Project Status Table: Difference between revisions
Line 11: | Line 11: | ||
== PL Status Table == |
== PL Status Table == |
||
Data current as of |
Data current as of 29 April 7:00 pm CDT |
||
{| class="wikitable sortable" |
{| class="wikitable sortable" |
||
Line 55: | Line 55: | ||
| |
| |
||
<div align="right"> |
<div align="right">75</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">100</div> |
||
| |
| |
||
Line 67: | Line 67: | ||
| |
| |
||
Fully Subscribed |
|||
Open |
|||
| |
| |
||
Line 174: | Line 174: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=58691 Microphone Showdown 3] |
||
| |
| |
||
<div align="right"> |
<div align="right">75</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">57</div> |
||
| |
|||
<div align="right">76</div> |
|||
| |
|||
<div align="right">57</div> |
|||
| |
|||
<div align="right">76</div> |
|||
| |
|||
Open |
|||
| |
|||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?p=1300498 Multilingual Short Works Collection 017 - Poetry and Prose] |
|||
| |
|||
<div align="right">20</div> |
|||
| |
|||
<div align="right">20</div> |
|||
| |
| |
||
Line 186: | Line 211: | ||
| |
| |
||
<div align="right"> |
<div align="right">15</div> |
||
| |
| |
||
Line 199: | Line 224: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=62850 סיפורים (Stories)] |
||
| |
| |
||
<div align="right"> |
<div align="right">8</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">8</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">100</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">6</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">75</div> |
||
| |
| |
||
Fully Subscribed |
|||
Open |
|||
| |
| |
||
Line 230: | Line 255: | ||
| |
| |
||
<div align="right"> |
<div align="right">18</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">75</div> |
||
| |
| |
||
Line 265: | Line 290: | ||
| |
| |
||
<div align="right">68</div> |
<div align="right">68</div> |
||
| |
|||
Fully Subscribed |
|||
| |
|||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?f=28&t=64315 Bible (YLT) 09: 1 Samuel] |
|||
| |
|||
<div align="right">6</div> |
|||
| |
|||
<div align="right">6</div> |
|||
| |
|||
<div align="right">100</div> |
|||
| |
|||
<div align="right">4</div> |
|||
| |
|||
<div align="right">67</div> |
|||
| |
| |
||
Line 311: | Line 361: | ||
| |
| |
||
<div align="right"> |
<div align="right">170</div> |
||
| |
| |
||
Line 324: | Line 374: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=64434 The Old Old Fairy Tales] |
||
| |
| |
||
<div align="right"> |
<div align="right">22</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">22</div> |
||
| |
| |
||
Line 336: | Line 386: | ||
| |
| |
||
<div align="right"> |
<div align="right">12</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">55</div> |
||
| |
| |
||
Line 355: | Line 405: | ||
| |
| |
||
<div align="right"> |
<div align="right">27</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">75</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">19</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">53</div> |
||
| |
| |
||
Line 387: | Line 437: | ||
| |
| |
||
<div align="right">7</div> |
<div align="right">7</div> |
||
| |
|||
<div align="right">50</div> |
|||
| |
|||
Fully Subscribed |
|||
| |
|||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?f=28&t=64434 The Old Old Fairy Tales] |
|||
| |
|||
<div align="right">22</div> |
|||
| |
|||
<div align="right">22</div> |
|||
| |
|||
<div align="right">100</div> |
|||
| |
|||
<div align="right">11</div> |
|||
| |
| |
||
Line 524: | Line 549: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=64999 The Wonderful Wizard of Oz (Version 6 Dramtatic Reading)] |
||
| |
| |
||
<div align="right"> |
<div align="right">25</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">25</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">100</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">11</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">44</div> |
||
| |
| |
||
Fully Subscribed |
|||
Open |
|||
| |
| |
||
Line 549: | Line 574: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=64691 Het leven van Johannes Wouter Blommesteyn - deel 2] |
||
| |
| |
||
<div align="right"> |
<div align="right">17</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">17</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">100</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">7</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">41</div> |
||
| |
| |
||
Fully Subscribed |
|||
Open |
|||
| |
| |
||
Line 686: | Line 711: | ||
| |
| |
||
<div align="right"> |
<div align="right">23</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">33</div> |
||
| |
| |
||
Line 699: | Line 724: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=64689 Cowboy Songs and Other Frontier Ballads] |
||
| |
| |
||
<div align="right"> |
<div align="right">156</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">62</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">40</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">47</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">30</div> |
||
| |
| |
||
Line 724: | Line 749: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=65127 Life] |
||
| |
| |
||
<div align="right"> |
<div align="right">20</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">7</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">35</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">6</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">30</div> |
||
| |
| |
||
Line 749: | Line 774: | ||
|- |
|- |
||
| |
| |
||
[https://librivox.org/ |
[https://forum.librivox.org/viewtopic.php?f=28&t=65014 To My Dream-Love] |
||
| |
| |
||
<div align="right"> |
<div align="right">20</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">8</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">40</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">6</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">30</div> |
||
| |
| |
||
Line 774: | Line 799: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f= |
[https://forum.librivox.org/viewtopic.php?f=28&t=52351 Tabai al-Istibdad wa-Masari al-Isti’bad] |
||
| |
| |
||
<div align="right"> |
<div align="right">11</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">11</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">100</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">3</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">27</div> |
||
| |
| |
||
Fully Subscribed |
|||
Open |
|||
| |
| |
||
Line 805: | Line 830: | ||
| |
| |
||
<div align="right"> |
<div align="right">13</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">43</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">7</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">23</div> |
||
| |
| |
||
Line 824: | Line 849: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=55387 Le Rime] |
||
| |
| |
||
<div align="right"> |
<div align="right">110</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">33</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">30</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">24</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">22</div> |
||
| |
| |
||
Line 849: | Line 874: | ||
|- |
|- |
||
| |
| |
||
[https:// |
[https://librivox.org/stats/active_projects Children's Short Works Collection, Vol. 024] |
||
| |
| |
||
<div align="right"> |
<div align="right">15</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">5</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">33</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">3</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">20</div> |
||
| |
| |
||
Open |
|||
Fully Subscribed |
|||
| |
| |
||
Line 874: | Line 899: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f= |
[https://forum.librivox.org/viewtopic.php?f=28&t=42569 Recollections of Old Liverpool by a Nonagenarian] |
||
| |
| |
||
<div align="right"> |
<div align="right">20</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">5</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">25</div> |
||
| |
| |
||
Line 889: | Line 914: | ||
| |
| |
||
<div align="right"> |
<div align="right">15</div> |
||
| |
| |
||
Line 911: | Line 936: | ||
| |
| |
||
<div align="right"> |
<div align="right">12</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">13</div> |
||
| |
| |
||
Line 924: | Line 949: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f= |
[https://forum.librivox.org/viewtopic.php?f=2&t=62260 Corporal Cameron of the North West Mounted Police--A Tale of the Macleod Trial] |
||
| |
| |
||
<div align="right"> |
<div align="right">25</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">7</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">28</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">3</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">12</div> |
||
| |
| |
||
Line 949: | Line 974: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=62832 Le Piacevoli Notti, Libro 2] |
||
| |
| |
||
<div align="right"> |
<div align="right">58</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">18</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">31</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">6</div> |
||
| |
| |
||
Line 974: | Line 999: | ||
|- |
|- |
||
| |
| |
||
[https:// |
[https://librivox.org/stats/active_projects Los Cuatro Jinetes del Apocalipsis] |
||
| |
| |
||
<div align="right"> |
<div align="right">30</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">3</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">10</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">3</div> |
||
| |
| |
||
Line 999: | Line 1,024: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=64235&p=1328352 THE GOLD OF FAIRNILEE] |
||
| |
| |
||
<div align="right"> |
<div align="right">13</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">13</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">100</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">1</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">8</div> |
||
| |
| |
||
Fully Subscribed |
|||
Open |
|||
| |
| |
||
Line 1,049: | Line 1,074: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=64887 The Spook Ballads] |
||
| |
| |
||
<div align="right"> |
<div align="right">62</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">8</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">13</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">5</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">8</div> |
||
| |
| |
||
Line 1,074: | Line 1,099: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=57748 Skandinaviska äventyr - Skandinaviske eventyr] |
||
| |
| |
||
<div align="right"> |
<div align="right">15</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">1</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">7</div> |
||
| |
|||
<div align="right">2</div> |
|||
| |
|||
<div align="right">6</div> |
|||
| |
|||
Open |
|||
| |
|||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?f=28&t=63315 <nowiki>The Enterprise of the ''Mayflower''</nowiki>] |
|||
| |
|||
<div align="right">18</div> |
|||
| |
|||
<div align="right">10</div> |
|||
| |
|||
<div align="right">56</div> |
|||
| |
| |
||
Line 1,114: | Line 1,114: | ||
| |
| |
||
<div align="right"> |
<div align="right">7</div> |
||
| |
| |
||
Line 1,124: | Line 1,124: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php? |
[https://forum.librivox.org/viewtopic.php?f=28&t=64433 The Little Minister] |
||
| |
| |
||
<div align="right"> |
<div align="right">46</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">30</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">65</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">3</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">7</div> |
||
| |
| |
||
Line 1,149: | Line 1,149: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=63315 <nowiki>The Enterprise of the ''Mayflower''</nowiki>] |
||
| |
| |
||
<div align="right"> |
<div align="right">18</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">10</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">56</div> |
||
| |
| |
||
Line 1,164: | Line 1,164: | ||
| |
| |
||
<div align="right"> |
<div align="right">6</div> |
||
| |
| |
||
Line 1,224: | Line 1,224: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=63878 As a Man Thinketh (version 5)] |
||
| |
| |
||
<div align="right"> |
<div align="right">8</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">8</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">100</div> |
||
| |
| |
||
Line 1,242: | Line 1,242: | ||
| |
| |
||
Fully Subscribed |
|||
Open |
|||
| |
| |
||
Line 1,249: | Line 1,249: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=65065 Autobiography of Phineas Pett] |
||
| |
| |
||
<div align="right"> |
<div align="right">19</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">19</div> |
||
| |
| |
||
Line 1,349: | Line 1,349: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=58013 History of the Thirty Years War, Volume 4] |
||
| |
| |
||
<div align="right"> |
<div align="right">4</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">4</div> |
||
| |
| |
||
Line 1,374: | Line 1,374: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=65118 How to Camp Out] |
||
| |
| |
||
<div align="right"> |
<div align="right">14</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">14</div> |
||
| |
| |
||
Line 1,424: | Line 1,424: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=65002 Las Fuerzas Extrañas] |
||
| |
| |
||
<div align="right"> |
<div align="right">24</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">24</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">100</div> |
||
| |
| |
||
Line 1,442: | Line 1,442: | ||
| |
| |
||
Fully Subscribed |
|||
Open |
|||
| |
| |
||
Line 1,474: | Line 1,474: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=64694 Memoirs of the Author of A Vindication of the Rights of Woman] |
||
| |
| |
||
<div align="right"> |
<div align="right">10</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">10</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">100</div> |
||
| |
| |
||
Line 1,492: | Line 1,492: | ||
| |
| |
||
Fully Subscribed |
|||
Open |
|||
| |
| |
||
Line 1,499: | Line 1,499: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=60398 Micah Clarke] |
||
| |
| |
||
<div align="right"> |
<div align="right">36</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">36</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">100</div> |
||
| |
| |
||
Line 1,517: | Line 1,517: | ||
| |
| |
||
Fully Subscribed |
|||
Open |
|||
| |
| |
||
Line 1,524: | Line 1,524: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=64297 Mrs. Dymond] |
||
| |
| |
||
<div align="right"> |
<div align="right">48</div> |
||
| |
| |
||
<div align="right">10</div> |
|||
| |
| |
||
<div align="right"> |
<div align="right">0</div> |
||
| |
| |
||
Line 1,542: | Line 1,542: | ||
| |
| |
||
Open |
|||
Fully Subscribed |
|||
| |
| |
||
Line 1,549: | Line 1,549: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php? |
[https://forum.librivox.org/viewtopic.php?p=1346621 Multilingual Short Works Collection 018 - Poetry & Prose] |
||
| |
| |
||
<div align="right"> |
<div align="right">20</div> |
||
| |
| |
||
<div align="right">241</div> |
|||
| |
| |
||
<div align="right"> |
<div align="right">0</div> |
||
| |
| |
||
Line 1,567: | Line 1,567: | ||
| |
| |
||
Open |
|||
Fully Subscribed |
|||
| |
| |
||
Line 1,574: | Line 1,574: | ||
|- |
|- |
||
| |
| |
||
[https:// |
[https://librivox.org/stats/active_projects Mystical City of God, Volume 2] |
||
| |
| |
||
<div align="right"> |
<div align="right">59</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">59</div> |
||
| |
| |
||
Line 1,599: | Line 1,599: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=63796 Norwegische Volksmährchen] |
||
| |
| |
||
<div align="right"> |
<div align="right">30</div> |
||
| |
| |
||
<div align="right">30</div> |
|||
| |
| |
||
<div align="right"> |
<div align="right">100</div> |
||
| |
| |
||
Line 1,617: | Line 1,617: | ||
| |
| |
||
Fully Subscribed |
|||
Open |
|||
| |
| |
||
Line 1,624: | Line 1,624: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=53201 Opuscula] |
||
| |
| |
||
<div align="right"> |
<div align="right">14</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">14</div> |
||
| |
| |
||
Line 1,649: | Line 1,649: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=65047 Outlook Odes] |
||
| |
| |
||
<div align="right"> |
<div align="right">31</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">15</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">48</div> |
||
| |
| |
||
Line 1,667: | Line 1,667: | ||
| |
| |
||
Open |
|||
Fully Subscribed |
|||
| |
| |
||
Line 1,674: | Line 1,674: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php? |
[https://forum.librivox.org/viewtopic.php?t=65128 Peeps at People Being Certain Papers from the Writings of Anne Warrington Witherup] |
||
| |
| |
||
<div align="right"> |
<div align="right">35</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">4</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">11</div> |
||
| |
| |
||
Line 1,699: | Line 1,699: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f= |
[https://forum.librivox.org/viewtopic.php?f=28&t=65119&p=1345589 The Deluge (vol 2)] |
||
| |
| |
||
<div align="right"> |
<div align="right">65</div> |
||
| |
| |
||
Line 1,724: | Line 1,724: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f= |
[https://forum.librivox.org/viewtopic.php?f=26&t=64706 The Dream of the Red Chamber Book II] |
||
| |
| |
||
<div align="right"> |
<div align="right">63</div> |
||
| |
| |
||
<div align="right">5</div> |
|||
| |
| |
||
<div align="right"> |
<div align="right">0</div> |
||
| |
| |
||
Line 1,749: | Line 1,749: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=65137&p=1346602 The History of Sir Charles Grandison] |
||
| |
| |
||
<div align="right"> |
<div align="right">226</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">226</div> |
||
| |
| |
||
Line 1,774: | Line 1,774: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=65111 The History Teacher's Magazine, Vol. I, No. 1, September 1909] |
||
| |
| |
||
<div align="right"> |
<div align="right">16</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">1</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">6</div> |
||
| |
| |
||
Line 1,809: | Line 1,809: | ||
| |
| |
||
<div align="right">0</div> |
<div align="right">0</div> |
||
| |
|||
| |
|||
<div align="right">0</div> |
|||
| |
|||
Open |
|||
| |
|||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?f=28&t=64985&p=1342633 The Old Adam] |
|||
| |
|||
<div align="right">10</div> |
|||
| |
|||
<div align="right">4</div> |
|||
| |
|||
<div align="right">40</div> |
|||
| |
| |
||
Line 1,849: | Line 1,874: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=65121 The Sikh Religion: Its Gurus, Sacred Writings and Authors, Volume 5] |
||
| |
| |
||
<div align="right"> |
<div align="right">42</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">42</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">100</div> |
||
| |
| |
||
Line 1,867: | Line 1,892: | ||
| |
| |
||
Fully Subscribed |
|||
Open |
|||
| |
| |
||
Line 1,874: | Line 1,899: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=65204 The Temptation Of St. Anthony] |
||
| |
| |
||
<div align="right"> |
<div align="right">20</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">20</div> |
||
| |
| |
||
Line 1,899: | Line 1,924: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=65138 The Victories of Love, and Other Poems by Coventry Patmore] |
||
| |
| |
||
<div align="right"> |
<div align="right">53</div> |
||
| |
| |
||
Line 1,917: | Line 1,942: | ||
| |
| |
||
Fully Subscribed |
|||
Open |
|||
| |
| |
||
Line 1,930: | Line 1,955: | ||
| |
| |
||
<div align="right">5</div> |
|||
| |
| |
||
<div align="right"> |
<div align="right">17</div> |
||
| |
| |
||
Line 1,974: | Line 1,999: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=65120 U.S. Money vs. Corporation Currency, "Aldrich plan."] |
||
| |
| |
||
<div align="right"> |
<div align="right">30</div> |
||
| |
| |
||
<div align="right">6</div> |
|||
| |
| |
||
<div align="right"> |
<div align="right">0</div> |
||
| |
| |
||
Line 1,999: | Line 2,024: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=62306 Universal Declaration of Human Rights Volume 4] |
||
| |
| |
||
<div align="right">10</div> |
<div align="right">10</div> |
||
| |
|||
<div align="right">1</div> |
|||
| |
| |
||
<div align="right">10</div> |
<div align="right">10</div> |
||
| |
|||
| |
|||
<div align="right">0</div> |
|||
| |
|||
Open |
|||
| |
|||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?f=28&t=65167 Werde, die Du bist] |
|||
| |
|||
<div align="right">8</div> |
|||
| |
|||
<div align="right">8</div> |
|||
| |
| |
||
Line 2,024: | Line 2,074: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=65184 Ύμνος εις την Αθηνά] |
||
| |
| |
||
<div align="right"> |
<div align="right">12</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">12</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">100</div> |
||
| |
| |
||
Line 2,042: | Line 2,092: | ||
| |
| |
||
Fully Subscribed |
|||
Open |
|||
| |
| |
Revision as of 00:33, 30 April 2017
How to Use These Tables
Use the PL status table to see which projects do not currently have an assigned Dedicated Proof Listener (DPL).
Use the section status table to see which projects are currently underway, which ones are close to completion, which need just a couple of sections claimed to be fully subscribed, and so on.
For both tables, the project titles are links to the project thread.
To Sort - Click on the icon next to the column title to sort the table by that column. If you sort by sections claimed or completed, it will sort by the NUMBER of sections, not the percentage. Refresh the page to revert it to the default sort.
PL Status Table
Data current as of 29 April 7:00 pm CDT
Project Name | Sections | Assigned | % | Completed | % | Status | DPL Name |
---|---|---|---|---|---|---|---|
40
|
40
|
100
|
39
|
98
|
Fully Subscribed |
| |
Antologia Brasileira, Coletânea em Prosa e Verso de Escritores Nacionais, Volume 1 |
75
|
75
|
100
|
70
|
93
|
Fully Subscribed |
|
39
|
36
|
92
|
35
|
90
|
Open |
| |
17
|
17
|
100
|
15
|
88
|
Fully Subscribed |
| |
30
|
30
|
100
|
25
|
83
|
Fully Subscribed |
| |
51
|
51
|
100
|
40
|
78
|
Fully Subscribed |
| |
75
|
57
|
76
|
57
|
76
|
Open |
| |
20
|
20
|
100
|
15
|
75
|
Fully Subscribed |
| |
8
|
8
|
100
|
6
|
75
|
Fully Subscribed |
| |
24
|
18
|
75
|
17
|
71
|
Open |
| |
25
|
25
|
100
|
17
|
68
|
Fully Subscribed |
| |
6
|
6
|
100
|
4
|
67
|
Fully Subscribed |
| |
37
|
27
|
73
|
24
|
65
|
Open |
| |
283
|
253
|
89
|
170
|
60
|
Open |
| |
22
|
22
|
100
|
12
|
55
|
Fully Subscribed |
| |
36
|
27
|
75
|
19
|
53
|
Open |
| |
14
|
14
|
100
|
7
|
50
|
Fully Subscribed |
| |
25
|
13
|
52
|
12
|
48
|
Open |
| |
15
|
15
|
100
|
7
|
47
|
Fully Subscribed |
| |
15
|
9
|
60
|
7
|
47
|
Open |
| |
20
|
9
|
45
|
9
|
45
|
Open |
| |
25
|
25
|
100
|
11
|
44
|
Fully Subscribed |
| |
17
|
17
|
100
|
7
|
41
|
Fully Subscribed |
| |
14
|
14
|
100
|
5
|
36
|
Fully Subscribed |
| |
14
|
14
|
100
|
5
|
36
|
Fully Subscribed |
| |
11
|
11
|
100
|
4
|
36
|
Fully Subscribed |
| |
52
|
28
|
54
|
18
|
35
|
Open |
| |
70
|
30
|
43
|
23
|
33
|
Open |
| |
156
|
62
|
40
|
47
|
30
|
Open |
| |
20
|
7
|
35
|
6
|
30
|
Open |
| |
20
|
8
|
40
|
6
|
30
|
Open |
| |
11
|
11
|
100
|
3
|
27
|
Fully Subscribed |
| |
30
|
13
|
43
|
7
|
23
|
Open |
| |
110
|
33
|
30
|
24
|
22
|
Open |
| |
15
|
5
|
33
|
3
|
20
|
Open |
| |
20
|
5
|
25
|
3
|
15
|
Open |
| |
90
|
90
|
100
|
12
|
13
|
Fully Subscribed |
| |
Corporal Cameron of the North West Mounted Police--A Tale of the Macleod Trial |
25
|
7
|
28
|
3
|
12
|
Open |
|
58
|
18
|
31
|
6
|
10
|
Open |
| |
30
|
3
|
10
|
3
|
10
|
Open |
| |
13
|
13
|
100
|
1
|
8
|
Fully Subscribed |
| |
12
|
12
|
100
|
1
|
8
|
Fully Subscribed |
| |
62
|
8
|
13
|
5
|
8
|
Open |
| |
15
|
1
|
7
|
1
|
7
|
Open |
| |
46
|
30
|
65
|
3
|
7
|
Open |
| |
18
|
10
|
56
|
1
|
6
|
Open |
| |
18
|
18
|
100
|
|
0
|
Fully Subscribed |
| |
6
|
5
|
83
|
|
0
|
Open |
| |
8
|
8
|
100
|
|
0
|
Fully Subscribed |
| |
19
|
19
|
100
|
|
0
|
Fully Subscribed |
| |
18
|
18
|
100
|
|
0
|
Fully Subscribed |
| |
25
|
|
0
|
|
0
|
Open |
| |
El Libro de Las Mil Noches y Una Noche Volumen 3 |
10
|
10
|
100
|
|
0
|
Fully Subscribed |
|
4
|
4
|
100
|
|
0
|
Fully Subscribed |
| |
14
|
14
|
100
|
|
0
|
Fully Subscribed |
| |
25
|
25
|
100
|
|
0
|
Fully Subscribed |
| |
24
|
24
|
100
|
|
0
|
Fully Subscribed |
| |
Little Busybodies: The Life of Crickets, Ants, Bees, and Others |
17
|
|
0
|
|
0
|
Open |
|
Memoirs of the Author of A Vindication of the Rights of Woman |
10
|
10
|
100
|
|
0
|
Fully Subscribed |
|
36
|
36
|
100
|
|
0
|
Fully Subscribed |
| |
48
|
|
0
|
|
0
|
Open |
| |
20
|
|
0
|
|
0
|
Open |
| |
59
|
59
|
100
|
|
0
|
Fully Subscribed |
| |
30
|
30
|
100
|
|
0
|
Fully Subscribed |
| |
14
|
14
|
100
|
|
0
|
Fully Subscribed |
| |
31
|
15
|
48
|
|
0
|
Open |
| |
Peeps at People Being Certain Papers from the Writings of Anne Warrington Witherup |
35
|
4
|
11
|
|
0
|
Open |
|
65
|
|
0
|
|
0
|
Open |
| |
63
|
|
0
|
|
0
|
Open |
| |
226
|
226
|
100
|
|
0
|
Fully Subscribed |
| |
The History Teacher's Magazine, Vol. I, No. 1, September 1909 |
16
|
1
|
6
|
|
0
|
Open |
|
20
|
|
0
|
|
0
|
Open |
| |
10
|
4
|
40
|
|
0
|
Open |
| |
19
|
19
|
100
|
|
0
|
Fully Subscribed |
| |
The Sikh Religion: Its Gurus, Sacred Writings and Authors, Volume 5 |
42
|
42
|
100
|
|
0
|
Fully Subscribed |
|
20
|
20
|
100
|
|
0
|
Fully Subscribed |
| |
53
|
|
0
|
|
0
|
Fully Subscribed |
| |
29
|
5
|
17
|
|
0
|
Open |
| |
29
|
3
|
10
|
|
0
|
Open |
| |
30
|
|
0
|
|
0
|
Open |
| |
10
|
1
|
10
|
|
0
|
Open |
| |
8
|
8
|
100
|
|
0
|
Fully Subscribed |
| |
12
|
12
|
100
|
|
0
|
Fully Subscribed |
|
Section Status Table
Data current as of 08 April 4:00 pm CDT
Project Name | Sections | Assigned | % | Completed | % | Status |
---|---|---|---|---|---|---|
Antologia Brasileira, Coletânea em Prosa e Verso de Escritores Nacionais, Volume 1 |
75
|
74
|
99
|
70
|
93
|
Open |
150
|
148
|
99
|
128
|
85
|
Open | |
84
|
82
|
98
|
82
|
98
|
Open | |
126
|
124
|
98
|
111
|
88
|
Open | |
48
|
46
|
96
|
43
|
90
|
Open | |
62
|
58
|
94
|
53
|
85
|
Open | |
87
|
82
|
94
|
77
|
89
|
Open | |
127
|
120
|
94
|
109
|
86
|
Open | |
81
|
76
|
94
|
59
|
73
|
Open | |
Abraham Lincoln and the Abolition of Slavery in the United States |
14
|
13
|
93
|
10
|
71
|
Open |
67
|
62
|
93
|
60
|
90
|
Open | |
14
|
13
|
93
|
|
0
|
Open | |
113
|
105
|
93
|
88
|
78
|
Open | |
28
|
26
|
93
|
21
|
75
|
Open | |
29
|
27
|
93
|
19
|
66
|
Open | |
89
|
83
|
93
|
79
|
89
|
Open | |
26
|
24
|
92
|
21
|
81
|
Open | |
39
|
36
|
92
|
35
|
90
|
Open | |
22
|
20
|
91
|
17
|
77
|
Open | |
11
|
10
|
91
|
3
|
27
|
Open | |
60
|
54
|
90
|
40
|
67
|
Open | |
67
|
60
|
90
|
39
|
58
|
Open | |
102
|
91
|
89
|
68
|
67
|
Open | |
283
|
253
|
89
|
169
|
60
|
Open | |
24
|
21
|
88
|
17
|
71
|
Open | |
Lives of the Most Eminent Painters, Sculptors and Architects Volume 5 |
28
|
24
|
86
|
21
|
75
|
Open |
36
|
31
|
86
|
18
|
50
|
Open | |
82
|
70
|
85
|
7
|
9
|
Open | |
41
|
35
|
85
|
26
|
63
|
Open | |
20
|
17
|
85
|
17
|
85
|
Open | |
38
|
32
|
84
|
20
|
53
|
Open | |
82
|
69
|
84
|
68
|
83
|
Open | |
123
|
103
|
84
|
95
|
77
|
Open | |
6
|
5
|
83
|
|
0
|
Open | |
PEEPS AT PEOPLE - Being Certain Papers from the Writings of ANNE WARRINGTON WITHERUP |
12
|
10
|
83
|
7
|
58
|
Open |
12
|
10
|
83
|
5
|
42
|
Open | |
49
|
40
|
82
|
31
|
63
|
Open | |
Potash and Perlmutter: Their Copartnership Ventures and Adventures |
17
|
14
|
82
|
14
|
82
|
Open |
39
|
32
|
82
|
12
|
31
|
Open | |
33
|
27
|
82
|
8
|
24
|
Open | |
50
|
41
|
82
|
31
|
62
|
Open | |
250
|
206
|
82
|
188
|
75
|
Open | |
312
|
254
|
81
|
134
|
43
|
Open | |
43
|
35
|
81
|
22
|
51
|
Open | |
43
|
35
|
81
|
9
|
21
|
Open | |
120
|
97
|
81
|
68
|
57
|
Open | |
35
|
28
|
80
|
13
|
37
|
Open | |
42
|
33
|
79
|
25
|
60
|
Open | |
28
|
22
|
79
|
15
|
54
|
Open | |
132
|
103
|
78
|
87
|
66
|
Open | |
104
|
81
|
78
|
71
|
68
|
Open | |
27
|
21
|
78
|
18
|
67
|
Open | |
13
|
10
|
77
|
9
|
69
|
Open | |
26
|
20
|
77
|
12
|
46
|
Open | |
20
|
15
|
75
|
14
|
70
|
Open | |
12
|
9
|
75
|
9
|
75
|
Open | |
112
|
84
|
75
|
64
|
57
|
Open | |
914
|
682
|
75
|
305
|
33
|
Open | |
48
|
36
|
75
|
20
|
42
|
Open | |
151
|
111
|
74
|
98
|
65
|
Open | |
Criminal Investigation: a Practical Handbook for Magistrates, Police Officers and Lawyers, Volume 3 |
33
|
24
|
73
|
16
|
48
|
Open |
75
|
55
|
73
|
55
|
73
|
Open | |
37
|
27
|
73
|
24
|
65
|
Open | |
25
|
18
|
72
|
14
|
56
|
Open | |
25
|
18
|
72
|
17
|
68
|
Open | |
24
|
17
|
71
|
17
|
71
|
Open | |
17
|
12
|
71
|
11
|
65
|
Open | |
23
|
16
|
70
|
9
|
39
|
Open | |
27
|
19
|
70
|
15
|
56
|
Open | |
20
|
14
|
70
|
1
|
5
|
Open | |
30
|
21
|
70
|
21
|
70
|
Open | |
39
|
27
|
69
|
15
|
38
|
Open | |
25
|
17
|
68
|
11
|
44
|
Open | |
69
|
46
|
67
|
37
|
54
|
Open | |
61
|
41
|
67
|
26
|
43
|
Open | |
43
|
29
|
67
|
23
|
53
|
Open | |
43
|
29
|
67
|
16
|
37
|
Open | |
83
|
55
|
66
|
36
|
43
|
Open | |
41
|
27
|
66
|
10
|
24
|
Open | |
180
|
118
|
66
|
103
|
57
|
Open | |
31
|
20
|
65
|
8
|
26
|
Open | |
25
|
16
|
64
|
10
|
40
|
Open | |
Melor of the Silver Hand; and Other Stories of the Bright Ages |
19
|
12
|
63
|
5
|
26
|
Open |
63
|
40
|
63
|
30
|
48
|
Open | |
26
|
16
|
62
|
8
|
31
|
Open | |
33
|
20
|
61
|
13
|
39
|
Open | |
28
|
17
|
61
|
7
|
25
|
Open | |
5
|
3
|
60
|
3
|
60
|
Open | |
15
|
9
|
60
|
7
|
47
|
Open | |
59
|
34
|
58
|
34
|
58
|
Open | |
26
|
15
|
58
|
15
|
58
|
Open | |
79
|
46
|
58
|
1
|
1
|
Open | |
14
|
8
|
57
|
4
|
29
|
Open | |
54
|
30
|
56
|
28
|
52
|
Open | |
27
|
15
|
56
|
13
|
48
|
Open | |
41
|
23
|
56
|
18
|
44
|
Open | |
18
|
10
|
56
|
1
|
6
|
Open | |
118
|
66
|
56
|
33
|
28
|
Open | |
50
|
27
|
54
|
6
|
12
|
Open | |
52
|
28
|
54
|
18
|
35
|
Open | |
30
|
16
|
53
|
12
|
40
|
Open | |
59
|
31
|
53
|
25
|
42
|
Open | |
36
|
19
|
53
|
13
|
36
|
Open | |
25
|
13
|
52
|
12
|
48
|
Open | |
25
|
13
|
52
|
4
|
16
|
Open | |
25
|
13
|
52
|
7
|
28
|
Open | |
82
|
42
|
51
|
38
|
46
|
Open | |
22
|
11
|
50
|
7
|
32
|
Open | |
21
|
10
|
48
|
1
|
5
|
Open | |
48
|
22
|
46
|
17
|
35
|
Open | |
226
|
105
|
46
|
68
|
30
|
Open | |
42
|
19
|
45
|
14
|
33
|
Open | |
22
|
10
|
45
|
1
|
5
|
Open | |
20
|
9
|
45
|
9
|
45
|
Open | |
45
|
20
|
44
|
4
|
9
|
Open | |
25
|
11
|
44
|
5
|
20
|
Open | |
55
|
24
|
44
|
18
|
33
|
Open | |
Meridiana: The adventures of three Englishmen and three Russians in South Africa |
23
|
10
|
43
|
5
|
22
|
Open |
70
|
30
|
43
|
22
|
31
|
Open | |
35
|
15
|
43
|
4
|
11
|
Open | |
33
|
14
|
42
|
8
|
24
|
Open | |
20
|
8
|
40
|
8
|
40
|
Open | |
20
|
8
|
40
|
5
|
25
|
Open | |
15
|
6
|
40
|
5
|
33
|
Open | |
5
|
2
|
40
|
1
|
20
|
Open | |
18
|
7
|
39
|
5
|
28
|
Open | |
31
|
12
|
39
|
6
|
19
|
Open | |
44
|
17
|
39
|
4
|
9
|
Open | |
100
|
38
|
38
|
27
|
27
|
Open | |
13
|
5
|
38
|
2
|
15
|
Open | |
13
|
5
|
38
|
|
0
|
Open | |
40
|
15
|
38
|
15
|
38
|
Open | |
27
|
10
|
37
|
1
|
4
|
Open | |
30
|
11
|
37
|
5
|
17
|
Open | |
180
|
64
|
36
|
45
|
25
|
Open | |
47
|
16
|
34
|
5
|
11
|
Open | |
36
|
12
|
33
|
|
0
|
Open | |
15
|
5
|
33
|
3
|
20
|
Open | |
18
|
6
|
33
|
2
|
11
|
Open | |
76
|
24
|
32
|
7
|
9
|
Open | |
31
|
10
|
32
|
9
|
29
|
Open | |
58
|
18
|
31
|
6
|
10
|
Open | |
20
|
6
|
30
|
5
|
25
|
Open | |
110
|
33
|
30
|
23
|
21
|
Open | |
56
|
16
|
29
|
10
|
18
|
Open | |
14
|
4
|
29
|
2
|
14
|
Open | |
109
|
30
|
28
|
26
|
24
|
Open | |
Corporal Cameron of the North West Mounted Police--A Tale of the Macleod Trial |
25
|
7
|
28
|
3
|
12
|
Open |
40
|
11
|
28
|
7
|
18
|
Open | |
29
|
8
|
28
|
|
0
|
Open | |
88
|
25
|
28
|
|
0
|
Open | |
37
|
10
|
27
|
10
|
27
|
Open | |
156
|
39
|
25
|
25
|
16
|
Open | |
8
|
2
|
25
|
2
|
25
|
Open | |
20
|
5
|
25
|
2
|
10
|
Open | |
63
|
15
|
24
|
5
|
8
|
Open | |
13
|
3
|
23
|
1
|
8
|
Open | |
44
|
10
|
23
|
5
|
11
|
Open | |
22
|
5
|
23
|
|
0
|
Open | |
23
|
5
|
22
|
|
0
|
Open | |
27
|
6
|
22
|
|
0
|
Open | |
33
|
7
|
21
|
6
|
18
|
Open | |
15
|
3
|
20
|
|
0
|
Open | |
20
|
4
|
20
|
4
|
20
|
Open | |
21
|
4
|
19
|
1
|
5
|
Open | |
48
|
9
|
19
|
3
|
6
|
Open | |
11
|
2
|
18
|
|
0
|
Open | |
33
|
6
|
18
|
6
|
18
|
Open | |
38
|
7
|
18
|
6
|
16
|
Open | |
61
|
10
|
16
|
9
|
15
|
Open | |
20
|
3
|
15
|
2
|
10
|
Open | |
47
|
6
|
13
|
|
0
|
Open | |
102
|
13
|
13
|
12
|
12
|
Open | |
18
|
2
|
11
|
|
0
|
Open | |
10
|
1
|
10
|
|
0
|
Open | |
30
|
3
|
10
|
3
|
10
|
Open | |
29
|
3
|
10
|
|
0
|
Open | |
25
|
2
|
8
|
|
0
|
Open | |
62
|
5
|
8
|
|
0
|
Open | |
15
|
1
|
7
|
1
|
7
|
Open | |
36
|
2
|
6
|
2
|
6
|
Open | |
44
|
2
|
5
|
2
|
5
|
Open | |
28
|
1
|
4
|
|
0
|
Open | |
75
|
3
|
4
|
|
0
|
Open | |
78
|
3
|
4
|
1
|
1
|
Open | |
46
|
2
|
4
|
|
0
|
Open | |
33
|
1
|
3
|
1
|
3
|
Open | |
59
|
1
|
2
|
|
0
|
Open | |
13
|
|
0
|
|
0
|
Open | |
25
|
|
0
|
|
0
|
Open | |
Little Busybodies: The Life of Crickets, Ants, Bees, and Others |
17
|
|
0
|
|
0
|
Open |
48
|
|
0
|
|
0
|
Open | |
169
|
|
0
|
|
0
|
Open | |
16
|
|
0
|
|
0
|
Open | |
63
|
|
0
|
|
0
|
Open | |
The Lane that had no Turning, and Other Tales concerning the People of Pontiac |
29
|
|
0
|
|
0
|
Open |
20
|
|
0
|
|
0
|
Open | |
26
|
|
0
|
|
0
|
Open | |
34
|
|
0
|
|
0
|
Open | |
27
|
|
0
|
|
0
|
Open | |
29
|
|
0
|
|
0
|
Open | |
24
|
24
|
100
|
21
|
88
|
Fully Subscribed | |
15
|
15
|
100
|
5
|
33
|
Fully Subscribed | |
6
|
6
|
100
|
2
|
33
|
Fully Subscribed | |
20
|
20
|
100
|
10
|
50
|
Fully Subscribed | |
30
|
30
|
100
|
13
|
43
|
Fully Subscribed | |
30
|
30
|
100
|
2
|
7
|
Fully Subscribed | |
40
|
40
|
100
|
35
|
88
|
Fully Subscribed | |
4
|
4
|
100
|
2
|
50
|
Fully Subscribed | |
8
|
8
|
100
|
4
|
50
|
Fully Subscribed | |
8
|
8
|
100
|
|
0
|
Fully Subscribed | |
9
|
9
|
100
|
|
0
|
Fully Subscribed | |
45
|
45
|
100
|
22
|
49
|
Fully Subscribed | |
21
|
21
|
100
|
13
|
62
|
Fully Subscribed | |
53
|
53
|
100
|
33
|
62
|
Fully Subscribed | |
30
|
30
|
100
|
10
|
33
|
Fully Subscribed | |
Beacon Lights of History, Volume 6: Renaissance and Reformation |
25
|
25
|
100
|
20
|
80
|
Fully Subscribed |
18
|
18
|
100
|
|
0
|
Fully Subscribed | |
261
|
260
|
100
|
238
|
91
|
Fully Subscribed | |
27
|
27
|
100
|
24
|
89
|
Fully Subscribed | |
150
|
150
|
100
|
33
|
22
|
Fully Subscribed | |
21
|
21
|
100
|
16
|
76
|
Fully Subscribed | |
6
|
6
|
100
|
3
|
50
|
Fully Subscribed | |
21
|
21
|
100
|
12
|
57
|
Fully Subscribed | |
35
|
35
|
100
|
6
|
17
|
Fully Subscribed | |
67
|
67
|
100
|
55
|
82
|
Fully Subscribed | |
31
|
31
|
100
|
17
|
55
|
Fully Subscribed | |
Canzoniere (Rerum vulgarium fragmenta), vol 2, di Francesco Petrarca (1304-1374) . |
183
|
183
|
100
|
24
|
13
|
Fully Subscribed |
16
|
16
|
100
|
9
|
56
|
Fully Subscribed | |
26
|
26
|
100
|
25
|
96
|
Fully Subscribed | |
25
|
25
|
100
|
14
|
56
|
Fully Subscribed | |
6
|
6
|
100
|
|
0
|
Fully Subscribed | |
7
|
7
|
100
|
|
0
|
Fully Subscribed | |
17
|
17
|
100
|
15
|
88
|
Fully Subscribed | |
30
|
30
|
100
|
25
|
83
|
Fully Subscribed | |
14
|
14
|
100
|
5
|
36
|
Fully Subscribed | |
39
|
39
|
100
|
4
|
10
|
Fully Subscribed | |
39
|
39
|
100
|
6
|
15
|
Fully Subscribed | |
14
|
14
|
100
|
10
|
71
|
Fully Subscribed | |
76
|
76
|
100
|
53
|
70
|
Fully Subscribed | |
17
|
17
|
100
|
11
|
65
|
Fully Subscribed | |
16
|
16
|
100
|
10
|
63
|
Fully Subscribed | |
11
|
11
|
100
|
5
|
45
|
Fully Subscribed | |
25
|
25
|
100
|
12
|
48
|
Fully Subscribed | |
19
|
19
|
100
|
9
|
47
|
Fully Subscribed | |
52
|
52
|
100
|
34
|
65
|
Fully Subscribed | |
6
|
6
|
100
|
1
|
17
|
Fully Subscribed | |
74
|
74
|
100
|
40
|
54
|
Fully Subscribed | |
23
|
23
|
100
|
|
0
|
Fully Subscribed | |
16
|
16
|
100
|
6
|
38
|
Fully Subscribed | |
22
|
22
|
100
|
12
|
55
|
Fully Subscribed | |
22
|
22
|
100
|
5
|
23
|
Fully Subscribed | |
75
|
75
|
100
|
75
|
100
|
Fully Subscribed | |
11
|
11
|
100
|
7
|
64
|
Fully Subscribed | |
40
|
40
|
100
|
21
|
53
|
Fully Subscribed | |
30
|
30
|
100
|
4
|
13
|
Fully Subscribed | |
24
|
24
|
100
|
14
|
58
|
Fully Subscribed | |
25
|
25
|
100
|
9
|
36
|
Fully Subscribed | |
60
|
60
|
100
|
25
|
42
|
Fully Subscribed | |
36
|
36
|
100
|
6
|
17
|
Fully Subscribed | |
11
|
11
|
100
|
2
|
18
|
Fully Subscribed | |
11
|
11
|
100
|
5
|
45
|
Fully Subscribed | |
Heimskringla: The Stories of the Kings of Norway, Called The Round World |
77
|
77
|
100
|
1
|
1
|
Fully Subscribed |
50
|
50
|
100
|
10
|
20
|
Fully Subscribed | |
213
|
214
|
100
|
108
|
51
|
Fully Subscribed | |
39
|
39
|
100
|
11
|
28
|
Fully Subscribed | |
16
|
16
|
100
|
5
|
31
|
Fully Subscribed | |
24
|
24
|
100
|
11
|
46
|
Fully Subscribed | |
75
|
75
|
100
|
23
|
31
|
Fully Subscribed | |
History of the Reformation in the Sixteenth Century, Volume 1 |
43
|
43
|
100
|
18
|
42
|
Fully Subscribed |
4
|
4
|
100
|
|
0
|
Fully Subscribed | |
42
|
42
|
100
|
24
|
57
|
Fully Subscribed | |
66
|
66
|
100
|
43
|
65
|
Fully Subscribed | |
8
|
8
|
100
|
3
|
38
|
Fully Subscribed | |
House, Garden and Field: A Collection of Short Nature Studies |
56
|
56
|
100
|
50
|
89
|
Fully Subscribed |
27
|
27
|
100
|
8
|
30
|
Fully Subscribed | |
15
|
15
|
100
|
7
|
47
|
Fully Subscribed | |
11
|
11
|
100
|
7
|
64
|
Fully Subscribed | |
18
|
18
|
100
|
|
0
|
Fully Subscribed | |
8
|
8
|
100
|
5
|
63
|
Fully Subscribed | |
47
|
47
|
100
|
2
|
4
|
Fully Subscribed | |
109
|
109
|
100
|
41
|
38
|
Fully Subscribed | |
18
|
18
|
100
|
8
|
44
|
Fully Subscribed | |
25
|
25
|
100
|
|
0
|
Fully Subscribed | |
28
|
28
|
100
|
6
|
21
|
Fully Subscribed | |
16
|
16
|
100
|
4
|
25
|
Fully Subscribed | |
101
|
101
|
100
|
23
|
23
|
Fully Subscribed | |
23
|
23
|
100
|
21
|
91
|
Fully Subscribed | |
Little Busybodies: The Life of Crickets, Ants, Bees, and Others |
17
|
17
|
100
|
11
|
65
|
Fully Subscribed |
61
|
61
|
100
|
35
|
57
|
Fully Subscribed | |
10
|
10
|
100
|
8
|
80
|
Fully Subscribed | |
100
|
100
|
100
|
15
|
15
|
Fully Subscribed | |
20
|
20
|
100
|
3
|
15
|
Fully Subscribed | |
30
|
30
|
100
|
19
|
63
|
Fully Subscribed | |
35
|
35
|
100
|
11
|
31
|
Fully Subscribed | |
42
|
42
|
100
|
3
|
7
|
Fully Subscribed | |
49
|
49
|
100
|
6
|
12
|
Fully Subscribed | |
18
|
18
|
100
|
2
|
11
|
Fully Subscribed | |
105
|
105
|
100
|
32
|
30
|
Fully Subscribed | |
25
|
25
|
100
|
15
|
60
|
Fully Subscribed | |
46
|
46
|
100
|
20
|
43
|
Fully Subscribed | |
128
|
128
|
100
|
115
|
90
|
Fully Subscribed | |
Mary's Grammar: Interspersed with Stories and Intended for the Use of Children |
20
|
20
|
100
|
10
|
50
|
Fully Subscribed |
39
|
39
|
100
|
24
|
62
|
Fully Subscribed | |
170
|
170
|
100
|
31
|
18
|
Fully Subscribed | |
Memoirs of the Author of A Vindication of the Rights of Woman |
10
|
10
|
100
|
|
0
|
Fully Subscribed |
241
|
241
|
100
|
|
0
|
Fully Subscribed | |
36
|
36
|
100
|
|
0
|
Fully Subscribed | |
30
|
30
|
100
|
18
|
60
|
Fully Subscribed | |
24
|
24
|
100
|
10
|
42
|
Fully Subscribed | |
51
|
51
|
100
|
40
|
78
|
Fully Subscribed | |
25
|
25
|
100
|
|
0
|
Fully Subscribed | |
27
|
27
|
100
|
19
|
70
|
Fully Subscribed | |
18
|
18
|
100
|
7
|
39
|
Fully Subscribed | |
6
|
6
|
100
|
3
|
50
|
Fully Subscribed | |
20
|
20
|
100
|
11
|
55
|
Fully Subscribed | |
25
|
25
|
100
|
11
|
44
|
Fully Subscribed | |
17
|
17
|
100
|
3
|
18
|
Fully Subscribed | |
14
|
14
|
100
|
13
|
93
|
Fully Subscribed | |
21
|
21
|
100
|
2
|
10
|
Fully Subscribed | |
66
|
66
|
100
|
57
|
86
|
Fully Subscribed | |
14
|
14
|
100
|
5
|
36
|
Fully Subscribed | |
30
|
30
|
100
|
|
0
|
Fully Subscribed | |
6
|
6
|
100
|
|
0
|
Fully Subscribed | |
58
|
58
|
100
|
36
|
62
|
Fully Subscribed | |
6
|
6
|
100
|
1
|
17
|
Fully Subscribed | |
24
|
24
|
100
|
1
|
4
|
Fully Subscribed | |
Old New Zealand: Being Incidents of Native Customs and Character in the Old Times |
17
|
17
|
100
|
|
0
|
Fully Subscribed |
34
|
34
|
100
|
3
|
9
|
Fully Subscribed | |
11
|
11
|
100
|
3
|
27
|
Fully Subscribed | |
17
|
17
|
100
|
15
|
88
|
Fully Subscribed | |
14
|
14
|
100
|
|
0
|
Fully Subscribed | |
7
|
7
|
100
|
4
|
57
|
Fully Subscribed | |
20
|
20
|
100
|
18
|
90
|
Fully Subscribed | |
Perfect Behavior: A Guide for Ladies and Gentlemen in All Social Crises |
9
|
9
|
100
|
2
|
22
|
Fully Subscribed |
30
|
30
|
100
|
|
0
|
Fully Subscribed | |
33
|
33
|
100
|
31
|
94
|
Fully Subscribed | |
22
|
22
|
100
|
9
|
41
|
Fully Subscribed | |
9
|
9
|
100
|
1
|
11
|
Fully Subscribed | |
80
|
80
|
100
|
62
|
78
|
Fully Subscribed | |
32
|
32
|
100
|
|
0
|
Fully Subscribed | |
10
|
10
|
100
|
5
|
50
|
Fully Subscribed | |
24
|
24
|
100
|
7
|
29
|
Fully Subscribed | |
58
|
58
|
100
|
19
|
33
|
Fully Subscribed | |
11
|
11
|
100
|
|
0
|
Fully Subscribed | |
16
|
16
|
100
|
|
0
|
Fully Subscribed | |
45
|
45
|
100
|
37
|
82
|
Fully Subscribed | |
20
|
20
|
100
|
8
|
40
|
Fully Subscribed | |
23
|
23
|
100
|
|
0
|
Fully Subscribed | |
Reminiscences and Table-Talk of Samuel Rogers - Banker, Poet and Patron of the Arts (1763-1855) |
25
|
25
|
100
|
22
|
88
|
Fully Subscribed |
48
|
48
|
100
|
14
|
29
|
Fully Subscribed | |
7
|
7
|
100
|
5
|
71
|
Fully Subscribed | |
11
|
11
|
100
|
2
|
18
|
Fully Subscribed | |
23
|
23
|
100
|
8
|
35
|
Fully Subscribed | |
Satires of Circumstance, Lyrics and Reveries, with Miscellaneous Pieces |
107
|
107
|
100
|
60
|
56
|
Fully Subscribed |
35
|
35
|
100
|
31
|
89
|
Fully Subscribed | |
20
|
20
|
100
|
|
0
|
Fully Subscribed | |
19
|
19
|
100
|
9
|
47
|
Fully Subscribed | |
182
|
182
|
100
|
28
|
15
|
Fully Subscribed | |
126
|
126
|
100
|
84
|
67
|
Fully Subscribed | |
13
|
13
|
100
|
|
0
|
Fully Subscribed | |
40
|
40
|
100
|
39
|
98
|
Fully Subscribed | |
31
|
31
|
100
|
28
|
90
|
Fully Subscribed | |
32
|
32
|
100
|
24
|
75
|
Fully Subscribed | |
17
|
17
|
100
|
14
|
82
|
Fully Subscribed | |
133
|
133
|
100
|
50
|
38
|
Fully Subscribed | |
Summa Theologica - 13 Tertia Pars, The Saviour: His Incarnation and His Salvific Acts |
70
|
70
|
100
|
14
|
20
|
Fully Subscribed |
26
|
26
|
100
|
|
0
|
Fully Subscribed | |
21
|
21
|
100
|
15
|
71
|
Fully Subscribed | |
39
|
39
|
100
|
18
|
46
|
Fully Subscribed | |
6
|
6
|
100
|
1
|
17
|
Fully Subscribed | |
27
|
27
|
100
|
5
|
19
|
Fully Subscribed | |
45
|
45
|
100
|
9
|
20
|
Fully Subscribed | |
20
|
20
|
100
|
8
|
40
|
Fully Subscribed | |
The Jefferson Bible - The Life and Morals of Jesus of Nazareth |
7
|
7
|
100
|
3
|
43
|
Fully Subscribed |
19
|
19
|
100
|
2
|
11
|
Fully Subscribed | |
33
|
33
|
100
|
|
0
|
Fully Subscribed | |
12
|
12
|
100
|
9
|
75
|
Fully Subscribed | |
17
|
17
|
100
|
7
|
41
|
Fully Subscribed | |
10
|
10
|
100
|
|
0
|
Fully Subscribed | |
90
|
90
|
100
|
11
|
12
|
Fully Subscribed | |
67
|
67
|
100
|
48
|
72
|
Fully Subscribed | |
39
|
39
|
100
|
13
|
33
|
Fully Subscribed | |
45
|
45
|
100
|
44
|
98
|
Fully Subscribed | |
13
|
13
|
100
|
7
|
54
|
Fully Subscribed | |
71
|
71
|
100
|
44
|
62
|
Fully Subscribed | |
11
|
11
|
100
|
4
|
36
|
Fully Subscribed | |
96
|
96
|
100
|
37
|
39
|
Fully Subscribed | |
17
|
17
|
100
|
2
|
12
|
Fully Subscribed | |
24
|
24
|
100
|
7
|
29
|
Fully Subscribed | |
55
|
55
|
100
|
3
|
5
|
Fully Subscribed | |
When Lighthouses are Dark: a Story of a Lake Superior Island |
33
|
33
|
100
|
|
0
|
Fully Subscribed |
25
|
25
|
100
|
3
|
12
|
Fully Subscribed | |
68
|
68
|
100
|
53
|
78
|
Fully Subscribed | |
9
|
9
|
100
|
3
|
33
|
Fully Subscribed | |
22
|
22
|
100
|
4
|
18
|
Fully Subscribed | |
Разсказы для детей и взрослых (Short Stories for Children and Adults) |
22
|
22
|
100
|
10
|
45
|
Fully Subscribed |
8
|
8
|
100
|
6
|
75
|
Fully Subscribed | |
33
|
33
|
100
|
30
|
91
|
Fully Subscribed | |
25
|
25
|
100
|
20
|
80
|
Fully Subscribed | |
35
|
35
|
100
|
15
|
43
|
Fully Subscribed | |
15
|
15
|
100
|
1
|
7
|
Fully Subscribed | |
28
|
28
|
100
|
18
|
64
|
Fully Subscribed | |
15
|
15
|
100
|
|
0
|
Fully Subscribed | |
8
|
8
|
100
|
6
|
75
|
Fully Subscribed | |
88
|
88
|
100
|
4
|
5
|
Fully Subscribed | |
11
|
11
|
100
|
|
0
|
Fully Subscribed | |
30
|
30
|
100
|
8
|
27
|
Fully Subscribed | |
32
|
32
|
100
|
13
|
41
|
Fully Subscribed | |
24
|
24
|
100
|
2
|
8
|
Fully Subscribed | |
18
|
18
|
100
|
|
0
|
Fully Subscribed | |
20
|
20
|
100
|
16
|
80
|
Fully Subscribed | |
7
|
7
|
100
|
1
|
14
|
Fully Subscribed | |
24
|
24
|
100
|
19
|
79
|
Fully Subscribed | |
30
|
30
|
100
|
7
|
23
|
Fully Subscribed | |
11
|
11
|
100
|
1
|
9
|
Fully Subscribed | |
69
|
69
|
100
|
10
|
14
|
Fully Subscribed | |
70
|
70
|
100
|
34
|
49
|
Fully Subscribed | |
13
|
13
|
100
|
|
0
|
Fully Subscribed | |
14
|
14
|
100
|
11
|
79
|
Fully Subscribed | |
10
|
10
|
100
|
3
|
30
|
Fully Subscribed | |
36
|
36
|
100
|
6
|
17
|
Fully Subscribed | |
211
|
212
|
100
|
75
|
36
|
Fully Subscribed | |
35
|
35
|
100
|
34
|
97
|
Fully Subscribed | |
10
|
10
|
100
|
5
|
50
|
Fully Subscribed | |
25
|
25
|
100
|
8
|
32
|
Fully Subscribed | |
10
|
10
|
100
|
|
0
|
Fully Subscribed | |
17
|
17
|
100
|
|
0
|
Fully Subscribed | |
100
|
100
|
100
|
54
|
54
|
Fully Subscribed | |
33
|
33
|
100
|
20
|
61
|
Fully Subscribed | |
20
|
20
|
100
|
11
|
55
|
Fully Subscribed | |
30
|
30
|
100
|
6
|
20
|
Fully Subscribed | |
30
|
30
|
100
|
14
|
47
|
Fully Subscribed | |
138
|
138
|
100
|
108
|
78
|
Fully Subscribed | |
The Adventures of Huckleberry Finn (version 5 Dramatic Reading) |
228
|
228
|
100
|
174
|
76
|
Fully Subscribed |
11
|
11
|
100
|
5
|
45
|
Fully Subscribed | |
24
|
24
|
100
|
8
|
33
|
Fully Subscribed | |
23
|
23
|
100
|
5
|
22
|
Fully Subscribed | |
10
|
10
|
100
|
|
0
|
Fully Subscribed | |
21
|
21
|
100
|
14
|
67
|
Fully Subscribed | |
The Australian Explorers - Their Labours, Perils, and Achievements |
20
|
20
|
100
|
6
|
30
|
Fully Subscribed |
The Bible (Fenton) NT06-NT27: Holy Bible in Modern English, The: Romans to Revelation |
27
|
27
|
100
|
6
|
22
|
Fully Subscribed |
20
|
20
|
100
|
6
|
30
|
Fully Subscribed | |
18
|
18
|
100
|
14
|
78
|
Fully Subscribed | |
18
|
18
|
100
|
16
|
89
|
Fully Subscribed | |
27
|
27
|
100
|
10
|
37
|
Fully Subscribed | |
15
|
15
|
100
|
6
|
40
|
Fully Subscribed | |
9
|
9
|
100
|
2
|
22
|
Fully Subscribed | |
29
|
29
|
100
|
18
|
62
|
Fully Subscribed | |
46
|
46
|
100
|
2
|
4
|
Fully Subscribed | |
The Crook in the Lot; or, The Sovereignty and Wisdom of God , in the Afflictions of Men, Displayed |
10
|
10
|
100
|
2
|
20
|
Fully Subscribed |
24
|
24
|
100
|
11
|
46
|
Fully Subscribed | |
18
|
18
|
100
|
11
|
61
|
Fully Subscribed | |
51
|
51
|
100
|
48
|
94
|
Fully Subscribed | |
87
|
87
|
100
|
71
|
82
|
Fully Subscribed | |
27
|
27
|
100
|
22
|
81
|
Fully Subscribed | |
28
|
28
|
100
|
17
|
61
|
Fully Subscribed | |
44
|
44
|
100
|
25
|
57
|
Fully Subscribed | |
26
|
26
|
100
|
5
|
19
|
Fully Subscribed | |
19
|
19
|
100
|
8
|
42
|
Fully Subscribed | |
25
|
25
|
100
|
17
|
68
|
Fully Subscribed | |
30
|
30
|
100
|
13
|
43
|
Fully Subscribed | |
30
|
30
|
100
|
16
|
53
|
Fully Subscribed | |
69
|
69
|
100
|
58
|
84
|
Fully Subscribed | |
25
|
25
|
100
|
15
|
60
|
Fully Subscribed | |
15
|
15
|
100
|
6
|
40
|
Fully Subscribed | |
22
|
22
|
100
|
10
|
45
|
Fully Subscribed | |
26
|
26
|
100
|
2
|
8
|
Fully Subscribed | |
21
|
21
|
100
|
15
|
71
|
Fully Subscribed | |
14
|
14
|
100
|
7
|
50
|
Fully Subscribed | |
34
|
34
|
100
|
19
|
56
|
Fully Subscribed | |
84
|
84
|
100
|
75
|
89
|
Fully Subscribed | |
50
|
50
|
100
|
18
|
36
|
Fully Subscribed | |
21
|
21
|
100
|
|
0
|
Fully Subscribed | |
22
|
22
|
100
|
20
|
91
|
Fully Subscribed | |
38
|
38
|
100
|
30
|
79
|
Fully Subscribed | |
20
|
20
|
100
|
14
|
70
|
Fully Subscribed | |
29
|
29
|
100
|
1
|
3
|
Fully Subscribed | |
11
|
11
|
100
|
|
0
|
Fully Subscribed | |
33
|
33
|
100
|
25
|
76
|
Fully Subscribed | |
23
|
23
|
100
|
20
|
87
|
Fully Subscribed | |
14
|
14
|
100
|
10
|
71
|
Fully Subscribed | |
21
|
21
|
100
|
14
|
67
|
Fully Subscribed | |
The Mummy and Miss Nitocris: A Phantasy of the Fourth Dimension |
27
|
27
|
100
|
5
|
19
|
Fully Subscribed |
22
|
22
|
100
|
18
|
82
|
Fully Subscribed | |
58
|
58
|
100
|
4
|
7
|
Fully Subscribed | |
18
|
18
|
100
|
|
0
|
Fully Subscribed | |
12
|
12
|
100
|
4
|
33
|
Fully Subscribed | |
12
|
12
|
100
|
1
|
8
|
Fully Subscribed | |
17
|
17
|
100
|
15
|
88
|
Fully Subscribed | |
39
|
39
|
100
|
11
|
28
|
Fully Subscribed | |
18
|
18
|
100
|
17
|
94
|
Fully Subscribed | |
22
|
22
|
100
|
11
|
50
|
Fully Subscribed | |
126
|
126
|
100
|
116
|
92
|
Fully Subscribed | |
19
|
19
|
100
|
|
0
|
Fully Subscribed | |
The Poems of Sappho: An Interpretative Rendition into English |
7
|
7
|
100
|
1
|
14
|
Fully Subscribed |
56
|
56
|
100
|
5
|
9
|
Fully Subscribed | |
25
|
25
|
100
|
5
|
20
|
Fully Subscribed | |
33
|
33
|
100
|
8
|
24
|
Fully Subscribed | |
10
|
10
|
100
|
9
|
90
|
Fully Subscribed | |
19
|
19
|
100
|
4
|
21
|
Fully Subscribed | |
8
|
8
|
100
|
4
|
50
|
Fully Subscribed | |
37
|
37
|
100
|
33
|
89
|
Fully Subscribed | |
22
|
22
|
100
|
19
|
86
|
Fully Subscribed | |
8
|
8
|
100
|
6
|
75
|
Fully Subscribed | |
54
|
54
|
100
|
44
|
81
|
Fully Subscribed | |
7
|
7
|
100
|
|
0
|
Fully Subscribed | |
The Sikh Religion: Its Gurus, Sacred Writings and Authors, Volume 4 |
44
|
44
|
100
|
9
|
20
|
Fully Subscribed |
The Sorrows of Satan - Or, the Strange Experience of One Geoffrey Tempest, Millionaire |
42
|
42
|
100
|
42
|
100
|
Fully Subscribed |
26
|
26
|
100
|
10
|
38
|
Fully Subscribed | |
The Stories Polly Pepper Told to the Five Little Peppers in the Little Brown House |
26
|
26
|
100
|
16
|
62
|
Fully Subscribed |
35
|
35
|
100
|
2
|
6
|
Fully Subscribed | |
91
|
91
|
100
|
90
|
99
|
Fully Subscribed | |
31
|
31
|
100
|
27
|
87
|
Fully Subscribed | |
11
|
11
|
100
|
1
|
9
|
Fully Subscribed | |
34
|
34
|
100
|
28
|
82
|
Fully Subscribed | |
The Suppression of the African Slave-Trade to the United States of America, 1638-1870 |
13
|
13
|
100
|
|
0
|
Fully Subscribed |
23
|
23
|
100
|
20
|
87
|
Fully Subscribed | |
5
|
5
|
100
|
|
0
|
Fully Subscribed | |
109
|
109
|
100
|
66
|
61
|
Fully Subscribed | |
14
|
14
|
100
|
11
|
79
|
Fully Subscribed | |
16
|
16
|
100
|
11
|
69
|
Fully Subscribed | |
The Well at the World's End: Book 3: The Road to The Well at the World's End |
22
|
22
|
100
|
18
|
82
|
Fully Subscribed |
The Works of Edgar Allan Poe, Raven Edition, Volume Two (version 2) |
23
|
23
|
100
|
16
|
70
|
Fully Subscribed |
The World's Best Poetry, Volume 1: Home and Friendship (Part 1) |
138
|
138
|
100
|
24
|
17
|
Fully Subscribed |
142
|
142
|
100
|
141
|
99
|
Fully Subscribed | |
26
|
26
|
100
|
7
|
27
|
Fully Subscribed | |
16
|
16
|
100
|
2
|
13
|
Fully Subscribed | |
89
|
88
|
99
|
74
|
83
|
Fully Subscribed | |
400
|
391
|
98
|
376
|
94
|
Fully Subscribed | |
123
|
114
|
93
|
98
|
80
|
Fully Subscribed |
How to Update This Status Table
(Instructions are using Windows, Excel and OpenOffice.)
- Go to the Stats / Status Table report (link in MC/admin area)
- Sort the status table by "status"
- Copy the open and fully subscribed lines (not the HTML, but simply the page with Ctrl+A Ctrl+C) into an Excel document
- Delete any unwanted columns (DPL / MC) and rows
- Make all other columns (except Title) center (select columns and then click the paragraph centering button)
- Top justify all cells
- Sort by title column
- Copy data to Open Office
- Export it to MediaWiki.txt (File/Export)
- Open the txt file in Notepad
- Replace all 100 with <font color="#00cc00">100%</font> (optional)
- Copy everything AFTER <center>Status</center>
- Highlight the Wiki code AFTER <center>Status</center>
- Paste into the Wiki
- Change data date and time to reflect current update
- Preview to make sure non-English characters show up all right. If they don't, repeat from step 8, as this is usually where the error happens.