22
|
31
|
Open |
| |
11
|
10
|
91
|
3
|
27
|
Open |
| |
110
|
33
|
30
|
23
|
21
|
Open |
| |
15
|
5
|
33
|
3
|
20
|
Open |
| |
20
|
4
|
20
|
4
|
20
|
Open |
| |
30
|
11
|
37
|
5
|
17
|
Open |
| |
156
|
39
|
25
|
25
|
16
|
Open |
| |
7
|
7
|
100
|
1
|
14
|
Fully Subscribed |
| |
Corporal Cameron of the North West Mounted Police--A Tale of the Macleod Trial |
25
|
7
|
28
|
3
|
12
|
Open |
|
90
|
90
|
100
|
11
|
12
|
Fully Subscribed |
| |
58
|
18
|
31
|
6
|
10
|
Open |
| |
30
|
3
|
10
|
3
|
10
|
Open |
| |
20
|
5
|
25
|
2
|
10
|
Open |
| |
82
|
70
|
85
|
7
|
9
|
Open |
| |
12
|
12
|
100
|
1
|
8
|
Fully Subscribed |
| |
15
|
1
|
7
|
1
|
7
|
Open |
| |
36
|
2
|
6
|
2
|
6
|
Open |
| |
18
|
10
|
56
|
1
|
6
|
Open |
| |
20
|
14
|
70
|
1
|
5
|
Open |
| |
78
|
3
|
4
|
1
|
1
|
Open |
| |
18
|
18
|
100
|
|
0
|
Fully Subscribed |
| |
6
|
5
|
83
|
|
0
|
Open |
| |
36
|
12
|
33
|
|
0
|
Open |
| |
8
|
8
|
100
|
|
0
|
Fully Subscribed |
| |
18
|
18
|
100
|
|
0
|
Fully Subscribed |
| |
25
|
|
0
|
|
0
|
Open |
| |
El Libro de Las Mil Noches y Una Noche Volumen 3 |
10
|
10
|
100
|
|
0
|
Fully Subscribed |
|
17
|
17
|
100
|
|
0
|
Fully Subscribed |
| |
4
|
4
|
100
|
|
0
|
Fully Subscribed |
| |
25
|
25
|
100
|
|
0
|
Fully Subscribed |
| |
23
|
5
|
22
|
|
0
|
Open |
| |
Little Busybodies: The Life of Crickets, Ants, Bees, and Others |
17
|
|
0
|
|
0
|
Open |
|
29
|
8
|
28
|
|
0
|
Open |
| |
14
|
13
|
93
|
|
0
|
Open |
| |
Memoirs of the Author of A Vindication of the Rights of Woman |
10
|
10
|
100
|
|
0
|
Fully Subscribed |
|
241
|
241
|
100
|
|
0
|
Fully Subscribed |
| |
36
|
36
|
100
|
|
0
|
Fully Subscribed |
| |
48
|
|
0
|
|
0
|
Open |
| |
30
|
30
|
100
|
|
0
|
Fully Subscribed |
| |
14
|
14
|
100
|
|
0
|
Fully Subscribed |
| |
88
|
25
|
28
|
|
0
|
Open |
| |
63
|
|
0
|
|
0
|
Open |
| |
13
|
5
|
38
|
|
0
|
Open |
| |
21
|
21
|
100
|
|
0
|
Fully Subscribed |
| |
46
|
2
|
4
|
|
0
|
Open |
| |
20
|
|
0
|
|
0
|
Open |
| |
19
|
19
|
100
|
|
0
|
Fully Subscribed |
| |
62
|
5
|
8
|
|
0
|
Open |
| |
33
|
33
|
100
|
|
0
|
Fully Subscribed |
| |
27
|
|
0
|
|
0
|
Open |
| |
29
|
|
0
|
|
0
|
Open |
| |
29
|
3
|
10
|
|
0
|
Open |
| |
47
|
6
|
13
|
|
0
|
Open |
| |
10
|
10
|
100
|
|
0
|
Fully Subscribed |
| |
10
|
1
|
10
|
|
0
|
Open |
|
Section Status Table
Data current as of 29 March 8:30 pm CST
Project Name | Sections | Assigned | % | Completed | % | Status |
---|---|---|---|---|---|---|
Antologia Brasileira, Coletânea em Prosa e Verso de Escritores Nacionais, Volume 1 |
75
|
74
|
99
|
69
|
92
|
Open |
84
|
81
|
96
|
81
|
96
|
Open | |
48
|
46
|
96
|
43
|
90
|
Open | |
150
|
142
|
95
|
127
|
85
|
Open | |
20
|
19
|
95
|
17
|
85
|
Open | |
62
|
58
|
94
|
53
|
85
|
Open | |
81
|
76
|
94
|
59
|
73
|
Open | |
87
|
81
|
93
|
73
|
84
|
Open | |
88
|
82
|
93
|
71
|
81
|
Open | |
113
|
105
|
93
|
86
|
76
|
Open | |
Abraham Lincoln and the Abolition of Slavery in the United States |
14
|
13
|
93
|
10
|
71
|
Open |
28
|
26
|
93
|
20
|
71
|
Open | |
54
|
50
|
93
|
38
|
70
|
Open | |
29
|
27
|
93
|
18
|
62
|
Open | |
39
|
36
|
92
|
35
|
90
|
Open | |
89
|
81
|
91
|
77
|
87
|
Open | |
22
|
20
|
91
|
17
|
77
|
Open | |
67
|
60
|
90
|
58
|
87
|
Open | |
125
|
113
|
90
|
101
|
81
|
Open | |
30
|
27
|
90
|
19
|
63
|
Open | |
60
|
54
|
90
|
38
|
63
|
Open | |
102
|
91
|
89
|
67
|
66
|
Open | |
283
|
253
|
89
|
169
|
60
|
Open | |
Potash and Perlmutter: Their Copartnership Ventures and Adventures |
17
|
15
|
88
|
14
|
82
|
Open |
8
|
7
|
88
|
4
|
50
|
Open | |
127
|
111
|
87
|
92
|
72
|
Open | |
23
|
20
|
87
|
15
|
65
|
Open | |
14
|
12
|
86
|
12
|
86
|
Open | |
Lives of the Most Eminent Painters, Sculptors and Architects Volume 5 |
28
|
24
|
86
|
21
|
75
|
Open |
36
|
31
|
86
|
17
|
47
|
Open | |
The Poems of Sappho: An Interpretative Rendition into English |
7
|
6
|
86
|
1
|
14
|
Open |
20
|
17
|
85
|
17
|
85
|
Open | |
41
|
35
|
85
|
26
|
63
|
Open | |
82
|
69
|
84
|
68
|
83
|
Open | |
123
|
103
|
84
|
94
|
76
|
Open | |
38
|
32
|
84
|
20
|
53
|
Open | |
12
|
10
|
83
|
3
|
25
|
Open | |
PEEPS AT PEOPLE - Being Certain Papers from the Writings of ANNE WARRINGTON WITHERUP |
12
|
10
|
83
|
2
|
17
|
Open |
250
|
206
|
82
|
188
|
75
|
Open | |
Little Busybodies: The Life of Crickets, Ants, Bees, and Others |
17
|
14
|
82
|
11
|
65
|
Open |
17
|
14
|
82
|
11
|
65
|
Open | |
67
|
55
|
82
|
35
|
52
|
Open | |
33
|
27
|
82
|
8
|
24
|
Open | |
11
|
9
|
82
|
2
|
18
|
Open | |
16
|
13
|
81
|
9
|
56
|
Open | |
43
|
35
|
81
|
22
|
51
|
Open | |
312
|
254
|
81
|
134
|
43
|
Open | |
49
|
39
|
80
|
27
|
55
|
Open | |
226
|
181
|
80
|
120
|
53
|
Open | |
42
|
33
|
79
|
25
|
60
|
Open | |
120
|
95
|
79
|
54
|
45
|
Open | |
104
|
81
|
78
|
71
|
68
|
Open | |
50
|
39
|
78
|
28
|
56
|
Open | |
132
|
101
|
77
|
84
|
64
|
Open | |
26
|
20
|
77
|
12
|
46
|
Open | |
112
|
84
|
75
|
64
|
57
|
Open | |
48
|
36
|
75
|
19
|
40
|
Open | |
914
|
681
|
75
|
305
|
33
|
Open | |
151
|
111
|
74
|
98
|
65
|
Open | |
27
|
20
|
74
|
16
|
59
|
Open | |
75
|
55
|
73
|
55
|
73
|
Open | |
30
|
22
|
73
|
21
|
70
|
Open | |
37
|
27
|
73
|
24
|
65
|
Open | |
22
|
16
|
73
|
7
|
32
|
Open | |
25
|
18
|
72
|
17
|
68
|
Open | |
24
|
17
|
71
|
17
|
71
|
Open | |
28
|
20
|
71
|
15
|
54
|
Open | |
24
|
17
|
71
|
12
|
50
|
Open | |
35
|
25
|
71
|
13
|
37
|
Open | |
54
|
38
|
70
|
35
|
65
|
Open | |
Criminal Investigation: a Practical Handbook for Magistrates, Police Officers and Lawyers, Volume 3 |
33
|
23
|
70
|
15
|
45
|
Open |
39
|
27
|
69
|
15
|
38
|
Open | |
25
|
17
|
68
|
14
|
56
|
Open | |
25
|
17
|
68
|
11
|
44
|
Open | |
69
|
46
|
67
|
37
|
54
|
Open | |
27
|
18
|
67
|
13
|
48
|
Open | |
61
|
41
|
67
|
26
|
43
|
Open | |
43
|
29
|
67
|
13
|
30
|
Open | |
180
|
118
|
66
|
103
|
57
|
Open | |
83
|
55
|
66
|
34
|
41
|
Open | |
41
|
27
|
66
|
6
|
15
|
Open | |
82
|
53
|
65
|
6
|
7
|
Open | |
20
|
13
|
65
|
1
|
5
|
Open | |
25
|
16
|
64
|
10
|
40
|
Open | |
43
|
27
|
63
|
23
|
53
|
Open | |
63
|
40
|
63
|
29
|
46
|
Open | |
16
|
10
|
63
|
6
|
38
|
Open | |
26
|
16
|
62
|
15
|
58
|
Open | |
13
|
8
|
62
|
7
|
54
|
Open | |
26
|
16
|
62
|
8
|
31
|
Open | |
41
|
25
|
61
|
10
|
24
|
Open | |
31
|
19
|
61
|
7
|
23
|
Open | |
5
|
3
|
60
|
3
|
60
|
Open | |
15
|
9
|
60
|
7
|
47
|
Open | |
10
|
6
|
60
|
3
|
30
|
Open | |
59
|
34
|
58
|
34
|
58
|
Open | |
12
|
7
|
58
|
7
|
58
|
Open | |
Melor of the Silver Hand; and Other Stories of the Bright Ages |
19
|
11
|
58
|
4
|
21
|
Open |
79
|
46
|
58
|
|
0
|
Open | |
14
|
8
|
57
|
4
|
29
|
Open | |
27
|
15
|
56
|
13
|
48
|
Open | |
41
|
23
|
56
|
18
|
44
|
Open | |
36
|
20
|
56
|
13
|
36
|
Open | |
18
|
10
|
56
|
1
|
6
|
Open | |
20
|
11
|
55
|
11
|
55
|
Open | |
33
|
18
|
55
|
13
|
39
|
Open | |
11
|
6
|
55
|
|
0
|
Open | |
52
|
28
|
54
|
16
|
31
|
Open | |
50
|
27
|
54
|
6
|
12
|
Open | |
30
|
16
|
53
|
12
|
40
|
Open | |
118
|
62
|
53
|
23
|
19
|
Open | |
25
|
13
|
52
|
12
|
48
|
Open | |
60
|
31
|
52
|
25
|
42
|
Open | |
25
|
13
|
52
|
7
|
28
|
Open | |
82
|
42
|
51
|
24
|
29
|
Open | |
39
|
20
|
51
|
9
|
23
|
Open | |
32
|
16
|
50
|
14
|
44
|
Open | |
21
|
10
|
48
|
1
|
5
|
Open | |
20
|
9
|
45
|
8
|
40
|
Open | |
42
|
19
|
45
|
13
|
31
|
Open | |
48
|
21
|
44
|
16
|
33
|
Open | |
70
|
30
|
43
|
21
|
30
|
Open | |
35
|
15
|
43
|
4
|
11
|
Open | |
Meridiana: The adventures of three Englishmen and three Russians in South Africa |
23
|
10
|
43
|
2
|
9
|
Open |
28
|
12
|
43
|
1
|
4
|
Open | |
23
|
10
|
43
|
|
0
|
Open | |
33
|
14
|
42
|
8
|
24
|
Open | |
22
|
9
|
41
|
6
|
27
|
Open | |
5
|
2
|
40
|
1
|
20
|
Open | |
31
|
12
|
39
|
6
|
19
|
Open | |
40
|
15
|
38
|
15
|
38
|
Open | |
55
|
21
|
38
|
18
|
33
|
Open | |
13
|
5
|
38
|
2
|
15
|
Open | |
30
|
11
|
37
|
5
|
17
|
Open | |
27
|
10
|
37
|
|
0
|
Open | |
25
|
9
|
36
|
4
|
16
|
Open | |
25
|
9
|
36
|
2
|
8
|
Open | |
44
|
16
|
36
|
|
0
|
Open | |
20
|
7
|
35
|
|
0
|
Open | |
100
|
34
|
34
|
24
|
24
|
Open | |
180
|
60
|
33
|
45
|
25
|
Open | |
15
|
5
|
33
|
3
|
20
|
Open | |
18
|
6
|
33
|
2
|
11
|
Open | |
31
|
10
|
32
|
9
|
29
|
Open | |
76
|
24
|
32
|
7
|
9
|
Open | |
58
|
18
|
31
|
5
|
9
|
Open | |
20
|
6
|
30
|
6
|
30
|
Open | |
20
|
6
|
30
|
5
|
25
|
Open | |
110
|
33
|
30
|
23
|
21
|
Open | |
56
|
16
|
29
|
9
|
16
|
Open | |
109
|
30
|
28
|
26
|
24
|
Open | |
18
|
5
|
28
|
3
|
17
|
Open | |
Corporal Cameron of the North West Mounted Police--A Tale of the Macleod Trial |
25
|
7
|
28
|
3
|
12
|
Open |
37
|
10
|
27
|
10
|
27
|
Open | |
15
|
4
|
27
|
4
|
27
|
Open | |
45
|
12
|
27
|
|
0
|
Open | |
47
|
12
|
26
|
|
0
|
Open | |
8
|
2
|
25
|
2
|
25
|
Open | |
20
|
5
|
25
|
2
|
10
|
Open | |
13
|
3
|
23
|
1
|
8
|
Open | |
44
|
10
|
23
|
3
|
7
|
Open | |
33
|
7
|
21
|
1
|
3
|
Open | |
156
|
33
|
21
|
|
0
|
Open | |
15
|
3
|
20
|
|
0
|
Open | |
48
|
9
|
19
|
|
0
|
Open | |
33
|
6
|
18
|
6
|
18
|
Open | |
40
|
7
|
18
|
3
|
8
|
Open | |
11
|
2
|
18
|
|
0
|
Open | |
29
|
5
|
17
|
|
0
|
Open | |
61
|
10
|
16
|
9
|
15
|
Open | |
38
|
6
|
16
|
4
|
11
|
Open | |
14
|
2
|
14
|
2
|
14
|
Open | |
22
|
3
|
14
|
1
|
5
|
Open | |
63
|
9
|
14
|
|
0
|
Open | |
102
|
13
|
13
|
12
|
12
|
Open | |
27
|
3
|
11
|
|
0
|
Open | |
30
|
3
|
10
|
3
|
10
|
Open | |
10
|
1
|
10
|
|
0
|
Open | |
23
|
2
|
9
|
|
0
|
Open | |
15
|
1
|
7
|
1
|
7
|
Open | |
36
|
2
|
6
|
|
0
|
Open | |
44
|
2
|
5
|
1
|
2
|
Open | |
75
|
3
|
4
|
|
0
|
Open | |
46
|
2
|
4
|
|
0
|
Open | |
28
|
1
|
4
|
|
0
|
Open | |
33
|
1
|
3
|
1
|
3
|
Open | |
29
|
1
|
3
|
|
0
|
Open | |
59
|
1
|
2
|
|
0
|
Open | |
78
|
1
|
1
|
|
0
|
Open | |
16
|
|
0
|
|
0
|
Open | |
63
|
|
0
|
|
0
|
Open | |
Little Busybodies: The Life of Crickets, Ants, Bees, and Others |
17
|
|
0
|
|
0
|
Open |
13
|
|
0
|
|
0
|
Open | |
13
|
|
0
|
|
0
|
Open | |
26
|
|
0
|
|
0
|
Open | |
34
|
|
0
|
|
0
|
Open | |
13
|
|
0
|
|
0
|
Open | |
20
|
|
0
|
|
0
|
Open | |
The Lane that had no Turning, and Other Tales concerning the People of Pontiac |
29
|
|
0
|
|
0
|
Open |
25
|
|
0
|
|
0
|
Open | |
48
|
|
0
|
|
0
|
Open | |
13
|
|
0
|
|
0
|
Open | |
6
|
|
0
|
|
0
|
Open | |
29
|
|
0
|
|
0
|
Open | |
20
|
|
0
|
|
0
|
Open | |
20
|
|
0
|
|
0
|
Open | |
18
|
18
|
100
|
18
|
100
|
Fully Subscribed | |
91
|
91
|
100
|
90
|
99
|
Fully Subscribed | |
75
|
75
|
100
|
73
|
97
|
Fully Subscribed | |
142
|
142
|
100
|
138
|
97
|
Fully Subscribed | |
26
|
26
|
100
|
25
|
96
|
Fully Subscribed | |
24
|
24
|
100
|
23
|
96
|
Fully Subscribed | |
21
|
21
|
100
|
20
|
95
|
Fully Subscribed | |
51
|
51
|
100
|
48
|
94
|
Fully Subscribed | |
33
|
33
|
100
|
31
|
94
|
Fully Subscribed | |
40
|
40
|
100
|
37
|
93
|
Fully Subscribed | |
27
|
27
|
100
|
25
|
93
|
Fully Subscribed | |
41
|
41
|
100
|
38
|
93
|
Fully Subscribed | |
15
|
15
|
100
|
14
|
93
|
Fully Subscribed | |
126
|
126
|
100
|
116
|
92
|
Fully Subscribed | |
261
|
260
|
100
|
238
|
91
|
Fully Subscribed | |
22
|
22
|
100
|
20
|
91
|
Fully Subscribed | |
33
|
33
|
100
|
30
|
91
|
Fully Subscribed | |
31
|
31
|
100
|
28
|
90
|
Fully Subscribed | |
71
|
71
|
100
|
64
|
90
|
Fully Subscribed | |
10
|
10
|
100
|
9
|
90
|
Fully Subscribed | |
37
|
37
|
100
|
33
|
89
|
Fully Subscribed | |
35
|
35
|
100
|
31
|
89
|
Fully Subscribed | |
35
|
35
|
100
|
31
|
89
|
Fully Subscribed | |
18
|
18
|
100
|
16
|
89
|
Fully Subscribed | |
40
|
40
|
100
|
35
|
88
|
Fully Subscribed | |
84
|
84
|
100
|
74
|
88
|
Fully Subscribed | |
17
|
17
|
100
|
15
|
88
|
Fully Subscribed | |
24
|
24
|
100
|
21
|
88
|
Fully Subscribed | |
31
|
31
|
100
|
27
|
87
|
Fully Subscribed | |
31
|
31
|
100
|
27
|
87
|
Fully Subscribed | |
23
|
23
|
100
|
20
|
87
|
Fully Subscribed | |
128
|
128
|
100
|
111
|
87
|
Fully Subscribed | |
23
|
23
|
100
|
20
|
87
|
Fully Subscribed | |
45
|
45
|
100
|
38
|
84
|
Fully Subscribed | |
House, Garden and Field: A Collection of Short Nature Studies |
56
|
56
|
100
|
47
|
84
|
Fully Subscribed |
30
|
30
|
100
|
25
|
83
|
Fully Subscribed | |
69
|
69
|
100
|
57
|
83
|
Fully Subscribed | |
23
|
23
|
100
|
19
|
83
|
Fully Subscribed | |
24
|
24
|
100
|
20
|
83
|
Fully Subscribed | |
18
|
18
|
100
|
15
|
83
|
Fully Subscribed | |
87
|
87
|
100
|
71
|
82
|
Fully Subscribed | |
17
|
17
|
100
|
14
|
82
|
Fully Subscribed | |
22
|
22
|
100
|
18
|
82
|
Fully Subscribed | |
67
|
67
|
100
|
54
|
81
|
Fully Subscribed | |
26
|
26
|
100
|
21
|
81
|
Fully Subscribed | |
27
|
27
|
100
|
22
|
81
|
Fully Subscribed | |
66
|
66
|
100
|
53
|
80
|
Fully Subscribed | |
59
|
59
|
100
|
47
|
80
|
Fully Subscribed | |
20
|
20
|
100
|
16
|
80
|
Fully Subscribed | |
Beacon Lights of History, Volume 6: Renaissance and Reformation |
25
|
25
|
100
|
20
|
80
|
Fully Subscribed |
20
|
20
|
100
|
16
|
80
|
Fully Subscribed | |
14
|
14
|
100
|
11
|
79
|
Fully Subscribed | |
34
|
34
|
100
|
27
|
79
|
Fully Subscribed | |
28
|
28
|
100
|
22
|
79
|
Fully Subscribed | |
24
|
24
|
100
|
19
|
79
|
Fully Subscribed | |
68
|
68
|
100
|
53
|
78
|
Fully Subscribed | |
18
|
18
|
100
|
14
|
78
|
Fully Subscribed | |
80
|
80
|
100
|
62
|
78
|
Fully Subscribed | |
51
|
51
|
100
|
40
|
78
|
Fully Subscribed | |
138
|
138
|
100
|
108
|
78
|
Fully Subscribed | |
23
|
23
|
100
|
18
|
78
|
Fully Subscribed | |
27
|
27
|
100
|
21
|
78
|
Fully Subscribed | |
The Well at the World's End: Book 3: The Road to The Well at the World's End |
22
|
22
|
100
|
17
|
77
|
Fully Subscribed |
26
|
26
|
100
|
20
|
77
|
Fully Subscribed | |
The Adventures of Huckleberry Finn (version 5 Dramatic Reading) |
228
|
228
|
100
|
174
|
76
|
Fully Subscribed |
38
|
38
|
100
|
29
|
76
|
Fully Subscribed | |
45
|
45
|
100
|
34
|
76
|
Fully Subscribed | |
17
|
17
|
100
|
13
|
76
|
Fully Subscribed | |
25
|
25
|
100
|
19
|
76
|
Fully Subscribed | |
8
|
8
|
100
|
6
|
75
|
Fully Subscribed | |
8
|
8
|
100
|
6
|
75
|
Fully Subscribed | |
15
|
15
|
100
|
11
|
73
|
Fully Subscribed | |
32
|
32
|
100
|
23
|
72
|
Fully Subscribed | |
Reminiscences and Table-Talk of Samuel Rogers - Banker, Poet and Patron of the Arts (1763-1855) |
25
|
25
|
100
|
18
|
72
|
Fully Subscribed |
18
|
18
|
100
|
13
|
72
|
Fully Subscribed | |
14
|
14
|
100
|
10
|
71
|
Fully Subscribed | |
21
|
21
|
100
|
15
|
71
|
Fully Subscribed | |
14
|
14
|
100
|
10
|
71
|
Fully Subscribed | |
The Sorrows of Satan - Or, the Strange Experience of One Geoffrey Tempest, Millionaire |
42
|
42
|
100
|
30
|
71
|
Fully Subscribed |
33
|
33
|
100
|
23
|
70
|
Fully Subscribed | |
27
|
27
|
100
|
19
|
70
|
Fully Subscribed | |
25
|
25
|
100
|
17
|
68
|
Fully Subscribed | |
126
|
126
|
100
|
84
|
67
|
Fully Subscribed | |
21
|
21
|
100
|
14
|
67
|
Fully Subscribed | |
12
|
12
|
100
|
8
|
67
|
Fully Subscribed | |
76
|
76
|
100
|
51
|
67
|
Fully Subscribed | |
20
|
20
|
100
|
13
|
65
|
Fully Subscribed | |
17
|
17
|
100
|
11
|
65
|
Fully Subscribed | |
66
|
66
|
100
|
43
|
65
|
Fully Subscribed | |
11
|
11
|
100
|
7
|
64
|
Fully Subscribed | |
11
|
11
|
100
|
7
|
64
|
Fully Subscribed | |
8
|
8
|
100
|
5
|
63
|
Fully Subscribed | |
The Stories Polly Pepper Told to the Five Little Peppers in the Little Brown House |
26
|
26
|
100
|
16
|
62
|
Fully Subscribed |
29
|
29
|
100
|
18
|
62
|
Fully Subscribed | |
39
|
39
|
100
|
24
|
62
|
Fully Subscribed | |
21
|
21
|
100
|
13
|
62
|
Fully Subscribed | |
33
|
33
|
100
|
20
|
61
|
Fully Subscribed | |
28
|
28
|
100
|
17
|
61
|
Fully Subscribed | |
109
|
109
|
100
|
66
|
61
|
Fully Subscribed | |
67
|
67
|
100
|
41
|
61
|
Fully Subscribed | |
28
|
28
|
100
|
17
|
61
|
Fully Subscribed | |
18
|
18
|
100
|
11
|
61
|
Fully Subscribed | |
53
|
53
|
100
|
32
|
60
|
Fully Subscribed | |
52
|
52
|
100
|
31
|
60
|
Fully Subscribed | |
58
|
58
|
100
|
35
|
60
|
Fully Subscribed | |
17
|
17
|
100
|
10
|
59
|
Fully Subscribed | |
24
|
24
|
100
|
14
|
58
|
Fully Subscribed | |
44
|
44
|
100
|
25
|
57
|
Fully Subscribed | |
61
|
61
|
100
|
35
|
57
|
Fully Subscribed | |
21
|
21
|
100
|
12
|
57
|
Fully Subscribed | |
21
|
21
|
100
|
12
|
57
|
Fully Subscribed | |
42
|
42
|
100
|
24
|
57
|
Fully Subscribed | |
7
|
7
|
100
|
4
|
57
|
Fully Subscribed | |
34
|
34
|
100
|
19
|
56
|
Fully Subscribed | |
Satires of Circumstance, Lyrics and Reveries, with Miscellaneous Pieces |
107
|
107
|
100
|
60
|
56
|
Fully Subscribed |
25
|
25
|
100
|
14
|
56
|
Fully Subscribed | |
16
|
16
|
100
|
9
|
56
|
Fully Subscribed | |
25
|
25
|
100
|
14
|
56
|
Fully Subscribed | |
20
|
20
|
100
|
11
|
55
|
Fully Subscribed | |
31
|
31
|
100
|
17
|
55
|
Fully Subscribed | |
20
|
20
|
100
|
11
|
55
|
Fully Subscribed | |
100
|
100
|
100
|
54
|
54
|
Fully Subscribed | |
13
|
13
|
100
|
7
|
54
|
Fully Subscribed | |
71
|
71
|
100
|
38
|
54
|
Fully Subscribed | |
30
|
30
|
100
|
16
|
53
|
Fully Subscribed | |
40
|
40
|
100
|
21
|
53
|
Fully Subscribed | |
19
|
19
|
100
|
10
|
53
|
Fully Subscribed | |
30
|
30
|
100
|
16
|
53
|
Fully Subscribed | |
The Works of Edgar Allan Poe, Raven Edition, Volume Two (version 2) |
23
|
23
|
100
|
12
|
52
|
Fully Subscribed |
213
|
214
|
100
|
108
|
51
|
Fully Subscribed | |
71
|
71
|
100
|
36
|
51
|
Fully Subscribed | |
14
|
14
|
100
|
7
|
50
|
Fully Subscribed | |
Mary's Grammar: Interspersed with Stories and Intended for the Use of Children |
20
|
20
|
100
|
10
|
50
|
Fully Subscribed |
10
|
10
|
100
|
5
|
50
|
Fully Subscribed | |
8
|
8
|
100
|
4
|
50
|
Fully Subscribed | |
8
|
8
|
100
|
4
|
50
|
Fully Subscribed | |
4
|
4
|
100
|
2
|
50
|
Fully Subscribed | |
20
|
20
|
100
|
10
|
50
|
Fully Subscribed | |
10
|
10
|
100
|
5
|
50
|
Fully Subscribed | |
6
|
6
|
100
|
3
|
50
|
Fully Subscribed | |
70
|
70
|
100
|
34
|
49
|
Fully Subscribed | |
25
|
25
|
100
|
12
|
48
|
Fully Subscribed | |
15
|
15
|
100
|
7
|
47
|
Fully Subscribed | |
30
|
30
|
100
|
14
|
47
|
Fully Subscribed | |
19
|
19
|
100
|
9
|
47
|
Fully Subscribed | |
39
|
39
|
100
|
18
|
46
|
Fully Subscribed | |
24
|
24
|
100
|
11
|
46
|
Fully Subscribed | |
22
|
22
|
100
|
10
|
45
|
Fully Subscribed | |
18
|
18
|
100
|
8
|
44
|
Fully Subscribed | |
25
|
25
|
100
|
11
|
44
|
Fully Subscribed | |
25
|
25
|
100
|
11
|
44
|
Fully Subscribed | |
46
|
46
|
100
|
20
|
43
|
Fully Subscribed | |
30
|
30
|
100
|
13
|
43
|
Fully Subscribed | |
The Jefferson Bible - The Life and Morals of Jesus of Nazareth |
7
|
7
|
100
|
3
|
43
|
Fully Subscribed |
14
|
14
|
100
|
6
|
43
|
Fully Subscribed | |
7
|
7
|
100
|
3
|
43
|
Fully Subscribed | |
21
|
21
|
100
|
9
|
43
|
Fully Subscribed | |
60
|
60
|
100
|
25
|
42
|
Fully Subscribed | |
24
|
24
|
100
|
10
|
42
|
Fully Subscribed | |
24
|
24
|
100
|
10
|
42
|
Fully Subscribed | |
History of the Reformation in the Sixteenth Century, Volume 1 |
43
|
43
|
100
|
18
|
42
|
Fully Subscribed |
19
|
19
|
100
|
8
|
42
|
Fully Subscribed | |
22
|
22
|
100
|
9
|
41
|
Fully Subscribed | |
17
|
17
|
100
|
7
|
41
|
Fully Subscribed | |
22
|
22
|
100
|
9
|
41
|
Fully Subscribed | |
15
|
15
|
100
|
6
|
40
|
Fully Subscribed | |
20
|
20
|
100
|
8
|
40
|
Fully Subscribed | |
20
|
20
|
100
|
8
|
40
|
Fully Subscribed | |
18
|
18
|
100
|
7
|
39
|
Fully Subscribed | |
96
|
96
|
100
|
37
|
39
|
Fully Subscribed | |
26
|
26
|
100
|
10
|
38
|
Fully Subscribed | |
133
|
133
|
100
|
50
|
38
|
Fully Subscribed | |
16
|
16
|
100
|
6
|
38
|
Fully Subscribed | |
45
|
45
|
100
|
17
|
38
|
Fully Subscribed | |
21
|
21
|
100
|
8
|
38
|
Fully Subscribed | |
27
|
27
|
100
|
10
|
37
|
Fully Subscribed | |
35
|
35
|
100
|
13
|
37
|
Fully Subscribed | |
19
|
19
|
100
|
7
|
37
|
Fully Subscribed | |
11
|
11
|
100
|
4
|
36
|
Fully Subscribed | |
50
|
50
|
100
|
18
|
36
|
Fully Subscribed | |
14
|
14
|
100
|
5
|
36
|
Fully Subscribed | |
25
|
25
|
100
|
9
|
36
|
Fully Subscribed | |
14
|
14
|
100
|
5
|
36
|
Fully Subscribed | |
22
|
22
|
100
|
8
|
36
|
Fully Subscribed | |
23
|
23
|
100
|
8
|
35
|
Fully Subscribed | |
211
|
212
|
100
|
73
|
35
|
Fully Subscribed | |
30
|
30
|
100
|
10
|
33
|
Fully Subscribed | |
9
|
9
|
100
|
3
|
33
|
Fully Subscribed | |
58
|
58
|
100
|
19
|
33
|
Fully Subscribed | |
12
|
12
|
100
|
4
|
33
|
Fully Subscribed | |
6
|
6
|
100
|
2
|
33
|
Fully Subscribed | |
6
|
6
|
100
|
2
|
33
|
Fully Subscribed | |
Разсказы для детей и взрослых (Short Stories for Children and Adults) |
22
|
22
|
100
|
7
|
32
|
Fully Subscribed |
35
|
35
|
100
|
11
|
31
|
Fully Subscribed | |
16
|
16
|
100
|
5
|
31
|
Fully Subscribed | |
75
|
75
|
100
|
23
|
31
|
Fully Subscribed | |
105
|
105
|
100
|
32
|
30
|
Fully Subscribed | |
The Australian Explorers - Their Labours, Perils, and Achievements |
20
|
20
|
100
|
6
|
30
|
Fully Subscribed |
10
|
10
|
100
|
3
|
30
|
Fully Subscribed | |
20
|
20
|
100
|
6
|
30
|
Fully Subscribed | |
30
|
30
|
100
|
9
|
30
|
Fully Subscribed | |
27
|
27
|
100
|
8
|
30
|
Fully Subscribed | |
24
|
24
|
100
|
7
|
29
|
Fully Subscribed | |
24
|
24
|
100
|
7
|
29
|
Fully Subscribed | |
48
|
48
|
100
|
14
|
29
|
Fully Subscribed | |
109
|
109
|
100
|
30
|
28
|
Fully Subscribed | |
39
|
39
|
100
|
11
|
28
|
Fully Subscribed | |
39
|
39
|
100
|
11
|
28
|
Fully Subscribed | |
32
|
32
|
100
|
9
|
28
|
Fully Subscribed | |
26
|
26
|
100
|
7
|
27
|
Fully Subscribed | |
11
|
11
|
100
|
3
|
27
|
Fully Subscribed | |
11
|
11
|
100
|
3
|
27
|
Fully Subscribed | |
16
|
16
|
100
|
4
|
25
|
Fully Subscribed | |
12
|
12
|
100
|
3
|
25
|
Fully Subscribed | |
24
|
24
|
100
|
6
|
25
|
Fully Subscribed | |
33
|
33
|
100
|
8
|
24
|
Fully Subscribed | |
101
|
101
|
100
|
23
|
23
|
Fully Subscribed | |
30
|
30
|
100
|
7
|
23
|
Fully Subscribed | |
22
|
22
|
100
|
5
|
23
|
Fully Subscribed | |
22
|
22
|
100
|
5
|
23
|
Fully Subscribed | |
23
|
23
|
100
|
5
|
22
|
Fully Subscribed | |
150
|
150
|
100
|
33
|
22
|
Fully Subscribed | |
Perfect Behavior: A Guide for Ladies and Gentlemen in All Social Crises |
9
|
9
|
100
|
2
|
22
|
Fully Subscribed |
9
|
9
|
100
|
2
|
22
|
Fully Subscribed | |
The Bible (Fenton) NT06-NT27: Holy Bible in Modern English, The: Romans to Revelation |
27
|
27
|
100
|
6
|
22
|
Fully Subscribed |
28
|
28
|
100
|
6
|
21
|
Fully Subscribed | |
50
|
50
|
100
|
10
|
20
|
Fully Subscribed | |
Summa Theologica - 13 Tertia Pars, The Saviour: His Incarnation and His Salvific Acts |
70
|
70
|
100
|
14
|
20
|
Fully Subscribed |
The Crook in the Lot; or, The Sovereignty and Wisdom of God , in the Afflictions of Men, Displayed |
10
|
10
|
100
|
2
|
20
|
Fully Subscribed |
The Sikh Religion: Its Gurus, Sacred Writings and Authors, Volume 4 |
44
|
44
|
100
|
9
|
20
|
Fully Subscribed |
45
|
45
|
100
|
9
|
20
|
Fully Subscribed | |
30
|
30
|
100
|
6
|
20
|
Fully Subscribed | |
25
|
25
|
100
|
5
|
20
|
Fully Subscribed | |
15
|
15
|
100
|
3
|
20
|
Fully Subscribed | |
25
|
25
|
100
|
5
|
20
|
Fully Subscribed | |
The Mummy and Miss Nitocris: A Phantasy of the Fourth Dimension |
27
|
27
|
100
|
5
|
19
|
Fully Subscribed |
26
|
26
|
100
|
5
|
19
|
Fully Subscribed | |
27
|
27
|
100
|
5
|
19
|
Fully Subscribed | |
22
|
22
|
100
|
4
|
18
|
Fully Subscribed | |
17
|
17
|
100
|
3
|
18
|
Fully Subscribed | |
11
|
11
|
100
|
2
|
18
|
Fully Subscribed | |
36
|
36
|
100
|
6
|
17
|
Fully Subscribed | |
36
|
36
|
100
|
6
|
17
|
Fully Subscribed | |
6
|
6
|
100
|
1
|
17
|
Fully Subscribed | |
35
|
35
|
100
|
6
|
17
|
Fully Subscribed | |
6
|
6
|
100
|
1
|
17
|
Fully Subscribed | |
30
|
30
|
100
|
5
|
17
|
Fully Subscribed | |
182
|
182
|
100
|
28
|
15
|
Fully Subscribed | |
39
|
39
|
100
|
6
|
15
|
Fully Subscribed | |
20
|
20
|
100
|
3
|
15
|
Fully Subscribed | |
100
|
100
|
100
|
15
|
15
|
Fully Subscribed | |
7
|
7
|
100
|
1
|
14
|
Fully Subscribed | |
16
|
16
|
100
|
2
|
13
|
Fully Subscribed | |
Canzoniere (Rerum vulgarium fragmenta), vol 2, di Francesco Petrarca (1304-1374) . |
183
|
183
|
100
|
24
|
13
|
Fully Subscribed |
69
|
69
|
100
|
9
|
13
|
Fully Subscribed | |
90
|
90
|
100
|
11
|
12
|
Fully Subscribed | |
170
|
170
|
100
|
20
|
12
|
Fully Subscribed | |
49
|
49
|
100
|
6
|
12
|
Fully Subscribed | |
25
|
25
|
100
|
3
|
12
|
Fully Subscribed | |
19
|
19
|
100
|
2
|
11
|
Fully Subscribed | |
18
|
18
|
100
|
2
|
11
|
Fully Subscribed | |
19
|
19
|
100
|
2
|
11
|
Fully Subscribed | |
21
|
21
|
100
|
2
|
10
|
Fully Subscribed | |
11
|
11
|
100
|
1
|
9
|
Fully Subscribed | |
11
|
11
|
100
|
1
|
9
|
Fully Subscribed | |
11
|
11
|
100
|
1
|
9
|
Fully Subscribed | |
12
|
12
|
100
|
1
|
8
|
Fully Subscribed | |
30
|
30
|
100
|
2
|
7
|
Fully Subscribed | |
15
|
15
|
100
|
1
|
7
|
Fully Subscribed | |
42
|
42
|
100
|
3
|
7
|
Fully Subscribed | |
30
|
30
|
100
|
2
|
7
|
Fully Subscribed | |
34
|
34
|
100
|
2
|
6
|
Fully Subscribed | |
55
|
55
|
100
|
3
|
5
|
Fully Subscribed | |
88
|
88
|
100
|
4
|
5
|
Fully Subscribed | |
39
|
39
|
100
|
2
|
5
|
Fully Subscribed | |
39
|
39
|
100
|
2
|
5
|
Fully Subscribed | |
56
|
56
|
100
|
3
|
5
|
Fully Subscribed | |
24
|
24
|
100
|
1
|
4
|
Fully Subscribed | |
Heimskringla: The Stories of the Kings of Norway, Called The Round World |
77
|
77
|
100
|
1
|
1
|
Fully Subscribed |
When Lighthouses are Dark: a Story of a Lake Superior Island |
33
|
33
|
100
|
|
0
|
Fully Subscribed |
14
|
14
|
100
|
|
0
|
Fully Subscribed | |
4
|
4
|
100
|
|
0
|
Fully Subscribed | |
18
|
18
|
100
|
|
0
|
Fully Subscribed | |
11
|
11
|
100
|
|
0
|
Fully Subscribed | |
36
|
36
|
100
|
|
0
|
Fully Subscribed | |
Old New Zealand: Being Incidents of Native Customs and Character in the Old Times |
17
|
17
|
100
|
|
0
|
Fully Subscribed |
33
|
33
|
100
|
|
0
|
Fully Subscribed | |
25
|
25
|
100
|
|
0
|
Fully Subscribed | |
10
|
10
|
100
|
|
0
|
Fully Subscribed | |
6
|
6
|
100
|
|
0
|
Fully Subscribed | |
241
|
241
|
100
|
|
0
|
Fully Subscribed | |
8
|
8
|
100
|
|
0
|
Fully Subscribed | |
35
|
35
|
100
|
|
0
|
Fully Subscribed | |
16
|
16
|
100
|
|
0
|
Fully Subscribed | |
30
|
30
|
100
|
|
0
|
Fully Subscribed | |
11
|
11
|
100
|
|
0
|
Fully Subscribed | |
5
|
5
|
100
|
|
0
|
Fully Subscribed | |
11
|
11
|
100
|
|
0
|
Fully Subscribed | |
19
|
19
|
100
|
|
0
|
Fully Subscribed | |
13
|
13
|
100
|
|
0
|
Fully Subscribed | |
32
|
32
|
100
|
|
0
|
Fully Subscribed | |
6
|
6
|
100
|
|
0
|
Fully Subscribed | |
13
|
13
|
100
|
|
0
|
Fully Subscribed | |
11
|
11
|
100
|
|
0
|
Fully Subscribed | |
9
|
9
|
100
|
|
0
|
Fully Subscribed | |
10
|
10
|
100
|
|
0
|
Fully Subscribed | |
29
|
29
|
100
|
|
0
|
Fully Subscribed | |
The Suppression of the African Slave-Trade to the United States of America, 1638-1870 |
13
|
13
|
100
|
|
0
|
Fully Subscribed |
6
|
6
|
100
|
|
0
|
Fully Subscribed | |
10
|
10
|
100
|
|
0
|
Fully Subscribed | |
8
|
8
|
100
|
|
0
|
Fully Subscribed | |
Memoirs of the Author of A Vindication of the Rights of Woman |
10
|
10
|
100
|
|
0
|
Fully Subscribed |
17
|
17
|
100
|
|
0
|
Fully Subscribed | |
The World's Best Poetry, Volume 1: Home and Friendship (Part 1) |
138
|
138
|
100
|
|
0
|
Fully Subscribed |
58
|
58
|
100
|
|
0
|
Fully Subscribed | |
18
|
18
|
100
|
|
0
|
Fully Subscribed | |
24
|
24
|
100
|
|
0
|
Fully Subscribed | |
40
|
40
|
100
|
|
0
|
Fully Subscribed | |
400
|
391
|
98
|
376
|
94
|
Fully Subscribed | |
123
|
114
|
93
|
98
|
80
|
Fully Subscribed |
How to Update This Status Table
(Instructions are using Windows, Excel and OpenOffice.)
- Go to the Stats / Status Table report (link in MC/admin area)
- Sort the status table by "status"
- Copy the open and fully subscribed lines (not the HTML, but simply the page with Ctrl+A Ctrl+C) into an Excel document
- Delete any unwanted columns (DPL / MC) and rows
- Make all other columns (except Title) center (select columns and then click the paragraph centering button)
- Top justify all cells
- Sort by title column
- Copy data to Open Office
- Export it to MediaWiki.txt (File/Export)
- Open the txt file in Notepad
- Replace all 100 with <font color="#00cc00">100%</font> (optional)
- Copy everything AFTER <center>Status</center>
- Highlight the Wiki code AFTER <center>Status</center>
- Paste into the Wiki
- Change data date and time to reflect current update
- Preview to make sure non-English characters show up all right. If they don't, repeat from step 8, as this is usually where the error happens.