Project Status Table: Difference between revisions
Line 11: | Line 11: | ||
== PL Status Table == |
== PL Status Table == |
||
Data current as of |
Data current as of 17 December 8 am CST |
||
{| class="wikitable sortable" |
{| class="wikitable sortable" |
||
Line 23: | Line 23: | ||
! Status |
! Status |
||
! DPL Name |
! DPL Name |
||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?f=28&t=62788 Het Leven van Hillegonda Buisman - deel 4] |
|||
| |
|||
<div align="right">19</div> |
|||
| |
|||
<div align="right">19</div> |
|||
| |
|||
<div align="right">100</div> |
|||
| |
|||
<div align="right">19</div> |
|||
| |
|||
<div align="right">100</div> |
|||
| |
|||
Fully Subscribed |
|||
| |
|||
|- |
|- |
||
| |
| |
||
Line 66: | Line 41: | ||
| |
| |
||
<div align="right">93</div> |
<div align="right">93</div> |
||
| |
|||
Fully Subscribed |
|||
| |
|||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?f=28&t=62656 Compilation de poèmes - 007] |
|||
| |
|||
<div align="right">25</div> |
|||
| |
|||
<div align="right">25</div> |
|||
| |
|||
<div align="right">100</div> |
|||
| |
|||
<div align="right">22</div> |
|||
| |
|||
<div align="right">88</div> |
|||
| |
| |
||
Line 194: | Line 144: | ||
| |
| |
||
Open |
Open |
||
| |
|||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?f=28&t=61784 The New Physics and Its Evolution] |
|||
| |
|||
<div align="right">17</div> |
|||
| |
|||
<div align="right">17</div> |
|||
| |
|||
<div align="right">100</div> |
|||
| |
|||
<div align="right">13</div> |
|||
| |
|||
<div align="right">76</div> |
|||
| |
|||
Fully Subscribed |
|||
| |
| |
||
Line 241: | Line 216: | ||
| |
| |
||
<div align="right">63</div> |
<div align="right">63</div> |
||
| |
|||
Open |
|||
| |
|||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?f=28&t=60354 Hunting In Many Lands] |
|||
| |
|||
<div align="right">24</div> |
|||
| |
|||
<div align="right">18</div> |
|||
| |
|||
<div align="right">75</div> |
|||
| |
|||
<div align="right">14</div> |
|||
| |
|||
<div align="right">58</div> |
|||
| |
| |
||
Line 262: | Line 262: | ||
| |
| |
||
<div align="right"> |
<div align="right">21</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">57</div> |
||
| |
| |
||
Line 275: | Line 275: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=63208 The Dolls] |
||
| |
| |
||
<div align="right"> |
<div align="right">20</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">10</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">50</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">10</div> |
||
| |
| |
||
Line 306: | Line 306: | ||
| |
| |
||
<div align="right"> |
<div align="right">16</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">89</div> |
||
| |
| |
||
Line 416: | Line 416: | ||
| |
| |
||
<div align="right">36</div> |
<div align="right">36</div> |
||
| |
|||
Open |
|||
| |
|||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?f=26&t=63004 A Pin] |
|||
| |
|||
<div align="right">20</div> |
|||
| |
|||
<div align="right">7</div> |
|||
| |
|||
<div align="right">35</div> |
|||
| |
|||
<div align="right">7</div> |
|||
| |
|||
<div align="right">35</div> |
|||
| |
| |
||
Line 475: | Line 450: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=62644 Miss Sara Sampson] |
||
| |
| |
||
<div align="right"> |
<div align="right">51</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">33</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">65</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">16</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">31</div> |
||
| |
| |
||
Line 500: | Line 475: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=63058 Christmas Fancies] |
||
| |
| |
||
<div align="right"> |
<div align="right">20</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">5</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">25</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">5</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">25</div> |
||
| |
| |
||
Line 525: | Line 500: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=63200 My Monks of Vagabondia] |
||
| |
| |
||
<div align="right"> |
<div align="right">14</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">3</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">21</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">3</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">21</div> |
||
| |
| |
||
Line 550: | Line 525: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f= |
[https://forum.librivox.org/viewtopic.php?f=28&t=55387 Le Rime] |
||
| |
| |
||
<div align="right"> |
<div align="right">109</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">31</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">28</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">22</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">20</div> |
||
| |
| |
||
Line 575: | Line 550: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=62850 סיפורים (Stories)] |
||
| |
| |
||
<div align="right"> |
<div align="right">5</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">5</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">100</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">1</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">20</div> |
||
| |
| |
||
Fully Subscribed |
|||
Open |
|||
| |
| |
||
Line 606: | Line 581: | ||
| |
| |
||
<div align="right"> |
<div align="right">9</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">82</div> |
||
| |
| |
||
Line 691: | Line 666: | ||
| |
| |
||
<div align="right">13</div> |
<div align="right">13</div> |
||
| |
|||
Open |
|||
| |
|||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?f=28&t=62855 The Minister's Wooing] |
|||
| |
|||
<div align="right">47</div> |
|||
| |
|||
<div align="right">15</div> |
|||
| |
|||
<div align="right">32</div> |
|||
| |
|||
<div align="right">5</div> |
|||
| |
|||
<div align="right">11</div> |
|||
| |
| |
||
Line 844: | Line 794: | ||
| |
| |
||
Fully Subscribed |
Fully Subscribed |
||
| |
|||
|- |
|||
| |
|||
[https://librivox.org/stats/active_projects Children's Short Works Collection, Vol. 024] |
|||
| |
|||
<div align="right">15</div> |
|||
| |
|||
<div align="right">2</div> |
|||
| |
|||
<div align="right">13</div> |
|||
| |
|||
<div align="right">1</div> |
|||
| |
|||
<div align="right">7</div> |
|||
| |
|||
Open |
|||
| |
| |
||
Line 1,000: | Line 975: | ||
|- |
|- |
||
| |
| |
||
Bible (Reina Valera) NT 03: Lucas |
|||
[https://forum.librivox.org/viewtopic.php?f=28&t=63136&p=1302439 Betty Baird] |
|||
| |
| |
||
<div align="right"> |
<div align="right">24</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">24</div> |
||
| |
| |
||
Line 1,025: | Line 1,000: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=62965 Charlotte's Inheritance] |
||
| |
| |
||
<div align="right"> |
<div align="right">48</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">2</div> |
||
| |
|||
<div align="right">100</div> |
|||
| |
|||
| |
|||
<div align="right">0</div> |
|||
| |
|||
Fully Subscribed |
|||
| |
|||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?f=28&t=63164 Birds and All Nature, Vol. VII, No.3, March 1900] |
|||
| |
|||
<div align="right">26</div> |
|||
| |
|||
<div align="right">1</div> |
|||
| |
| |
||
Line 1,075: | Line 1,025: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=60932 Cock-House at Fellsgarth by Talbot Baines Reed] |
||
| |
| |
||
<div align="right"> |
<div align="right">26</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">26</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">100</div> |
||
| |
| |
||
Line 1,093: | Line 1,043: | ||
| |
| |
||
Fully Subscribed |
|||
Open |
|||
| |
| |
||
Line 1,100: | Line 1,050: | ||
|- |
|- |
||
| |
| |
||
[https://librivox.org/ |
[https://forum.librivox.org/viewtopic.php?f=28&t=63274 Compilation de poèmes - 008] |
||
| |
| |
||
<div align="right"> |
<div align="right">25</div> |
||
| |
| |
||
Line 1,109: | Line 1,059: | ||
| |
| |
||
<div align="right"> |
<div align="right">4</div> |
||
| |
| |
||
Line 1,125: | Line 1,075: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=62165&p=1275901 Conversations on the Plurality of Worlds] |
||
| |
| |
||
<div align="right"> |
<div align="right">14</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">14</div> |
||
| |
| |
||
Line 1,150: | Line 1,100: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=63144 Het leven van Johannes Wouter Blommesteyn - deel 1] |
||
| |
| |
||
<div align="right"> |
<div align="right">19</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">19</div> |
||
| |
| |
||
Line 1,257: | Line 1,207: | ||
| |
| |
||
<div align="right">25</div> |
<div align="right">25</div> |
||
| |
|||
<div align="right">100</div> |
|||
| |
|||
| |
|||
<div align="right">0</div> |
|||
| |
|||
Fully Subscribed |
|||
| |
|||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?t=63050 La Cautiva] |
|||
| |
|||
<div align="right">10</div> |
|||
| |
|||
<div align="right">10</div> |
|||
| |
| |
||
Line 1,450: | Line 1,375: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=63219 Tales from the Works of G.A.Henty] |
||
| |
| |
||
<div align="right"> |
<div align="right">13</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">1</div> |
||
| |
|||
<div align="right">8</div> |
|||
| |
|||
| |
|||
<div align="right">0</div> |
|||
| |
|||
Open |
|||
| |
|||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?f=28&t=63213 The Gentle Art of Faking] |
|||
| |
|||
<div align="right">26</div> |
|||
| |
|||
<div align="right">26</div> |
|||
| |
| |
||
Line 1,475: | Line 1,425: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=62970 The Iron Heel (version 2)] |
||
| |
| |
||
Line 1,500: | Line 1,450: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=61954 The Loom of Youth] |
||
| |
| |
||
<div align="right"> |
<div align="right">25</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">25</div> |
||
| |
| |
||
Line 1,525: | Line 1,475: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php? |
[https://forum.librivox.org/viewtopic.php?t=63238 The Princess Pourquoi] |
||
| |
| |
||
<div align="right"> |
<div align="right">10</div> |
||
| |
| |
||
<div align="right">2</div> |
|||
| |
| |
||
<div align="right"> |
<div align="right">20</div> |
||
| |
| |
||
Line 1,550: | Line 1,500: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=63118 The Purple Land] |
||
| |
| |
||
<div align="right"> |
<div align="right">31</div> |
||
| |
| |
||
Line 1,575: | Line 1,525: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=63204 The Seven Wonders of the Ancient World] |
||
| |
| |
||
<div align="right"> |
<div align="right">8</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">5</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">63</div> |
||
| |
| |
||
Line 1,593: | Line 1,543: | ||
| |
| |
||
Open |
|||
Fully Subscribed |
|||
| |
| |
||
Line 1,600: | Line 1,550: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=63167 The Strange Adventures of Eric Blackburn] |
||
| |
| |
||
<div align="right"> |
<div align="right">18</div> |
||
| |
| |
||
Line 1,625: | Line 1,575: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=62102 The Voyage Out (version 2)] |
||
| |
| |
||
<div align="right"> |
<div align="right">33</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">33</div> |
||
| |
| |
||
Line 1,650: | Line 1,600: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php? |
[https://forum.librivox.org/viewtopic.php?t=63262 The Way to Will-Power] |
||
| |
| |
||
<div align="right"> |
<div align="right">8</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">8</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">100</div> |
||
| |
| |
||
Line 1,668: | Line 1,618: | ||
| |
| |
||
Fully Subscribed |
|||
Open |
|||
| |
| |
||
Line 1,675: | Line 1,625: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=62306 Universal Declaration of Human Rights Volume 4] |
||
| |
| |
||
<div align="right"> |
<div align="right">10</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">1</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">10</div> |
||
| |
| |
||
Line 1,700: | Line 1,650: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=63111&p=1301528 Why do we need a public library?] |
||
| |
| |
||
<div align="right"> |
<div align="right">25</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">4</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">16</div> |
||
| |
| |
||
Line 1,718: | Line 1,668: | ||
| |
| |
||
Open |
|||
Fully Subscribed |
|||
| |
| |
Revision as of 14:40, 17 December 2016
How to Use These Tables
Use the PL status table to see which projects do not currently have an assigned Dedicated Proof Listener (DPL).
Use the section status table to see which projects are currently underway, which ones are close to completion, which need just a couple of sections claimed to be fully subscribed, and so on.
For both tables, the project titles are links to the project thread.
To Sort - Click on the icon next to the column title to sort the table by that column. If you sort by sections claimed or completed, it will sort by the NUMBER of sections, not the percentage. Refresh the page to revert it to the default sort.
PL Status Table
Data current as of 17 December 8 am CST
Project Name | Sections | Assigned | % | Completed | % | Status | DPL Name |
---|---|---|---|---|---|---|---|
30
|
30
|
100
|
28
|
93
|
Fully Subscribed |
| |
Antologia Brasileira, Coletânea em Prosa e Verso de Escritores Nacionais, Volume 1 |
75
|
75
|
100
|
64
|
85
|
Fully Subscribed |
|
39
|
34
|
87
|
33
|
85
|
Open |
| |
30
|
30
|
100
|
25
|
83
|
Fully Subscribed |
| |
77
|
68
|
88
|
60
|
78
|
Open |
| |
17
|
17
|
100
|
13
|
76
|
Fully Subscribed |
| |
25
|
25
|
100
|
17
|
68
|
Fully Subscribed |
| |
75
|
48
|
64
|
47
|
63
|
Open |
| |
24
|
18
|
75
|
14
|
58
|
Open |
| |
37
|
24
|
65
|
21
|
57
|
Open |
| |
20
|
10
|
50
|
10
|
50
|
Open |
| |
18
|
16
|
89
|
9
|
50
|
Open |
| |
25
|
18
|
72
|
12
|
48
|
Open |
| |
15
|
15
|
100
|
7
|
47
|
Fully Subscribed |
| |
14
|
14
|
100
|
5
|
36
|
Fully Subscribed |
| |
25
|
16
|
64
|
9
|
36
|
Open |
| |
283
|
233
|
82
|
97
|
34
|
Open |
| |
51
|
33
|
65
|
16
|
31
|
Open |
| |
20
|
5
|
25
|
5
|
25
|
Open |
| |
14
|
3
|
21
|
3
|
21
|
Open |
| |
109
|
31
|
28
|
22
|
20
|
Open |
| |
5
|
5
|
100
|
1
|
20
|
Fully Subscribed |
| |
11
|
9
|
82
|
2
|
18
|
Open |
| |
7
|
7
|
100
|
1
|
14
|
Fully Subscribed |
| |
43
|
43
|
100
|
6
|
14
|
Fully Subscribed |
| |
52
|
7
|
13
|
7
|
13
|
Open |
| |
20
|
8
|
40
|
2
|
10
|
Open |
| |
30
|
3
|
10
|
3
|
10
|
Open |
| |
90
|
90
|
100
|
8
|
9
|
Fully Subscribed |
| |
Corporal Cameron of the North West Mounted Police--A Tale of the Macleod Trial |
25
|
2
|
8
|
2
|
8
|
Open |
|
12
|
12
|
100
|
1
|
8
|
Fully Subscribed |
| |
15
|
2
|
13
|
1
|
7
|
Open |
| |
15
|
2
|
13
|
1
|
7
|
Open |
| |
17
|
17
|
100
|
1
|
6
|
Fully Subscribed |
| |
30
|
5
|
17
|
1
|
3
|
Open |
| |
88
|
88
|
100
|
|
0
|
Fully Subscribed |
| |
18
|
18
|
100
|
|
0
|
Fully Subscribed |
| |
30
|
|
0
|
|
0
|
Open |
| |
Bible (Reina Valera) NT 03: Lucas |
24
|
24
|
100
|
|
0
|
Fully Subscribed |
|
48
|
2
|
4
|
|
0
|
Open |
| |
26
|
26
|
100
|
|
0
|
Fully Subscribed |
| |
25
|
1
|
4
|
|
0
|
Open |
| |
14
|
14
|
100
|
|
0
|
Fully Subscribed |
| |
19
|
19
|
100
|
|
0
|
Fully Subscribed |
| |
4
|
4
|
100
|
|
0
|
Fully Subscribed |
| |
120
|
2
|
2
|
|
0
|
Open |
| |
8
|
8
|
100
|
|
0
|
Fully Subscribed |
| |
25
|
25
|
100
|
|
0
|
Fully Subscribed |
| |
58
|
13
|
22
|
|
0
|
Open |
| |
Little Busybodies: The Life of Crickets, Ants, Bees, and Others |
17
|
|
0
|
|
0
|
Open |
|
32
|
32
|
100
|
|
0
|
Fully Subscribed |
| |
241
|
241
|
100
|
|
0
|
Fully Subscribed |
| |
36
|
36
|
100
|
|
0
|
Fully Subscribed |
| |
20
|
|
0
|
|
0
|
Open |
| |
13
|
1
|
8
|
|
0
|
Open |
| |
26
|
26
|
100
|
|
0
|
Fully Subscribed |
| |
25
|
25
|
100
|
|
0
|
Fully Subscribed |
| |
25
|
25
|
100
|
|
0
|
Fully Subscribed |
| |
10
|
2
|
20
|
|
0
|
Open |
| |
31
|
|
0
|
|
0
|
Open |
| |
8
|
5
|
63
|
|
0
|
Open |
| |
18
|
|
0
|
|
0
|
Open |
| |
33
|
33
|
100
|
|
0
|
Fully Subscribed |
| |
8
|
8
|
100
|
|
0
|
Fully Subscribed |
| |
10
|
1
|
10
|
|
0
|
Open |
| |
25
|
4
|
16
|
|
0
|
Open |
|
Section Status Table
Data current as of 7 December 8 pm CST
Project Name | Sections | Assigned | % | Completed | % | Status |
---|---|---|---|---|---|---|
76
|
75
|
99
|
66
|
87
|
Open | |
54
|
53
|
98
|
43
|
80
|
Open | |
61
|
60
|
98
|
22
|
36
|
Open | |
33
|
32
|
97
|
31
|
94
|
Open | |
66
|
64
|
97
|
18
|
27
|
Open | |
30
|
29
|
97
|
25
|
83
|
Open | |
149
|
145
|
97
|
116
|
78
|
Open | |
51
|
48
|
94
|
47
|
92
|
Open | |
Abraham Lincoln and the Abolition of Slavery in the United States |
14
|
13
|
93
|
10
|
71
|
Open |
83
|
77
|
93
|
61
|
73
|
Open | |
59
|
55
|
93
|
53
|
90
|
Open | |
37
|
34
|
92
|
27
|
73
|
Open | |
The Stories Polly Pepper Told to the Five Little Peppers in the Little Brown House |
26
|
24
|
92
|
10
|
38
|
Open |
53
|
48
|
91
|
36
|
68
|
Open | |
10
|
9
|
90
|
1
|
10
|
Open | |
20
|
18
|
90
|
9
|
45
|
Open | |
51
|
46
|
90
|
42
|
82
|
Open | |
140
|
125
|
89
|
106
|
76
|
Open | |
113
|
101
|
89
|
44
|
39
|
Open | |
110
|
98
|
89
|
83
|
75
|
Open | |
26
|
23
|
88
|
17
|
65
|
Open | |
77
|
68
|
88
|
60
|
78
|
Open | |
82
|
72
|
88
|
31
|
38
|
Open | |
23
|
20
|
87
|
19
|
83
|
Open | |
39
|
34
|
87
|
33
|
85
|
Open | |
56
|
48
|
86
|
43
|
77
|
Open | |
81
|
70
|
86
|
50
|
62
|
Open | |
20
|
17
|
85
|
16
|
80
|
Open | |
39
|
33
|
85
|
6
|
15
|
Open | |
312
|
262
|
84
|
107
|
34
|
Open | |
84
|
70
|
83
|
60
|
71
|
Open | |
35
|
29
|
83
|
28
|
80
|
Open | |
18
|
15
|
83
|
9
|
50
|
Open | |
22
|
18
|
82
|
13
|
59
|
Open | |
134
|
110
|
82
|
82
|
61
|
Open | |
Potash and Perlmutter: Their Copartnership Ventures and Adventures |
17
|
14
|
82
|
11
|
65
|
Open |
33
|
27
|
82
|
8
|
24
|
Open | |
283
|
233
|
82
|
97
|
34
|
Open | |
Lives of the Most Eminent Painters, Sculptors and Architects Volume 5 |
28
|
22
|
79
|
21
|
75
|
Open |
14
|
11
|
79
|
10
|
71
|
Open | |
28
|
22
|
79
|
10
|
36
|
Open | |
41
|
32
|
78
|
11
|
27
|
Open | |
132
|
103
|
78
|
91
|
69
|
Open | |
37
|
29
|
78
|
24
|
65
|
Open | |
62
|
47
|
76
|
38
|
61
|
Open | |
17
|
13
|
76
|
12
|
71
|
Open | |
41
|
31
|
76
|
1
|
2
|
Open | |
24
|
18
|
75
|
14
|
58
|
Open | |
24
|
18
|
75
|
12
|
50
|
Open | |
36
|
27
|
75
|
15
|
42
|
Open | |
19
|
14
|
74
|
4
|
21
|
Open | |
88
|
64
|
73
|
30
|
34
|
Open | |
106
|
77
|
73
|
52
|
49
|
Open | |
26
|
19
|
73
|
12
|
46
|
Open | |
22
|
16
|
73
|
12
|
55
|
Open | |
64
|
47
|
73
|
40
|
63
|
Open | |
11
|
8
|
73
|
2
|
18
|
Open | |
40
|
29
|
73
|
20
|
50
|
Open | |
55
|
40
|
73
|
35
|
64
|
Open | |
91
|
66
|
73
|
31
|
34
|
Open | |
25
|
18
|
72
|
12
|
48
|
Open | |
20
|
14
|
70
|
14
|
70
|
Open | |
132
|
92
|
70
|
61
|
46
|
Open | |
48
|
33
|
69
|
22
|
46
|
Open | |
25
|
17
|
68
|
9
|
36
|
Open | |
41
|
28
|
68
|
17
|
41
|
Open | |
146
|
99
|
68
|
91
|
62
|
Open | |
43
|
29
|
67
|
21
|
49
|
Open | |
42
|
28
|
67
|
23
|
55
|
Open | |
52
|
35
|
67
|
16
|
31
|
Open | |
151
|
100
|
66
|
86
|
57
|
Open | |
100
|
66
|
66
|
53
|
53
|
Open | |
20
|
13
|
65
|
13
|
65
|
Open | |
51
|
33
|
65
|
16
|
31
|
Open | |
112
|
73
|
65
|
51
|
46
|
Open | |
37
|
24
|
65
|
20
|
54
|
Open | |
914
|
592
|
65
|
286
|
31
|
Open | |
250
|
162
|
65
|
112
|
45
|
Open | |
93
|
60
|
65
|
48
|
52
|
Open | |
75
|
48
|
64
|
47
|
63
|
Open | |
25
|
16
|
64
|
9
|
36
|
Open | |
38
|
24
|
63
|
13
|
34
|
Open | |
32
|
20
|
63
|
13
|
41
|
Open | |
69
|
43
|
62
|
37
|
54
|
Open | |
59
|
36
|
61
|
22
|
37
|
Open | |
43
|
26
|
60
|
22
|
51
|
Open | |
43
|
26
|
60
|
19
|
44
|
Open | |
26
|
15
|
58
|
12
|
46
|
Open | |
30
|
17
|
57
|
16
|
53
|
Open | |
25
|
14
|
56
|
10
|
40
|
Open | |
13
|
7
|
54
|
1
|
8
|
Open | |
41
|
22
|
54
|
10
|
24
|
Open | |
54
|
28
|
52
|
27
|
50
|
Open | |
180
|
94
|
52
|
90
|
50
|
Open | |
30
|
15
|
50
|
11
|
37
|
Open | |
20
|
10
|
50
|
10
|
50
|
Open | |
44
|
22
|
50
|
13
|
30
|
Open | |
51
|
25
|
49
|
16
|
31
|
Open | |
29
|
14
|
48
|
10
|
34
|
Open | |
27
|
13
|
48
|
9
|
33
|
Open | |
34
|
16
|
47
|
11
|
32
|
Open | |
15
|
7
|
47
|
4
|
27
|
Open | |
28
|
13
|
46
|
5
|
18
|
Open | |
26
|
12
|
46
|
3
|
12
|
Open | |
46
|
21
|
46
|
15
|
33
|
Open | |
51
|
23
|
45
|
10
|
20
|
Open | |
82
|
35
|
43
|
20
|
24
|
Open | |
40
|
17
|
43
|
14
|
35
|
Open | |
28
|
12
|
43
|
6
|
21
|
Open | |
19
|
8
|
42
|
4
|
21
|
Open | |
12
|
5
|
42
|
5
|
42
|
Open | |
20
|
8
|
40
|
2
|
10
|
Open | |
48
|
19
|
40
|
16
|
33
|
Open | |
John Deane of Nottingham: Historic Adventures by Land and Sea |
38
|
15
|
39
|
15
|
39
|
Open |
23
|
9
|
39
|
8
|
35
|
Open | |
27
|
10
|
37
|
3
|
11
|
Open | |
22
|
8
|
36
|
1
|
5
|
Open | |
36
|
13
|
36
|
8
|
22
|
Open | |
33
|
12
|
36
|
11
|
33
|
Open | |
20
|
7
|
35
|
7
|
35
|
Open | |
26
|
9
|
35
|
5
|
19
|
Open | |
79
|
28
|
35
|
27
|
34
|
Open | |
20
|
7
|
35
|
7
|
35
|
Open | |
23
|
8
|
35
|
3
|
13
|
Open | |
18
|
6
|
33
|
6
|
33
|
Open | |
39
|
13
|
33
|
10
|
26
|
Open | |
60
|
19
|
32
|
14
|
23
|
Open | |
47
|
15
|
32
|
5
|
11
|
Open | |
100
|
31
|
31
|
13
|
13
|
Open | |
State of the Union Addresses by United States Presidents (1817 - 1828) |
13
|
4
|
31
|
4
|
31
|
Open |
20
|
6
|
30
|
6
|
30
|
Open | |
27
|
8
|
30
|
6
|
22
|
Open | |
20
|
6
|
30
|
6
|
30
|
Open | |
49
|
14
|
29
|
10
|
20
|
Open | |
109
|
30
|
28
|
20
|
18
|
Open | |
Criminal Investigation: a Practical Handbook for Magistrates, Police Officers and Lawyers, Volume 3 |
33
|
9
|
27
|
7
|
21
|
Open |
55
|
15
|
27
|
6
|
11
|
Open | |
33
|
9
|
27
|
3
|
9
|
Open | |
76
|
20
|
26
|
7
|
9
|
Open | |
104
|
27
|
26
|
22
|
21
|
Open | |
127
|
33
|
26
|
31
|
24
|
Open | |
27
|
7
|
26
|
5
|
19
|
Open | |
58
|
13
|
22
|
|
0
|
Open | |
18
|
4
|
22
|
3
|
17
|
Open | |
125
|
28
|
22
|
25
|
20
|
Open | |
180
|
39
|
22
|
2
|
1
|
Open | |
15
|
3
|
20
|
|
0
|
Open | |
15
|
3
|
20
|
3
|
20
|
Open | |
The Lion of Saint Mark: A Story of Venice in the Fourteenth Century |
21
|
4
|
19
|
1
|
5
|
Open |
11
|
2
|
18
|
|
0
|
Open | |
30
|
5
|
17
|
1
|
3
|
Open | |
30
|
5
|
17
|
3
|
10
|
Open | |
210
|
29
|
14
|
|
0
|
Open | |
52
|
7
|
13
|
7
|
13
|
Open | |
15
|
2
|
13
|
1
|
7
|
Open | |
87
|
11
|
13
|
9
|
10
|
Open | |
61
|
8
|
13
|
8
|
13
|
Open | |
24
|
3
|
13
|
3
|
13
|
Open | |
25
|
3
|
12
|
3
|
12
|
Open | |
25
|
3
|
12
|
|
0
|
Open | |
38
|
4
|
11
|
2
|
5
|
Open | |
30
|
3
|
10
|
3
|
10
|
Open | |
30
|
3
|
10
|
3
|
10
|
Open | |
10
|
1
|
10
|
|
0
|
Open | |
56
|
5
|
9
|
|
0
|
Open | |
Corporal Cameron of the North West Mounted Police--A Tale of the Macleod Trial |
25
|
2
|
8
|
2
|
8
|
Open |
15
|
1
|
7
|
|
0
|
Open | |
15
|
1
|
7
|
|
0
|
Open | |
14
|
1
|
7
|
|
0
|
Open | |
Little Busybodies: The Life of Crickets, Ants, Bees, and Others |
17
|
1
|
6
|
1
|
6
|
Open |
44
|
2
|
5
|
|
0
|
Open | |
26
|
1
|
4
|
|
0
|
Open | |
35
|
1
|
3
|
|
0
|
Open | |
48
|
1
|
2
|
|
0
|
Open | |
120
|
2
|
2
|
|
0
|
Open | |
30
|
|
0
|
|
0
|
Open | |
Little Busybodies: The Life of Crickets, Ants, Bees, and Others |
17
|
|
0
|
|
0
|
Open |
20
|
|
0
|
|
0
|
Open | |
44
|
|
0
|
|
0
|
Open | |
31
|
|
0
|
|
0
|
Open | |
18
|
|
0
|
|
0
|
Open | |
31
|
|
0
|
|
0
|
Open | |
15
|
15
|
100
|
1
|
7
|
Fully Subscribed | |
25
|
25
|
100
|
17
|
68
|
Fully Subscribed | |
88
|
88
|
100
|
|
0
|
Fully Subscribed | |
11
|
11
|
100
|
|
0
|
Fully Subscribed | |
38
|
38
|
100
|
32
|
84
|
Fully Subscribed | |
18
|
18
|
100
|
|
0
|
Fully Subscribed | |
21
|
21
|
100
|
1
|
5
|
Fully Subscribed | |
18
|
18
|
100
|
12
|
67
|
Fully Subscribed | |
25
|
25
|
100
|
21
|
84
|
Fully Subscribed | |
71
|
71
|
100
|
36
|
51
|
Fully Subscribed | |
23
|
23
|
100
|
21
|
91
|
Fully Subscribed | |
24
|
24
|
100
|
9
|
38
|
Fully Subscribed | |
30
|
30
|
100
|
5
|
17
|
Fully Subscribed | |
An Inquiry into the Causes and Effects of the Variolae Vaccinae |
4
|
4
|
100
|
2
|
50
|
Fully Subscribed |
3
|
3
|
100
|
|
0
|
Fully Subscribed | |
85
|
85
|
100
|
78
|
92
|
Fully Subscribed | |
30
|
30
|
100
|
13
|
43
|
Fully Subscribed | |
30
|
30
|
100
|
2
|
7
|
Fully Subscribed | |
40
|
40
|
100
|
33
|
83
|
Fully Subscribed | |
Anting-Anting Stories And Other Strange Tales of the Filipinos |
13
|
13
|
100
|
4
|
31
|
Fully Subscribed |
Antologia Brasileira, Coletânea em Prosa e Verso de Escritores Nacionais, Volume 1 |
75
|
75
|
100
|
64
|
85
|
Fully Subscribed |
8
|
8
|
100
|
1
|
13
|
Fully Subscribed | |
45
|
45
|
100
|
14
|
31
|
Fully Subscribed | |
24
|
24
|
100
|
7
|
29
|
Fully Subscribed | |
53
|
53
|
100
|
26
|
49
|
Fully Subscribed | |
30
|
30
|
100
|
6
|
20
|
Fully Subscribed | |
23
|
23
|
100
|
14
|
61
|
Fully Subscribed | |
14
|
14
|
100
|
11
|
79
|
Fully Subscribed | |
258
|
258
|
100
|
200
|
78
|
Fully Subscribed | |
20
|
20
|
100
|
|
0
|
Fully Subscribed | |
31
|
31
|
100
|
24
|
77
|
Fully Subscribed | |
Bible (DBY) 01-05 : Pentateuque (Genèse, Exode, Lévitique, Nombres et Deutéronome) |
67
|
67
|
100
|
55
|
82
|
Fully Subscribed |
Bible (Fenton) 08, 13-14, 16-22, 25, 27: Holy Bible in Modern English, The: Psalms to 2 Chronicles |
39
|
39
|
100
|
34
|
87
|
Fully Subscribed |
150
|
150
|
100
|
26
|
17
|
Fully Subscribed | |
Bible (Reina Valera) NT 12: La Epistola del Apostol San Pablo a los Colosenses |
4
|
4
|
100
|
|
0
|
Fully Subscribed |
25
|
25
|
100
|
24
|
96
|
Fully Subscribed | |
32
|
32
|
100
|
26
|
81
|
Fully Subscribed | |
25
|
25
|
100
|
18
|
72
|
Fully Subscribed | |
59
|
59
|
100
|
17
|
29
|
Fully Subscribed | |
67
|
67
|
100
|
35
|
52
|
Fully Subscribed | |
5
|
5
|
100
|
4
|
80
|
Fully Subscribed | |
49
|
49
|
100
|
45
|
92
|
Fully Subscribed | |
7
|
7
|
100
|
6
|
86
|
Fully Subscribed | |
15
|
15
|
100
|
7
|
47
|
Fully Subscribed | |
31
|
31
|
100
|
5
|
16
|
Fully Subscribed | |
Canzoniere (Rerum vulgarium fragmenta), vol 2, di Francesco Petrarca (1304-1374) . |
183
|
183
|
100
|
13
|
7
|
Fully Subscribed |
46
|
46
|
100
|
45
|
98
|
Fully Subscribed | |
25
|
25
|
100
|
11
|
44
|
Fully Subscribed | |
11
|
11
|
100
|
7
|
64
|
Fully Subscribed | |
14
|
14
|
100
|
11
|
79
|
Fully Subscribed | |
14
|
14
|
100
|
11
|
79
|
Fully Subscribed | |
3
|
3
|
100
|
|
0
|
Fully Subscribed | |
25
|
25
|
100
|
6
|
24
|
Fully Subscribed | |
26
|
26
|
100
|
|
0
|
Fully Subscribed | |
13
|
13
|
100
|
8
|
62
|
Fully Subscribed | |
25
|
25
|
100
|
22
|
88
|
Fully Subscribed | |
30
|
30
|
100
|
25
|
83
|
Fully Subscribed | |
14
|
14
|
100
|
|
0
|
Fully Subscribed | |
32
|
32
|
100
|
19
|
59
|
Fully Subscribed | |
11
|
11
|
100
|
1
|
9
|
Fully Subscribed | |
70
|
70
|
100
|
33
|
47
|
Fully Subscribed | |
14
|
14
|
100
|
7
|
50
|
Fully Subscribed | |
10
|
10
|
100
|
2
|
20
|
Fully Subscribed | |
36
|
36
|
100
|
6
|
17
|
Fully Subscribed | |
211
|
212
|
100
|
37
|
18
|
Fully Subscribed | |
35
|
35
|
100
|
3
|
9
|
Fully Subscribed | |
10
|
10
|
100
|
5
|
50
|
Fully Subscribed | |
39
|
39
|
100
|
6
|
15
|
Fully Subscribed | |
21
|
21
|
100
|
21
|
100
|
Fully Subscribed | |
53
|
53
|
100
|
24
|
45
|
Fully Subscribed | |
11
|
11
|
100
|
4
|
36
|
Fully Subscribed | |
30
|
30
|
100
|
15
|
50
|
Fully Subscribed | |
17
|
17
|
100
|
11
|
65
|
Fully Subscribed | |
52
|
52
|
100
|
6
|
12
|
Fully Subscribed | |
71
|
71
|
100
|
22
|
31
|
Fully Subscribed | |
7
|
7
|
100
|
1
|
14
|
Fully Subscribed | |
16
|
16
|
100
|
5
|
31
|
Fully Subscribed | |
15
|
15
|
100
|
9
|
60
|
Fully Subscribed | |
26
|
26
|
100
|
17
|
65
|
Fully Subscribed | |
22
|
22
|
100
|
5
|
23
|
Fully Subscribed | |
29
|
29
|
100
|
3
|
10
|
Fully Subscribed | |
31
|
31
|
100
|
28
|
90
|
Fully Subscribed | |
15
|
15
|
100
|
15
|
100
|
Fully Subscribed | |
11
|
11
|
100
|
7
|
64
|
Fully Subscribed | |
40
|
40
|
100
|
21
|
53
|
Fully Subscribed | |
25
|
25
|
100
|
|
0
|
Fully Subscribed | |
5
|
5
|
100
|
3
|
60
|
Fully Subscribed | |
12
|
12
|
100
|
9
|
75
|
Fully Subscribed | |
24
|
24
|
100
|
9
|
38
|
Fully Subscribed | |
30
|
30
|
100
|
23
|
77
|
Fully Subscribed | |
4
|
4
|
100
|
4
|
100
|
Fully Subscribed | |
25
|
25
|
100
|
9
|
36
|
Fully Subscribed | |
60
|
60
|
100
|
25
|
42
|
Fully Subscribed | |
36
|
36
|
100
|
5
|
14
|
Fully Subscribed | |
21
|
21
|
100
|
17
|
81
|
Fully Subscribed | |
Heimskringla: The Stories of the Kings of Norway, Called The Round World |
77
|
77
|
100
|
1
|
1
|
Fully Subscribed |
19
|
19
|
100
|
19
|
100
|
Fully Subscribed | |
50
|
50
|
100
|
10
|
20
|
Fully Subscribed | |
25
|
25
|
100
|
13
|
52
|
Fully Subscribed | |
213
|
214
|
100
|
71
|
33
|
Fully Subscribed | |
15
|
15
|
100
|
3
|
20
|
Fully Subscribed | |
24
|
24
|
100
|
10
|
42
|
Fully Subscribed | |
75
|
75
|
100
|
23
|
31
|
Fully Subscribed | |
History of the Reformation in the Sixteenth Century, Volume 1 |
43
|
43
|
100
|
7
|
16
|
Fully Subscribed |
4
|
4
|
100
|
|
0
|
Fully Subscribed | |
25
|
25
|
100
|
11
|
44
|
Fully Subscribed | |
House, Garden and Field: A Collection of Short Nature Studies |
54
|
54
|
100
|
26
|
48
|
Fully Subscribed |
15
|
15
|
100
|
7
|
47
|
Fully Subscribed | |
11
|
11
|
100
|
4
|
36
|
Fully Subscribed | |
23
|
23
|
100
|
20
|
87
|
Fully Subscribed | |
22
|
22
|
100
|
3
|
14
|
Fully Subscribed | |
51
|
51
|
100
|
29
|
57
|
Fully Subscribed | |
8
|
8
|
100
|
|
0
|
Fully Subscribed | |
109
|
109
|
100
|
10
|
9
|
Fully Subscribed | |
18
|
18
|
100
|
8
|
44
|
Fully Subscribed | |
25
|
25
|
100
|
|
0
|
Fully Subscribed | |
10
|
10
|
100
|
|
0
|
Fully Subscribed | |
100
|
100
|
100
|
54
|
54
|
Fully Subscribed | |
33
|
33
|
100
|
10
|
30
|
Fully Subscribed | |
16
|
16
|
100
|
2
|
13
|
Fully Subscribed | |
101
|
101
|
100
|
23
|
23
|
Fully Subscribed | |
18
|
18
|
100
|
7
|
39
|
Fully Subscribed | |
30
|
30
|
100
|
28
|
93
|
Fully Subscribed | |
9
|
9
|
100
|
3
|
33
|
Fully Subscribed | |
68
|
68
|
100
|
10
|
15
|
Fully Subscribed | |
30
|
30
|
100
|
22
|
73
|
Fully Subscribed | |
32
|
32
|
100
|
|
0
|
Fully Subscribed | |
100
|
100
|
100
|
8
|
8
|
Fully Subscribed | |
20
|
20
|
100
|
3
|
15
|
Fully Subscribed | |
30
|
30
|
100
|
1
|
3
|
Fully Subscribed | |
39
|
39
|
100
|
23
|
59
|
Fully Subscribed | |
26
|
26
|
100
|
21
|
81
|
Fully Subscribed | |
25
|
25
|
100
|
14
|
56
|
Fully Subscribed | |
35
|
35
|
100
|
11
|
31
|
Fully Subscribed | |
12
|
12
|
100
|
4
|
33
|
Fully Subscribed | |
18
|
18
|
100
|
2
|
11
|
Fully Subscribed | |
105
|
105
|
100
|
32
|
30
|
Fully Subscribed | |
46
|
46
|
100
|
17
|
37
|
Fully Subscribed | |
127
|
127
|
100
|
15
|
12
|
Fully Subscribed | |
Mary's Grammar: Interspersed with Stories and Intended for the Use of Children |
20
|
20
|
100
|
5
|
25
|
Fully Subscribed |
14
|
14
|
100
|
6
|
43
|
Fully Subscribed | |
55
|
55
|
100
|
55
|
100
|
Fully Subscribed | |
27
|
27
|
100
|
20
|
74
|
Fully Subscribed | |
Meridiana: The adventures of three Englishmen and three Russians in South Africa |
23
|
23
|
100
|
|
0
|
Fully Subscribed |
241
|
241
|
100
|
|
0
|
Fully Subscribed | |
36
|
36
|
100
|
|
0
|
Fully Subscribed | |
24
|
24
|
100
|
2
|
8
|
Fully Subscribed | |
27
|
27
|
100
|
12
|
44
|
Fully Subscribed | |
18
|
18
|
100
|
7
|
39
|
Fully Subscribed | |
31
|
31
|
100
|
21
|
68
|
Fully Subscribed | |
20
|
20
|
100
|
11
|
55
|
Fully Subscribed | |
26
|
26
|
100
|
17
|
65
|
Fully Subscribed | |
25
|
25
|
100
|
11
|
44
|
Fully Subscribed | |
17
|
17
|
100
|
1
|
6
|
Fully Subscribed | |
21
|
21
|
100
|
|
0
|
Fully Subscribed | |
30
|
30
|
100
|
12
|
40
|
Fully Subscribed | |
66
|
66
|
100
|
30
|
45
|
Fully Subscribed | |
35
|
35
|
100
|
2
|
6
|
Fully Subscribed | |
14
|
14
|
100
|
5
|
36
|
Fully Subscribed | |
33
|
33
|
100
|
12
|
36
|
Fully Subscribed | |
6
|
6
|
100
|
|
0
|
Fully Subscribed | |
20
|
20
|
100
|
1
|
5
|
Fully Subscribed | |
6
|
6
|
100
|
1
|
17
|
Fully Subscribed | |
24
|
24
|
100
|
1
|
4
|
Fully Subscribed | |
Old New Zealand: Being Incidents of Native Customs and Character in the Old Times |
17
|
17
|
100
|
|
0
|
Fully Subscribed |
51
|
51
|
100
|
48
|
94
|
Fully Subscribed | |
Perfect Behavior: A Guide for Ladies and Gentlemen in All Social Crises |
9
|
9
|
100
|
2
|
22
|
Fully Subscribed |
43
|
43
|
100
|
35
|
81
|
Fully Subscribed | |
28
|
28
|
100
|
14
|
50
|
Fully Subscribed | |
20
|
20
|
100
|
7
|
35
|
Fully Subscribed | |
80
|
80
|
100
|
60
|
75
|
Fully Subscribed | |
59
|
59
|
100
|
28
|
47
|
Fully Subscribed | |
28
|
28
|
100
|
24
|
86
|
Fully Subscribed | |
22
|
22
|
100
|
|
0
|
Fully Subscribed | |
19
|
19
|
100
|
13
|
68
|
Fully Subscribed | |
19
|
19
|
100
|
13
|
68
|
Fully Subscribed | |
17
|
17
|
100
|
12
|
71
|
Fully Subscribed | |
58
|
58
|
100
|
19
|
33
|
Fully Subscribed | |
20
|
20
|
100
|
8
|
40
|
Fully Subscribed | |
70
|
70
|
100
|
36
|
51
|
Fully Subscribed | |
3
|
3
|
100
|
2
|
67
|
Fully Subscribed | |
21
|
21
|
100
|
14
|
67
|
Fully Subscribed | |
55
|
55
|
100
|
4
|
7
|
Fully Subscribed | |
Reminiscences and Table-Talk of Samuel Rogers - Banker, Poet and Patron of the Arts (1763-1855) |
25
|
25
|
100
|
5
|
20
|
Fully Subscribed |
Report of the President's Commission on the Assassination of President Kennedy (The Warren Report) |
50
|
50
|
100
|
47
|
94
|
Fully Subscribed |
32
|
32
|
100
|
23
|
72
|
Fully Subscribed | |
11
|
11
|
100
|
2
|
18
|
Fully Subscribed | |
23
|
23
|
100
|
7
|
30
|
Fully Subscribed | |
Satires of Circumstance, Lyrics and Reveries, with Miscellaneous Pieces |
107
|
107
|
100
|
56
|
52
|
Fully Subscribed |
68
|
68
|
100
|
46
|
68
|
Fully Subscribed | |
35
|
35
|
100
|
10
|
29
|
Fully Subscribed | |
180
|
180
|
100
|
10
|
6
|
Fully Subscribed | |
126
|
126
|
100
|
55
|
44
|
Fully Subscribed | |
29
|
29
|
100
|
4
|
14
|
Fully Subscribed | |
31
|
31
|
100
|
27
|
87
|
Fully Subscribed | |
31
|
31
|
100
|
15
|
48
|
Fully Subscribed | |
17
|
17
|
100
|
6
|
35
|
Fully Subscribed | |
133
|
133
|
100
|
50
|
38
|
Fully Subscribed | |
Summa Theologica - 13 Tertia Pars, The Saviour: His Incarnation and His Salvific Acts |
70
|
70
|
100
|
14
|
20
|
Fully Subscribed |
27
|
27
|
100
|
21
|
78
|
Fully Subscribed | |
39
|
39
|
100
|
16
|
41
|
Fully Subscribed | |
45
|
45
|
100
|
|
0
|
Fully Subscribed | |
30
|
30
|
100
|
14
|
47
|
Fully Subscribed | |
17
|
17
|
100
|
|
0
|
Fully Subscribed | |
68
|
68
|
100
|
39
|
57
|
Fully Subscribed | |
136
|
136
|
100
|
53
|
39
|
Fully Subscribed | |
The Adventures of Huckleberry Finn (version 5 Dramatic Reading) |
228
|
228
|
100
|
174
|
76
|
Fully Subscribed |
43
|
43
|
100
|
6
|
14
|
Fully Subscribed | |
9
|
9
|
100
|
|
0
|
Fully Subscribed | |
23
|
23
|
100
|
4
|
17
|
Fully Subscribed | |
10
|
10
|
100
|
|
0
|
Fully Subscribed | |
17
|
17
|
100
|
11
|
65
|
Fully Subscribed | |
The Australian Explorers - Their Labours, Perils, and Achievements |
20
|
20
|
100
|
6
|
30
|
Fully Subscribed |
20
|
20
|
100
|
6
|
30
|
Fully Subscribed | |
96
|
96
|
100
|
80
|
83
|
Fully Subscribed | |
20
|
20
|
100
|
8
|
40
|
Fully Subscribed | |
18
|
18
|
100
|
13
|
72
|
Fully Subscribed | |
25
|
25
|
100
|
12
|
48
|
Fully Subscribed | |
19
|
19
|
100
|
6
|
32
|
Fully Subscribed | |
27
|
27
|
100
|
10
|
37
|
Fully Subscribed | |
15
|
15
|
100
|
6
|
40
|
Fully Subscribed | |
29
|
29
|
100
|
|
0
|
Fully Subscribed | |
31
|
31
|
100
|
10
|
32
|
Fully Subscribed | |
The Crook in the Lot; or, The Sovereignty and Wisdom of God , in the Afflictions of Men, Displayed |
10
|
10
|
100
|
2
|
20
|
Fully Subscribed |
24
|
24
|
100
|
3
|
13
|
Fully Subscribed | |
The Death and Resurrection of the Lord Jesus Christ - Commentary on the Gospel of St Matthew |
26
|
26
|
100
|
24
|
92
|
Fully Subscribed |
46
|
46
|
100
|
46
|
100
|
Fully Subscribed | |
87
|
87
|
100
|
71
|
82
|
Fully Subscribed | |
30
|
30
|
100
|
25
|
83
|
Fully Subscribed | |
3
|
3
|
100
|
|
0
|
Fully Subscribed | |
21
|
21
|
100
|
18
|
86
|
Fully Subscribed | |
28
|
28
|
100
|
9
|
32
|
Fully Subscribed | |
44
|
44
|
100
|
22
|
50
|
Fully Subscribed | |
The Good Soldier; A Selection Of Soldiers' Letters, 1914-1918 |
6
|
6
|
100
|
4
|
67
|
Fully Subscribed |
25
|
25
|
100
|
17
|
68
|
Fully Subscribed | |
30
|
30
|
100
|
7
|
23
|
Fully Subscribed | |
28
|
28
|
100
|
20
|
71
|
Fully Subscribed | |
20
|
20
|
100
|
3
|
15
|
Fully Subscribed | |
30
|
30
|
100
|
15
|
50
|
Fully Subscribed | |
69
|
69
|
100
|
55
|
80
|
Fully Subscribed | |
28
|
28
|
100
|
23
|
82
|
Fully Subscribed | |
22
|
22
|
100
|
8
|
36
|
Fully Subscribed | |
33
|
33
|
100
|
30
|
91
|
Fully Subscribed | |
19
|
19
|
100
|
4
|
21
|
Fully Subscribed | |
13
|
13
|
100
|
|
0
|
Fully Subscribed | |
25
|
25
|
100
|
|
0
|
Fully Subscribed | |
21
|
21
|
100
|
13
|
62
|
Fully Subscribed | |
14
|
14
|
100
|
7
|
50
|
Fully Subscribed | |
67
|
67
|
100
|
3
|
4
|
Fully Subscribed | |
83
|
83
|
100
|
77
|
93
|
Fully Subscribed | |
34
|
34
|
100
|
19
|
56
|
Fully Subscribed | |
26
|
26
|
100
|
1
|
4
|
Fully Subscribed | |
84
|
84
|
100
|
57
|
68
|
Fully Subscribed | |
50
|
50
|
100
|
18
|
36
|
Fully Subscribed | |
22
|
22
|
100
|
19
|
86
|
Fully Subscribed | |
24
|
24
|
100
|
12
|
50
|
Fully Subscribed | |
20
|
20
|
100
|
12
|
60
|
Fully Subscribed | |
33
|
33
|
100
|
9
|
27
|
Fully Subscribed | |
25
|
25
|
100
|
|
0
|
Fully Subscribed | |
21
|
21
|
100
|
14
|
67
|
Fully Subscribed | |
14
|
14
|
100
|
|
0
|
Fully Subscribed | |
31
|
31
|
100
|
25
|
81
|
Fully Subscribed | |
19
|
19
|
100
|
2
|
11
|
Fully Subscribed | |
19
|
19
|
100
|
9
|
47
|
Fully Subscribed | |
The Mummy and Miss Nitocris: A Phantasy of the Fourth Dimension |
27
|
27
|
100
|
5
|
19
|
Fully Subscribed |
The National Geographic Magazine Vol. 07 - 09. September 1896 |
10
|
10
|
100
|
9
|
90
|
Fully Subscribed |
6
|
6
|
100
|
3
|
50
|
Fully Subscribed | |
12
|
12
|
100
|
1
|
8
|
Fully Subscribed | |
17
|
17
|
100
|
|
0
|
Fully Subscribed | |
17
|
17
|
100
|
8
|
47
|
Fully Subscribed | |
33
|
33
|
100
|
5
|
15
|
Fully Subscribed | |
151
|
151
|
100
|
31
|
21
|
Fully Subscribed | |
20
|
20
|
100
|
9
|
45
|
Fully Subscribed | |
8
|
8
|
100
|
2
|
25
|
Fully Subscribed | |
22
|
22
|
100
|
9
|
41
|
Fully Subscribed | |
The Sikh Religion: Its Gurus, Sacred Writings and Authors, Volume 4 |
44
|
44
|
100
|
2
|
5
|
Fully Subscribed |
26
|
26
|
100
|
10
|
38
|
Fully Subscribed | |
9
|
9
|
100
|
5
|
56
|
Fully Subscribed | |
34
|
34
|
100
|
25
|
74
|
Fully Subscribed | |
31
|
31
|
100
|
24
|
77
|
Fully Subscribed | |
11
|
11
|
100
|
1
|
9
|
Fully Subscribed | |
34
|
34
|
100
|
10
|
29
|
Fully Subscribed | |
23
|
23
|
100
|
17
|
74
|
Fully Subscribed | |
27
|
27
|
100
|
22
|
81
|
Fully Subscribed | |
33
|
33
|
100
|
|
0
|
Fully Subscribed | |
The Well at the World's End: Book 3: The Road to The Well at the World's End |
22
|
22
|
100
|
14
|
64
|
Fully Subscribed |
10
|
10
|
100
|
6
|
60
|
Fully Subscribed | |
40
|
40
|
100
|
30
|
75
|
Fully Subscribed | |
171
|
171
|
100
|
104
|
61
|
Fully Subscribed | |
26
|
26
|
100
|
6
|
23
|
Fully Subscribed | |
18
|
18
|
100
|
14
|
78
|
Fully Subscribed | |
30
|
30
|
100
|
27
|
90
|
Fully Subscribed | |
15
|
15
|
100
|
4
|
27
|
Fully Subscribed | |
17
|
17
|
100
|
|
0
|
Fully Subscribed | |
90
|
90
|
100
|
8
|
9
|
Fully Subscribed | |
16
|
16
|
100
|
2
|
13
|
Fully Subscribed | |
31
|
31
|
100
|
23
|
74
|
Fully Subscribed | |
22
|
22
|
100
|
20
|
91
|
Fully Subscribed | |
67
|
67
|
100
|
23
|
34
|
Fully Subscribed | |
45
|
45
|
100
|
4
|
9
|
Fully Subscribed | |
17
|
17
|
100
|
12
|
71
|
Fully Subscribed | |
13
|
13
|
100
|
7
|
54
|
Fully Subscribed | |
20
|
20
|
100
|
19
|
95
|
Fully Subscribed | |
96
|
96
|
100
|
37
|
39
|
Fully Subscribed | |
29
|
29
|
100
|
|
0
|
Fully Subscribed | |
55
|
55
|
100
|
1
|
2
|
Fully Subscribed | |
32
|
32
|
100
|
18
|
56
|
Fully Subscribed | |
68
|
68
|
100
|
53
|
78
|
Fully Subscribed | |
7
|
7
|
100
|
2
|
29
|
Fully Subscribed | |
33
|
33
|
100
|
|
0
|
Fully Subscribed | |
9
|
9
|
100
|
1
|
11
|
Fully Subscribed | |
22
|
22
|
100
|
4
|
18
|
Fully Subscribed | |
Разсказы для детей и взрослых (Short Stories for Children and Adults) |
22
|
22
|
100
|
|
0
|
Fully Subscribed |
5
|
5
|
100
|
|
0
|
Fully Subscribed | |
217
|
212
|
98
|
195
|
90
|
Fully Subscribed | |
400
|
386
|
97
|
377
|
94
|
Fully Subscribed | |
123
|
108
|
88
|
97
|
79
|
Fully Subscribed | |
141
|
115
|
82
|
91
|
65
|
Fully Subscribed | |
109
|
85
|
78
|
39
|
36
|
Fully Subscribed |
How to Update This Status Table
(Instructions are using Windows, Excel and OpenOffice.)
- Go to the Stats / Status Table report (link in MC/admin area)
- Sort the status table by "status"
- Copy the open and fully subscribed lines (not the HTML, but simply the page with Ctrl+A Ctrl+C) into an Excel document
- Delete any unwanted columns (DPL / MC) and rows
- Make all other columns (except Title) center (select columns and then click the paragraph centering button)
- Top justify all cells
- Sort by title column
- Copy data to Open Office
- Export it to MediaWiki.txt (File/Export)
- Open the txt file in Notepad
- Replace all 100 with <font color="#00cc00">100%</font> (optional)
- Copy everything AFTER <center>Status</center>
- Highlight the Wiki code AFTER <center>Status</center>
- Paste into the Wiki
- Change data date and time to reflect current update
- Preview to make sure non-English characters show up all right. If they don't, repeat from step 8, as this is usually where the error happens.