Project Status Table: Difference between revisions
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== PL Status Table == |
== PL Status Table == |
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Data current as of |
Data current as of 27 December 2017 8 am cst |
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{| class="wikitable sortable" |
{| class="wikitable sortable" |
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[https://forum.librivox.org/viewtopic.php? |
[https://forum.librivox.org/viewtopic.php?f=28&t=61898 The Geneva Conventions of 12 August 1949] |
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<div align="right"> |
<div align="right">30</div> |
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<div align="right"> |
<div align="right">28</div> |
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<div align="right"> |
<div align="right">93</div> |
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<div align="right"> |
<div align="right">25</div> |
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<div align="right"> |
<div align="right">83</div> |
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Open |
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Fully Subscribed |
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=67999 Coffee Break Collection 13 - Weather] |
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<div align="right"> |
<div align="right">15</div> |
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<div align="right"> |
<div align="right">12</div> |
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<div align="right"> |
<div align="right">80</div> |
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<div align="right"> |
<div align="right">12</div> |
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<div align="right"> |
<div align="right">80</div> |
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[https://forum.librivox.org/viewtopic.php? |
[https://forum.librivox.org/viewtopic.php?p=1327040 One Act Play Collection 010] |
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<div align="right"> |
<div align="right">95</div> |
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<div align="right"> |
<div align="right">81</div> |
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<div align="right"> |
<div align="right">85</div> |
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<div align="right"> |
<div align="right">62</div> |
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<div align="right"> |
<div align="right">65</div> |
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[https://forum.librivox.org/viewtopic.php? |
[https://forum.librivox.org/viewtopic.php?f=28&t=59471 The Spanish Brothers] |
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<div align="right"> |
<div align="right">283</div> |
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<div align="right"> |
<div align="right">272</div> |
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<div align="right"> |
<div align="right">96</div> |
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<div align="right"> |
<div align="right">185</div> |
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Line 168: | Line 168: | ||
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Fully Subscribed |
Fully Subscribed |
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[https://forum.librivox.org/viewtopic.php?f=28&t=59471 The Spanish Brothers] |
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<div align="right">283</div> |
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<div align="right">269</div> |
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<div align="right">95</div> |
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<div align="right">181</div> |
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<div align="right">64</div> |
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Open |
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Line 293: | Line 268: | ||
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Fully Subscribed |
Fully Subscribed |
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[https://forum.librivox.org/viewtopic.php?f=26&t=68508 When Christmas Comes] |
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<div align="right">20</div> |
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<div align="right">9</div> |
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<div align="right">45</div> |
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<div align="right">9</div> |
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<div align="right">45</div> |
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Open |
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[https://forum.librivox.org/viewtopic.php?f=28&t=67601 Compilation de poèmes - 010] |
[https://forum.librivox.org/viewtopic.php?f=28&t=67601 Compilation de poèmes - 010] |
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<div align="right">25</div> |
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<div align="right">7</div> |
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<div align="right">28</div> |
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<div align="right">5</div> |
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<div align="right">20</div> |
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Open |
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[https://forum.librivox.org/viewtopic.php?f=2&t=62260 Corporal Cameron of the North West Mounted Police--A Tale of the Macleod Trail] |
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[https://librivox.org/stats/active_projects Multilingual Short Works Collection 019] |
[https://librivox.org/stats/active_projects Multilingual Short Works Collection 019 - Poetry & Prose] |
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=68577 Estudio sobre el arte de hablar en público] |
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<div align="right"> |
<div align="right">27</div> |
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<div align="right"></div> |
<div align="right">27</div> |
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<div align="right"> |
<div align="right">100</div> |
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Line 692: | Line 617: | ||
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Fully Subscribed |
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Open |
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[https://forum.librivox.org/viewtopic.php?f=28&t=68507&p=1421316 Callista] |
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<div align="right">36</div> |
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<div align="right"></div> |
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<div align="right">0</div> |
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<div align="right"></div> |
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<div align="right">0</div> |
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Open |
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[https://forum.librivox.org/viewtopic.php? |
[https://forum.librivox.org/viewtopic.php?t=68599 Mrs. Piozzi's Thraliana] |
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<div align="right"> |
<div align="right">4</div> |
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<div align="right"> |
<div align="right">4</div> |
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Line 899: | Line 799: | ||
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[https:// |
[https://librivox.org/stats/active_projects REUSE project number -- 5 sections] |
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<div align="right"> |
<div align="right">5</div> |
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<div align="right">3</div> |
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<div align="right">12</div> |
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<div align="right"></div> |
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<div align="right">0</div> |
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Open |
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[https://forum.librivox.org/viewtopic.php?f=28&t=68569 Selected Poems of Francis Thompson] |
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<div align="right">52</div> |
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<div align="right"></div> |
<div align="right">23</div> |
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<div align="right"> |
<div align="right">72</div> |
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<div align="right"> |
<div align="right"></div> |
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<div align="right"> |
<div align="right">0</div> |
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Line 992: | Line 867: | ||
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Open |
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Fully Subscribed |
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Line 1,074: | Line 949: | ||
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=68596 The Mikado Jewel] |
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Line 1,080: | Line 955: | ||
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<div align="right"></div> |
<div align="right">20</div> |
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<div align="right"> |
<div align="right">100</div> |
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Line 1,092: | Line 967: | ||
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Fully Subscribed |
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Open |
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Line 1,099: | Line 974: | ||
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=68589 Travels in the Interior of Africa] |
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<div align="right"> |
<div align="right">29</div> |
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<div align="right"> |
<div align="right">29</div> |
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Revision as of 16:03, 27 December 2017
How to Use These Tables
Use the PL status table to see which projects do not currently have an assigned Dedicated Proof Listener (DPL).
Use the section status table to see which projects are currently underway, which ones are close to completion, which need just a couple of sections claimed to be fully subscribed, and so on.
For both tables, the project titles are links to the project thread.
To Sort - Click on the icon next to the column title to sort the table by that column. If you sort by sections claimed or completed, it will sort by the NUMBER of sections, not the percentage. Refresh the page to revert it to the default sort.
PL Status Table
Data current as of 27 December 2017 8 am cst
Project Name | Sections | Assigned | % | Completed | % | Status | DPL Name |
---|---|---|---|---|---|---|---|
30
|
28
|
93
|
25
|
83
|
Open |
| |
15
|
12
|
80
|
12
|
80
|
Open |
| |
14
|
14
|
100
|
11
|
79
|
Fully Subscribed |
| |
95
|
81
|
85
|
62
|
65
|
Open |
| |
283
|
272
|
96
|
185
|
65
|
Open |
| |
11
|
11
|
100
|
7
|
64
|
Fully Subscribed |
| |
312
|
313
|
100
|
188
|
60
|
Fully Subscribed |
| |
15
|
10
|
67
|
9
|
60
|
Open |
| |
14
|
14
|
100
|
7
|
50
|
Fully Subscribed |
| |
15
|
15
|
100
|
7
|
47
|
Fully Subscribed |
| |
37
|
37
|
100
|
16
|
43
|
Fully Subscribed |
| |
10
|
7
|
70
|
4
|
40
|
Open |
| |
14
|
14
|
100
|
5
|
36
|
Fully Subscribed |
| |
58
|
26
|
45
|
16
|
28
|
Open |
| |
110
|
43
|
39
|
25
|
23
|
Open |
| |
25
|
7
|
28
|
5
|
20
|
Open |
| |
175
|
115
|
66
|
35
|
20
|
Open |
| |
20
|
4
|
20
|
3
|
15
|
Open |
| |
47
|
47
|
100
|
5
|
11
|
Fully Subscribed |
| |
21
|
21
|
100
|
2
|
10
|
Fully Subscribed |
| |
12
|
12
|
100
|
1
|
8
|
Fully Subscribed |
| |
18
|
18
|
100
|
0
|
Fully Subscribed |
| ||
18
|
18
|
100
|
0
|
Fully Subscribed |
| ||
27
|
27
|
100
|
0
|
Fully Subscribed |
| ||
Fábulas en verso castellano para el uso del Real Seminario Bascongado |
157
|
157
|
100
|
0
|
Fully Subscribed |
| |
18
|
18
|
100
|
0
|
Fully Subscribed |
| ||
10
|
10
|
100
|
0
|
Fully Subscribed |
| ||
14
|
14
|
100
|
0
|
Fully Subscribed |
| ||
13
|
0
|
0
|
Fully Subscribed |
| |||
6
|
6
|
100
|
0
|
Fully Subscribed |
| ||
4
|
4
|
100
|
0
|
Fully Subscribed |
| ||
5
|
0
|
0
|
Open |
| |||
32
|
23
|
72
|
0
|
Open |
| ||
13
|
0
|
0
|
Open |
| |||
63
|
2
|
3
|
0
|
Open |
| ||
20
|
20
|
100
|
0
|
Fully Subscribed |
| ||
45
|
45
|
100
|
0
|
Fully Subscribed |
| ||
20
|
20
|
100
|
0
|
Fully Subscribed |
| ||
29
|
29
|
100
|
0
|
Fully Subscribed |
| ||
10
|
2
|
20
|
0
|
Open |
|
Section Status Table
Data current as of 27 December 2017 8 am cst
Project Name | Sections | Assigned | % | Completed | % | Status |
---|---|---|---|---|---|---|
133
|
132
|
99
|
127
|
95
|
Open | |
84
|
82
|
98
|
71
|
85
|
Open | |
31
|
30
|
97
|
14
|
45
|
Open | |
118
|
114
|
97
|
84
|
71
|
Open | |
25
|
24
|
96
|
24
|
96
|
Open | |
283
|
272
|
96
|
185
|
65
|
Open | |
28
|
27
|
96
|
22
|
79
|
Open | |
20
|
19
|
95
|
19
|
95
|
Open | |
66
|
63
|
95
|
50
|
76
|
Open | |
38
|
36
|
95
|
32
|
84
|
Open | |
41
|
39
|
95
|
37
|
90
|
Open | |
51
|
48
|
94
|
42
|
82
|
Open | |
28
|
26
|
93
|
13
|
46
|
Open | |
14
|
13
|
93
|
5
|
36
|
Open | |
15
|
14
|
93
|
13
|
87
|
Open | |
30
|
28
|
93
|
22
|
73
|
Open | |
14
|
13
|
93
|
1
|
7
|
Open | |
30
|
28
|
93
|
25
|
83
|
Open | |
36
|
33
|
92
|
29
|
81
|
Open | |
52
|
48
|
92
|
38
|
73
|
Open | |
26
|
24
|
92
|
14
|
54
|
Open | |
22
|
20
|
91
|
14
|
64
|
Open | |
11
|
10
|
91
|
10
|
91
|
Open | |
33
|
30
|
91
|
25
|
76
|
Open | |
30
|
27
|
90
|
14
|
47
|
Open | |
105
|
94
|
90
|
66
|
63
|
Open | |
28
|
25
|
89
|
17
|
61
|
Open | |
48
|
42
|
88
|
40
|
83
|
Open | |
97
|
85
|
88
|
61
|
63
|
Open | |
71
|
62
|
87
|
50
|
70
|
Open | |
69
|
59
|
86
|
58
|
84
|
Open | |
102
|
88
|
86
|
88
|
86
|
Open | |
35
|
30
|
86
|
30
|
86
|
Open | |
180
|
154
|
86
|
118
|
66
|
Open | |
26
|
22
|
85
|
14
|
54
|
Open | |
95
|
81
|
85
|
62
|
65
|
Open | |
39
|
33
|
85
|
21
|
54
|
Open | |
19
|
16
|
84
|
4
|
21
|
Open | |
37
|
31
|
84
|
31
|
84
|
Open | |
65
|
54
|
83
|
40
|
62
|
Open | |
Peeps at People - Being Certain Papers from the Writings of Anne Warrington Witherup |
12
|
10
|
83
|
10
|
83
|
Open |
17
|
14
|
82
|
13
|
76
|
Open | |
33
|
27
|
82
|
8
|
24
|
Open | |
28
|
23
|
82
|
12
|
43
|
Open | |
27
|
22
|
81
|
18
|
67
|
Open | |
15
|
12
|
80
|
12
|
80
|
Open | |
44
|
35
|
80
|
32
|
73
|
Open | |
20
|
16
|
80
|
14
|
70
|
Open | |
15
|
12
|
80
|
8
|
53
|
Open | |
112
|
88
|
79
|
86
|
77
|
Open | |
The Democracy of the Constitution, and other Addresses and Essays |
18
|
14
|
78
|
10
|
56
|
Open |
43
|
33
|
77
|
24
|
56
|
Open | |
The Citizen's Almanac: Fundamental Documents, Symbols, and Anthems of the United States |
30
|
23
|
77
|
20
|
67
|
Open |
914
|
699
|
76
|
402
|
44
|
Open | |
51
|
39
|
76
|
37
|
73
|
Open | |
8
|
6
|
75
|
4
|
50
|
Open | |
151
|
112
|
74
|
98
|
65
|
Open | |
25
|
18
|
72
|
12
|
48
|
Open | |
25
|
18
|
72
|
14
|
56
|
Open | |
32
|
23
|
72
|
0
|
Open | ||
38
|
27
|
71
|
15
|
39
|
Open | |
14
|
10
|
71
|
8
|
57
|
Open | |
The World’s Story Volume I: China, Japan and the Islands of the Pacific |
140
|
99
|
71
|
65
|
46
|
Open |
10
|
7
|
70
|
4
|
40
|
Open | |
64
|
45
|
70
|
10
|
16
|
Open | |
65
|
45
|
69
|
39
|
60
|
Open | |
59
|
40
|
68
|
33
|
56
|
Open | |
65
|
44
|
68
|
34
|
52
|
Open | |
12
|
8
|
67
|
8
|
67
|
Open | |
15
|
10
|
67
|
9
|
60
|
Open | |
175
|
115
|
66
|
35
|
20
|
Open | |
28
|
18
|
64
|
7
|
25
|
Open | |
44
|
28
|
64
|
22
|
50
|
Open | |
75
|
47
|
63
|
8
|
11
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62
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39
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63
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29
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47
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26
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16
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62
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9
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35
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21
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13
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62
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5
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24
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23
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14
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61
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7
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30
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56
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33
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59
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26
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46
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56
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33
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32
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57
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17
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8
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47
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31
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27
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56
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24
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42
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56
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29
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39
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20
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11
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55
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11
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55
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22
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12
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55
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39
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21
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54
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62
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53
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34
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6
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30
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24
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109
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52
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15
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7
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7
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47
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47
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1
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7
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28
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33
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15
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45
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Abe and Mawruss: Being Further Adventures of Potash and Perlmutter |
16
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7
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7
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44
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16
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7
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4
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The Mummy and Miss Nitocris: A Phantasy of the Fourth Dimension |
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32
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41
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15
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37
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35
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13
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26
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25
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9
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36
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6
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24
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15
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5
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33
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1
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7
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12
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33
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17
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15
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33
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45
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31
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25
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7
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28
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5
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Corporal Cameron of the North West Mounted Police--A Tale of the Macleod Trail |
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18
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26
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48
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4
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22
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14
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21
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20
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4
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20
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10
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2
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20
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78
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22
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4
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18
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66
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12
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24
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4
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17
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3
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13
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20
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3
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15
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53
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8
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15
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6
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11
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26
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4
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1
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4
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20
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3
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15
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3
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15
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65
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10
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15
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8
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15
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2
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13
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2
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13
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30
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4
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1
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69
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8
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12
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3
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52
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12
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The Dog Caruso and his Master: A story of Adventure in the Western Plains |
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1
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10
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84
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22
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9
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36
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3
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8
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3
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8
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102
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6
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6
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1
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1
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27
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1
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4
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63
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3
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0
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95
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3
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3
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2
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2
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12
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0
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0
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5
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0
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0
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13
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0
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0
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14
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14
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100
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0
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25
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25
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100
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2
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8
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15
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15
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100
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1
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7
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20
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20
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100
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18
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90
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Fully Subscribed | |
28
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28
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100
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21
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75
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Fully Subscribed | |
33
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33
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100
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31
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94
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Fully Subscribed | |
88
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88
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100
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17
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19
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11
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11
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100
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9
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82
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Fully Subscribed | |
46
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46
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100
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4
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9
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21
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21
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100
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0
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Fully Subscribed | ||
18
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18
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100
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0
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Fully Subscribed | ||
22
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22
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100
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8
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36
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Fully Subscribed | |
47
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47
|
100
|
5
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11
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Fully Subscribed | |
20
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20
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100
|
5
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25
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Fully Subscribed | |
26
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26
|
100
|
14
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54
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Fully Subscribed | |
50
|
50
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100
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49
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98
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Fully Subscribed | |
14
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14
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100
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0
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Fully Subscribed | ||
102
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102
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100
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97
|
95
|
Fully Subscribed | |
30
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30
|
100
|
8
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27
|
Fully Subscribed | |
40
|
40
|
100
|
36
|
90
|
Fully Subscribed | |
4
|
4
|
100
|
2
|
50
|
Fully Subscribed | |
21
|
21
|
100
|
14
|
67
|
Fully Subscribed | |
13
|
13
|
100
|
6
|
46
|
Fully Subscribed | |
37
|
37
|
100
|
31
|
84
|
Fully Subscribed | |
30
|
30
|
100
|
16
|
53
|
Fully Subscribed | |
21
|
21
|
100
|
12
|
57
|
Fully Subscribed | |
18
|
18
|
100
|
0
|
Fully Subscribed | ||
78
|
78
|
100
|
17
|
22
|
Fully Subscribed | |
150
|
150
|
100
|
40
|
27
|
Fully Subscribed | |
16
|
16
|
100
|
3
|
19
|
Fully Subscribed | |
4
|
4
|
100
|
2
|
50
|
Fully Subscribed | |
4
|
4
|
100
|
3
|
75
|
Fully Subscribed | |
34
|
34
|
100
|
3
|
9
|
Fully Subscribed | |
24
|
24
|
100
|
23
|
96
|
Fully Subscribed | |
1
|
1
|
100
|
0
|
Fully Subscribed | ||
9
|
9
|
100
|
1
|
11
|
Fully Subscribed | |
11
|
11
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100
|
6
|
55
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36
|
36
|
100
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0
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Canzoniere (Rerum vulgarium fragmenta), vol 2, di Francesco Petrarca (1304-1374) . |
183
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183
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100
|
31
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17
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Fully Subscribed |
17
|
17
|
100
|
12
|
71
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50
|
50
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100
|
23
|
46
|
Fully Subscribed | |
25
|
25
|
100
|
14
|
56
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Fully Subscribed | |
6
|
6
|
100
|
2
|
33
|
Fully Subscribed | |
10
|
10
|
100
|
5
|
50
|
Fully Subscribed | |
3
|
3
|
100
|
0
|
Fully Subscribed | ||
49
|
49
|
100
|
42
|
86
|
Fully Subscribed | |
33
|
33
|
100
|
27
|
82
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Fully Subscribed | |
11
|
11
|
100
|
0
|
Fully Subscribed | ||
14
|
14
|
100
|
11
|
79
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Fully Subscribed | |
312
|
313
|
100
|
188
|
60
|
Fully Subscribed | |
61
|
61
|
100
|
53
|
87
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Fully Subscribed | |
62
|
62
|
100
|
59
|
95
|
Fully Subscribed | |
41
|
41
|
100
|
26
|
63
|
Fully Subscribed | |
21
|
21
|
100
|
16
|
76
|
Fully Subscribed | |
40
|
40
|
100
|
0
|
Fully Subscribed | ||
71
|
71
|
100
|
36
|
51
|
Fully Subscribed | |
70
|
70
|
100
|
37
|
53
|
Fully Subscribed | |
18
|
18
|
100
|
7
|
39
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Fully Subscribed | |
13
|
13
|
100
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0
|
Fully Subscribed | ||
7
|
7
|
100
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0
|
Fully Subscribed | ||
52
|
52
|
100
|
4
|
8
|
Fully Subscribed | |
211
|
212
|
100
|
76
|
36
|
Fully Subscribed | |
50
|
50
|
100
|
19
|
38
|
Fully Subscribed | |
47
|
47
|
100
|
5
|
11
|
Fully Subscribed | |
27
|
27
|
100
|
8
|
30
|
Fully Subscribed | |
38
|
38
|
100
|
35
|
92
|
Fully Subscribed | |
28
|
28
|
100
|
19
|
68
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Fully Subscribed | |
37
|
37
|
100
|
34
|
92
|
Fully Subscribed | |
25
|
25
|
100
|
21
|
84
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Fully Subscribed | |
20
|
20
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100
|
12
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60
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Fully Subscribed | |
5
|
5
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100
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2
|
40
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Fully Subscribed | |
77
|
77
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100
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61
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79
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30
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30
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100
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2
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7
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Fully Subscribed | |
16
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16
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100
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8
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50
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Fully Subscribed | |
27
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27
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100
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0
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Fábulas en verso castellano para el uso del Real Seminario Bascongado |
157
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157
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100
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0
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Fully Subscribed | |
22
|
22
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100
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12
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55
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18
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18
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100
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12
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67
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Fully Subscribed | |
60
|
60
|
100
|
53
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88
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Fully Subscribed | |
11
|
11
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100
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6
|
55
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Fully Subscribed | |
23
|
23
|
100
|
13
|
57
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Fully Subscribed | |
27
|
27
|
100
|
24
|
89
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Fully Subscribed | |
23
|
23
|
100
|
20
|
87
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Fully Subscribed | |
18
|
18
|
100
|
0
|
Fully Subscribed | ||
38
|
38
|
100
|
12
|
32
|
Fully Subscribed | |
40
|
40
|
100
|
21
|
53
|
Fully Subscribed | |
24
|
24
|
100
|
15
|
63
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Fully Subscribed | |
25
|
25
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100
|
18
|
72
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Fully Subscribed | |
60
|
60
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100
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25
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42
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Fully Subscribed | |
81
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81
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100
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2
|
2
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Fully Subscribed | |
36
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36
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100
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7
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19
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Fully Subscribed | |
23
|
23
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100
|
14
|
61
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Fully Subscribed | |
50
|
50
|
100
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14
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28
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Fully Subscribed | |
18
|
18
|
100
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0
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Fully Subscribed | ||
39
|
39
|
100
|
15
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38
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Fully Subscribed | |
16
|
16
|
100
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6
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38
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Fully Subscribed | |
23
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23
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100
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17
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74
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Fully Subscribed | |
69
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69
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100
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0
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Fully Subscribed | ||
History of the Reformation in the Sixteenth Century, Volume 2 |
45
|
45
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100
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8
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18
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Fully Subscribed |
Homecraft Rugs: Their Historic Background, Romance of Stitchery and Method of Making |
45
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45
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100
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4
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9
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Fully Subscribed |
21
|
21
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100
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14
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67
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Fully Subscribed | |
27
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27
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100
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12
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44
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Fully Subscribed | |
14
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14
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100
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8
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57
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Fully Subscribed | |
10
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10
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100
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0
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Fully Subscribed | ||
15
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15
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100
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7
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47
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Fully Subscribed | |
25
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25
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100
|
18
|
72
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Fully Subscribed | |
25
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25
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100
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13
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52
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Fully Subscribed | |
12
|
12
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100
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3
|
25
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Fully Subscribed | |
30
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30
|
100
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13
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43
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Fully Subscribed | |
45
|
45
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100
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0
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Fully Subscribed | ||
23
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23
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100
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0
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Fully Subscribed | ||
83
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83
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100
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63
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76
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Fully Subscribed | |
109
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109
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100
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52
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48
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Fully Subscribed | |
18
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18
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100
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8
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44
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Fully Subscribed | |
25
|
25
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100
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3
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12
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Fully Subscribed | |
28
|
28
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100
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9
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32
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Fully Subscribed | |
100
|
100
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100
|
54
|
54
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Fully Subscribed | |
33
|
33
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100
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22
|
67
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Fully Subscribed | |
27
|
27
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100
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4
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15
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Fully Subscribed | |
35
|
35
|
100
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12
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34
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Fully Subscribed | |
101
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101
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100
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24
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24
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Fully Subscribed | |
35
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35
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100
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30
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86
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Fully Subscribed | |
21
|
21
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100
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3
|
14
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Fully Subscribed | |
Leben und Taten des scharfsinnigen Edlen Don Quixote von la Mancha Band 1 |
52
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52
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100
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13
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25
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17
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17
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100
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8
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47
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14
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14
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100
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0
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22
|
22
|
100
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2
|
9
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Fully Subscribed | |
Lives of the Most Eminent Painters, Sculptors and Architects Volume 5 |
28
|
28
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100
|
27
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96
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Fully Subscribed |
100
|
100
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100
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35
|
35
|
Fully Subscribed | |
30
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30
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100
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14
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47
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Fully Subscribed | |
76
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76
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100
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32
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42
|
Fully Subscribed | |
37
|
37
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100
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29
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78
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Fully Subscribed | |
34
|
34
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100
|
28
|
82
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Fully Subscribed | |
35
|
35
|
100
|
12
|
34
|
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70
|
Fully Subscribed | |
21
|
0
|
0
|
Fully Subscribed | |||
13
|
0
|
0
|
Fully Subscribed |
How to Update This Status Table
(Instructions are using Windows, Excel and OpenOffice.)
- Go to the Stats / Status Table report (link in MC/admin area)
- Sort the status table by "status"
- Copy the open and fully subscribed lines (not the HTML, but simply the page with Ctrl+A Ctrl+C) into an Excel document
- Delete any unwanted columns (DPL / MC) and rows
- Make all other columns (except Title) center (select columns and then click the paragraph centering button)
- Top justify all cells
- Sort by title column
- Copy data to Open Office
- Export it to MediaWiki.txt (File/Export)
- Open the txt file in Notepad
- Replace all 100 with <font color="#00cc00">100%</font> (optional)
- Copy everything AFTER <center>Status</center>
- Highlight the Wiki code AFTER <center>Status</center>
- Paste into the Wiki
- Change data date and time to reflect current update
- Preview to make sure non-English characters show up all right. If they don't, repeat from step 8, as this is usually where the error happens.