Project Status Table: Difference between revisions
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<div align="right">100</div> |
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<div align="right">41</div> |
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<div align="right"> |
<div align="right">100</div> |
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<div align="right"> |
<div align="right">36</div> |
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<div align="right"> |
<div align="right">88</div> |
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Fully Subscribed |
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Open |
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<div align="right">19</div> |
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<div align="right">95</div> |
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<div align="right">64</div> |
<div align="right">64</div> |
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Open |
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[https://forum.librivox.org/viewtopic.php?f=28&t=67778 <nowiki>''Frost To-Night''</nowiki>] |
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<div align="right">20</div> |
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<div align="right">12</div> |
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<div align="right">60</div> |
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<div align="right">12</div> |
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<div align="right">60</div> |
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<div align="right"> |
<div align="right">71</div> |
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<div align="right"> |
<div align="right">80</div> |
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=67910 The Listeners] |
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<div align="right"> |
<div align="right">9</div> |
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<div align="right"> |
<div align="right">45</div> |
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Open |
Open |
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[https://forum.librivox.org/viewtopic.php?f=28&t=67718 A Book of Twenty-four Sonnets] |
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<div align="right">24</div> |
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<div align="right">24</div> |
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<div align="right">100</div> |
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<div align="right">9</div> |
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<div align="right">38</div> |
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Proof Listening |
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<div align="right">13</div> |
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<div align="right"> |
<div align="right">22</div> |
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=67946 To The Dead in the Graveyard Underneath My Window] |
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<div align="right"> |
<div align="right">20</div> |
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<div align="right"> |
<div align="right">3</div> |
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<div align="right"> |
<div align="right">15</div> |
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<div align="right">3</div> |
<div align="right">3</div> |
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<div align="right">15</div> |
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Open |
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[https://forum.librivox.org/viewtopic.php?f=28&t=67715 Songs of the Sea and Lays of the Land] |
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<div align="right">65</div> |
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<div align="right">13</div> |
<div align="right">13</div> |
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<div align="right">20</div> |
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<div align="right">8</div> |
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<div align="right">12</div> |
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<div align="right">8</div> |
<div align="right">8</div> |
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Fully Subscribed |
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[https://forum.librivox.org/viewtopic.php?p=1325228 Pollyanna (version 4)] |
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<div align="right">32</div> |
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<div align="right">32</div> |
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<div align="right">100</div> |
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<div align="right">2</div> |
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<div align="right">6</div> |
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Open |
Open |
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[https://forum.librivox.org/viewtopic.php?f=28&t=67912 1-2 Tesalonicenses] |
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<div align="right">8</div> |
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<div align="right">8</div> |
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<div align="right">100</div> |
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<div align="right"></div> |
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<div align="right">0</div> |
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Fully Subscribed |
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Fully Subscribed |
Fully Subscribed |
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[https://librivox.org/stats/active_projects Adventskalender 2017] |
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<div align="right">30</div> |
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<div align="right">5</div> |
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<div align="right">17</div> |
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<div align="right"></div> |
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<div align="right">0</div> |
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Open |
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<div align="right">28</div> |
<div align="right">28</div> |
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<div align="right">5</div> |
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<div align="right">18</div> |
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<div align="right">0</div> |
<div align="right">0</div> |
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Open |
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[https://forum.librivox.org/viewtopic.php?f=28&t=67869&p=1405277 British Sea Birds] |
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<div align="right">11</div> |
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<div align="right">11</div> |
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<div align="right">100</div> |
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Fully Subscribed |
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Open |
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Line 831: | Line 956: | ||
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<div align="right">5</div> |
<div align="right">5</div> |
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<div align="right">100</div> |
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<div align="right"></div> |
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<div align="right">0</div> |
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Fully Subscribed |
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[https://forum.librivox.org/viewtopic.php?f=28&t=67895 Der Amokläufer] |
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<div align="right">18</div> |
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<div align="right">18</div> |
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Line 924: | Line 1,074: | ||
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=67868 Flametti, oder Vom Dandyismus der Armen] |
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<div align="right"> |
<div align="right">19</div> |
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<div align="right"> |
<div align="right">16</div> |
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<div align="right"> |
<div align="right">84</div> |
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Line 942: | Line 1,092: | ||
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Open |
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Fully Subscribed |
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Line 968: | Line 1,118: | ||
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Fully Subscribed |
Fully Subscribed |
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[https://forum.librivox.org/viewtopic.php?f=28&t=67928&p=1406447 Introducing Irony] |
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<div align="right">32</div> |
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<div align="right">32</div> |
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<div align="right">100</div> |
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<div align="right"></div> |
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<div align="right">0</div> |
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Fully Subscribed |
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[https://forum.librivox.org/viewtopic.php?f=28&t=67911 Jingle Bells] |
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<div align="right">15</div> |
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<div align="right"></div> |
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<div align="right">0</div> |
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<div align="right"></div> |
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<div align="right">0</div> |
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Open |
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Line 1,018: | Line 1,218: | ||
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Fully Subscribed |
Fully Subscribed |
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[https://forum.librivox.org/viewtopic.php?f=28&t=60398 Micah Clarke] |
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<div align="right">41</div> |
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<div align="right">3</div> |
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<div align="right">7</div> |
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<div align="right"></div> |
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<div align="right">0</div> |
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Open |
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Line 1,174: | Line 1,399: | ||
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[https://forum.librivox.org/viewtopic.php?f= |
[https://forum.librivox.org/viewtopic.php?f=12&t=67890 Shadows in Zamboula] |
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<div align="right"> |
<div align="right">4</div> |
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<div align="right"> |
<div align="right">4</div> |
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<div align="right"> |
<div align="right">100</div> |
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Line 1,192: | Line 1,417: | ||
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Fully Subscribed |
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Open |
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Line 1,243: | Line 1,468: | ||
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Fully Subscribed |
Fully Subscribed |
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[https://forum.librivox.org/viewtopic.php?f=28&t=67937 The Day before Yesterday] |
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<div align="right">33</div> |
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<div align="right">3</div> |
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<div align="right">9</div> |
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<div align="right">0</div> |
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Open |
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<div align="right">1</div> |
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<div align="right"> |
<div align="right">4</div> |
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=67936 The Wind in the Rose-Bush, and Other Stories of the Supernatural] |
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<div align="right">10</div> |
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<div align="right">2</div> |
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<div align="right">20</div> |
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=67417&p=1394847 Trains at Work] |
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<div align="right">20</div> |
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<div align="right"> |
<div align="right"></div> |
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<div align="right"> |
<div align="right">0</div> |
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=62306 Universal Declaration of Human Rights Volume 4] |
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<div align="right">10</div> |
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<div align="right">10</div> |
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Revision as of 14:19, 28 October 2017
How to Use These Tables
Use the PL status table to see which projects do not currently have an assigned Dedicated Proof Listener (DPL).
Use the section status table to see which projects are currently underway, which ones are close to completion, which need just a couple of sections claimed to be fully subscribed, and so on.
For both tables, the project titles are links to the project thread.
To Sort - Click on the icon next to the column title to sort the table by that column. If you sort by sections claimed or completed, it will sort by the NUMBER of sections, not the percentage. Refresh the page to revert it to the default sort.
PL Status Table
Data current as of 28 October 2017 9.00 am CDT
Project Name | Sections | Assigned | % | Completed | % | Status | DPL Name |
---|---|---|---|---|---|---|---|
15
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15
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100
|
15
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100
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Fully Subscribed |
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41
|
41
|
100
|
36
|
88
|
Fully Subscribed |
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30
|
28
|
93
|
25
|
83
|
Open |
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20
|
19
|
95
|
16
|
80
|
Open |
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14
|
14
|
100
|
11
|
79
|
Fully Subscribed |
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37
|
31
|
84
|
28
|
76
|
Open |
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283
|
266
|
94
|
181
|
64
|
Open |
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84
|
63
|
75
|
49
|
58
|
Open |
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312
|
313
|
100
|
178
|
57
|
Fully Subscribed |
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89
|
71
|
80
|
49
|
55
|
Open |
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15
|
9
|
60
|
8
|
53
|
Open |
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14
|
14
|
100
|
7
|
50
|
Fully Subscribed |
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15
|
15
|
100
|
7
|
47
|
Fully Subscribed |
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13
|
13
|
100
|
6
|
46
|
Fully Subscribed |
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20
|
9
|
45
|
8
|
40
|
Open |
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10
|
6
|
60
|
4
|
40
|
Open |
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24
|
24
|
100
|
9
|
38
|
Proof Listening |
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14
|
14
|
100
|
5
|
36
|
Fully Subscribed |
| |
11
|
11
|
100
|
4
|
36
|
Fully Subscribed |
| |
11
|
11
|
100
|
3
|
27
|
Fully Subscribed |
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110
|
43
|
39
|
25
|
23
|
Open |
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18
|
18
|
100
|
4
|
22
|
Fully Subscribed |
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58
|
23
|
40
|
13
|
22
|
Open |
| |
Corporal Cameron of the North West Mounted Police--A Tale of the Macleod Trail |
25
|
7
|
28
|
5
|
20
|
Open |
|
20
|
3
|
15
|
3
|
15
|
Open |
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65
|
13
|
20
|
8
|
12
|
Open |
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21
|
21
|
100
|
2
|
10
|
Fully Subscribed |
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12
|
12
|
100
|
1
|
8
|
Fully Subscribed |
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32
|
32
|
100
|
2
|
6
|
Fully Subscribed |
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25
|
1
|
4
|
1
|
4
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Open |
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8
|
8
|
100
|
0
|
Fully Subscribed |
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18
|
18
|
100
|
0
|
Fully Subscribed |
| ||
30
|
5
|
17
|
0
|
Open |
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18
|
18
|
100
|
0
|
Fully Subscribed |
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8
|
8
|
100
|
0
|
Fully Subscribed |
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28
|
5
|
18
|
0
|
Open |
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11
|
11
|
100
|
0
|
Fully Subscribed |
| ||
5
|
5
|
100
|
0
|
Fully Subscribed |
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18
|
18
|
100
|
0
|
Fully Subscribed |
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50
|
50
|
100
|
0
|
Fully Subscribed |
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11
|
11
|
100
|
0
|
Fully Subscribed |
| ||
Fábulas en verso castellano para el uso del Real Seminario Bascongado |
157
|
157
|
100
|
0
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Fully Subscribed |
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19
|
16
|
84
|
0
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Open |
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10
|
10
|
100
|
0
|
Fully Subscribed |
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32
|
32
|
100
|
0
|
Fully Subscribed |
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15
|
0
|
0
|
Open |
| |||
25
|
25
|
100
|
0
|
Fully Subscribed |
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6
|
6
|
100
|
0
|
Fully Subscribed |
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41
|
3
|
7
|
0
|
Open |
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30
|
30
|
100
|
0
|
Fully Subscribed |
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13
|
13
|
100
|
0
|
Fully Subscribed |
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35
|
35
|
100
|
0
|
Fully Subscribed |
| ||
14
|
1
|
7
|
0
|
Open |
| ||
28
|
28
|
100
|
0
|
Fully Subscribed |
| ||
19
|
14
|
74
|
0
|
Open |
| ||
4
|
4
|
100
|
0
|
Fully Subscribed |
| ||
13
|
13
|
100
|
0
|
Fully Subscribed |
| ||
13
|
13
|
100
|
0
|
Fully Subscribed |
| ||
33
|
3
|
9
|
0
|
Open |
| ||
The Dog Caruso and his Master: A story of Adventure in the Western Plains |
35
|
2
|
6
|
0
|
Open |
| |
63
|
2
|
3
|
0
|
Open |
| ||
23
|
0
|
0
|
Open |
| |||
26
|
1
|
4
|
0
|
Open |
| ||
19
|
19
|
100
|
0
|
Fully Subscribed |
| ||
53
|
12
|
23
|
0
|
Fully Subscribed |
| ||
The Wind in the Rose-Bush, and Other Stories of the Supernatural |
10
|
2
|
20
|
0
|
Open |
| |
20
|
0
|
0
|
Open |
| |||
10
|
1
|
10
|
0
|
Open |
|
Section Status Table
Data current as of 28 October 2017 9.00 am CST
Project Name | Sections | Assigned | % | Completed | % | Status |
---|---|---|---|---|---|---|
40
|
39
|
98
|
27
|
68
|
Open | |
62
|
60
|
97
|
38
|
61
|
Open | |
30
|
29
|
97
|
22
|
73
|
Open | |
31
|
30
|
97
|
15
|
48
|
Open | |
The Lane that had no Turning, and Other Tales concerning the People of Pontiac |
30
|
29
|
97
|
28
|
93
|
Open |
28
|
27
|
96
|
13
|
46
|
Open | |
42
|
40
|
95
|
33
|
79
|
Open | |
44
|
42
|
95
|
19
|
43
|
Open | |
20
|
19
|
95
|
14
|
70
|
Open | |
39
|
37
|
95
|
27
|
69
|
Open | |
21
|
20
|
95
|
19
|
90
|
Open | |
33
|
31
|
94
|
25
|
76
|
Open | |
283
|
266
|
94
|
181
|
64
|
Open | |
42
|
39
|
93
|
35
|
83
|
Open | |
41
|
38
|
93
|
34
|
83
|
Open | |
30
|
28
|
93
|
25
|
83
|
Open | |
118
|
110
|
93
|
76
|
64
|
Open | |
The wonderful History of Peter Schlemihl, the Man who lost his Shadow |
13
|
12
|
92
|
11
|
85
|
Open |
47
|
43
|
91
|
33
|
70
|
Open | |
11
|
10
|
91
|
8
|
73
|
Open | |
59
|
53
|
90
|
39
|
66
|
Open | |
21
|
19
|
90
|
16
|
76
|
Open | |
20
|
18
|
90
|
9
|
45
|
Open | |
52
|
47
|
90
|
38
|
73
|
Open | |
24
|
21
|
88
|
19
|
79
|
Open | |
66
|
58
|
88
|
25
|
38
|
Open | |
38
|
33
|
87
|
27
|
71
|
Open | |
30
|
26
|
87
|
26
|
87
|
Open | |
30
|
26
|
87
|
26
|
87
|
Open | |
141
|
122
|
87
|
104
|
74
|
Open | |
22
|
19
|
86
|
15
|
68
|
Open | |
13
|
11
|
85
|
9
|
69
|
Open | |
20
|
17
|
85
|
16
|
80
|
Open | |
26
|
22
|
85
|
14
|
54
|
Open | |
37
|
31
|
84
|
28
|
76
|
Open | |
38
|
32
|
84
|
30
|
79
|
Open | |
156
|
130
|
83
|
108
|
69
|
Open | |
36
|
30
|
83
|
26
|
72
|
Open | |
Peeps at People - Being Certain Papers from the Writings of Anne Warrington Witherup |
12
|
10
|
83
|
10
|
83
|
Open |
41
|
34
|
83
|
32
|
78
|
Open | |
12
|
10
|
83
|
6
|
50
|
Open | |
55
|
45
|
82
|
23
|
42
|
Open | |
33
|
27
|
82
|
8
|
24
|
Open | |
180
|
148
|
82
|
110
|
61
|
Open | |
27
|
22
|
81
|
17
|
63
|
Open | |
69
|
56
|
81
|
56
|
81
|
Open | |
The History Teacher's Magazine, Vol. I, No. 1, September 1909 |
16
|
13
|
81
|
12
|
75
|
Open |
10
|
8
|
80
|
1
|
10
|
Open | |
15
|
12
|
80
|
12
|
80
|
Open | |
20
|
16
|
80
|
16
|
80
|
Open | |
112
|
89
|
79
|
73
|
65
|
Open | |
89
|
69
|
78
|
49
|
55
|
Open | |
27
|
21
|
78
|
17
|
63
|
Open | |
62
|
48
|
77
|
41
|
66
|
Open | |
21
|
16
|
76
|
9
|
43
|
Open | |
914
|
694
|
76
|
368
|
40
|
Open | |
71
|
54
|
76
|
44
|
62
|
Open | |
36
|
27
|
75
|
20
|
56
|
Open | |
16
|
12
|
75
|
11
|
69
|
Open | |
20
|
15
|
75
|
14
|
70
|
Open | |
84
|
63
|
75
|
49
|
58
|
Open | |
151
|
111
|
74
|
98
|
65
|
Open | |
19
|
14
|
74
|
0
|
Open | ||
65
|
47
|
72
|
33
|
51
|
Open | |
25
|
18
|
72
|
12
|
48
|
Open | |
43
|
30
|
70
|
18
|
42
|
Open | |
20
|
14
|
70
|
14
|
70
|
Open | |
20
|
14
|
70
|
6
|
30
|
Open | |
54
|
37
|
69
|
15
|
28
|
Open | |
34
|
23
|
68
|
12
|
35
|
Open | |
The Democracy of the Constitution, and other Addresses and Essays |
18
|
12
|
67
|
7
|
39
|
Open |
30
|
20
|
67
|
11
|
37
|
Open | |
21
|
14
|
67
|
8
|
38
|
Open | |
44
|
29
|
66
|
28
|
64
|
Open | |
65
|
43
|
66
|
33
|
51
|
Open | |
Meridiana: The adventures of three Englishmen and three Russians in South Africa |
23
|
15
|
65
|
9
|
39
|
Open |
25
|
16
|
64
|
12
|
48
|
Open | |
14
|
9
|
64
|
6
|
43
|
Open | |
59
|
37
|
63
|
32
|
54
|
Open | |
16
|
10
|
63
|
10
|
63
|
Open | |
26
|
16
|
62
|
12
|
46
|
Open | |
56
|
34
|
61
|
30
|
54
|
Open | |
20
|
12
|
60
|
12
|
60
|
Open | |
30
|
18
|
60
|
15
|
50
|
Open | |
20
|
12
|
60
|
10
|
50
|
Open | |
15
|
9
|
60
|
8
|
53
|
Open | |
10
|
6
|
60
|
4
|
40
|
Open | |
27
|
16
|
59
|
15
|
56
|
Open | |
17
|
10
|
59
|
7
|
41
|
Open | |
27
|
16
|
59
|
6
|
22
|
Open | |
14
|
8
|
57
|
3
|
21
|
Open | |
Perfect Behavior: A Guide for Ladies and Gentlemen in All Social Crises |
9
|
5
|
56
|
5
|
56
|
Open |
22
|
12
|
55
|
11
|
50
|
Open | |
39
|
21
|
54
|
17
|
44
|
Open | |
65
|
35
|
54
|
25
|
38
|
Open | |
37
|
20
|
54
|
11
|
30
|
Open | |
28
|
15
|
54
|
5
|
18
|
Open | |
116
|
61
|
53
|
52
|
45
|
Open | |
75
|
39
|
52
|
23
|
31
|
Open | |
20
|
10
|
50
|
10
|
50
|
Open | |
8
|
4
|
50
|
4
|
50
|
Open | |
44
|
22
|
50
|
16
|
36
|
Open | |
21
|
10
|
48
|
4
|
19
|
Open | |
62
|
30
|
48
|
23
|
37
|
Open | |
State of the Union Addresses by United States Presidents (1837 - 1844) |
17
|
8
|
47
|
8
|
47
|
Open |
15
|
7
|
47
|
0
|
Open | ||
32
|
15
|
47
|
7
|
22
|
Open | |
52
|
24
|
46
|
15
|
29
|
Open | |
22
|
10
|
45
|
10
|
45
|
Open | |
21
|
9
|
43
|
5
|
24
|
Open | |
24
|
10
|
42
|
8
|
33
|
Open | |
12
|
5
|
42
|
3
|
25
|
Open | |
109
|
45
|
41
|
43
|
39
|
Open | |
15
|
6
|
40
|
5
|
33
|
Open | |
20
|
8
|
40
|
8
|
40
|
Open | |
58
|
23
|
40
|
12
|
21
|
Open | |
30
|
12
|
40
|
7
|
23
|
Open | |
33
|
13
|
39
|
9
|
27
|
Open | |
31
|
12
|
39
|
3
|
10
|
Open | |
110
|
43
|
39
|
25
|
23
|
Open | |
105
|
41
|
39
|
27
|
26
|
Open | |
39
|
15
|
38
|
9
|
23
|
Open | |
13
|
5
|
38
|
1
|
8
|
Open | |
24
|
9
|
38
|
3
|
13
|
Open | |
49
|
18
|
37
|
5
|
10
|
Open | |
33
|
12
|
36
|
11
|
33
|
Open | |
38
|
13
|
34
|
13
|
34
|
Open | |
12
|
4
|
33
|
2
|
17
|
Open | |
6
|
2
|
33
|
0
|
Open | ||
33
|
11
|
33
|
7
|
21
|
Open | |
30
|
10
|
33
|
4
|
13
|
Open | |
76
|
25
|
33
|
12
|
16
|
Open | |
The Mummy and Miss Nitocris: A Phantasy of the Fourth Dimension |
27
|
9
|
33
|
7
|
26
|
Open |
25
|
8
|
32
|
5
|
20
|
Open | |
25
|
8
|
32
|
3
|
12
|
Open | |
51
|
16
|
31
|
8
|
16
|
Open | |
28
|
8
|
29
|
3
|
11
|
Open | |
34
|
10
|
29
|
4
|
12
|
Open | |
31
|
9
|
29
|
8
|
26
|
Open | |
Corporal Cameron of the North West Mounted Police--A Tale of the Macleod Trail |
25
|
7
|
28
|
5
|
20
|
Open |
32
|
9
|
28
|
3
|
9
|
Open | |
15
|
4
|
27
|
0
|
Open | ||
37
|
10
|
27
|
5
|
14
|
Open | |
38
|
10
|
26
|
0
|
Open | ||
68
|
18
|
26
|
14
|
21
|
Open | |
Abe and Mawruss: Being Further Adventures of Potash and Perlmutter |
16
|
4
|
25
|
3
|
19
|
Open |
12
|
3
|
25
|
0
|
Open | ||
25
|
6
|
24
|
3
|
12
|
Open | |
97
|
23
|
24
|
14
|
14
|
Open | |
30
|
7
|
23
|
4
|
13
|
Open | |
26
|
6
|
23
|
6
|
23
|
Open | |
15
|
3
|
20
|
3
|
20
|
Open | |
15
|
3
|
20
|
3
|
20
|
Open | |
65
|
13
|
20
|
0
|
Open | ||
21
|
4
|
19
|
3
|
14
|
Open | |
26
|
5
|
19
|
0
|
Open | ||
22
|
4
|
18
|
4
|
18
|
Open | |
33
|
6
|
18
|
0
|
Open | ||
42
|
7
|
17
|
3
|
7
|
Open | |
48
|
8
|
17
|
3
|
6
|
Open | |
35
|
6
|
17
|
0
|
Open | ||
23
|
4
|
17
|
1
|
4
|
Open | |
26
|
4
|
15
|
0
|
Open | ||
56
|
8
|
14
|
7
|
13
|
Open | |
65
|
9
|
14
|
5
|
8
|
Open | |
24
|
3
|
13
|
0
|
Open | ||
78
|
10
|
13
|
7
|
9
|
Open | |
10
|
1
|
10
|
0
|
Open | ||
12
|
1
|
8
|
0
|
Open | ||
12
|
1
|
8
|
0
|
Open | ||
14
|
1
|
7
|
0
|
Open | ||
30
|
2
|
7
|
0
|
Open | ||
84
|
5
|
6
|
5
|
6
|
Open | |
53
|
3
|
6
|
3
|
6
|
Open | |
The Dog Caruso and his Master: A story of Adventure in the Western Plains |
35
|
2
|
6
|
0
|
Open | |
25
|
1
|
4
|
1
|
4
|
Open | |
37
|
1
|
3
|
1
|
3
|
Open | |
36
|
1
|
3
|
0
|
Open | ||
63
|
2
|
3
|
0
|
Open | ||
28
|
0
|
0
|
Open | |||
15
|
0
|
0
|
Open | |||
25
|
0
|
0
|
Open | |||
20
|
0
|
0
|
Open | |||
20
|
0
|
0
|
Open | |||
23
|
0
|
0
|
Open | |||
26
|
0
|
0
|
Open | |||
25
|
25
|
100
|
0
|
Fully Subscribed | ||
20
|
20
|
100
|
4
|
20
|
Fully Subscribed | |
50
|
50
|
100
|
32
|
64
|
Fully Subscribed | |
29
|
29
|
100
|
26
|
90
|
Fully Subscribed | |
30
|
30
|
100
|
13
|
43
|
Fully Subscribed | |
40
|
40
|
100
|
36
|
90
|
Fully Subscribed | |
4
|
4
|
100
|
2
|
50
|
Fully Subscribed | |
8
|
8
|
100
|
6
|
75
|
Fully Subscribed | |
45
|
45
|
100
|
34
|
76
|
Fully Subscribed | |
21
|
21
|
100
|
14
|
67
|
Fully Subscribed | |
13
|
13
|
100
|
6
|
46
|
Fully Subscribed | |
30
|
30
|
100
|
15
|
50
|
Fully Subscribed | |
21
|
21
|
100
|
2
|
10
|
Fully Subscribed | |
18
|
18
|
100
|
0
|
Fully Subscribed | ||
78
|
78
|
100
|
17
|
22
|
Fully Subscribed | |
22
|
22
|
100
|
16
|
73
|
Fully Subscribed | |
150
|
150
|
100
|
39
|
26
|
Fully Subscribed | |
8
|
8
|
100
|
0
|
Fully Subscribed | ||
4
|
4
|
100
|
0
|
Fully Subscribed | ||
34
|
34
|
100
|
0
|
Fully Subscribed | ||
20
|
20
|
100
|
19
|
95
|
Fully Subscribed | |
24
|
24
|
100
|
18
|
75
|
Fully Subscribed | |
35
|
35
|
100
|
33
|
94
|
Fully Subscribed | |
1
|
1
|
100
|
0
|
Fully Subscribed | ||
32
|
32
|
100
|
20
|
63
|
Fully Subscribed | |
51
|
51
|
100
|
41
|
80
|
Fully Subscribed | |
Canzoniere (Rerum vulgarium fragmenta), vol 2, di Francesco Petrarca (1304-1374) . |
183
|
183
|
100
|
29
|
16
|
Fully Subscribed |
17
|
17
|
100
|
12
|
71
|
Fully Subscribed | |
50
|
50
|
100
|
0
|
Fully Subscribed | ||
25
|
25
|
100
|
14
|
56
|
Fully Subscribed | |
49
|
49
|
100
|
40
|
82
|
Fully Subscribed | |
10
|
10
|
100
|
0
|
Fully Subscribed | ||
13
|
13
|
100
|
5
|
38
|
Fully Subscribed | |
14
|
14
|
100
|
11
|
79
|
Fully Subscribed | |
312
|
313
|
100
|
178
|
57
|
Fully Subscribed | |
41
|
41
|
100
|
6
|
15
|
Fully Subscribed | |
45
|
45
|
100
|
33
|
73
|
Fully Subscribed | |
Dinosaurs, With Special Reference to the American Museum Collections |
14
|
14
|
100
|
12
|
86
|
Fully Subscribed |
47
|
47
|
100
|
0
|
Fully Subscribed | ||
84
|
84
|
100
|
75
|
89
|
Fully Subscribed | |
27
|
27
|
100
|
7
|
26
|
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4
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15
|
Fully Subscribed | |
87
|
87
|
100
|
73
|
84
|
Fully Subscribed | |
27
|
27
|
100
|
16
|
59
|
Fully Subscribed | |
20
|
20
|
100
|
14
|
70
|
Fully Subscribed | |
29
|
29
|
100
|
29
|
100
|
Fully Subscribed | |
44
|
44
|
100
|
26
|
59
|
Fully Subscribed | |
26
|
26
|
100
|
12
|
46
|
Fully Subscribed | |
43
|
43
|
100
|
43
|
100
|
Fully Subscribed | |
19
|
19
|
100
|
8
|
42
|
Fully Subscribed | |
25
|
25
|
100
|
17
|
68
|
Fully Subscribed | |
25
|
25
|
100
|
23
|
92
|
Fully Subscribed | |
226
|
226
|
100
|
8
|
4
|
Fully Subscribed | |
39
|
39
|
100
|
32
|
82
|
Fully Subscribed | |
22
|
22
|
100
|
11
|
50
|
Fully Subscribed | |
23
|
23
|
100
|
23
|
100
|
Fully Subscribed | |
21
|
21
|
100
|
19
|
90
|
Fully Subscribed | |
14
|
14
|
100
|
7
|
50
|
Fully Subscribed | |
35
|
35
|
100
|
24
|
69
|
Fully Subscribed | |
25
|
25
|
100
|
24
|
96
|
Fully Subscribed | |
15
|
15
|
100
|
8
|
53
|
Fully Subscribed | |
21
|
21
|
100
|
8
|
38
|
Fully Subscribed | |
7
|
7
|
100
|
5
|
71
|
Fully Subscribed | |
37
|
37
|
100
|
0
|
Fully Subscribed | ||
20
|
20
|
100
|
16
|
80
|
Fully Subscribed | |
29
|
29
|
100
|
5
|
17
|
Fully Subscribed | |
11
|
11
|
100
|
3
|
27
|
Fully Subscribed | |
31
|
31
|
100
|
30
|
97
|
Fully Subscribed | |
79
|
79
|
100
|
49
|
62
|
Fully Subscribed | |
69
|
69
|
100
|
1
|
1
|
Fully Subscribed | |
12
|
12
|
100
|
4
|
33
|
Fully Subscribed | |
13
|
13
|
100
|
6
|
46
|
Fully Subscribed | |
28
|
28
|
100
|
0
|
Fully Subscribed | ||
26
|
26
|
100
|
0
|
Fully Subscribed | ||
97
|
97
|
100
|
74
|
76
|
Fully Subscribed | |
19
|
19
|
100
|
5
|
26
|
Fully Subscribed | |
18
|
18
|
100
|
11
|
61
|
Fully Subscribed | |
7
|
7
|
100
|
7
|
100
|
Fully Subscribed | |
12
|
12
|
100
|
1
|
8
|
Fully Subscribed | |
39
|
39
|
100
|
19
|
49
|
Fully Subscribed | |
73
|
73
|
100
|
37
|
51
|
Fully Subscribed | |
5
|
5
|
100
|
3
|
60
|
Fully Subscribed | |
26
|
26
|
100
|
8
|
31
|
Fully Subscribed | |
19
|
19
|
100
|
0
|
Fully Subscribed | ||
29
|
29
|
100
|
7
|
24
|
Fully Subscribed | |
The Polity of the Athenians and the Lacedaemonians (Spartans) |
3
|
3
|
100
|
2
|
67
|
Fully Subscribed |
21
|
21
|
100
|
0
|
Fully Subscribed | ||
13
|
13
|
100
|
0
|
Fully Subscribed | ||
151
|
151
|
100
|
58
|
38
|
Fully Subscribed | |
19
|
19
|
100
|
2
|
11
|
Fully Subscribed | |
5
|
5
|
100
|
0
|
Fully Subscribed | ||
6
|
6
|
100
|
0
|
Fully Subscribed | ||
17
|
17
|
100
|
9
|
53
|
Fully Subscribed | |
8
|
8
|
100
|
6
|
75
|
Fully Subscribed | |
10
|
10
|
100
|
3
|
30
|
Fully Subscribed | |
36
|
36
|
100
|
26
|
72
|
Fully Subscribed | |
28
|
28
|
100
|
0
|
Fully Subscribed | ||
The Sikh Religion: Its Gurus, Sacred Writings and Authors, Volume 4 |
44
|
44
|
100
|
11
|
25
|
Fully Subscribed |
The Sikh Religion: Its Gurus, Sacred Writings and Authors, Volume 5 |
42
|
42
|
100
|
12
|
29
|
Fully Subscribed |
27
|
27
|
100
|
0
|
Fully Subscribed | ||
29
|
29
|
100
|
16
|
55
|
Fully Subscribed | |
62
|
62
|
100
|
61
|
98
|
Fully Subscribed | |
11
|
11
|
100
|
2
|
18
|
Fully Subscribed | |
23
|
23
|
100
|
20
|
87
|
Fully Subscribed | |
5
|
5
|
100
|
0
|
Fully Subscribed | ||
109
|
109
|
100
|
72
|
66
|
Fully Subscribed | |
35
|
35
|
100
|
3
|
9
|
Fully Subscribed | |
30
|
30
|
100
|
1
|
3
|
Fully Subscribed | |
7
|
7
|
100
|
2
|
29
|
Fully Subscribed | |
22
|
22
|
100
|
8
|
36
|
Fully Subscribed | |
27
|
27
|
100
|
4
|
15
|
Fully Subscribed | |
24
|
24
|
100
|
12
|
50
|
Fully Subscribed | |
The Works of Guy de Maupassant, Volume 3: The Viaticum and Other Stories |
50
|
50
|
100
|
8
|
16
|
Fully Subscribed |
The World's Best Poetry, Volume 6: Fancy and Sentiment (Part 1) |
133
|
133
|
100
|
85
|
64
|
Fully Subscribed |
29
|
29
|
100
|
28
|
97
|
Fully Subscribed | |
26
|
26
|
100
|
11
|
42
|
Fully Subscribed | |
16
|
16
|
100
|
2
|
13
|
Fully Subscribed | |
400
|
395
|
99
|
393
|
98
|
Fully Subscribed | |
180
|
177
|
98
|
167
|
93
|
Fully Subscribed | |
95
|
92
|
97
|
85
|
89
|
Fully Subscribed | |
81
|
76
|
94
|
60
|
74
|
Fully Subscribed | |
34
|
32
|
94
|
32
|
94
|
Fully Subscribed | |
123
|
114
|
93
|
98
|
80
|
Fully Subscribed | |
The Adventures of Huckleberry Finn (version 5 Dramatic Reading) |
231
|
199
|
86
|
146
|
63
|
Fully Subscribed |
53
|
12
|
23
|
0
|
Fully Subscribed |
How to Update This Status Table
(Instructions are using Windows, Excel and OpenOffice.)
- Go to the Stats / Status Table report (link in MC/admin area)
- Sort the status table by "status"
- Copy the open and fully subscribed lines (not the HTML, but simply the page with Ctrl+A Ctrl+C) into an Excel document
- Delete any unwanted columns (DPL / MC) and rows
- Make all other columns (except Title) center (select columns and then click the paragraph centering button)
- Top justify all cells
- Sort by title column
- Copy data to Open Office
- Export it to MediaWiki.txt (File/Export)
- Open the txt file in Notepad
- Replace all 100 with <font color="#00cc00">100%</font> (optional)
- Copy everything AFTER <center>Status</center>
- Highlight the Wiki code AFTER <center>Status</center>
- Paste into the Wiki
- Change data date and time to reflect current update
- Preview to make sure non-English characters show up all right. If they don't, repeat from step 8, as this is usually where the error happens.