Project Status Table: Difference between revisions
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== PL Status Table == |
== PL Status Table == |
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Data current as of |
Data current as of 12 January 2021, 10:19 pm CST (GMT-6) |
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{| class="wikitable sortable" |
{| class="wikitable sortable" |
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! Status |
! Status |
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! DPL Name |
! DPL Name |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t=83288 Captain Sparkle, Pirate] |
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| align=center| 24 |
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| align=center| 24 |
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| align=center| 100 |
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| align=center| 23 |
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| align=center| 96 |
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| align=center| Fully Subscribed |
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|| |
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|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t=77153 The Book of Irish Poetry, part II] |
|| [https://forum.librivox.org/viewtopic.php?f=28&t=77153 The Book of Irish Poetry, part II] |
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| align=center| 142 |
| align=center| 142 |
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| align=center| 95 |
| align=center| 95 |
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| align=center| Fully Subscribed |
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|| |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t=82846 Tradiciones peruanas] |
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| align=center| 27 |
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| align=center| 27 |
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| align=center| 100 |
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| align=center| 25 |
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| align=center| 93 |
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| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
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|| |
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|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t=73868 Perils in the Transvaal and Zululand] |
|| [https://forum.librivox.org/viewtopic.php?f=28&t=73868 Perils in the Transvaal and Zululand] |
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| align=center| 24 |
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| align=center| 24 |
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| align=center| 100 |
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| align=center| 22 |
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| align=center| 92 |
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| align=center| Fully Subscribed |
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|| |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t=83288 Captain Sparkle, Pirate] |
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| align=center| 24 |
| align=center| 24 |
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| align=center| 24 |
| align=center| 24 |
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|| [https://forum.librivox.org/viewtopic.php?f=2&t=80067 The Empresses of Constantinople] |
|| [https://forum.librivox.org/viewtopic.php?f=2&t=80067 The Empresses of Constantinople] |
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| align=center| 31 |
| align=center| 31 |
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| align=center| 29 |
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| align=center| 94 |
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| align=center| 28 |
| align=center| 28 |
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| align=center| 90 |
| align=center| 90 |
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| align=center| |
| align=center| Open |
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|| |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t=83512 Short Story Collection Vol. 095] |
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| align=center| 21 |
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| align=center| 19 |
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| align=center| 90 |
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| align=center| 19 |
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| align=center| 90 |
| align=center| 90 |
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| align=center| Open |
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|| |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t=78179 Antologia di poetesse italiane] |
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| align=center| 60 |
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| align=center| 53 |
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| align=center| 88 |
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| align=center| 53 |
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| align=center| 88 |
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| align=center| Open |
| align=center| Open |
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Line 83: | Line 93: | ||
| align=center| 39 |
| align=center| 39 |
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| align=center| 85 |
| align=center| 85 |
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| align=center| Fully Subscribed |
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|| |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t=78179 Antologia di poetesse italiane] |
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| align=center| 60 |
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| align=center| 51 |
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| align=center| 85 |
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| align=center| 51 |
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| align=center| 85 |
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| align=center| Open |
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|| |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t=83512 Short Story Collection Vol. 095] |
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| align=center| 21 |
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| align=center| 18 |
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| align=center| 86 |
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| align=center| 17 |
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| align=center| 81 |
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| align=center| Open |
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|| |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t=81777 One Act Play Collection 014] |
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| align=center| 79 |
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| align=center| 76 |
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| align=center| 96 |
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| align=center| 60 |
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| align=center| 76 |
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| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
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Line 122: | Line 105: | ||
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|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t= |
|| [https://forum.librivox.org/viewtopic.php?f=28&t=83409 A Woman at Bay] |
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| align=center| |
| align=center| 28 |
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| align=center| |
| align=center| 28 |
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| align=center| 100 |
| align=center| 100 |
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| align=center| |
| align=center| 20 |
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| align=center| |
| align=center| 71 |
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| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
||
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Line 138: | Line 121: | ||
| align=center| 70 |
| align=center| 70 |
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| align=center| Open |
| align=center| Open |
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|| |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t=81878 The Castle of Twilight] |
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| align=center| 16 |
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| align=center| 14 |
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| align=center| 88 |
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| align=center| 11 |
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| align=center| 69 |
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| align=center| Open |
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|| |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t=84210 The Man Without a Conscience] |
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| align=center| 19 |
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| align=center| 19 |
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| align=center| 100 |
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| align=center| 13 |
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| align=center| 68 |
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| align=center| Fully Subscribed |
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|| |
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|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
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Line 147: | Line 148: | ||
| align=center| 68 |
| align=center| 68 |
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| align=center| Open |
| align=center| Open |
||
|| |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t=83409 A Woman at Bay] |
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| align=center| 28 |
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| align=center| 28 |
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| align=center| 100 |
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| align=center| 17 |
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| align=center| 61 |
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| align=center| Fully Subscribed |
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|| |
|| |
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|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
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Line 169: | Line 161: | ||
|| [https://forum.librivox.org/viewtopic.php?f=28&t=82163 The Dark Flower] |
|| [https://forum.librivox.org/viewtopic.php?f=28&t=82163 The Dark Flower] |
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| align=center| 24 |
| align=center| 24 |
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| align=center| |
| align=center| 18 |
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| align=center| |
| align=center| 75 |
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| align=center| 14 |
| align=center| 14 |
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| align=center| 58 |
| align=center| 58 |
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Line 191: | Line 183: | ||
| align=center| 15 |
| align=center| 15 |
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| align=center| 56 |
| align=center| 56 |
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| align=center| Fully Subscribed |
|||
|| |
|||
|- style="border:none;padding:0in;" |
|||
|| [https://forum.librivox.org/viewtopic.php?f=28&t=81878 The Castle of Twilight] |
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| align=center| 16 |
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| align=center| 14 |
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| align=center| 88 |
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| align=center| 9 |
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| align=center| 56 |
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| align=center| Open |
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|| |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t=83362 A Woman Of Yesterday] |
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| align=center| 38 |
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| align=center| 38 |
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| align=center| 100 |
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| align=center| 21 |
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| align=center| 55 |
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| align=center| Fully Subscribed |
|||
|| |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t=83499 Advent readings and spoken hymns] |
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| align=center| 21 |
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| align=center| 21 |
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| align=center| 100 |
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| align=center| 11 |
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| align=center| 52 |
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| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
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Line 225: | Line 190: | ||
| align=center| 133 |
| align=center| 133 |
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| align=center| 67 |
| align=center| 67 |
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| align=center| |
| align=center| 106 |
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| align=center| |
| align=center| 53 |
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| align=center| Open |
| align=center| Open |
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Line 245: | Line 210: | ||
| align=center| 7 |
| align=center| 7 |
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| align=center| 47 |
| align=center| 47 |
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| align=center| Fully Subscribed |
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|| |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t=84152 Snarled Identities] |
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| align=center| 48 |
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| align=center| 42 |
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| align=center| 88 |
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| align=center| 21 |
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| align=center| 44 |
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| align=center| Open |
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|| |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t=84210 The Man Without a Conscience] |
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| align=center| 19 |
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| align=center| 19 |
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| align=center| 100 |
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| align=center| 8 |
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| align=center| 42 |
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| align=center| Open |
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|| |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t=77793 Ornaments in Jade] |
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| align=center| 10 |
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| align=center| 10 |
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| align=center| 100 |
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| align=center| 4 |
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| align=center| 40 |
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| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
||
|| |
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Line 277: | Line 215: | ||
|| [https://forum.librivox.org/viewtopic.php?f=28&t=83714 Compilation de poèmes - 014] |
|| [https://forum.librivox.org/viewtopic.php?f=28&t=83714 Compilation de poèmes - 014] |
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| align=center| 25 |
| align=center| 25 |
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| align=center| |
| align=center| 13 |
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| align=center| |
| align=center| 52 |
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| align=center| 10 |
| align=center| 10 |
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| align=center| 40 |
| align=center| 40 |
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Line 291: | Line 229: | ||
| align=center| 37 |
| align=center| 37 |
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| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
||
|| |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t=83132 The Public Orations of Demosthenes] |
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| align=center| 30 |
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| align=center| 16 |
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| align=center| 53 |
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| align=center| 11 |
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| align=center| 37 |
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| align=center| Open |
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|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
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| align=center| 5 |
| align=center| 5 |
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| align=center| 36 |
| align=center| 36 |
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| align=center| Fully Subscribed |
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|| |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t=83132 The Public Orations of Demosthenes] |
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| align=center| 30 |
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| align=center| 15 |
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| align=center| 50 |
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| align=center| 10 |
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| align=center| 33 |
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| align=center| Open |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t=84439 Вечері на хуторі біля Диканьки. ч2. Ніч перед рождеством.] |
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| align=center| 7 |
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| align=center| 8 |
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| align=center| 114 |
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| align=center| 2 |
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| align=center| 29 |
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| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
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Line 336: | Line 265: | ||
| align=center| 25 |
| align=center| 25 |
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| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
||
|| |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t=82048 La Gitanilla] |
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| align=center| 4 |
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| align=center| 4 |
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| align=center| 100 |
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| align=center| 1 |
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| align=center| 25 |
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| align=center| Proof Listening |
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|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t=80793 The Natural History Volume 6] |
|| [https://forum.librivox.org/viewtopic.php?f=28&t=80793 The Natural History Volume 6] |
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| align=center| 21 |
| align=center| 21 |
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| align=center| |
| align=center| 14 |
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| align=center| |
| align=center| 67 |
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| align=center| 5 |
| align=center| 5 |
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| align=center| 24 |
| align=center| 24 |
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Line 347: | Line 285: | ||
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|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t=81463 Hinduism and Buddhism, An Historical Sketch Vol. |
|| [https://forum.librivox.org/viewtopic.php?f=28&t=81463 Hinduism and Buddhism, An Historical Sketch Vol. 3] |
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| align=center| 31 |
| align=center| 31 |
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| align=center| |
| align=center| 14 |
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| align=center| |
| align=center| 45 |
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| align=center| 6 |
| align=center| 6 |
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| align=center| 19 |
| align=center| 19 |
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Line 390: | Line 328: | ||
| align=center| 10 |
| align=center| 10 |
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| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
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|| |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t=84655 Urania] |
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| align=center| 20 |
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| align=center| 9 |
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| align=center| 45 |
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| align=center| 2 |
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| align=center| 10 |
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| align=center| Open |
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|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
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Line 408: | Line 355: | ||
| align=center| 8 |
| align=center| 8 |
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| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
||
|| |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t=84699 Sunshine] |
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| align=center| 40 |
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| align=center| 34 |
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| align=center| 85 |
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| align=center| 3 |
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| align=center| 8 |
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| align=center| Open |
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|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
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| align=center| 100 |
| align=center| 100 |
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| align=center| 4 |
| align=center| 4 |
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| align=center| 5 |
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| align=center| Fully Subscribed |
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|| |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t=84719 Kurze Erzählungen] |
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| align=center| 20 |
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| align=center| 20 |
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| align=center| 100 |
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| align=center| 1 |
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| align=center| 5 |
| align=center| 5 |
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| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
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Line 435: | Line 400: | ||
| align=center| 3 |
| align=center| 3 |
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| align=center| Fully Subscribed |
| align=center| Fully Subscribed |
||
|| |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t=84428 One Act Play Collection 015] |
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| align=center| 100 |
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| align=center| 28 |
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| align=center| 28 |
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| align=center| 2 |
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| align=center| 2 |
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| align=center| Open |
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|| |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t=83899 The Way of an Eagle] |
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| align=center| 56 |
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| align=center| 4 |
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| align=center| 7 |
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| align=center| 1 |
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| align=center| 2 |
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| align=center| Open |
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|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
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Line 465: | Line 448: | ||
|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t=84562 The Birth of Tragedy; or, Hellenism and Pessimism (Version 2)] |
|| [https://forum.librivox.org/viewtopic.php?f=28&t=84562 The Birth of Tragedy; or, Hellenism and Pessimism (Version 2)] |
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| align=center| 29 |
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| align=center| 29 |
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| align=center| 100 |
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| align=center| 0 |
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| align=center| 0 |
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| align=center| Fully Subscribed |
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|| |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t=84594 The Flight of the Heron] |
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| align=center| 29 |
| align=center| 29 |
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| align=center| 29 |
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| align=center| 28 |
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| align=center| 28 |
| align=center| 28 |
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| align=center| 100 |
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| align=center| 0 |
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| align=center| 0 |
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| align=center| Fully Subscribed |
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|| |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t=84621 Wisdom's Daughter] |
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| align=center| 26 |
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| align=center| 26 |
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| align=center| 100 |
| align=center| 100 |
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| align=center| 0 |
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|- style="border:none;padding:0in;" |
|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t=77881 Venetian Life] |
|| [https://forum.librivox.org/viewtopic.php?f=28&t=77881 Venetian Life] |
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| align=center| 22 |
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| align=center| 22 |
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| align=center| 100 |
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| align=center| 0 |
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| align=center| 0 |
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| align=center| Fully Subscribed |
|||
|| |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t=84597 Lives of the Most Eminent Painters, Sculptors and Architects Vol 8] |
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| align=center| 22 |
| align=center| 22 |
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| align=center| 22 |
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| align=center| 12 |
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| align=center| 12 |
| align=center| 12 |
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| align=center| 100 |
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| align=center| 0 |
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| align=center| 0 |
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| align=center| Fully Subscribed |
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|| |
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|- style="border:none;padding:0in;" |
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|| [https://forum.librivox.org/viewtopic.php?f=28&t=84461 Candle-Lightin' Time] |
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| align=center| 9 |
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| align=center| 9 |
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| align=center| 100 |
| align=center| 100 |
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| align=center| 0 |
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Line 620: | Line 567: | ||
| align=center| 6 |
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| align=center| 6 |
| align=center| 6 |
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| align=center| 100 |
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| align=center| 0 |
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| align=center| 0 |
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| align=center| Fully Subscribed |
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Revision as of 04:40, 13 January 2021
How to Use These Tables
Use the PL status table to see which projects do not currently have an assigned Dedicated Proof Listener (DPL).
Use the section status table to see which projects are currently underway, which ones are close to completion, which need just a couple of sections claimed to be fully subscribed, and so on.
For both tables, the project titles are links to the project thread.
To Sort - Click on the icon next to the column title to sort the table by that column. If you sort by sections claimed or completed, it will sort by the NUMBER of sections, not the percentage. Refresh the page to revert it to the default sort.
PL Status Table
Data current as of 12 January 2021, 10:19 pm CST (GMT-6)
Project Name | Sections | Assigned | % | Completed | % | Status | DPL Name |
---|---|---|---|---|---|---|---|
Captain Sparkle, Pirate | 24 | 24 | 100 | 23 | 96 | Fully Subscribed | |
The Book of Irish Poetry, part II | 150 | 150 | 100 | 142 | 95 | Fully Subscribed | |
Perils in the Transvaal and Zululand | 24 | 24 | 100 | 22 | 92 | Fully Subscribed | |
The Empresses of Constantinople | 31 | 29 | 94 | 28 | 90 | Open | |
Short Story Collection Vol. 095 | 21 | 19 | 90 | 19 | 90 | Open | |
Antologia di poetesse italiane | 60 | 53 | 88 | 53 | 88 | Open | |
The Battle of the Books | 23 | 23 | 100 | 20 | 87 | Proof Listening | |
A Broken Bond | 46 | 46 | 100 | 39 | 85 | Fully Subscribed | |
Papéis Avulsos | 16 | 15 | 94 | 12 | 75 | Open | |
A Woman at Bay | 28 | 28 | 100 | 20 | 71 | Fully Subscribed | |
Dom Casmurro | 30 | 26 | 87 | 21 | 70 | Open | |
The Castle of Twilight | 16 | 14 | 88 | 11 | 69 | Open | |
The Man Without a Conscience | 19 | 19 | 100 | 13 | 68 | Fully Subscribed | |
Two Years in Oregon | 31 | 22 | 71 | 21 | 68 | Open | |
Dramatic Selections from Henry Lawson's Short Stories | 39 | 30 | 77 | 23 | 59 | Open | |
The Dark Flower | 24 | 18 | 75 | 14 | 58 | Open | |
Merrimeg | 7 | 7 | 100 | 4 | 57 | Fully Subscribed | |
A Journey to the Western Isles of Scotland | 27 | 27 | 100 | 15 | 56 | Fully Subscribed | |
Frank Merriwell’s Trust | 200 | 133 | 67 | 106 | 53 | Open | |
Oracles of Nostradamus | 26 | 15 | 58 | 13 | 50 | Open | |
I Racconti delle Fate | 15 | 15 | 100 | 7 | 47 | Fully Subscribed | |
Compilation de poèmes - 014 | 25 | 13 | 52 | 10 | 40 | Open | |
Episodios nacionales: Guerra de la Independencia: Extractada para uso de los niños | 30 | 30 | 100 | 11 | 37 | Fully Subscribed | |
The Public Orations of Demosthenes | 30 | 16 | 53 | 11 | 37 | Open | |
Niels Lyhne | 14 | 14 | 100 | 5 | 36 | Fully Subscribed | |
T. Tembarom | 40 | 33 | 83 | 11 | 28 | Open | |
Memoir, Correspondence and Miscellanies, Volume I | 20 | 20 | 100 | 5 | 25 | Fully Subscribed | |
La Gitanilla | 4 | 4 | 100 | 1 | 25 | Proof Listening | |
The Natural History Volume 6 | 21 | 14 | 67 | 5 | 24 | Open | |
Hinduism and Buddhism, An Historical Sketch Vol. 3 | 31 | 14 | 45 | 6 | 19 | Open | |
Shakespeare Monologues Collection vol. 16 (Multilingual) | 30 | 5 | 17 | 5 | 17 | Open | |
The Writings of Samuel Adams, Volume 2 | 92 | 92 | 100 | 10 | 11 | Fully Subscribed | |
Prince and Heretic | 38 | 5 | 13 | 4 | 11 | Open | |
The Village in the Jungle | 10 | 10 | 100 | 1 | 10 | Fully Subscribed | |
Urania | 20 | 9 | 45 | 2 | 10 | Open | |
The Naval Pioneers of Australia | 12 | 12 | 100 | 1 | 8 | Fully Subscribed | |
Gloves Past and Present | 12 | 12 | 100 | 1 | 8 | Fully Subscribed | |
Sunshine | 40 | 34 | 85 | 3 | 8 | Open | |
Маскарад (Maskarad) | 18 | 4 | 22 | 1 | 6 | Open | |
Romola | 74 | 74 | 100 | 4 | 5 | Fully Subscribed | |
Kurze Erzählungen | 20 | 20 | 100 | 1 | 5 | Fully Subscribed | |
Noli Me Tangere (o Huwag Mo Akong Salingin!) | 65 | 65 | 100 | 2 | 3 | Fully Subscribed | |
One Act Play Collection 015 | 100 | 28 | 28 | 2 | 2 | Open | |
The Way of an Eagle | 56 | 4 | 7 | 1 | 2 | Open | |
A System of Logic | 70 | 70 | 100 | 1 | 1 | Fully Subscribed | |
Three in Norway (by Two of Them) | 37 | 37 | 100 | 0 | 0 | Fully Subscribed | |
El crimen de Gramercy Park | 34 | 34 | 100 | 0 | 0 | Fully Subscribed | |
The Birth of Tragedy; or, Hellenism and Pessimism (Version 2) | 29 | 29 | 100 | 0 | 0 | Fully Subscribed | |
The dogaressas of Venice: The wives of the doges | 28 | 28 | 100 | 0 | 0 | Fully Subscribed | |
The Dream Doctor | 24 | 24 | 100 | 0 | 0 | Fully Subscribed | |
Greece and its allies | 23 | 23 | 100 | 0 | 0 | Fully Subscribed | |
Venetian Life | 22 | 22 | 100 | 0 | 0 | Fully Subscribed | |
Mnemosina | 19 | 19 | 100 | 0 | 0 | Fully Subscribed | |
The Goody-Naughty Book | 16 | 16 | 100 | 0 | 0 | Fully Subscribed | |
Cuentos rusos | 12 | 12 | 100 | 0 | 0 | Fully Subscribed | |
Sa Ano Nabubuhay Ang Tao | 12 | 12 | 100 | 0 | 0 | Fully Subscribed | |
沉沦 (沉淪 Chenlun) | 8 | 8 | 100 | 0 | 0 | Fully Subscribed | |
Hamlet | 7 | 7 | 100 | 0 | 0 | Fully Subscribed | |
Queen Of The Martian Catacombs | 7 | 7 | 100 | 0 | 0 | Fully Subscribed | |
The Freudian Wish and It's Place In Ethics | 6 | 6 | 100 | 0 | 0 | Fully Subscribed | |
The Moral Picture Book | 6 | 6 | 100 | 0 | 0 | Fully Subscribed | |
The Private Journal of a Journey from Boston to New York in the Year 1704 | 4 | 4 | 100 | 0 | 0 | Fully Subscribed | |
The Human Chord | 16 | 8 | 50 | 0 | 0 | Open | |
Heart of Spring | 58 | 18 | 31 | 0 | 0 | Open | |
Heriot's Choice | 36 | 9 | 25 | 0 | 0 | Open | |
My Danish Sweetheart Vol. 2 | 9 | 2 | 22 | 0 | 0 | Open | |
Home Education Series Vol. IV: Ourselves, Book I. Self-Knowledge | 38 | 7 | 18 | 0 | 0 | Open | |
Cuentos de navidad y reyes | 18 | 3 | 17 | 0 | 0 | Open | |
Library of the World's Best Literature, Ancient and Modern, volume 12 | 45 | 0 | 0 | 0 | 0 | Open | |
Green Valley | 25 | 0 | 0 | 0 | 0 | Open | |
Tante Fritzchen | 21 | 0 | 0 | 0 | 0 | Open |
Section Status Table
Data current as of 03 January 2021, 10:37 pm CST (GMT-6)
How to Update This Status Table
(Instructions are using Windows, Excel/GoogleSheets and OpenOffice Writer.)
- Go to the Stats / Status Table report (link in MC/admin area)
- Sort the status table by "status"
- Copy the open and fully subscribed lines (not the HTML, but simply the page with Ctrl+A Ctrl+C) into an Excel/GoogleSheets document
- Delete any unwanted columns (DPL / MC) and rows
- Make all other columns (except Title) center (select columns and then click the paragraph centering button)
- Top justify all cells
- Sort by title column
- Copy data into an Open Office Writer document
- Export it to MediaWiki.txt (File/Export)
- Open the txt file in Notepad
- Replace all 100 with <font color="#00cc00">100</font> (optional)
- Copy everything AFTER <center>Status</center>
- Highlight the Wiki code AFTER <center>Status</center>
- Paste into the Wiki
- Change data date and time to reflect current update
- Preview to make sure non-English characters show up all right. If they don't, repeat from step 8, as this is usually where the error happens.