Project Status Table: Difference between revisions
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== PL Status Table == |
== PL Status Table == |
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Data current as of |
Data current as of 18 August 6:35 pm CDT (GMT-5) |
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{| class="wikitable sortable" |
{| class="wikitable sortable" |
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Line 22: | Line 22: | ||
! Status |
! Status |
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! DPL Name |
! DPL Name |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?t=98000 Catherine's Coquetries: A Tale of French Country Life] |
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| align=center| 19 |
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| align=center| 19 |
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| align=center| 100 |
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| align=center| 18 |
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| align=center| 95 |
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| align=center| Fully Subscribed |
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|| |
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|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t=94901 Letters of Felix Mendelssohn Bartholdy from Italy and Switzerland] |
|| [https://forum.librivox.org/viewtopic.php?f=28&t=94901 Letters of Felix Mendelssohn Bartholdy from Italy and Switzerland] |
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Line 63: | Line 54: | ||
| align=center| 17 |
| align=center| 17 |
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| align=center| 100 |
| align=center| 100 |
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| align=center| |
| align=center| 15 |
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| align=center| |
| align=center| 88 |
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| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
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|| |
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Line 90: | Line 81: | ||
| align=center| 187 |
| align=center| 187 |
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| align=center| 88 |
| align=center| 88 |
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| align=center| |
| align=center| 152 |
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| align=center| 71 |
| align=center| 71 |
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| align=center| Open |
| align=center| Open |
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Line 104: | Line 95: | ||
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|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?t= |
|| [https://forum.librivox.org/viewtopic.php?t=96958 One Act Play Collection 019] |
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| align=center| |
| align=center| 111 |
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| align=center| |
| align=center| 84 |
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| align=center| |
| align=center| 76 |
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| align=center| |
| align=center| 64 |
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| align=center| |
| align=center| 58 |
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| align=center| |
| align=center| Open |
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|| |
|| |
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|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
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Line 117: | Line 108: | ||
| align=center| 16 |
| align=center| 16 |
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| align=center| 100 |
| align=center| 100 |
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| align=center| 9 |
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| align=center| 56 |
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| align=center| Fully Subscribed |
|||
|| |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?p=2221997#p2221997 The Beggars of Paris] |
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| align=center| 8 |
| align=center| 8 |
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| align=center| 8 |
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| align=center| 100 |
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| align=center| 4 |
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| align=center| 50 |
| align=center| 50 |
||
| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
||
|| |
|| |
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|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
||
|| [https://forum.librivox.org/viewtopic.php?t= |
|| [https://forum.librivox.org/viewtopic.php?t=98610 Clouds of Witness] |
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| align=center| |
| align=center| 237 |
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| align=center| |
| align=center| 156 |
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| align=center| 66 |
| align=center| 66 |
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| align=center| |
| align=center| 104 |
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| align=center| |
| align=center| 44 |
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| align=center| Open |
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|| |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?t=96732 Sermons to the Novices Regular] |
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| align=center| 31 |
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| align=center| 26 |
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| align=center| 84 |
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| align=center| 14 |
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| align=center| 45 |
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| align=center| Open |
| align=center| Open |
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Line 142: | Line 133: | ||
|| [https://forum.librivox.org/viewtopic.php?f=12&t=78210 A Passage to India (Dramatic Reading)] |
|| [https://forum.librivox.org/viewtopic.php?f=12&t=78210 A Passage to India (Dramatic Reading)] |
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| align=center| 94 |
| align=center| 94 |
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| align=center| |
| align=center| 92 |
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| align=center| |
| align=center| 98 |
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| align=center| |
| align=center| 39 |
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| align=center| |
| align=center| 41 |
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| align=center| Open |
| align=center| Open |
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Line 154: | Line 145: | ||
| align=center| 82 |
| align=center| 82 |
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| align=center| 10 |
| align=center| 10 |
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| align=center| 36 |
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| align=center| Open |
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|| |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?t=98610 Clouds of Witness] |
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| align=center| 237 |
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| align=center| 148 |
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| align=center| 62 |
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| align=center| 85 |
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| align=center| 36 |
| align=center| 36 |
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| align=center| Open |
| align=center| Open |
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Line 178: | Line 160: | ||
|| [https://forum.librivox.org/viewtopic.php?t=99011 The Story of Live Dolls] |
|| [https://forum.librivox.org/viewtopic.php?t=99011 The Story of Live Dolls] |
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| align=center| 17 |
| align=center| 17 |
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| align=center| |
| align=center| 9 |
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| align=center| |
| align=center| 53 |
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| align=center| 6 |
| align=center| 6 |
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| align=center| 35 |
| align=center| 35 |
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Line 210: | Line 192: | ||
| align=center| 32 |
| align=center| 32 |
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| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
||
|| |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?t=99014 Dramatic Reading Scene and Story Collection, Volume 004] |
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| align=center| 64 |
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| align=center| 33 |
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| align=center| 52 |
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| align=center| 20 |
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| align=center| 31 |
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| align=center| Open |
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|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
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Line 219: | Line 210: | ||
| align=center| 30 |
| align=center| 30 |
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| align=center| Open |
| align=center| Open |
||
|| |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?t=99014 Dramatic Reading Scene and Story Collection, Volume 004] |
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| align=center| 64 |
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| align=center| 29 |
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| align=center| 45 |
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| align=center| 17 |
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| align=center| 27 |
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| align=center| Open |
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|| |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?t=97812 Squinty the Comical Pig: His Many Adventures (Version 2)] |
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| align=center| 12 |
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| align=center| 12 |
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| align=center| 100 |
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| align=center| 3 |
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| align=center| 25 |
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| align=center| Fully Subscribed |
|||
|| |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?p=2221997#p2221997 The Beggars of Paris] |
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| align=center| 8 |
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| align=center| 8 |
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| align=center| 100 |
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| align=center| 2 |
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| align=center| 25 |
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| align=center| Fully Subscribed |
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|| |
|| |
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|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
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Line 254: | Line 218: | ||
| align=center| 5 |
| align=center| 5 |
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| align=center| 20 |
| align=center| 20 |
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| align=center| Open |
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|| |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?t=98282 A Fourth Form Friendship: A School Story] |
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| align=center| 183 |
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| align=center| 118 |
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| align=center| 64 |
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| align=center| 33 |
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| align=center| 18 |
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| align=center| Open |
| align=center| Open |
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|| |
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Line 264: | Line 237: | ||
| align=center| 14 |
| align=center| 14 |
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| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
||
|| |
|||
|- style="border:none;padding:0in;" |
|||
|| [https://forum.librivox.org/viewtopic.php?t=98282 A Fourth Form Friendship: A School Story] |
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| align=center| 183 |
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| align=center| 108 |
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| align=center| 59 |
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| align=center| 26 |
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| align=center| 14 |
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| align=center| Open |
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|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
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Line 311: | Line 275: | ||
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|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?t=98789 Around the clock in |
|| [https://forum.librivox.org/viewtopic.php?t=98789 Around the clock in Europe : A travel sequence] |
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| align=center| 13 |
| align=center| 13 |
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| align=center| 4 |
| align=center| 4 |
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Line 317: | Line 281: | ||
| align=center| 1 |
| align=center| 1 |
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| align=center| 8 |
| align=center| 8 |
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| align=center| Open |
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|| |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?t=99275 Recuerdos de mi vida] |
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| align=center| 57 |
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| align=center| 16 |
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| align=center| 28 |
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| align=center| 4 |
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| align=center| 7 |
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| align=center| Open |
| align=center| Open |
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Line 323: | Line 296: | ||
| align=center| 36 |
| align=center| 36 |
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| align=center| 36 |
| align=center| 36 |
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| align=center| 100 |
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| align=center| 2 |
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| align=center| 6 |
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| align=center| Fully Subscribed |
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|| |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?t=98932 Dark Hollow] |
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| align=center| 35 |
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| align=center| 35 |
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| align=center| 100 |
| align=center| 100 |
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| align=center| 2 |
| align=center| 2 |
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Line 336: | Line 318: | ||
| align=center| 3 |
| align=center| 3 |
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| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
||
|| |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?t=98952 Porgy] |
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| align=center| 73 |
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| align=center| 12 |
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| align=center| 16 |
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| align=center| 1 |
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| align=center| 1 |
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| align=center| Open |
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|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
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Line 356: | Line 347: | ||
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|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php? |
|| [https://forum.librivox.org/viewtopic.php?t=96199 The Bridge of San ][https://forum.librivox.org/viewtopic.php?t=96199 Luis Rey] |
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| align=center| 3 |
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| align=center| 3 |
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| align=center| 100 |
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| align=center| 0 |
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| align=center| 0 |
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| align=center| Fully Subscribed |
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|| |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?t=96199 The Bridge of San Luis Rey] |
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| align=center| 10 |
| align=center| 10 |
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| align=center| 10 |
| align=center| 10 |
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Line 431: | Line 413: | ||
| align=center| 40 |
| align=center| 40 |
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| align=center| 40 |
| align=center| 40 |
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| align=center| 100 |
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| align=center| 0 |
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| align=center| 0 |
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| align=center| Fully Subscribed |
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|| |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?t=98932 Dark Hollow] |
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| align=center| 35 |
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| align=center| 35 |
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| align=center| 100 |
| align=center| 100 |
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| align=center| 0 |
| align=center| 0 |
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Line 458: | Line 431: | ||
| align=center| 12 |
| align=center| 12 |
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| align=center| 12 |
| align=center| 12 |
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| align=center| 100 |
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| align=center| 0 |
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| align=center| 0 |
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| align=center| Fully Subscribed |
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|| |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?p=2228572#p2228572 Come Out of the Kitchen!] |
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| align=center| 13 |
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| align=center| 13 |
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| align=center| 100 |
| align=center| 100 |
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| align=center| 0 |
| align=center| 0 |
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Line 468: | Line 450: | ||
| align=center| 7 |
| align=center| 7 |
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| align=center| 64 |
| align=center| 64 |
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| align=center| 0 |
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| align=center| 0 |
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| align=center| Open |
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|| |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?t=98876 The Crimson Patch] |
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| align=center| 16 |
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| align=center| 8 |
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| align=center| 50 |
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| align=center| 0 |
| align=center| 0 |
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| align=center| 0 |
| align=center| 0 |
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Line 500: | Line 491: | ||
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|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?t= |
|| [https://forum.librivox.org/viewtopic.php?t=99306 The American Bee Journal, Vol. I, No. 1, January 1861] |
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| align=center| |
| align=center| 13 |
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| align=center| |
| align=center| 2 |
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| align=center| |
| align=center| 15 |
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| align=center| 0 |
| align=center| 0 |
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| align=center| 0 |
| align=center| 0 |
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Line 512: | Line 503: | ||
| align=center| 21 |
| align=center| 21 |
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| align=center| 3 |
| align=center| 3 |
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| align=center| 14 |
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| align=center| 0 |
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| align=center| 0 |
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| align=center| Open |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?t=99275 Recuerdos de mi vida] |
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| align=center| 57 |
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| align=center| 8 |
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| align=center| 14 |
| align=center| 14 |
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| align=center| 0 |
| align=center| 0 |
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Line 536: | Line 518: | ||
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|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?t= |
|| [https://forum.librivox.org/viewtopic.php?t=99356 The Ladies' Book of Etiquette, and Manual of Politeness] |
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| align=center| |
| align=center| 28 |
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| align=center| |
| align=center| 2 |
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| align=center| |
| align=center| 7 |
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| align=center| 0 |
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| align=center| 0 |
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| align=center| Open |
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|| |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?t=99306 The American Bee Journal, Vol. I, No. 1, January 1861] |
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| align=center| 13 |
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| align=center| 0 |
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| align=center| 0 |
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| align=center| 0 |
| align=center| 0 |
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| align=center| 0 |
| align=center| 0 |
Revision as of 23:57, 18 August 2023
How to Use These Tables
Use the PL status table to see which projects do not currently have an assigned Dedicated Proof Listener (DPL).
Use the section status table to see open projects that are currently underway, which ones are close to completion, which need just a couple of sections claimed to be fully subscribed, and so on.
For both tables, the project titles are links to the project thread.
To Sort - Click on the icon next to the column title to sort the table by that column. If you sort by sections claimed or completed, it will sort by the NUMBER of sections, not the percentage. Refresh the page to revert it to the default sort.
PL Status Table
Data current as of 18 August 6:35 pm CDT (GMT-5)
Section Status Table
Data current as of 4 August 9:49 pm CDT (GMT-5)
How to Update This Status Table
(Instructions are using Windows, Excel/GoogleSheets and OpenOffice Writer.)
- Go to the Stats / Status Table report (link in MC/admin area)
- Sort the status table by "status"
- Copy the open and fully subscribed lines (not the HTML, but simply the page with Ctrl+A Ctrl+C) into an Excel/GoogleSheets document
- Delete any unwanted columns (DPL / MC) and rows
- Make all other columns (except Title) center (select columns and then click the paragraph centering button)
- Top justify all cells
- Sort by title column
- Copy data into an Open Office Writer document
- Export it to MediaWiki.txt (File/Export)
- Open the txt file in Notepad
- Replace all 100 with <font color="#00cc00">100</font> (optional)
- Copy everything AFTER <center>Status</center>
- Highlight the Wiki code AFTER <center>Status</center>
- Paste into the Wiki
- Change data date and time to reflect current update
- Preview to make sure non-English characters show up all right. If they don't, repeat from step 8, as this is usually where the error happens.