Project Status Table: Difference between revisions
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== PL Status Table == |
== PL Status Table == |
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Data current as of |
Data current as of 5 March 2021, 9:40 pm CST (GMT-6) |
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{| class="wikitable sortable" |
{| class="wikitable sortable" |
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! Status |
! Status |
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! DPL Name |
! DPL Name |
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|- style="border:none;padding:0in;" |
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|- |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t=77153 The Book of Irish Poetry, part II] |
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[https://forum.librivox.org/viewtopic.php?f=28&t=77153 The Book of Irish Poetry, part II] |
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| align=center| 150 |
| align=center| 150 |
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| align=center| 150 |
| align=center| 150 |
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| align=center| 53 |
| align=center| 53 |
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| align=center| 100 |
| align=center| 100 |
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| align=center| |
| align=center| 49 |
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| align=center| |
| align=center| 92 |
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| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t=81777 One-Act Play Collection 014] |
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| align=center| 79 |
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| align=center| 72 |
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| align=center| 91 |
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| align=center| 70 |
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| align=center| 89 |
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| align=center| Fully Subscribed |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t=84210 The Man Without a Conscience] |
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| align=center| 19 |
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| align=center| 19 |
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| align=center| 100 |
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| align=center| 17 |
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| align=center| 89 |
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| align=center| Open |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?t=73666 The Battle of the Books] |
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| align=center| 23 |
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| align=center| 23 |
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| align=center| 100 |
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| align=center| 20 |
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| align=center| 87 |
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| align=center| Proof Listening |
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| align=center| 69 |
| align=center| 69 |
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| align=center| 86 |
| align=center| 86 |
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| align=center| |
| align=center| 68 |
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| align=center| |
| align=center| 85 |
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| align=center| Open |
| align=center| Open |
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|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t= |
|| [https://forum.librivox.org/viewtopic.php?f=28&t=83714 Compilation de poèmes - 014] |
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| align=center| |
| align=center| 25 |
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| align=center| |
| align=center| 21 |
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| align=center| |
| align=center| 84 |
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| align=center| |
| align=center| 16 |
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| align=center| |
| align=center| 64 |
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| align=center| |
| align=center| Open |
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|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
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| align=center| 77 |
| align=center| 77 |
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| align=center| 25 |
| align=center| 25 |
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| align=center| 64 |
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| align=center| Open |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t=83714 Compilation de poèmes - 014] |
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| align=center| 25 |
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| align=center| 21 |
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| align=center| 84 |
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| align=center| 16 |
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| align=center| 64 |
| align=center| 64 |
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| align=center| Open |
| align=center| Open |
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| align=center| 56 |
| align=center| 56 |
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| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t=83132 The Public Orations of Demosthenes] |
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| align=center| 30 |
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| align=center| 29 |
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| align=center| 97 |
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| align=center| 16 |
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| align=center| 53 |
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| align=center| Open |
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|- style="border:none;padding:0in;" |
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Line 150: | Line 122: | ||
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|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t= |
|| [https://forum.librivox.org/viewtopic.php?f=28&t=85831 Terze odi barbare] |
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| align=center| |
| align=center| 20 |
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| align=center| 29 |
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| align=center| 97 |
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| align=center| 16 |
| align=center| 16 |
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| align=center| |
| align=center| 80 |
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| align=center| 10 |
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| align=center| 50 |
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| align=center| Open |
| align=center| Open |
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Line 177: | Line 149: | ||
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|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f= |
|| [https://forum.librivox.org/viewtopic.php?f=26&t=85987 Fragment: To The Mind Of Man] |
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| align=center| 20 |
| align=center| 20 |
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| align=center| |
| align=center| 11 |
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| align=center| |
| align=center| 55 |
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| align=center| 9 |
| align=center| 9 |
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| align=center| 45 |
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| align=center| 9 |
| align=center| 9 |
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| align=center| 43 |
| align=center| 43 |
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| align=center| Open |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t=85235 Lady Huntworth's Experiment] |
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| align=center| 31 |
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| align=center| 21 |
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| align=center| 68 |
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| align=center| 13 |
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| align=center| 42 |
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| align=center| Open |
| align=center| Open |
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| align=center| 71 |
| align=center| 71 |
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| align=center| 11 |
| align=center| 11 |
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| align=center| 35 |
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| align=center| Open |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=26&t=85987 Fragment: To The Mind Of Man] |
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| align=center| 20 |
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| align=center| 8 |
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| align=center| 40 |
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| align=center| 7 |
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| align=center| 35 |
| align=center| 35 |
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| align=center| Open |
| align=center| Open |
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Line 300: | Line 272: | ||
| align=center| 4 |
| align=center| 4 |
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| align=center| 20 |
| align=center| 20 |
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| align=center| Open |
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|- style="border:none;padding:0in;" |
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|| [https://librivox.org/stats/active_projects Tante Fritzchen] |
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| align=center| 21 |
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| align=center| 6 |
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| align=center| 29 |
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| align=center| 4 |
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| align=center| 19 |
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| align=center| Open |
| align=center| Open |
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Line 314: | Line 295: | ||
|| [https://forum.librivox.org/viewtopic.php?f=28&t=84428 One-Act Play Collection 015] |
|| [https://forum.librivox.org/viewtopic.php?f=28&t=84428 One-Act Play Collection 015] |
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| align=center| 100 |
| align=center| 100 |
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| align=center| |
| align=center| 50 |
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| align=center| |
| align=center| 50 |
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| align=center| 16 |
| align=center| 16 |
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| align=center| 16 |
| align=center| 16 |
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Line 321: | Line 302: | ||
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|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t= |
|| [https://forum.librivox.org/viewtopic.php?f=28&t=85783 The Heart of a Dog] |
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| align=center| 31 |
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| align=center| 20 |
| align=center| 20 |
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| align=center| |
| align=center| 9 |
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| align=center| |
| align=center| 45 |
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| align=center| 16 |
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| align=center| Open |
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|- style="border:none;padding:0in;" |
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|| [https://librivox.org/stats/active_projects Tante Fritzchen] |
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| align=center| 21 |
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| align=center| 6 |
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| align=center| 29 |
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| align=center| 3 |
| align=center| 3 |
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| align=center| |
| align=center| 15 |
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| align=center| Open |
| align=center| Open |
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Line 345: | Line 317: | ||
| align=center| 1 |
| align=center| 1 |
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| align=center| 14 |
| align=center| 14 |
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| align=center| Open |
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|| |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t=83899 The Way of an Eagle] |
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| align=center| 56 |
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| align=center| 13 |
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| align=center| 23 |
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| align=center| 7 |
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| align=center| 13 |
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| align=center| Open |
| align=center| Open |
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Line 366: | Line 329: | ||
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|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t= |
|| [https://forum.librivox.org/viewtopic.php?f=28&t=83899 The Way of an Eagle] |
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| align=center| 56 |
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| align=center| 13 |
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| align=center| 23 |
| align=center| 23 |
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| align=center| |
| align=center| 7 |
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| align=center| 52 |
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| align=center| 3 |
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| align=center| 13 |
| align=center| 13 |
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| align=center| Open |
| align=center| Open |
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Line 391: | Line 354: | ||
| align=center| 10 |
| align=center| 10 |
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| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
||
|| |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t=85783 The Heart of a Dog] |
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| align=center| 20 |
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| align=center| 9 |
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| align=center| 45 |
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| align=center| 2 |
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| align=center| 10 |
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| align=center| Open |
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|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
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Line 438: | Line 392: | ||
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|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?t= |
|| [https://forum.librivox.org/viewtopic.php?f=12&t=78210 A Passage to India] |
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| align=center| |
| align=center| 37 |
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| align=center| |
| align=center| 37 |
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| align=center| 100 |
| align=center| 100 |
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| align=center| |
| align=center| 2 |
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| align=center| 5 |
| align=center| 5 |
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| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
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|| |
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|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php? |
|| [https://forum.librivox.org/viewtopic.php?t=72863 Romola] |
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| align=center| |
| align=center| 74 |
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| align=center| |
| align=center| 74 |
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| align=center| 100 |
| align=center| 100 |
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| align=center| |
| align=center| 4 |
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| align=center| 5 |
| align=center| 5 |
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| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
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Line 484: | Line 438: | ||
|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t=85586 Harlem Shadows] |
|| [https://forum.librivox.org/viewtopic.php?f=28&t=85586 Harlem Shadows] |
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| align=center| 77 |
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| align=center| 78 |
| align=center| 78 |
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| align=center| |
| align=center| 78 |
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| align=center| 100 |
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| align=center| 1 |
| align=center| 1 |
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| align=center| 1 |
| align=center| 1 |
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Line 492: | Line 446: | ||
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|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t= |
|| [https://forum.librivox.org/viewtopic.php?f=28&t=85890 The Mystery of a Hansom Cab] |
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| align=center| |
| align=center| 226 |
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| align=center| |
| align=center| 56 |
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| align=center| |
| align=center| 25 |
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| align=center| 1 |
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| align=center| 0 |
| align=center| 0 |
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| align=center| |
| align=center| Open |
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|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t= |
|| [https://forum.librivox.org/viewtopic.php?f=28&t=85843 העיוורת ][https://forum.librivox.org/viewtopic.php?f=28&t=85843 (The Blind)] |
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| align=center| |
| align=center| 4 |
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| align=center| |
| align=center| 4 |
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| align=center| 100 |
| align=center| 100 |
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| align=center| 0 |
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| align=center| 0 |
| align=center| 0 |
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| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
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|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t= |
|| [https://forum.librivox.org/viewtopic.php?f=28&t=85909 Quem casa, quer casa] |
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| align=center| |
| align=center| 11 |
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| align=center| |
| align=center| 5 |
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| align=center| |
| align=center| 45 |
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| align=center| 0 |
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| align=center| 0 |
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| align=center| Open |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?p=1819831#p1819831 The Freudian Wish and It's Place In Ethics] |
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| align=center| 6 |
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| align=center| 6 |
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| align=center| 100 |
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| align=center| 0 |
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| align=center| 0 |
| align=center| 0 |
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| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
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|| |
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|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?t= |
|| [https://forum.librivox.org/viewtopic.php?f=28&t=84407 The Moral Picture Book] |
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| align=center| |
| align=center| 6 |
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| align=center| |
| align=center| 6 |
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| align=center| 100 |
| align=center| 100 |
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| align=center| 0 |
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| align=center| 0 |
| align=center| 0 |
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| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
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Line 532: | Line 495: | ||
| align=center| 7 |
| align=center| 7 |
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| align=center| 100 |
| align=center| 100 |
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| align=center| 0 |
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| align=center| 0 |
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| align=center| Fully Subscribed |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t=85925&p=1859664#p1859664 Ella Clinton] |
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| align=center| 8 |
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| align=center| 8 |
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| align=center| 100 |
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| align=center| 0 |
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| align=center| 0 |
| align=center| 0 |
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| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
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|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php? |
|| [https://forum.librivox.org/viewtopic.php?f=28&t=85650 The Red Record: Tabulated Statistics and Alleged Causes of Lynching in the United States] |
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| align=center| |
| align=center| 10 |
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| align=center| |
| align=center| 10 |
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| align=center| 100 |
| align=center| 100 |
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| align=center| 0 |
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| align=center| 0 |
| align=center| 0 |
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| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
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|| |
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|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t= |
|| [https://forum.librivox.org/viewtopic.php?f=28&t=85832 Early Greek Philosophy & Other Essays] |
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| align=center| |
| align=center| 10 |
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| align=center| |
| align=center| 10 |
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| align=center| 100 |
| align=center| 100 |
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| align=center| 0 |
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| align=center| 0 |
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| align=center| Fully Subscribed |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t=84845 Peacemakers—Blessed and Otherwise] |
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| align=center| 11 |
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| align=center| 11 |
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| align=center| 100 |
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| align=center| 0 |
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| align=center| 0 |
| align=center| 0 |
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| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
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Line 559: | Line 540: | ||
| align=center| 12 |
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| align=center| 100 |
| align=center| 100 |
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| align=center| 0 |
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| align=center| 0 |
| align=center| 0 |
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| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
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|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t= |
|| [https://forum.librivox.org/viewtopic.php?f=28&t=85679 Así fue Tántalo] |
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| align=center| |
| align=center| 12 |
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| align=center| |
| align=center| 12 |
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| align=center| 100 |
| align=center| 100 |
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| align=center| 0 |
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| align=center| 0 |
| align=center| 0 |
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| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
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|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t= |
|| [https://forum.librivox.org/viewtopic.php?f=28&t=85681 An Essay on the Art of Ingeniously Tormenting] |
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| align=center| |
| align=center| 12 |
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| align=center| |
| align=center| 12 |
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| align=center| 100 |
| align=center| 100 |
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| align=center| 0 |
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| align=center| 0 |
| align=center| 0 |
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| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
||
|| |
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|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
||
|| [https://forum.librivox.org/viewtopic.php?f=28&t= |
|| [https://forum.librivox.org/viewtopic.php?f=28&t=85780 Our Street] |
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| align=center| |
| align=center| 12 |
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| align=center| |
| align=center| 12 |
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| align=center| 100 |
| align=center| 100 |
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| align=center| 0 |
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| align=center| 0 |
| align=center| 0 |
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| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
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| align=center| 13 |
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| align=center| 100 |
| align=center| 100 |
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| align=center| 0 |
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| align=center| 0 |
| align=center| 0 |
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| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
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|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t= |
|| [https://forum.librivox.org/viewtopic.php?f=28&t=85882&p=1858561#p1858561 Jim Davis] |
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| align=center| |
| align=center| 14 |
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| align=center| 14 |
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| align=center| 100 |
| align=center| 100 |
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| align=center| 0 |
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| align=center| 0 |
| align=center| 0 |
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| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
||
|| |
|| |
||
|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
||
|| [https://forum.librivox.org/viewtopic.php?f=28&t= |
|| [https://forum.librivox.org/viewtopic.php?f=28&t=84895 We] |
||
| align=center| |
| align=center| 15 |
||
| align=center| |
| align=center| 15 |
||
| align=center| 100 |
| align=center| 100 |
||
| align=center| 0 |
|||
|| |
|||
| align=center| 0 |
| align=center| 0 |
||
| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
||
|| |
|| |
||
|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
||
|| [https://forum.librivox.org/viewtopic.php?f=28&t= |
|| [https://forum.librivox.org/viewtopic.php?f=28&t=85803 Thoughts on South Africa] |
||
| align=center| |
| align=center| 15 |
||
| align=center| |
| align=center| 15 |
||
| align=center| 100 |
| align=center| 100 |
||
| align=center| 0 |
|||
|| |
|||
| align=center| 0 |
| align=center| 0 |
||
| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
||
|| |
|| |
||
|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
||
|| [https://forum.librivox.org/viewtopic.php?f=28&t= |
|| [https://forum.librivox.org/viewtopic.php?f=28&t=85861 Holmes' Own Story] |
||
| align=center| |
| align=center| 16 |
||
| align=center| |
| align=center| 16 |
||
| align=center| 100 |
| align=center| 100 |
||
| align=center| 0 |
|||
|| |
|||
| align=center| 0 |
| align=center| 0 |
||
| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
||
|| |
|| |
||
|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
||
|| [https://forum.librivox.org/viewtopic.php?f=28&t= |
|| [https://forum.librivox.org/viewtopic.php?f=28&t=86046 The Bible in Shakespeare] |
||
| align=center| |
| align=center| 19 |
||
| align=center| |
| align=center| 19 |
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| align=center| 100 |
| align=center| 100 |
||
| align=center| 0 |
|||
|| |
|||
| align=center| 0 |
| align=center| 0 |
||
| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
||
|| |
|| |
||
|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
||
|| [https://forum.librivox.org/viewtopic.php?f=28&t= |
|| [https://forum.librivox.org/viewtopic.php?f=28&t=85146 L'auca del senyor Esteve] |
||
| align=center| |
| align=center| 20 |
||
| align=center| |
| align=center| 20 |
||
| align=center| 100 |
| align=center| 100 |
||
| align=center| 0 |
|||
|| |
|||
| align=center| 0 |
| align=center| 0 |
||
| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
||
|| |
|| |
||
|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
||
|| [https://forum.librivox.org/viewtopic.php?f=28&t= |
|| [https://forum.librivox.org/viewtopic.php?f=28&t=85823 L' Imitation de Jésus-Christ] |
||
| align=center| |
| align=center| 20 |
||
| align=center| |
| align=center| 20 |
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| align=center| 100 |
| align=center| 100 |
||
| align=center| 0 |
|||
|| |
|||
| align=center| 0 |
| align=center| 0 |
||
| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
||
|| |
|| |
||
|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
||
|| [https://forum.librivox.org/viewtopic.php?f=28&t= |
|| [https://forum.librivox.org/viewtopic.php?f=28&t=77881 Venetian Life] |
||
| align=center| |
| align=center| 22 |
||
| align=center| |
| align=center| 22 |
||
| align=center| 100 |
| align=center| 100 |
||
| align=center| 0 |
|||
|| |
|||
| align=center| 0 |
| align=center| 0 |
||
| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
||
|| |
|| |
||
|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
||
|| [https://forum.librivox.org/viewtopic.php?f=28&t= |
|| [https://forum.librivox.org/viewtopic.php?f=28&t=85355 So Big] |
||
| align=center| |
| align=center| 22 |
||
| align=center| |
| align=center| 22 |
||
| align=center| 100 |
| align=center| 100 |
||
| align=center| 0 |
|||
|| |
|||
| align=center| 0 |
| align=center| 0 |
||
| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
||
|| |
|| |
||
|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
||
|| [https://librivox.org/ |
|| [https://forum.librivox.org/viewtopic.php?f=28&t=84307 Greece and its allies] |
||
| align=center| |
| align=center| 23 |
||
| align=center| |
| align=center| 23 |
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| align=center| 100 |
| align=center| 100 |
||
| align=center| 0 |
|||
|| |
|||
| align=center| 0 |
| align=center| 0 |
||
| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
||
|| |
|| |
||
|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
||
|| [https://forum.librivox.org/viewtopic.php?f=28&t= |
|| [https://forum.librivox.org/viewtopic.php?f=28&t=84953 Theodore Savage: A Story of the Past or the Future] |
||
| align=center| |
| align=center| 23 |
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| align=center| |
| align=center| 23 |
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| align=center| 100 |
| align=center| 100 |
||
| align=center| 0 |
|||
|| |
|||
| align=center| 0 |
| align=center| 0 |
||
| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
||
|| |
|| |
||
|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
||
|| [https://forum.librivox.org/viewtopic.php?f=28&t= |
|| [https://forum.librivox.org/viewtopic.php?f=28&t=85711 La Conspiration des milliardaires] |
||
| align=center| |
| align=center| 23 |
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| align=center| |
| align=center| 23 |
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| align=center| 100 |
| align=center| 100 |
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| align=center| 0 |
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|| |
|||
| align=center| 0 |
| align=center| 0 |
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| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
||
|| |
|| |
||
|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
||
|| [https://forum.librivox.org/viewtopic.php?f=28&t= |
|| [https://forum.librivox.org/viewtopic.php?f=28&t=76585 The Dream Doctor] |
||
| align=center| |
| align=center| 24 |
||
| align=center| |
| align=center| 24 |
||
| align=center| 100 |
| align=center| 100 |
||
| align=center| 0 |
|||
|| |
|||
| align=center| 0 |
| align=center| 0 |
||
| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
||
|| |
|| |
||
|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
||
|| [https://forum.librivox.org/viewtopic.php?f=28&t= |
|| [https://forum.librivox.org/viewtopic.php?f=28&t=85458 The Ghost Kings] |
||
| align=center| |
| align=center| 24 |
||
| align=center| |
| align=center| 24 |
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| align=center| 100 |
| align=center| 100 |
||
| align=center| 0 |
|||
|| |
|||
| align=center| 0 |
| align=center| 0 |
||
| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
||
|| |
|| |
||
|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
||
|| [https:// |
|| [https://librivox.org/stats/active_projects Iliade] |
||
| align=center| |
| align=center| 24 |
||
| align=center| |
| align=center| 24 |
||
| align=center| 100 |
| align=center| 100 |
||
| align=center| 0 |
|||
|| |
|||
| align=center| 0 |
| align=center| 0 |
||
| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
||
|| |
|| |
||
|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
||
|| [https://forum.librivox.org/viewtopic.php?f=28&t= |
|| [https://forum.librivox.org/viewtopic.php?f=28&t=85978 Eight Cousins (Version 3)] |
||
| align=center| |
| align=center| 25 |
||
| align=center| |
| align=center| 25 |
||
| align=center| 100 |
| align=center| 100 |
||
| align=center| 0 |
|||
|| |
|||
| align=center| 0 |
| align=center| 0 |
||
| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
||
|| |
|| |
||
|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
||
|| [https://forum.librivox.org/viewtopic.php?f=28&t= |
|| [https://forum.librivox.org/viewtopic.php?f=28&t=77880 The dogaressas of Venice: The wives of the doges] |
||
| align=center| |
| align=center| 28 |
||
| align=center| |
| align=center| 28 |
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| align=center| 100 |
| align=center| 100 |
||
| align=center| 0 |
|||
|| |
|||
| align=center| 0 |
| align=center| 0 |
||
| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
||
|| |
|| |
||
|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
||
|| [https://forum.librivox.org/viewtopic.php?f=28&t= |
|| [https://forum.librivox.org/viewtopic.php?f=28&t=86009 Bible (Reina Valera) 05: Deuteronomio] |
||
| align=center| |
| align=center| 34 |
||
| align=center| |
| align=center| 34 |
||
| align=center| 100 |
| align=center| 100 |
||
| align=center| 0 |
|||
|| |
|||
| align=center| 0 |
| align=center| 0 |
||
| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
||
|| |
|| |
||
|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
||
|| [https://forum.librivox.org/viewtopic.php?f=28&t= |
|| [https://forum.librivox.org/viewtopic.php?f=28&t=85494 Aventuras de Pinocho: historia de un muñeco de madera] |
||
| align=center| |
| align=center| 36 |
||
| align=center| |
| align=center| 36 |
||
| align=center| 100 |
| align=center| 100 |
||
| align=center| 0 |
|||
|| |
|||
| align=center| 0 |
| align=center| 0 |
||
| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
||
|| |
|| |
||
|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
||
|| [https://forum.librivox.org/viewtopic.php? |
|| [https://forum.librivox.org/viewtopic.php?t=79008 Three in Norway (by Two of Them)] |
||
| align=center| |
| align=center| 37 |
||
| align=center| |
| align=center| 37 |
||
| align=center| 100 |
| align=center| 100 |
||
| align=center| 0 |
|||
|| |
|||
| align=center| 0 |
| align=center| 0 |
||
| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
||
|| |
|| |
||
|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
||
|| [https:// |
|| [https://librivox.org/stats/active_projects Morals on the Book of Job (Volume I, Part I)] |
||
| align=center| |
| align=center| 40 |
||
| align=center| |
| align=center| 40 |
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| align=center| 100 |
| align=center| 100 |
||
| align=center| 0 |
|||
|| |
|||
| align=center| 0 |
| align=center| 0 |
||
| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
||
|| |
|| |
||
|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
||
|| [https://forum.librivox.org/viewtopic.php?f=28&t= |
|| [https://forum.librivox.org/viewtopic.php?f=28&t=85825 Storia di una capinera] |
||
| align=center| |
| align=center| 48 |
||
| align=center| |
| align=center| 48 |
||
| align=center| 100 |
| align=center| 100 |
||
| align=center| 0 |
|||
|| |
|||
| align=center| 0 |
| align=center| 0 |
||
| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
||
|| |
|| |
||
|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
||
|| [https://forum.librivox.org/viewtopic.php?f=28&t= |
|| [https://forum.librivox.org/viewtopic.php?f=28&t=86072 Buffalo Bill's Ruse] |
||
| align=center| |
| align=center| 48 |
||
| align=center| |
| align=center| 48 |
||
| align=center| |
| align=center| 100 |
||
|| |
|||
| align=center| 0 |
| align=center| 0 |
||
| align=center| Open |
|||
|| |
|||
|- style="border:none;padding:0in;" |
|||
|| [https://forum.librivox.org/viewtopic.php?f=28&t=85890 The Mystery of a Hansom Cab] |
|||
| align=center| 226 |
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| align=center| 37 |
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| align=center| 16 |
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| align=center| 0 |
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| align=center| |
| align=center| Fully Subscribed |
||
|| |
|| |
||
|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
||
|| [https://forum.librivox.org/viewtopic.php?f=28&t=86038&p=1863108#p1863108 The Tale of Benny Badger] |
|| [https://forum.librivox.org/viewtopic.php?f=28&t=86038&p=1863108#p1863108 The Tale of Benny Badger] |
||
| align=center| 23 |
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| align=center| 0 |
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|- style="border:none;padding:0in;" |
|||
|| [https://librivox.org/stats/active_projects The Tale of Benny Badger] |
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| align=center| 23 |
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| align=center| 5 |
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| align=center| 0 |
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| align=center| Open |
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Line 836: | Line 799: | ||
|| [https://forum.librivox.org/viewtopic.php?f=28&t=86039 Shannach—The Last] |
|| [https://forum.librivox.org/viewtopic.php?f=28&t=86039 Shannach—The Last] |
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Revision as of 04:09, 6 March 2021
How to Use These Tables
Use the PL status table to see which projects do not currently have an assigned Dedicated Proof Listener (DPL).
Use the section status table to see which projects are currently underway, which ones are close to completion, which need just a couple of sections claimed to be fully subscribed, and so on.
For both tables, the project titles are links to the project thread.
To Sort - Click on the icon next to the column title to sort the table by that column. If you sort by sections claimed or completed, it will sort by the NUMBER of sections, not the percentage. Refresh the page to revert it to the default sort.
PL Status Table
Data current as of 5 March 2021, 9:40 pm CST (GMT-6)
Project Name | Sections | Assigned | % | Completed | % | Status | DPL Name |
---|---|---|---|---|---|---|---|
The Book of Irish Poetry, part II | 150 | 150 | 100 | 142 | 95 | Fully Subscribed | |
A Woman at Bay | 28 | 28 | 100 | 26 | 93 | Fully Subscribed | |
The Dark Flower | 53 | 53 | 100 | 49 | 92 | Fully Subscribed | |
Antologia di poetesse italiane | 80 | 69 | 86 | 68 | 85 | Open | |
Madame de Mauves | 9 | 9 | 100 | 7 | 78 | Fully Subscribed | |
Compilation de poèmes - 014 | 25 | 21 | 84 | 16 | 64 | Open | |
Dramatic Selections from Henry Lawson's Short Stories | 39 | 30 | 77 | 25 | 64 | Open | |
Infelizes: histórias vividas | 14 | 14 | 100 | 8 | 57 | Fully Subscribed | |
A Journey to the Western Isles of Scotland | 27 | 27 | 100 | 15 | 56 | Fully Subscribed | |
The Public Orations of Demosthenes | 30 | 29 | 97 | 16 | 53 | Open | |
Frank Merriwell’s Trust | 200 | 133 | 67 | 106 | 53 | Open | |
Terze odi barbare | 20 | 16 | 80 | 10 | 50 | Open | |
The Arabian Nights Entertainments, Volume 02 | 36 | 18 | 50 | 18 | 50 | Open | |
I Racconti delle Fate | 15 | 15 | 100 | 7 | 47 | Fully Subscribed | |
Fragment: To The Mind Of Man | 20 | 11 | 55 | 9 | 45 | Open | |
The Natural History Volume 6 | 21 | 18 | 86 | 9 | 43 | Open | |
Lady Huntworth's Experiment | 31 | 21 | 68 | 13 | 42 | Open | |
Global Trends 2030: Alternative Worlds | 13 | 13 | 100 | 5 | 38 | Fully Subscribed | |
Episodios nacionales: Guerra de la Independencia: Extractada para uso de los niños | 30 | 30 | 100 | 11 | 37 | Fully Subscribed | |
The Greenstone Door | 30 | 30 | 100 | 11 | 37 | Fully Subscribed | |
Niels Lyhne | 14 | 14 | 100 | 5 | 36 | Fully Subscribed | |
Hinduism and Buddhism, An Historical Sketch Vol. 3 | 31 | 22 | 71 | 11 | 35 | Open | |
Out of the Closet: A Collection of Early LGBTQ+ Fiction | 32 | 30 | 94 | 11 | 34 | Open | |
The B. B. Warfield Collection, Volume 2 | 12 | 12 | 100 | 4 | 33 | Fully Subscribed | |
Prince and Heretic | 38 | 16 | 42 | 11 | 29 | Open | |
Memoir, Correspondence and Miscellanies, Volume I | 20 | 20 | 100 | 5 | 25 | Fully Subscribed | |
The Children Of The Abbey | 71 | 47 | 66 | 16 | 23 | Open | |
I︠A︡k Ivan zrobyv chudesne sudno i pry pomochy chudesnykh tovaryshiv distav t︠s︡arivnu za z︠h︡inku | 20 | 5 | 25 | 4 | 20 | Open | |
Tante Fritzchen | 21 | 6 | 29 | 4 | 19 | Open | |
Understood Betsy | 46 | 36 | 78 | 8 | 17 | Open | |
One-Act Play Collection 015 | 100 | 50 | 50 | 16 | 16 | Open | |
The Heart of a Dog | 20 | 9 | 45 | 3 | 15 | Open | |
A Noite na Taverna: contos phantásticos | 7 | 2 | 29 | 1 | 14 | Open | |
Short Mystery and Suspense Collection 011 | 15 | 2 | 13 | 2 | 13 | Open | |
The Way of an Eagle | 56 | 13 | 23 | 7 | 13 | Open | |
My Danish Sweetheart Vol. 2 | 9 | 3 | 33 | 1 | 11 | Open | |
The Village in the Jungle | 10 | 10 | 100 | 1 | 10 | Fully Subscribed | |
The Naval Pioneers of Australia | 12 | 12 | 100 | 1 | 8 | Fully Subscribed | |
Gloves Past and Present | 12 | 12 | 100 | 1 | 8 | Fully Subscribed | |
Collection : pièces en un acte & monologues 002 | 50 | 6 | 12 | 4 | 8 | Open | |
The Marrying of Ann Leete | 48 | 27 | 56 | 3 | 6 | Open | |
A Passage to India | 37 | 37 | 100 | 2 | 5 | Fully Subscribed | |
Romola | 74 | 74 | 100 | 4 | 5 | Fully Subscribed | |
Noli Me Tangere (o Huwag Mo Akong Salingin!) | 65 | 65 | 100 | 2 | 3 | Fully Subscribed | |
Кобзар ч1 (Kobzar Part 1) | 47 | 2 | 4 | 1 | 2 | Open | |
A System of Logic | 70 | 70 | 100 | 1 | 1 | Fully Subscribed | |
Harlem Shadows | 78 | 78 | 100 | 1 | 1 | Fully Subscribed | |
The Mystery of a Hansom Cab | 226 | 56 | 25 | 1 | 0 | Open | |
העיוורת (The Blind) | 4 | 4 | 100 | 0 | 0 | Fully Subscribed | |
Quem casa, quer casa | 11 | 5 | 45 | 0 | 0 | Open | |
The Freudian Wish and It's Place In Ethics | 6 | 6 | 100 | 0 | 0 | Fully Subscribed | |
The Moral Picture Book | 6 | 6 | 100 | 0 | 0 | Fully Subscribed | |
Hamlet | 7 | 7 | 100 | 0 | 0 | Fully Subscribed | |
Ella Clinton | 8 | 8 | 100 | 0 | 0 | Fully Subscribed | |
The Red Record: Tabulated Statistics and Alleged Causes of Lynching in the United States | 10 | 10 | 100 | 0 | 0 | Fully Subscribed | |
Early Greek Philosophy & Other Essays | 10 | 10 | 100 | 0 | 0 | Fully Subscribed | |
Peacemakers—Blessed and Otherwise | 11 | 11 | 100 | 0 | 0 | Fully Subscribed | |
Sa Ano Nabubuhay Ang Tao | 12 | 12 | 100 | 0 | 0 | Fully Subscribed | |
Así fue Tántalo | 12 | 12 | 100 | 0 | 0 | Fully Subscribed | |
An Essay on the Art of Ingeniously Tormenting | 12 | 12 | 100 | 0 | 0 | Fully Subscribed | |
Our Street | 12 | 12 | 100 | 0 | 0 | Fully Subscribed | |
Modern Magic | 13 | 13 | 100 | 0 | 0 | Fully Subscribed | |
Jim Davis | 14 | 14 | 100 | 0 | 0 | Fully Subscribed | |
We | 15 | 15 | 100 | 0 | 0 | Fully Subscribed | |
Thoughts on South Africa | 15 | 15 | 100 | 0 | 0 | Fully Subscribed | |
Holmes' Own Story | 16 | 16 | 100 | 0 | 0 | Fully Subscribed | |
The Bible in Shakespeare | 19 | 19 | 100 | 0 | 0 | Fully Subscribed | |
L'auca del senyor Esteve | 20 | 20 | 100 | 0 | 0 | Fully Subscribed | |
L' Imitation de Jésus-Christ | 20 | 20 | 100 | 0 | 0 | Fully Subscribed | |
Venetian Life | 22 | 22 | 100 | 0 | 0 | Fully Subscribed | |
So Big | 22 | 22 | 100 | 0 | 0 | Fully Subscribed | |
Greece and its allies | 23 | 23 | 100 | 0 | 0 | Fully Subscribed | |
Theodore Savage: A Story of the Past or the Future | 23 | 23 | 100 | 0 | 0 | Fully Subscribed | |
La Conspiration des milliardaires | 23 | 23 | 100 | 0 | 0 | Fully Subscribed | |
The Dream Doctor | 24 | 24 | 100 | 0 | 0 | Fully Subscribed | |
The Ghost Kings | 24 | 24 | 100 | 0 | 0 | Fully Subscribed | |
Iliade | 24 | 24 | 100 | 0 | 0 | Fully Subscribed | |
Eight Cousins (Version 3) | 25 | 25 | 100 | 0 | 0 | Fully Subscribed | |
The dogaressas of Venice: The wives of the doges | 28 | 28 | 100 | 0 | 0 | Fully Subscribed | |
Bible (Reina Valera) 05: Deuteronomio | 34 | 34 | 100 | 0 | 0 | Fully Subscribed | |
Aventuras de Pinocho: historia de un muñeco de madera | 36 | 36 | 100 | 0 | 0 | Fully Subscribed | |
Three in Norway (by Two of Them) | 37 | 37 | 100 | 0 | 0 | Fully Subscribed | |
Morals on the Book of Job (Volume I, Part I) | 40 | 40 | 100 | 0 | 0 | Fully Subscribed | |
Storia di una capinera | 48 | 48 | 100 | 0 | 0 | Fully Subscribed | |
Buffalo Bill's Ruse | 48 | 48 | 100 | 0 | 0 | Fully Subscribed | |
The Tale of Benny Badger | 23 | 0 | 0 | 0 | 0 | Open | |
Shannach—The Last | 5 | 0 | 0 | 0 | 0 | Open |
Section Status Table
Data current as of 1 March 2021, 4:00 pm CST (GMT-6)
Project Name | Sections | Assigned | % | Completed | % | Status |
---|---|---|---|---|---|---|
98
|
97
|
99
|
87
|
89
|
Open | |
59
|
58
|
98
|
48
|
81
|
Open | |
45
|
44
|
98
|
34
|
76
|
Open | |
Four Noncanonical Sherlock Holmes Short Stories by Arthur Conan Doyle |
33
|
32
|
97
|
17
|
52
|
Open |
93
|
89
|
96
|
79
|
85
|
Open | |
20
|
19
|
95
|
15
|
75
|
Open | |
19
|
18
|
95
|
16
|
84
|
Open | |
17
|
16
|
94
|
6
|
35
|
Open | |
54
|
51
|
94
|
34
|
63
|
Open | |
32
|
30
|
94
|
11
|
34
|
Open | |
52
|
49
|
94
|
17
|
33
|
Open | |
15
|
14
|
93
|
6
|
40
|
Open | |
28
|
26
|
93
|
8
|
29
|
Open | |
14
|
13
|
93
|
11
|
79
|
Open | |
41
|
38
|
93
|
35
|
85
|
Open | |
12
|
11
|
92
|
11
|
92
|
Open | |
90
|
83
|
92
|
63
|
70
|
Open | |
53
|
49
|
92
|
37
|
70
|
Open | |
26
|
24
|
92
|
18
|
69
|
Open | |
77
|
71
|
92
|
40
|
52
|
Open | |
37
|
34
|
92
|
27
|
73
|
Open | |
35
|
32
|
91
|
17
|
49
|
Open | |
Red Rubber: The Story of the Rubber Slave Trade on the Congo |
22
|
20
|
91
|
20
|
91
|
Open |
74
|
67
|
91
|
42
|
57
|
Open | |
20
|
18
|
90
|
16
|
80
|
Open | |
52
|
47
|
90
|
38
|
73
|
Open | |
62
|
56
|
90
|
34
|
55
|
Open | |
72
|
65
|
90
|
43
|
60
|
Open | |
36
|
32
|
89
|
25
|
69
|
Open | |
19
|
17
|
89
|
14
|
74
|
Open | |
33
|
29
|
88
|
4
|
12
|
Open | |
8
|
7
|
88
|
3
|
38
|
Open | |
25
|
22
|
88
|
15
|
60
|
Open | |
17
|
15
|
88
|
12
|
71
|
Open | |
63
|
55
|
87
|
50
|
79
|
Open | |
80
|
69
|
86
|
66
|
83
|
Open | |
76
|
65
|
86
|
60
|
79
|
Open | |
21
|
18
|
86
|
9
|
43
|
Open | |
26
|
22
|
85
|
14
|
54
|
Open | |
26
|
22
|
85
|
13
|
50
|
Open | |
25
|
21
|
84
|
16
|
64
|
Open | |
32
|
27
|
84
|
20
|
63
|
Open | |
19
|
16
|
84
|
7
|
37
|
Open | |
76
|
63
|
83
|
56
|
74
|
Open | |
42
|
35
|
83
|
32
|
76
|
Open | |
50
|
41
|
82
|
33
|
66
|
Open | |
39
|
32
|
82
|
30
|
77
|
Open | |
33
|
27
|
82
|
1
|
3
|
Open | |
26
|
21
|
81
|
10
|
38
|
Open | |
25
|
20
|
80
|
7
|
28
|
Open | |
40
|
32
|
80
|
23
|
58
|
Open | |
20
|
16
|
80
|
5
|
25
|
Open | |
19
|
15
|
79
|
5
|
26
|
Open | |
29
|
23
|
79
|
10
|
34
|
Open | |
136
|
108
|
79
|
35
|
26
|
Open | |
37
|
29
|
78
|
12
|
32
|
Open | |
134
|
103
|
77
|
78
|
58
|
Open | |
39
|
30
|
77
|
25
|
64
|
Open | |
13
|
10
|
77
|
0
|
Open | ||
58
|
44
|
76
|
13
|
22
|
Open | |
46
|
35
|
76
|
7
|
15
|
Open | |
24
|
18
|
75
|
9
|
38
|
Open | |
53
|
39
|
74
|
33
|
62
|
Open | |
57
|
41
|
72
|
14
|
25
|
Open | |
18
|
13
|
72
|
10
|
56
|
Open | |
31
|
22
|
71
|
11
|
35
|
Open | |
17
|
12
|
71
|
12
|
71
|
Open | |
20
|
14
|
70
|
14
|
70
|
Open | |
27
|
19
|
70
|
8
|
30
|
Open | |
39
|
27
|
69
|
12
|
31
|
Open | |
61
|
42
|
69
|
36
|
59
|
Open | |
59
|
40
|
68
|
25
|
42
|
Open | |
28
|
19
|
68
|
11
|
39
|
Open | |
200
|
133
|
67
|
106
|
53
|
Open | |
6
|
4
|
67
|
4
|
67
|
Open | |
41
|
27
|
66
|
9
|
22
|
Open | |
71
|
47
|
66
|
16
|
23
|
Open | |
20
|
13
|
65
|
13
|
65
|
Open | |
31
|
20
|
65
|
5
|
16
|
Open | |
34
|
22
|
65
|
14
|
41
|
Open | |
11
|
7
|
64
|
4
|
36
|
Open | |
38
|
24
|
63
|
13
|
34
|
Open | |
30
|
19
|
63
|
16
|
53
|
Open | |
26
|
16
|
62
|
9
|
35
|
Open | |
28
|
17
|
61
|
17
|
61
|
Open | |
5
|
3
|
60
|
3
|
60
|
Open | |
35
|
21
|
60
|
19
|
54
|
Open | |
17
|
10
|
59
|
4
|
24
|
Open | |
39
|
23
|
59
|
13
|
33
|
Open | |
Library of the World's Best Literature, Ancient and Modern, volume 12 |
40
|
23
|
58
|
12
|
30
|
Open |
30
|
17
|
57
|
17
|
57
|
Open | |
7
|
4
|
57
|
1
|
14
|
Open | |
85
|
48
|
56
|
45
|
53
|
Open | |
44
|
24
|
55
|
2
|
5
|
Open | |
26
|
14
|
54
|
3
|
12
|
Open | |
57
|
30
|
53
|
15
|
26
|
Open | |
51
|
27
|
53
|
20
|
39
|
Open | |
33
|
17
|
52
|
16
|
48
|
Open | |
108
|
54
|
50
|
28
|
26
|
Open | |
Later Treatises of Saint Athanasius, Archbishop of Alexandria |
18
|
9
|
50
|
0
|
Open | |
20
|
10
|
50
|
7
|
35
|
Open | |
36
|
18
|
50
|
18
|
50
|
Open | |
12
|
6
|
50
|
3
|
25
|
Open | |
50
|
25
|
50
|
22
|
44
|
Open | |
27
|
13
|
48
|
10
|
37
|
Open | |
100
|
48
|
48
|
15
|
15
|
Open | |
15
|
7
|
47
|
2
|
13
|
Open | |
15
|
7
|
47
|
4
|
27
|
Open | |
79
|
36
|
46
|
28
|
35
|
Open | |
122
|
56
|
46
|
42
|
34
|
Open | |
Enquiry Concerning Political Justice and its Influence on Morals and Happiness, Volume 2 |
53
|
24
|
45
|
11
|
21
|
Open |
Home Education Series Vol. IV: Ourselves, Book I. Self-Knowledge |
38
|
17
|
45
|
6
|
16
|
Open |
20
|
9
|
45
|
2
|
10
|
Open | |
20
|
9
|
45
|
4
|
20
|
Open | |
16
|
7
|
44
|
6
|
38
|
Open | |
43
|
19
|
44
|
0
|
Open | ||
57
|
25
|
44
|
13
|
23
|
Open | |
41
|
18
|
44
|
5
|
12
|
Open | |
16
|
7
|
44
|
7
|
44
|
Open | |
Myths and Legends Around the World - Collection 08 (recorded in English) |
12
|
5
|
42
|
4
|
33
|
Open |
48
|
20
|
42
|
2
|
4
|
Open | |
90
|
37
|
41
|
19
|
21
|
Open | |
34
|
14
|
41
|
11
|
32
|
Open | |
15
|
6
|
40
|
3
|
20
|
Open | |
5
|
2
|
40
|
0
|
Open | ||
62
|
25
|
40
|
1
|
2
|
Open | |
36
|
14
|
39
|
0
|
Open | ||
38
|
14
|
37
|
9
|
24
|
Open | |
11
|
4
|
36
|
0
|
Open | ||
51
|
18
|
35
|
15
|
29
|
Open | |
20
|
7
|
35
|
7
|
35
|
Open | |
23
|
8
|
35
|
0
|
Open | ||
41
|
14
|
34
|
13
|
32
|
Open | |
Histoire générale du 4e siècle à nos jours. Tome 01. Les origines (395-1095) |
73
|
24
|
33
|
17
|
23
|
Open |
9
|
3
|
33
|
1
|
11
|
Open | |
21
|
7
|
33
|
6
|
29
|
Open | |
6
|
2
|
33
|
1
|
17
|
Open | |
85
|
26
|
31
|
2
|
2
|
Open | |
36
|
11
|
31
|
1
|
3
|
Open | |
Los viajes de Marco Polo veneciano o El libro de las maravillas |
23
|
7
|
30
|
1
|
4
|
Open |
10
|
3
|
30
|
3
|
30
|
Open | |
30
|
9
|
30
|
7
|
23
|
Open | |
89
|
27
|
30
|
23
|
26
|
Open | |
7
|
2
|
29
|
1
|
14
|
Open | |
21
|
6
|
29
|
3
|
14
|
Open | |
7
|
2
|
29
|
0
|
Open | ||
18
|
5
|
28
|
1
|
6
|
Open | |
15
|
4
|
27
|
1
|
7
|
Open | |
30
|
8
|
27
|
1
|
3
|
Open | |
94
|
25
|
27
|
15
|
16
|
Open | |
50
|
13
|
26
|
12
|
24
|
Open | |
I︠A︡k Ivan zrobyv chudesne sudno i pry pomochy chudesnykh tovaryshiv distav t︠s︡arivnu za z︠h︡inku |
20
|
5
|
25
|
3
|
15
|
Open |
20
|
5
|
25
|
5
|
25
|
Open | |
56
|
13
|
23
|
7
|
13
|
Open | |
27
|
6
|
22
|
0
|
Open | ||
18
|
4
|
22
|
1
|
6
|
Open | |
20
|
4
|
20
|
4
|
20
|
Open | |
16
|
3
|
19
|
3
|
19
|
Open | |
59
|
11
|
19
|
2
|
3
|
Open | |
29
|
5
|
17
|
1
|
3
|
Open | |
32
|
5
|
16
|
4
|
13
|
Open | |
26
|
4
|
15
|
0
|
Open | ||
226
|
35
|
15
|
0
|
Open | ||
15
|
2
|
13
|
2
|
13
|
Open | |
15
|
2
|
13
|
2
|
13
|
Open | |
50
|
6
|
12
|
3
|
6
|
Open | |
88
|
7
|
8
|
0
|
Open | ||
75
|
5
|
7
|
0
|
Open | ||
20
|
1
|
5
|
1
|
5
|
Open | |
31
|
1
|
3
|
1
|
3
|
Open | |
47
|
1
|
2
|
0
|
Open | ||
56
|
0
|
0
|
Open | |||
16
|
0
|
0
|
Open | |||
20
|
0
|
0
|
Open | |||
60
|
0
|
0
|
Open | |||
Matthew Henry's Commentary on the Whole Bible, unabridged; Vol. VI, Acts of the Apostles |
81
|
82
|
101
|
38
|
47
|
Fully Subscribed |
19
|
19
|
100
|
0
|
Fully Subscribed | ||
47
|
47
|
100
|
35
|
74
|
Fully Subscribed | |
53
|
53
|
100
|
44
|
83
|
Fully Subscribed | |
12
|
12
|
100
|
11
|
92
|
Fully Subscribed | |
77
|
77
|
100
|
68
|
88
|
Fully Subscribed | |
12
|
12
|
100
|
3
|
25
|
Fully Subscribed | |
5
|
5
|
100
|
1
|
20
|
Fully Subscribed | |
12
|
12
|
100
|
0
|
Fully Subscribed | ||
45
|
45
|
100
|
1
|
2
|
Fully Subscribed | |
13
|
13
|
100
|
3
|
23
|
Fully Subscribed | |
21
|
21
|
100
|
19
|
90
|
Fully Subscribed | |
48
|
48
|
100
|
35
|
73
|
Fully Subscribed | |
46
|
46
|
100
|
12
|
26
|
Fully Subscribed | |
27
|
27
|
100
|
15
|
56
|
Fully Subscribed | |
15
|
15
|
100
|
4
|
27
|
Fully Subscribed | |
19
|
19
|
100
|
18
|
95
|
Fully Subscribed | |
24
|
24
|
100
|
1
|
4
|
Fully Subscribed | |
12
|
12
|
100
|
6
|
50
|
Fully Subscribed | |
37
|
37
|
100
|
2
|
5
|
Fully Subscribed | |
23
|
23
|
100
|
7
|
30
|
Fully Subscribed | |
20
|
20
|
100
|
1
|
5
|
Fully Subscribed | |
A Selection from the Discourses of Epictetus with the Encheiridion |
80
|
80
|
100
|
6
|
8
|
Fully Subscribed |
37
|
37
|
100
|
14
|
38
|
Fully Subscribed | |
21
|
21
|
100
|
11
|
52
|
Fully Subscribed | |
30
|
30
|
100
|
21
|
70
|
Fully Subscribed | |
70
|
70
|
100
|
1
|
1
|
Fully Subscribed | |
45
|
45
|
100
|
17
|
38
|
Fully Subscribed | |
41
|
41
|
100
|
5
|
12
|
Fully Subscribed | |
28
|
28
|
100
|
26
|
93
|
Fully Subscribed | |
28
|
28
|
100
|
24
|
86
|
Fully Subscribed | |
38
|
38
|
100
|
33
|
87
|
Fully Subscribed | |
53
|
53
|
100
|
46
|
87
|
Fully Subscribed | |
25
|
25
|
100
|
6
|
24
|
Fully Subscribed | |
20
|
20
|
100
|
16
|
80
|
Fully Subscribed | |
Aladdin, Or, The Wonderful Lamp (A Dramatic Poem, in Two Parts) |
146
|
146
|
100
|
120
|
82
|
Fully Subscribed |
33
|
33
|
100
|
2
|
6
|
Fully Subscribed | |
An Anglo-American Alliance: A Serio-Comic Romance and Forecast of the Future |
14
|
14
|
100
|
4
|
29
|
Fully Subscribed |
16
|
16
|
100
|
0
|
Fully Subscribed | ||
12
|
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|
Fully Subscribed | |
United States Senate Election, Expulsion, and Censure Cases, 1793-1990 |
145
|
143
|
99
|
143
|
99
|
Fully Subscribed |
62
|
61
|
98
|
40
|
65
|
Fully Subscribed | |
58
|
57
|
98
|
0
|
Fully Subscribed | ||
24
|
23
|
96
|
20
|
83
|
Fully Subscribed | |
79
|
72
|
91
|
70
|
89
|
Fully Subscribed | |
170
|
154
|
91
|
104
|
61
|
Fully Subscribed | |
10
|
9
|
90
|
3
|
30
|
Fully Subscribed | |
33
|
27
|
82
|
24
|
73
|
Fully Subscribed | |
5
|
4
|
80
|
0
|
Fully Subscribed | ||
88
|
57
|
65
|
29
|
33
|
Fully Subscribed | |
Pan Michael: An Historical Novel of Poland, the Ukraine, and Turkey by Sienkiewicz |
59
|
0
|
0
|
Fully Subscribed |
How to Update This Status Table
(Instructions are using Windows, Excel/GoogleSheets and OpenOffice Writer.)
- Go to the Stats / Status Table report (link in MC/admin area)
- Sort the status table by "status"
- Copy the open and fully subscribed lines (not the HTML, but simply the page with Ctrl+A Ctrl+C) into an Excel/GoogleSheets document
- Delete any unwanted columns (DPL / MC) and rows
- Make all other columns (except Title) center (select columns and then click the paragraph centering button)
- Top justify all cells
- Sort by title column
- Copy data into an Open Office Writer document
- Export it to MediaWiki.txt (File/Export)
- Open the txt file in Notepad
- Replace all 100 with <font color="#00cc00">100</font> (optional)
- Copy everything AFTER <center>Status</center>
- Highlight the Wiki code AFTER <center>Status</center>
- Paste into the Wiki
- Change data date and time to reflect current update
- Preview to make sure non-English characters show up all right. If they don't, repeat from step 8, as this is usually where the error happens.