Project Status Table: Difference between revisions
Line 11: | Line 11: | ||
== PL Status Table == |
== PL Status Table == |
||
Data current as of |
Data current as of 4 February 8.30 pm CST |
||
{| class="wikitable sortable" |
{| class="wikitable sortable" |
||
Line 80: | Line 80: | ||
| |
| |
||
<div align="right"> |
<div align="right">36</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">92</div> |
||
| |
| |
||
Line 230: | Line 230: | ||
| |
| |
||
<div align="right"> |
<div align="right">23</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">92</div> |
||
| |
| |
||
Line 280: | Line 280: | ||
| |
| |
||
<div align="right"> |
<div align="right">27</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">73</div> |
||
| |
| |
||
Line 290: | Line 290: | ||
| |
| |
||
<div align="right">65</div> |
<div align="right">65</div> |
||
| |
|||
Open |
|||
| |
|||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?f=28&t=61979 Social Statics] |
|||
| |
|||
<div align="right">40</div> |
|||
| |
|||
<div align="right">32</div> |
|||
| |
|||
<div align="right">80</div> |
|||
| |
|||
<div align="right">25</div> |
|||
| |
|||
<div align="right">63</div> |
|||
| |
| |
||
Line 349: | Line 374: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=63810 To His Coy Mistress (version 2)] |
||
| |
| |
||
<div align="right"> |
<div align="right">20</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">13</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">65</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">12</div> |
||
| |
| |
||
Line 399: | Line 424: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=59471 The Spanish Brothers] |
||
| |
| |
||
<div align="right"> |
<div align="right">283</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">255</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">90</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">156</div> |
||
| |
|||
<div align="right">55</div> |
|||
| |
|||
Open |
|||
| |
|||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?f=28&t=52101 The Betrothed (version 2 Dramatic Reading)] |
|||
| |
|||
<div align="right">180</div> |
|||
| |
|||
<div align="right">95</div> |
|||
| |
|||
<div align="right">53</div> |
|||
| |
|||
<div align="right">90</div> |
|||
| |
| |
||
Line 417: | Line 467: | ||
| |
| |
||
Open |
|||
Fully Subscribed |
|||
| |
| |
||
Line 424: | Line 474: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=43453 The Journal of John Woolman] |
||
| |
| |
||
<div align="right"> |
<div align="right">14</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">14</div> |
||
| |
| |
||
Line 439: | Line 489: | ||
| |
| |
||
<div align="right"> |
<div align="right">50</div> |
||
| |
| |
||
Line 449: | Line 499: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=49287 I Racconti delle Fate] |
||
| |
| |
||
<div align="right"> |
<div align="right">15</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">15</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">100</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">7</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">47</div> |
||
| |
| |
||
Fully Subscribed |
|||
Open |
|||
| |
| |
||
Line 512: | Line 562: | ||
| |
| |
||
<div align="right">20</div> |
<div align="right">20</div> |
||
| |
|||
<div align="right">39</div> |
|||
| |
|||
Open |
|||
| |
|||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?f=28&t=63167 The Strange Adventures of Eric Blackburn] |
|||
| |
|||
<div align="right">18</div> |
|||
| |
|||
<div align="right">14</div> |
|||
| |
|||
<div align="right">78</div> |
|||
| |
|||
<div align="right">7</div> |
|||
| |
| |
||
Line 543: | Line 618: | ||
| |
| |
||
Open |
Open |
||
| |
|||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?f=28&t=62165&p=1275901 Conversations on the Plurality of Worlds] |
|||
| |
|||
<div align="right">14</div> |
|||
| |
|||
<div align="right">14</div> |
|||
| |
|||
<div align="right">100</div> |
|||
| |
|||
<div align="right">5</div> |
|||
| |
|||
<div align="right">36</div> |
|||
| |
|||
Fully Subscribed |
|||
| |
|||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?p=952636 Niels Lyhne] |
|||
| |
|||
<div align="right">14</div> |
|||
| |
|||
<div align="right">14</div> |
|||
| |
|||
<div align="right">100</div> |
|||
| |
|||
<div align="right">5</div> |
|||
| |
|||
<div align="right">36</div> |
|||
| |
|||
Fully Subscribed |
|||
| |
| |
||
Line 599: | Line 724: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=63850 Women of Achievement] |
||
| |
| |
||
<div align="right"> |
<div align="right">7</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">3</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">43</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">2</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">29</div> |
||
| |
| |
||
Line 643: | Line 768: | ||
| |
| |
||
Open |
Open |
||
| |
|||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?f=28&t=56019 An Imperial Marriage] |
|||
| |
|||
<div align="right">30</div> |
|||
| |
|||
<div align="right">30</div> |
|||
| |
|||
<div align="right">100</div> |
|||
| |
|||
<div align="right">6</div> |
|||
| |
|||
<div align="right">20</div> |
|||
| |
|||
Fully Subscribed |
|||
| |
| |
||
Line 674: | Line 824: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php? |
[https://forum.librivox.org/viewtopic.php?t=63238 The Princess Pourquoi] |
||
| |
| |
||
<div align="right"> |
<div align="right">10</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">10</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">100</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">2</div> |
||
| |
| |
||
Line 692: | Line 842: | ||
| |
| |
||
Fully Subscribed |
|||
Open |
|||
| |
| |
||
Line 718: | Line 868: | ||
| |
| |
||
Open |
Open |
||
| |
|||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?f=12&t=55864 The Adventures of Huckleberry Finn (Version 6)] |
|||
| |
|||
<div align="right">43</div> |
|||
| |
|||
<div align="right">43</div> |
|||
| |
|||
<div align="right">100</div> |
|||
| |
|||
<div align="right">6</div> |
|||
| |
|||
<div align="right">14</div> |
|||
| |
|||
Fully Subscribed |
|||
| |
| |
||
Line 730: | Line 905: | ||
| |
| |
||
<div align="right"> |
<div align="right">5</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">20</div> |
||
| |
| |
||
Line 790: | Line 965: | ||
| |
| |
||
<div align="right">10</div> |
<div align="right">10</div> |
||
| |
|||
Open |
|||
| |
|||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?f=28&t=60770&p=1235075 Ulysses (version 3)] |
|||
| |
|||
<div align="right">90</div> |
|||
| |
|||
<div align="right">90</div> |
|||
| |
|||
<div align="right">100</div> |
|||
| |
|||
<div align="right">9</div> |
|||
| |
|||
<div align="right">10</div> |
|||
| |
|||
Fully Subscribed |
|||
| |
|||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?f=28&t=36339&p=660670 The Naval Pioneers of Australia] |
|||
| |
|||
<div align="right">12</div> |
|||
| |
|||
<div align="right">12</div> |
|||
| |
|||
<div align="right">100</div> |
|||
| |
|||
<div align="right">1</div> |
|||
| |
|||
<div align="right">8</div> |
|||
| |
|||
Fully Subscribed |
|||
| |
|||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?f=28&t=63111&p=1301528 Why do we need a public library?] |
|||
| |
|||
<div align="right">25</div> |
|||
| |
|||
<div align="right">4</div> |
|||
| |
|||
<div align="right">16</div> |
|||
| |
|||
<div align="right">2</div> |
|||
| |
|||
<div align="right">8</div> |
|||
| |
| |
||
Line 805: | Line 1,055: | ||
| |
| |
||
<div align="right"> |
<div align="right">17</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">29</div> |
||
| |
| |
||
Line 874: | Line 1,124: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=63823 In The Workhouse: Christmas Day] |
||
| |
| |
||
<div align="right"> |
<div align="right">20</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">1</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">5</div> |
||
| |
| |
||
Line 899: | Line 1,149: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php? |
[https://forum.librivox.org/viewtopic.php?p=1300498 Multilingual Short Works Collection 017 - Poetry and Prose] |
||
| |
| |
||
<div align="right"> |
<div align="right">20</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">3</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">15</div> |
||
| |
| |
||
Line 914: | Line 1,164: | ||
| |
| |
||
<div align="right"> |
<div align="right">5</div> |
||
| |
|||
Open |
|||
| |
|||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?f=28&t=63547 Shadowings] |
|||
| |
|||
<div align="right">19</div> |
|||
| |
|||
<div align="right">8</div> |
|||
| |
|||
<div align="right">42</div> |
|||
| |
|||
<div align="right">1</div> |
|||
| |
|||
<div align="right">5</div> |
|||
| |
| |
||
Line 930: | Line 1,205: | ||
| |
| |
||
<div align="right"> |
<div align="right">5</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">16</div> |
||
| |
| |
||
Line 949: | Line 1,224: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php? |
[https://forum.librivox.org/viewtopic.php?p=1170142 A Prefect's Uncle] |
||
| |
| |
||
<div align="right"> |
<div align="right">18</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">18</div> |
||
| |
| |
||
Line 974: | Line 1,249: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php? |
[https://forum.librivox.org/viewtopic.php?f=28&t=45592 Alcools] |
||
| |
| |
||
<div align="right"> |
<div align="right">67</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">21</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">31</div> |
||
| |
| |
||
Line 992: | Line 1,267: | ||
| |
| |
||
Open |
|||
Fully Subscribed |
|||
| |
| |
||
Line 1,005: | Line 1,280: | ||
| |
| |
||
<div align="right"> |
<div align="right">7</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">26</div> |
||
| |
| |
||
Line 1,018: | Line 1,293: | ||
| |
| |
||
Open |
Open |
||
| |
|||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?f=28&t=63878 As a Man Thinketh (version 5)] |
|||
| |
|||
<div align="right">8</div> |
|||
| |
|||
<div align="right">8</div> |
|||
| |
|||
<div align="right">100</div> |
|||
| |
|||
| |
|||
<div align="right">0</div> |
|||
| |
|||
Fully Subscribed |
|||
| |
| |
||
Line 1,059: | Line 1,359: | ||
| |
| |
||
<div align="right">6</div> |
<div align="right">6</div> |
||
| |
|||
| |
|||
<div align="right">0</div> |
|||
| |
|||
Open |
|||
| |
|||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?f=26&t=63867 Contrasted Songs] |
|||
| |
|||
<div align="right">59</div> |
|||
| |
|||
| |
|||
<div align="right">0</div> |
|||
| |
| |
||
Line 1,149: | Line 1,474: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f= |
[https://forum.librivox.org/viewtopic.php?f=26&t=63869 Katydid's Poems] |
||
| |
| |
||
<div align="right"> |
<div align="right">82</div> |
||
| |
| |
||
Line 1,203: | Line 1,528: | ||
| |
| |
||
<div align="right">17</div> |
<div align="right">17</div> |
||
| |
|||
| |
|||
<div align="right">0</div> |
|||
| |
|||
| |
|||
<div align="right">0</div> |
|||
| |
|||
Open |
|||
| |
|||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?f=28&t=63903 Little Journeys to the Homes of American Statesmen] |
|||
| |
|||
<div align="right">25</div> |
|||
| |
| |
||
Line 1,274: | Line 1,624: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php? |
[https://forum.librivox.org/viewtopic.php?f=26&t=63872 Misrepresentative Women] |
||
| |
| |
||
<div align="right"> |
<div align="right">17</div> |
||
| |
| |
||
<div align="right">3</div> |
|||
| |
| |
||
<div align="right"> |
<div align="right">0</div> |
||
| |
| |
||
Line 1,349: | Line 1,699: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=63898 Renascence: A Book of Verse] |
||
| |
| |
||
<div align="right"> |
<div align="right">48</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">6</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">13</div> |
||
| |
| |
||
Line 1,374: | Line 1,724: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f= |
[https://forum.librivox.org/viewtopic.php?f=26&t=63871 Some Verses] |
||
| |
| |
||
<div align="right"> |
<div align="right">51</div> |
||
| |
| |
||
<div align="right">27</div> |
|||
| |
| |
||
<div align="right"> |
<div align="right">0</div> |
||
| |
| |
||
Line 1,392: | Line 1,742: | ||
| |
| |
||
Open |
|||
Fully Subscribed |
|||
| |
| |
||
Line 1,399: | Line 1,749: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php? |
[https://forum.librivox.org/viewtopic.php?t=63787 State of the Union Addresses (1829 - 1836)] |
||
| |
| |
||
<div align="right"> |
<div align="right">18</div> |
||
| |
|||
<div align="right">2</div> |
|||
| |
|||
<div align="right">11</div> |
|||
| |
|||
| |
|||
<div align="right">0</div> |
|||
| |
|||
Open |
|||
| |
|||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?f=26&t=63868 The Poems of Sappho: An Interpretative Rendition into English] |
|||
| |
|||
<div align="right">7</div> |
|||
| |
| |
||
Line 1,430: | Line 1,805: | ||
| |
| |
||
<div align="right">1</div> |
|||
| |
| |
||
<div align="right"> |
<div align="right">5</div> |
||
| |
| |
||
Line 1,499: | Line 1,874: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=63904 Theologia Germanica] |
||
| |
| |
||
<div align="right"> |
<div align="right">55</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">55</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">100</div> |
||
| |
| |
||
Line 1,517: | Line 1,892: | ||
| |
| |
||
Fully Subscribed |
|||
Open |
|||
| |
| |
||
Line 1,524: | Line 1,899: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f= |
[https://forum.librivox.org/viewtopic.php?f=26&t=63865 Underneath the Bough: A Book of Verses] |
||
| |
| |
||
<div align="right"> |
<div align="right">5</div> |
||
| |
| |
||
<div align="right">39</div> |
|||
| |
| |
||
<div align="right"> |
<div align="right">0</div> |
||
| |
| |
||
Line 1,542: | Line 1,917: | ||
| |
| |
||
Open |
|||
Fully Subscribed |
|||
| |
| |
||
Line 1,549: | Line 1,924: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=62306 Universal Declaration of Human Rights Volume 4] |
||
| |
| |
||
<div align="right"> |
<div align="right">10</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">1</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">10</div> |
||
| |
| |
||
Line 1,568: | Line 1,943: | ||
| |
| |
||
Open |
Open |
||
| |
|||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?f=28&t=63662 Viajes de Gulliver a diversos países remotos] |
|||
| |
|||
<div align="right">39</div> |
|||
| |
|||
<div align="right">39</div> |
|||
| |
|||
<div align="right">100</div> |
|||
| |
|||
| |
|||
<div align="right">0</div> |
|||
| |
|||
Fully Subscribed |
|||
| |
| |
Revision as of 02:14, 5 February 2017
How to Use These Tables
Use the PL status table to see which projects do not currently have an assigned Dedicated Proof Listener (DPL).
Use the section status table to see which projects are currently underway, which ones are close to completion, which need just a couple of sections claimed to be fully subscribed, and so on.
For both tables, the project titles are links to the project thread.
To Sort - Click on the icon next to the column title to sort the table by that column. If you sort by sections claimed or completed, it will sort by the NUMBER of sections, not the percentage. Refresh the page to revert it to the default sort.
PL Status Table
Data current as of 4 February 8.30 pm CST
Project Name | Sections | Assigned | % | Completed | % | Status | DPL Name |
---|---|---|---|---|---|---|---|
Antologia Brasileira, Coletânea em Prosa e Verso de Escritores Nacionais, Volume 1 |
75
|
75
|
100
|
67
|
89
|
Fully Subscribed |
|
77
|
73
|
95
|
66
|
86
|
Open |
| |
39
|
36
|
92
|
33
|
85
|
Open |
| |
30
|
30
|
100
|
25
|
83
|
Fully Subscribed |
| |
18
|
17
|
94
|
15
|
83
|
Open |
| |
17
|
17
|
100
|
13
|
76
|
Fully Subscribed |
| |
75
|
55
|
73
|
54
|
72
|
Open |
| |
25
|
25
|
100
|
17
|
68
|
Fully Subscribed |
| |
25
|
23
|
92
|
17
|
68
|
Open |
| |
24
|
19
|
79
|
16
|
67
|
Open |
| |
37
|
27
|
73
|
24
|
65
|
Open |
| |
40
|
32
|
80
|
25
|
63
|
Open |
| |
8
|
8
|
100
|
5
|
63
|
Fully Subscribed |
| |
26
|
26
|
100
|
16
|
62
|
Fully Subscribed |
| |
20
|
13
|
65
|
12
|
60
|
Open |
| |
19
|
19
|
100
|
11
|
58
|
Fully Subscribed |
| |
283
|
255
|
90
|
156
|
55
|
Open |
| |
180
|
95
|
53
|
90
|
50
|
Open |
| |
14
|
14
|
100
|
7
|
50
|
Fully Subscribed |
| |
15
|
15
|
100
|
7
|
47
|
Fully Subscribed |
| |
20
|
9
|
45
|
8
|
40
|
Open |
| |
51
|
39
|
76
|
20
|
39
|
Open |
| |
18
|
14
|
78
|
7
|
39
|
Open |
| |
25
|
9
|
36
|
9
|
36
|
Open |
| |
14
|
14
|
100
|
5
|
36
|
Fully Subscribed |
| |
14
|
14
|
100
|
5
|
36
|
Fully Subscribed |
| |
25
|
16
|
64
|
9
|
36
|
Open |
| |
20
|
7
|
35
|
6
|
30
|
Open |
| |
7
|
3
|
43
|
2
|
29
|
Open |
| |
109
|
31
|
28
|
23
|
21
|
Open |
| |
30
|
30
|
100
|
6
|
20
|
Fully Subscribed |
| |
15
|
4
|
27
|
3
|
20
|
Open |
| |
10
|
10
|
100
|
2
|
20
|
Fully Subscribed |
| |
11
|
9
|
82
|
2
|
18
|
Open |
| |
43
|
43
|
100
|
6
|
14
|
Fully Subscribed |
| |
Corporal Cameron of the North West Mounted Police--A Tale of the Macleod Trial |
25
|
5
|
20
|
3
|
12
|
Open |
|
30
|
3
|
10
|
3
|
10
|
Open |
| |
30
|
9
|
30
|
3
|
10
|
Open |
| |
90
|
90
|
100
|
9
|
10
|
Fully Subscribed |
| |
12
|
12
|
100
|
1
|
8
|
Fully Subscribed |
| |
25
|
4
|
16
|
2
|
8
|
Open |
| |
58
|
17
|
29
|
4
|
7
|
Open |
| |
15
|
1
|
7
|
1
|
7
|
Open |
| |
18
|
10
|
56
|
1
|
6
|
Open |
| |
20
|
1
|
5
|
1
|
5
|
Open |
| |
20
|
3
|
15
|
1
|
5
|
Open |
| |
19
|
8
|
42
|
1
|
5
|
Open |
| |
31
|
5
|
16
|
1
|
3
|
Open |
| |
18
|
18
|
100
|
|
0
|
Fully Subscribed |
| |
67
|
21
|
31
|
|
0
|
Open |
| |
27
|
7
|
26
|
|
0
|
Open |
| |
8
|
8
|
100
|
|
0
|
Fully Subscribed |
| |
21
|
21
|
100
|
|
0
|
Fully Subscribed |
| |
48
|
3
|
6
|
|
0
|
Open |
| |
59
|
|
0
|
|
0
|
Open |
| |
24
|
3
|
13
|
|
0
|
Open |
| |
17
|
17
|
100
|
|
0
|
Fully Subscribed |
| |
4
|
4
|
100
|
|
0
|
Fully Subscribed |
| |
82
|
|
0
|
|
0
|
Open |
| |
25
|
25
|
100
|
|
0
|
Fully Subscribed |
| |
Little Busybodies: The Life of Crickets, Ants, Bees, and Others |
17
|
|
0
|
|
0
|
Open |
|
25
|
|
0
|
|
0
|
Open |
| |
241
|
241
|
100
|
|
0
|
Fully Subscribed |
| |
36
|
36
|
100
|
|
0
|
Fully Subscribed |
| |
17
|
|
0
|
|
0
|
Open |
| |
14
|
14
|
100
|
|
0
|
Fully Subscribed |
| |
35
|
|
0
|
|
0
|
Open |
| |
48
|
6
|
13
|
|
0
|
Open |
| |
51
|
|
0
|
|
0
|
Open |
| |
18
|
2
|
11
|
|
0
|
Open |
| |
The Poems of Sappho: An Interpretative Rendition into English |
7
|
|
0
|
|
0
|
Open |
|
22
|
1
|
5
|
|
0
|
Open |
| |
33
|
33
|
100
|
|
0
|
Fully Subscribed |
| |
29
|
|
0
|
|
0
|
Open |
| |
55
|
55
|
100
|
|
0
|
Fully Subscribed |
| |
5
|
|
0
|
|
0
|
Open |
| |
10
|
1
|
10
|
|
0
|
Open |
| |
39
|
39
|
100
|
|
0
|
Fully Subscribed |
|
Section Status Table
Data current as of 31 January 7.30 pm CST
Project Name | Sections | Assigned | % | Completed | % | Status |
---|---|---|---|---|---|---|
75
|
73
|
97
|
73
|
97
|
Open | |
35
|
34
|
97
|
33
|
94
|
Open | |
93
|
89
|
96
|
64
|
69
|
Open | |
77
|
73
|
95
|
66
|
86
|
Open | |
56
|
53
|
95
|
48
|
86
|
Open | |
84
|
80
|
95
|
80
|
95
|
Open | |
149
|
141
|
95
|
124
|
83
|
Open | |
88
|
83
|
94
|
56
|
64
|
Open | |
66
|
62
|
94
|
21
|
32
|
Open | |
18
|
17
|
94
|
15
|
83
|
Open | |
28
|
26
|
93
|
13
|
46
|
Open | |
82
|
76
|
93
|
48
|
59
|
Open | |
54
|
50
|
93
|
31
|
57
|
Open | |
81
|
75
|
93
|
59
|
73
|
Open | |
39
|
36
|
92
|
7
|
18
|
Open | |
39
|
36
|
92
|
28
|
72
|
Open | |
312
|
283
|
91
|
136
|
44
|
Open | |
20
|
18
|
90
|
18
|
90
|
Open | |
29
|
26
|
90
|
26
|
90
|
Open | |
39
|
35
|
90
|
33
|
85
|
Open | |
40
|
36
|
90
|
34
|
85
|
Open | |
51
|
46
|
90
|
45
|
88
|
Open | |
20
|
18
|
90
|
13
|
65
|
Open | |
283
|
255
|
90
|
131
|
46
|
Open | |
106
|
94
|
89
|
85
|
80
|
Open | |
26
|
23
|
88
|
15
|
58
|
Open | |
25
|
22
|
88
|
17
|
68
|
Open | |
225
|
195
|
87
|
69
|
31
|
Open | |
Abraham Lincoln and the Abolition of Slavery in the United States |
14
|
12
|
86
|
10
|
71
|
Open |
44
|
38
|
86
|
16
|
36
|
Open | |
63
|
54
|
86
|
32
|
51
|
Open | |
Lives of the Most Eminent Painters, Sculptors and Architects Volume 5 |
28
|
24
|
86
|
21
|
75
|
Open |
51
|
44
|
86
|
19
|
37
|
Open | |
26
|
22
|
85
|
10
|
38
|
Open | |
20
|
17
|
85
|
17
|
85
|
Open | |
113
|
96
|
85
|
58
|
51
|
Open | |
34
|
29
|
85
|
26
|
76
|
Open | |
48
|
41
|
85
|
33
|
69
|
Open | |
38
|
32
|
84
|
15
|
39
|
Open | |
30
|
25
|
83
|
|
0
|
Open | |
John Deane of Nottingham: Historic Adventures by Land and Sea |
38
|
31
|
82
|
22
|
58
|
Open |
Potash and Perlmutter: Their Copartnership Ventures and Adventures |
17
|
14
|
82
|
12
|
71
|
Open |
11
|
9
|
82
|
2
|
18
|
Open | |
38
|
31
|
82
|
12
|
32
|
Open | |
33
|
27
|
82
|
8
|
24
|
Open | |
62
|
50
|
81
|
41
|
66
|
Open | |
249
|
202
|
81
|
161
|
65
|
Open | |
40
|
32
|
80
|
24
|
60
|
Open | |
28
|
22
|
79
|
12
|
43
|
Open | |
24
|
19
|
79
|
16
|
67
|
Open | |
45
|
35
|
78
|
9
|
20
|
Open | |
18
|
14
|
78
|
14
|
78
|
Open | |
37
|
29
|
78
|
27
|
73
|
Open | |
26
|
20
|
77
|
12
|
46
|
Open | |
132
|
101
|
77
|
80
|
61
|
Open | |
Little Busybodies: The Life of Crickets, Ants, Bees, and Others |
17
|
13
|
76
|
7
|
41
|
Open |
41
|
31
|
76
|
22
|
54
|
Open | |
51
|
39
|
76
|
20
|
39
|
Open | |
82
|
62
|
76
|
39
|
48
|
Open | |
17
|
13
|
76
|
12
|
71
|
Open | |
151
|
110
|
73
|
86
|
57
|
Open | |
75
|
55
|
73
|
54
|
72
|
Open | |
15
|
11
|
73
|
9
|
60
|
Open | |
25
|
18
|
72
|
11
|
44
|
Open | |
67
|
48
|
72
|
22
|
33
|
Open | |
20
|
14
|
70
|
14
|
70
|
Open | |
47
|
33
|
70
|
27
|
57
|
Open | |
42
|
29
|
69
|
25
|
60
|
Open | |
73
|
50
|
68
|
36
|
49
|
Open | |
146
|
98
|
67
|
93
|
64
|
Open | |
18
|
12
|
67
|
5
|
28
|
Open | |
914
|
599
|
66
|
299
|
33
|
Open | |
37
|
24
|
65
|
24
|
65
|
Open | |
14
|
9
|
64
|
9
|
64
|
Open | |
14
|
9
|
64
|
4
|
29
|
Open | |
25
|
16
|
64
|
9
|
36
|
Open | |
25
|
16
|
64
|
12
|
48
|
Open | |
102
|
64
|
63
|
61
|
60
|
Open | |
27
|
17
|
63
|
12
|
44
|
Open | |
43
|
27
|
63
|
21
|
49
|
Open | |
69
|
43
|
62
|
37
|
54
|
Open | |
112
|
69
|
62
|
62
|
55
|
Open | |
59
|
36
|
61
|
25
|
42
|
Open | |
43
|
26
|
60
|
22
|
51
|
Open | |
30
|
18
|
60
|
17
|
57
|
Open | |
32
|
19
|
59
|
8
|
25
|
Open | |
29
|
17
|
59
|
11
|
38
|
Open | |
27
|
16
|
59
|
10
|
37
|
Open | |
24
|
14
|
58
|
6
|
25
|
Open | |
87
|
50
|
57
|
32
|
37
|
Open | |
25
|
14
|
56
|
10
|
40
|
Open | |
41
|
23
|
56
|
|
0
|
Open | |
18
|
10
|
56
|
1
|
6
|
Open | |
25
|
14
|
56
|
4
|
16
|
Open | |
41
|
23
|
56
|
10
|
24
|
Open | |
13
|
7
|
54
|
1
|
8
|
Open | |
50
|
27
|
54
|
7
|
14
|
Open | |
180
|
95
|
53
|
90
|
50
|
Open | |
47
|
25
|
53
|
1
|
2
|
Open | |
27
|
14
|
52
|
11
|
41
|
Open | |
25
|
13
|
52
|
10
|
40
|
Open | |
23
|
12
|
52
|
1
|
4
|
Open | |
30
|
15
|
50
|
12
|
40
|
Open | |
26
|
13
|
50
|
11
|
42
|
Open | |
36
|
18
|
50
|
11
|
31
|
Open | |
20
|
10
|
50
|
10
|
50
|
Open | |
127
|
64
|
50
|
57
|
45
|
Open | |
49
|
24
|
49
|
17
|
35
|
Open | |
25
|
12
|
48
|
5
|
20
|
Open | |
23
|
11
|
48
|
9
|
39
|
Open | |
27
|
13
|
48
|
8
|
30
|
Open | |
15
|
7
|
47
|
4
|
27
|
Open | |
28
|
13
|
46
|
9
|
32
|
Open | |
20
|
9
|
45
|
8
|
40
|
Open | |
31
|
14
|
45
|
7
|
23
|
Open | |
18
|
8
|
44
|
3
|
17
|
Open | |
60
|
25
|
42
|
22
|
37
|
Open | |
12
|
5
|
42
|
5
|
42
|
Open | |
19
|
8
|
42
|
1
|
5
|
Open | |
104
|
44
|
42
|
37
|
36
|
Open | |
54
|
22
|
41
|
19
|
35
|
Open | |
20
|
8
|
40
|
3
|
15
|
Open | |
23
|
9
|
39
|
3
|
13
|
Open | |
13
|
5
|
38
|
2
|
15
|
Open | |
125
|
48
|
38
|
44
|
35
|
Open | |
27
|
10
|
37
|
1
|
4
|
Open | |
25
|
9
|
36
|
9
|
36
|
Open | |
120
|
43
|
36
|
13
|
11
|
Open | |
58
|
21
|
36
|
11
|
19
|
Open | |
20
|
7
|
35
|
6
|
30
|
Open | |
59
|
20
|
34
|
11
|
19
|
Open | |
Criminal Investigation: a Practical Handbook for Magistrates, Police Officers and Lawyers, Volume 3 |
33
|
11
|
33
|
11
|
33
|
Open |
123
|
40
|
33
|
15
|
12
|
Open | |
43
|
14
|
33
|
|
0
|
Open | |
24
|
8
|
33
|
6
|
25
|
Open | |
6
|
2
|
33
|
|
0
|
Open | |
Melor of the Silver Hand; and Other Stories of the Bright Ages |
19
|
6
|
32
|
1
|
5
|
Open |
67
|
20
|
30
|
9
|
13
|
Open | |
30
|
9
|
30
|
3
|
10
|
Open | |
55
|
16
|
29
|
9
|
16
|
Open | |
72
|
21
|
29
|
3
|
4
|
Open | |
109
|
30
|
28
|
19
|
17
|
Open | |
109
|
31
|
28
|
23
|
21
|
Open | |
18
|
5
|
28
|
3
|
17
|
Open | |
15
|
4
|
27
|
3
|
20
|
Open | |
100
|
27
|
27
|
19
|
19
|
Open | |
33
|
9
|
27
|
8
|
24
|
Open | |
76
|
20
|
26
|
7
|
9
|
Open | |
58
|
15
|
26
|
4
|
7
|
Open | |
52
|
13
|
25
|
10
|
19
|
Open | |
8
|
2
|
25
|
2
|
25
|
Open | |
44
|
10
|
23
|
|
0
|
Open | |
180
|
42
|
23
|
34
|
19
|
Open | |
83
|
17
|
20
|
|
0
|
Open | |
20
|
4
|
20
|
4
|
20
|
Open | |
11
|
2
|
18
|
|
0
|
Open | |
PEEPS AT PEOPLE - Being Certain Papers from the Writings of ANNE WARRINGTON WITHERUP |
12
|
2
|
17
|
|
0
|
Open |
61
|
10
|
16
|
8
|
13
|
Open | |
25
|
4
|
16
|
1
|
4
|
Open | |
27
|
4
|
15
|
|
0
|
Open | |
20
|
3
|
15
|
|
0
|
Open | |
118
|
16
|
14
|
2
|
2
|
Open | |
14
|
2
|
14
|
|
0
|
Open | |
35
|
5
|
14
|
4
|
11
|
Open | |
24
|
3
|
13
|
|
0
|
Open | |
Corporal Cameron of the North West Mounted Police--A Tale of the Macleod Trial |
25
|
3
|
12
|
3
|
12
|
Open |
18
|
2
|
11
|
|
0
|
Open | |
30
|
3
|
10
|
3
|
10
|
Open | |
10
|
1
|
10
|
|
0
|
Open | |
56
|
5
|
9
|
|
0
|
Open | |
15
|
1
|
7
|
|
0
|
Open | |
15
|
1
|
7
|
1
|
7
|
Open | |
48
|
3
|
6
|
|
0
|
Open | |
31
|
2
|
6
|
1
|
3
|
Open | |
44
|
2
|
5
|
1
|
2
|
Open | |
44
|
1
|
2
|
|
0
|
Open | |
20
|
|
0
|
|
0
|
Open | |
Little Busybodies: The Life of Crickets, Ants, Bees, and Others |
17
|
|
0
|
|
0
|
Open |
Meridiana: The adventures of three Englishmen and three Russians in South Africa |
23
|
|
0
|
|
0
|
Open |
12
|
|
0
|
|
0
|
Open | |
35
|
|
0
|
|
0
|
Open | |
10
|
|
0
|
|
0
|
Open | |
22
|
|
0
|
|
0
|
Open | |
29
|
|
0
|
|
0
|
Open | |
22
|
22
|
100
|
21
|
95
|
Fully Subscribed | |
15
|
15
|
100
|
1
|
7
|
Fully Subscribed | |
28
|
28
|
100
|
|
0
|
Fully Subscribed | |
88
|
88
|
100
|
1
|
1
|
Fully Subscribed | |
11
|
11
|
100
|
|
0
|
Fully Subscribed | |
18
|
18
|
100
|
|
0
|
Fully Subscribed | |
A Soldier Of The Legion; An Englishman's Adventures Under The French Flag in Algeria And Tonquin |
10
|
10
|
100
|
5
|
50
|
Fully Subscribed |
71
|
71
|
100
|
52
|
73
|
Fully Subscribed | |
51
|
51
|
100
|
40
|
78
|
Fully Subscribed | |
24
|
24
|
100
|
12
|
50
|
Fully Subscribed | |
30
|
30
|
100
|
13
|
43
|
Fully Subscribed | |
30
|
30
|
100
|
2
|
7
|
Fully Subscribed | |
40
|
40
|
100
|
34
|
85
|
Fully Subscribed | |
26
|
26
|
100
|
24
|
92
|
Fully Subscribed | |
3
|
3
|
100
|
|
0
|
Fully Subscribed | |
Anting-Anting Stories And Other Strange Tales of the Filipinos |
13
|
13
|
100
|
6
|
46
|
Fully Subscribed |
Antologia Brasileira, Coletânea em Prosa e Verso de Escritores Nacionais, Volume 1 |
75
|
75
|
100
|
67
|
89
|
Fully Subscribed |
21
|
21
|
100
|
|
0
|
Fully Subscribed | |
15
|
15
|
100
|
6
|
40
|
Fully Subscribed | |
53
|
53
|
100
|
30
|
57
|
Fully Subscribed | |
19
|
19
|
100
|
17
|
89
|
Fully Subscribed | |
261
|
260
|
100
|
227
|
87
|
Fully Subscribed | |
Bible (DBY) 01-05 : Pentateuque (Genèse, Exode, Lévitique, Nombres et Deutéronome) |
66
|
66
|
100
|
56
|
85
|
Fully Subscribed |
Bible (Fenton) 08, 13-14, 16-22, 25, 27: Holy Bible in Modern English, The: Psalms to 2 Chronicles |
39
|
39
|
100
|
37
|
95
|
Fully Subscribed |
26
|
26
|
100
|
16
|
62
|
Fully Subscribed | |
59
|
59
|
100
|
32
|
54
|
Fully Subscribed | |
67
|
67
|
100
|
43
|
64
|
Fully Subscribed | |
49
|
49
|
100
|
45
|
92
|
Fully Subscribed | |
31
|
31
|
100
|
17
|
55
|
Fully Subscribed | |
10
|
10
|
100
|
|
0
|
Fully Subscribed | |
Canzoniere (Rerum vulgarium fragmenta), vol 2, di Francesco Petrarca (1304-1374) . |
183
|
183
|
100
|
13
|
7
|
Fully Subscribed |
16
|
16
|
100
|
8
|
50
|
Fully Subscribed | |
16
|
16
|
100
|
|
0
|
Fully Subscribed | |
25
|
25
|
100
|
14
|
56
|
Fully Subscribed | |
37
|
37
|
100
|
33
|
89
|
Fully Subscribed | |
12
|
12
|
100
|
|
0
|
Fully Subscribed | |
30
|
30
|
100
|
25
|
83
|
Fully Subscribed | |
32
|
32
|
100
|
26
|
81
|
Fully Subscribed | |
69
|
69
|
100
|
|
0
|
Fully Subscribed | |
70
|
70
|
100
|
33
|
47
|
Fully Subscribed | |
14
|
14
|
100
|
10
|
71
|
Fully Subscribed | |
35
|
35
|
100
|
15
|
43
|
Fully Subscribed | |
10
|
10
|
100
|
5
|
50
|
Fully Subscribed | |
53
|
53
|
100
|
30
|
57
|
Fully Subscribed | |
218
|
218
|
100
|
216
|
99
|
Fully Subscribed | |
17
|
17
|
100
|
11
|
65
|
Fully Subscribed | |
22
|
22
|
100
|
16
|
73
|
Fully Subscribed | |
71
|
71
|
100
|
32
|
45
|
Fully Subscribed | |
16
|
16
|
100
|
6
|
38
|
Fully Subscribed | |
29
|
29
|
100
|
17
|
59
|
Fully Subscribed | |
Full Revelations of a Professional Rat-catcher After 25 Years' Experience |
6
|
6
|
100
|
3
|
50
|
Fully Subscribed |
12
|
12
|
100
|
1
|
8
|
Fully Subscribed | |
11
|
11
|
100
|
7
|
64
|
Fully Subscribed | |
40
|
40
|
100
|
21
|
53
|
Fully Subscribed | |
25
|
25
|
100
|
|
0
|
Fully Subscribed | |
24
|
24
|
100
|
14
|
58
|
Fully Subscribed | |
30
|
30
|
100
|
25
|
83
|
Fully Subscribed | |
60
|
60
|
100
|
25
|
42
|
Fully Subscribed | |
Heimskringla: The Stories of the Kings of Norway, Called The Round World |
77
|
77
|
100
|
1
|
1
|
Fully Subscribed |
19
|
19
|
100
|
11
|
58
|
Fully Subscribed | |
25
|
25
|
100
|
20
|
80
|
Fully Subscribed | |
17
|
17
|
100
|
|
0
|
Fully Subscribed | |
213
|
214
|
100
|
81
|
38
|
Fully Subscribed | |
24
|
24
|
100
|
10
|
42
|
Fully Subscribed | |
4
|
4
|
100
|
|
0
|
Fully Subscribed | |
18
|
18
|
100
|
9
|
50
|
Fully Subscribed | |
46
|
46
|
100
|
34
|
74
|
Fully Subscribed | |
House, Garden and Field: A Collection of Short Nature Studies |
56
|
56
|
100
|
30
|
54
|
Fully Subscribed |
27
|
27
|
100
|
2
|
7
|
Fully Subscribed | |
15
|
15
|
100
|
7
|
47
|
Fully Subscribed | |
19
|
19
|
100
|
17
|
89
|
Fully Subscribed | |
8
|
8
|
100
|
|
0
|
Fully Subscribed | |
19
|
19
|
100
|
16
|
84
|
Fully Subscribed | |
18
|
18
|
100
|
8
|
44
|
Fully Subscribed | |
25
|
25
|
100
|
|
0
|
Fully Subscribed | |
54
|
54
|
100
|
51
|
94
|
Fully Subscribed | |
100
|
100
|
100
|
54
|
54
|
Fully Subscribed | |
15
|
15
|
100
|
|
0
|
Fully Subscribed | |
18
|
18
|
100
|
8
|
44
|
Fully Subscribed | |
61
|
61
|
100
|
34
|
56
|
Fully Subscribed | |
30
|
30
|
100
|
1
|
3
|
Fully Subscribed | |
40
|
40
|
100
|
40
|
100
|
Fully Subscribed | |
15
|
15
|
100
|
7
|
47
|
Fully Subscribed | |
25
|
25
|
100
|
16
|
64
|
Fully Subscribed | |
42
|
42
|
100
|
3
|
7
|
Fully Subscribed | |
25
|
25
|
100
|
1
|
4
|
Fully Subscribed | |
16
|
16
|
100
|
1
|
6
|
Fully Subscribed | |
46
|
46
|
100
|
20
|
43
|
Fully Subscribed | |
127
|
127
|
100
|
57
|
45
|
Fully Subscribed | |
241
|
241
|
100
|
|
0
|
Fully Subscribed | |
36
|
36
|
100
|
|
0
|
Fully Subscribed | |
79
|
79
|
100
|
77
|
97
|
Fully Subscribed | |
30
|
30
|
100
|
|
0
|
Fully Subscribed | |
27
|
27
|
100
|
12
|
44
|
Fully Subscribed | |
18
|
18
|
100
|
7
|
39
|
Fully Subscribed | |
Musings of a Chinese Mystic: Selections from the Philosophy of Chuang Tzu |
14
|
14
|
100
|
11
|
79
|
Fully Subscribed |
20
|
20
|
100
|
11
|
55
|
Fully Subscribed | |
25
|
25
|
100
|
11
|
44
|
Fully Subscribed | |
21
|
21
|
100
|
1
|
5
|
Fully Subscribed | |
30
|
30
|
100
|
12
|
40
|
Fully Subscribed | |
66
|
66
|
100
|
41
|
62
|
Fully Subscribed | |
6
|
6
|
100
|
|
0
|
Fully Subscribed | |
16
|
16
|
100
|
11
|
69
|
Fully Subscribed | |
24
|
24
|
100
|
1
|
4
|
Fully Subscribed | |
Old New Zealand: Being Incidents of Native Customs and Character in the Old Times |
17
|
17
|
100
|
|
0
|
Fully Subscribed |
14
|
14
|
100
|
|
0
|
Fully Subscribed | |
53
|
53
|
100
|
45
|
85
|
Fully Subscribed | |
14
|
14
|
100
|
12
|
86
|
Fully Subscribed | |
80
|
80
|
100
|
62
|
78
|
Fully Subscribed | |
59
|
59
|
100
|
28
|
47
|
Fully Subscribed | |
20
|
20
|
100
|
8
|
40
|
Fully Subscribed | |
70
|
70
|
100
|
49
|
70
|
Fully Subscribed | |
21
|
21
|
100
|
18
|
86
|
Fully Subscribed | |
55
|
55
|
100
|
54
|
98
|
Fully Subscribed | |
Reminiscences and Table-Talk of Samuel Rogers - Banker, Poet and Patron of the Arts (1763-1855) |
25
|
25
|
100
|
12
|
48
|
Fully Subscribed |
22
|
22
|
100
|
16
|
73
|
Fully Subscribed | |
Satires of Circumstance, Lyrics and Reveries, with Miscellaneous Pieces |
107
|
107
|
100
|
60
|
56
|
Fully Subscribed |
35
|
35
|
100
|
27
|
77
|
Fully Subscribed | |
126
|
126
|
100
|
64
|
51
|
Fully Subscribed | |
31
|
31
|
100
|
28
|
90
|
Fully Subscribed | |
27
|
27
|
100
|
27
|
100
|
Fully Subscribed | |
64
|
64
|
100
|
59
|
92
|
Fully Subscribed | |
32
|
32
|
100
|
20
|
63
|
Fully Subscribed | |
State of the Union Addresses by United States Presidents (1817 - 1828) |
13
|
13
|
100
|
11
|
85
|
Fully Subscribed |
133
|
133
|
100
|
50
|
38
|
Fully Subscribed | |
27
|
27
|
100
|
21
|
78
|
Fully Subscribed | |
39
|
39
|
100
|
16
|
41
|
Fully Subscribed | |
30
|
30
|
100
|
14
|
47
|
Fully Subscribed | |
137
|
137
|
100
|
89
|
65
|
Fully Subscribed | |
The Adventures of Huckleberry Finn (version 5 Dramatic Reading) |
228
|
228
|
100
|
174
|
76
|
Fully Subscribed |
10
|
10
|
100
|
|
0
|
Fully Subscribed | |
21
|
21
|
100
|
13
|
62
|
Fully Subscribed | |
The Bible (Fenton) NT06-NT27: Holy Bible in Modern English, The: Romans to Revelation |
27
|
27
|
100
|
|
0
|
Fully Subscribed |
32
|
32
|
100
|
27
|
84
|
Fully Subscribed | |
20
|
20
|
100
|
13
|
65
|
Fully Subscribed | |
18
|
18
|
100
|
14
|
78
|
Fully Subscribed | |
20
|
20
|
100
|
16
|
80
|
Fully Subscribed | |
15
|
15
|
100
|
6
|
40
|
Fully Subscribed | |
9
|
9
|
100
|
|
0
|
Fully Subscribed | |
29
|
29
|
100
|
12
|
41
|
Fully Subscribed | |
31
|
31
|
100
|
19
|
61
|
Fully Subscribed | |
87
|
87
|
100
|
71
|
82
|
Fully Subscribed | |
44
|
44
|
100
|
22
|
50
|
Fully Subscribed | |
25
|
25
|
100
|
17
|
68
|
Fully Subscribed | |
28
|
28
|
100
|
24
|
86
|
Fully Subscribed | |
30
|
30
|
100
|
15
|
50
|
Fully Subscribed | |
69
|
69
|
100
|
56
|
81
|
Fully Subscribed | |
22
|
22
|
100
|
9
|
41
|
Fully Subscribed | |
33
|
33
|
100
|
30
|
91
|
Fully Subscribed | |
21
|
21
|
100
|
14
|
67
|
Fully Subscribed | |
14
|
14
|
100
|
7
|
50
|
Fully Subscribed | |
84
|
84
|
100
|
82
|
98
|
Fully Subscribed | |
34
|
34
|
100
|
19
|
56
|
Fully Subscribed | |
84
|
84
|
100
|
66
|
79
|
Fully Subscribed | |
132
|
132
|
100
|
130
|
98
|
Fully Subscribed | |
22
|
22
|
100
|
20
|
91
|
Fully Subscribed | |
24
|
24
|
100
|
15
|
63
|
Fully Subscribed | |
20
|
20
|
100
|
13
|
65
|
Fully Subscribed | |
The Lion of Saint Mark: A Story of Venice in the Fourteenth Century |
21
|
21
|
100
|
18
|
86
|
Fully Subscribed |
33
|
33
|
100
|
14
|
42
|
Fully Subscribed | |
36
|
36
|
100
|
27
|
75
|
Fully Subscribed | |
14
|
14
|
100
|
8
|
57
|
Fully Subscribed | |
31
|
31
|
100
|
29
|
94
|
Fully Subscribed | |
24
|
24
|
100
|
1
|
4
|
Fully Subscribed | |
31
|
31
|
100
|
24
|
77
|
Fully Subscribed | |
22
|
22
|
100
|
19
|
86
|
Fully Subscribed | |
The National Geographic Magazine Vol. 07 - 11. November 1896 |
5
|
5
|
100
|
3
|
60
|
Fully Subscribed |
17
|
17
|
100
|
13
|
76
|
Fully Subscribed | |
39
|
39
|
100
|
1
|
3
|
Fully Subscribed | |
22
|
22
|
100
|
|
0
|
Fully Subscribed | |
123
|
123
|
100
|
112
|
91
|
Fully Subscribed | |
25
|
25
|
100
|
1
|
4
|
Fully Subscribed | |
8
|
8
|
100
|
3
|
38
|
Fully Subscribed | |
25
|
25
|
100
|
2
|
8
|
Fully Subscribed | |
22
|
22
|
100
|
15
|
68
|
Fully Subscribed | |
8
|
8
|
100
|
4
|
50
|
Fully Subscribed | |
26
|
26
|
100
|
10
|
38
|
Fully Subscribed | |
49
|
49
|
100
|
46
|
94
|
Fully Subscribed | |
22
|
22
|
100
|
14
|
64
|
Fully Subscribed | |
The Stories Polly Pepper Told to the Five Little Peppers in the Little Brown House |
26
|
26
|
100
|
16
|
62
|
Fully Subscribed |
41
|
41
|
100
|
20
|
49
|
Fully Subscribed | |
91
|
91
|
100
|
80
|
88
|
Fully Subscribed | |
31
|
31
|
100
|
24
|
77
|
Fully Subscribed | |
34
|
34
|
100
|
20
|
59
|
Fully Subscribed | |
23
|
23
|
100
|
20
|
87
|
Fully Subscribed | |
109
|
109
|
100
|
53
|
49
|
Fully Subscribed | |
27
|
27
|
100
|
26
|
96
|
Fully Subscribed | |
9
|
9
|
100
|
6
|
67
|
Fully Subscribed | |
33
|
33
|
100
|
|
0
|
Fully Subscribed | |
8
|
8
|
100
|
4
|
50
|
Fully Subscribed | |
The Well at the World's End: Book 3: The Road to The Well at the World's End |
22
|
22
|
100
|
17
|
77
|
Fully Subscribed |
171
|
171
|
100
|
146
|
85
|
Fully Subscribed | |
18
|
18
|
100
|
11
|
61
|
Fully Subscribed | |
17
|
17
|
100
|
7
|
41
|
Fully Subscribed | |
31
|
31
|
100
|
25
|
81
|
Fully Subscribed | |
67
|
67
|
100
|
32
|
48
|
Fully Subscribed | |
33
|
33
|
100
|
33
|
100
|
Fully Subscribed | |
39
|
39
|
100
|
|
0
|
Fully Subscribed | |
13
|
13
|
100
|
7
|
54
|
Fully Subscribed | |
96
|
96
|
100
|
37
|
39
|
Fully Subscribed | |
24
|
24
|
100
|
|
0
|
Fully Subscribed | |
29
|
29
|
100
|
15
|
52
|
Fully Subscribed | |
55
|
55
|
100
|
3
|
5
|
Fully Subscribed | |
30
|
30
|
100
|
27
|
90
|
Fully Subscribed | |
68
|
68
|
100
|
53
|
78
|
Fully Subscribed | |
8
|
8
|
100
|
5
|
63
|
Fully Subscribed | |
400
|
391
|
98
|
376
|
94
|
Fully Subscribed | |
123
|
114
|
93
|
98
|
80
|
Fully Subscribed | |
141
|
74
|
52
|
71
|
50
|
Fully Subscribed |
How to Update This Status Table
(Instructions are using Windows, Excel and OpenOffice.)
- Go to the Stats / Status Table report (link in MC/admin area)
- Sort the status table by "status"
- Copy the open and fully subscribed lines (not the HTML, but simply the page with Ctrl+A Ctrl+C) into an Excel document
- Delete any unwanted columns (DPL / MC) and rows
- Make all other columns (except Title) center (select columns and then click the paragraph centering button)
- Top justify all cells
- Sort by title column
- Copy data to Open Office
- Export it to MediaWiki.txt (File/Export)
- Open the txt file in Notepad
- Replace all 100 with <font color="#00cc00">100%</font> (optional)
- Copy everything AFTER <center>Status</center>
- Highlight the Wiki code AFTER <center>Status</center>
- Paste into the Wiki
- Change data date and time to reflect current update
- Preview to make sure non-English characters show up all right. If they don't, repeat from step 8, as this is usually where the error happens.