Project Status Table: Difference between revisions
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== PL Status Table == |
== PL Status Table == |
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Data current as of |
Data current as of 08 April 4:00 pm CDT |
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<div align="right">39</div> |
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<div align="right">98</div> |
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<div align="right">70</div> |
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<div align="right">93</div> |
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=64315 Bible (YLT) 09: 1 Samuel] |
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<div align="right"> |
<div align="right">6</div> |
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<div align="right"> |
<div align="right">6</div> |
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<div align="right">3</div> |
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=63913 The Fireside Chats] |
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<div align="right"> |
<div align="right">36</div> |
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<div align="right"> |
<div align="right">31</div> |
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<div align="right"> |
<div align="right">86</div> |
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<div align="right"> |
<div align="right">18</div> |
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<div align="right"> |
<div align="right">50</div> |
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=43453 The Journal of John Woolman] |
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<div align="right"> |
<div align="right">14</div> |
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<div align="right"> |
<div align="right">14</div> |
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<div align="right"> |
<div align="right">50</div> |
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=64434 The Old Old Fairy Tales] |
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<div align="right"> |
<div align="right">22</div> |
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<div align="right"> |
<div align="right">22</div> |
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<div align="right"> |
<div align="right">100</div> |
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<div align="right"> |
<div align="right">11</div> |
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<div align="right"> |
<div align="right">50</div> |
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Fully Subscribed |
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[https://forum.librivox.org/viewtopic.php?f=28&t=63274 Compilation de poèmes - 008] |
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<div align="right">25</div> |
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<div align="right">13</div> |
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<div align="right">52</div> |
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<div align="right">12</div> |
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<div align="right">48</div> |
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Open |
Open |
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[https://forum.librivox.org/viewtopic.php?f=28&t=49287 I Racconti delle Fate] |
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<div align="right">15</div> |
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<div align="right">15</div> |
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<div align="right">100</div> |
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<div align="right">7</div> |
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<div align="right">47</div> |
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Fully Subscribed |
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<div align="right"> |
<div align="right">9</div> |
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<div align="right"> |
<div align="right">45</div> |
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=64828 God-Speed to the Snow] |
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<div align="right"> |
<div align="right">20</div> |
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<div align="right"> |
<div align="right">8</div> |
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<div align="right"> |
<div align="right">40</div> |
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<div align="right"> |
<div align="right">8</div> |
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<div align="right"> |
<div align="right">40</div> |
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Open |
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Fully Subscribed |
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[https://forum.librivox.org/viewtopic.php? |
[https://forum.librivox.org/viewtopic.php?f=28&t=64643 Birds and Nature, Vol. VIII, No 3, October 1900] |
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<div align="right"> |
<div align="right">23</div> |
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<div align="right"> |
<div align="right">16</div> |
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<div align="right"> |
<div align="right">70</div> |
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<div align="right"> |
<div align="right">9</div> |
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<div align="right"> |
<div align="right">39</div> |
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Open |
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Fully Subscribed |
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=62165&p=1275901 Conversations on the Plurality of Worlds] |
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<div align="right"> |
<div align="right">14</div> |
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<div align="right"> |
<div align="right">14</div> |
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<div align="right"> |
<div align="right">5</div> |
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[https://forum.librivox.org/viewtopic.php? |
[https://forum.librivox.org/viewtopic.php?p=952636 Niels Lyhne] |
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<div align="right"> |
<div align="right">14</div> |
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<div align="right"> |
<div align="right">14</div> |
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<div align="right"> |
<div align="right">5</div> |
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<div align="right"> |
<div align="right">36</div> |
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=39205 Wandering (彷徨)] |
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<div align="right"> |
<div align="right">11</div> |
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<div align="right"> |
<div align="right">11</div> |
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<div align="right"> |
<div align="right">100</div> |
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<div align="right"> |
<div align="right">4</div> |
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<div align="right"> |
<div align="right">36</div> |
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Fully Subscribed |
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Open |
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Line 611: | Line 661: | ||
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<div align="right"> |
<div align="right">18</div> |
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<div align="right"> |
<div align="right">35</div> |
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Line 636: | Line 686: | ||
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<div align="right"> |
<div align="right">22</div> |
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<div align="right"> |
<div align="right">31</div> |
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Line 649: | Line 699: | ||
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[https://forum.librivox.org/viewtopic.php?f= |
[https://forum.librivox.org/viewtopic.php?f=28&t=52351 Tabai al-Istibdad wa-Masari al-Isti’bad] |
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<div align="right"> |
<div align="right">11</div> |
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<div align="right"> |
<div align="right">10</div> |
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<div align="right"> |
<div align="right">91</div> |
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<div align="right"> |
<div align="right">3</div> |
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<div align="right"> |
<div align="right">27</div> |
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[https://forum.librivox.org/viewtopic.php?f=26&t= |
[https://forum.librivox.org/viewtopic.php?f=26&t=64697 To The Common Golfer] |
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<div align="right"> |
<div align="right">20</div> |
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<div align="right"> |
<div align="right">4</div> |
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<div align="right"> |
<div align="right">20</div> |
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<div align="right"> |
<div align="right">4</div> |
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<div align="right">20</div> |
<div align="right">20</div> |
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Open |
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[https://forum.librivox.org/viewtopic.php?f=28&t=52351 Tabai al-Istibdad wa-Masari al-Isti’bad] |
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<div align="right">11</div> |
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<div align="right">9</div> |
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<div align="right">82</div> |
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<div align="right">2</div> |
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<div align="right">18</div> |
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[https://forum.librivox.org/viewtopic.php?f= |
[https://forum.librivox.org/viewtopic.php?f=28&t=64689 Cowboy Songs and Other Frontier Ballads] |
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<div align="right"> |
<div align="right">156</div> |
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<div align="right"> |
<div align="right">39</div> |
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<div align="right"> |
<div align="right">25</div> |
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<div align="right"> |
<div align="right">25</div> |
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<div align="right"> |
<div align="right">16</div> |
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=60485 A Voice From Harper's Ferry] |
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<div align="right"> |
<div align="right">7</div> |
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<div align="right"> |
<div align="right">7</div> |
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<div align="right"> |
<div align="right">1</div> |
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<div align="right"> |
<div align="right">14</div> |
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[https://forum.librivox.org/viewtopic.php?f= |
[https://forum.librivox.org/viewtopic.php?f=2&t=62260 Corporal Cameron of the North West Mounted Police--A Tale of the Macleod Trial] |
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<div align="right"> |
<div align="right">25</div> |
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<div align="right"> |
<div align="right">7</div> |
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<div align="right"> |
<div align="right">28</div> |
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<div align="right"> |
<div align="right">12</div> |
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=60770&p=1235075 Ulysses (version 3)] |
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<div align="right"> |
<div align="right">90</div> |
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<div align="right"> |
<div align="right">90</div> |
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<div align="right"> |
<div align="right">100</div> |
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<div align="right"> |
<div align="right">11</div> |
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<div align="right"> |
<div align="right">12</div> |
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Fully Subscribed |
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Open |
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<div align="right"> |
<div align="right">6</div> |
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<div align="right"> |
<div align="right">10</div> |
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=63047 Los Cuatro Jinetes del Apocalipsis] |
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<div align="right"> |
<div align="right">30</div> |
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<div align="right"> |
<div align="right">3</div> |
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<div align="right"> |
<div align="right">10</div> |
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<div align="right"> |
<div align="right">3</div> |
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<div align="right"> |
<div align="right">10</div> |
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Open |
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Fully Subscribed |
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=42569 Recollections of Old Liverpool by a Nonagenarian] |
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<div align="right"> |
<div align="right">20</div> |
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<div align="right"> |
<div align="right">5</div> |
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<div align="right"> |
<div align="right">25</div> |
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<div align="right"> |
<div align="right">2</div> |
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<div align="right"> |
<div align="right">10</div> |
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=64619 Jo's Boys] |
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<div align="right"> |
<div align="right">82</div> |
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<div align="right"> |
<div align="right">70</div> |
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<div align="right"> |
<div align="right">85</div> |
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<div align="right"> |
<div align="right">7</div> |
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<div align="right"> |
<div align="right">9</div> |
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Line 999: | Line 1,024: | ||
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=36339&p=660670 The Naval Pioneers of Australia] |
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<div align="right"> |
<div align="right">12</div> |
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<div align="right"> |
<div align="right">12</div> |
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<div align="right"> |
<div align="right">100</div> |
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<div align="right"> |
<div align="right">8</div> |
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Fully Subscribed |
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Open |
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[https://forum.librivox.org/viewtopic.php? |
[https://forum.librivox.org/viewtopic.php?f=28&t=57748 Skandinaviska äventyr - Skandinaviske eventyr] |
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<div align="right"> |
<div align="right">15</div> |
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<div align="right"> |
<div align="right">1</div> |
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<div align="right"> |
<div align="right">7</div> |
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<div align="right">7</div> |
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[https://forum.librivox.org/viewtopic.php? |
[https://forum.librivox.org/viewtopic.php?f=28&t=64578 Elsie Venner] |
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<div align="right">36</div> |
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<div align="right"> |
<div align="right">2</div> |
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<div align="right"> |
<div align="right">6</div> |
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<div align="right">2</div> |
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<div align="right">6</div> |
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[https://forum.librivox.org/viewtopic.php?f= |
[https://forum.librivox.org/viewtopic.php?f=28&t=63315 <nowiki>The Enterprise of the ''Mayflower''</nowiki>] |
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<div align="right"> |
<div align="right">18</div> |
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<div align="right">10</div> |
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<div align="right"> |
<div align="right">56</div> |
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<div align="right">1</div> |
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<div align="right"> |
<div align="right">6</div> |
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[https://forum.librivox.org/viewtopic.php? |
[https://forum.librivox.org/viewtopic.php?p=1300498 Multilingual Short Works Collection 017 - Poetry and Prose] |
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<div align="right"> |
<div align="right">20</div> |
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<div align="right"> |
<div align="right">14</div> |
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<div align="right"> |
<div align="right">70</div> |
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<div align="right">1</div> |
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<div align="right"> |
<div align="right">5</div> |
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=64574 The History of Pendennis] |
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<div align="right"> |
<div align="right">78</div> |
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<div align="right"> |
<div align="right">3</div> |
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<div align="right"> |
<div align="right">4</div> |
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<div align="right">1</div> |
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||
<div align="right"> |
<div align="right">1</div> |
||
| |
| |
||
Open |
|||
Fully Subscribed |
|||
| |
| |
||
Line 1,149: | Line 1,174: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php? |
[https://forum.librivox.org/viewtopic.php?p=1170142 A Prefect's Uncle] |
||
| |
| |
||
Line 1,174: | Line 1,199: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f= |
[https://forum.librivox.org/viewtopic.php?f=12&t=64573 Anything You Can Do] |
||
| |
| |
||
<div align="right"> |
<div align="right">6</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">5</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">83</div> |
||
| |
| |
||
Line 1,199: | Line 1,224: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=64847 Arts and Crafts Essays] |
||
| |
| |
||
<div align="right"> |
<div align="right">36</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">12</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">33</div> |
||
| |
| |
||
Line 1,224: | Line 1,249: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=63878 As a Man Thinketh (version 5)] |
||
| |
| |
||
<div align="right"> |
<div align="right">8</div> |
||
| |
| |
||
<div align="right">8</div> |
|||
| |
| |
||
<div align="right"> |
<div align="right">100</div> |
||
| |
| |
||
Line 1,242: | Line 1,267: | ||
| |
| |
||
Fully Subscribed |
|||
Open |
|||
| |
| |
||
Line 1,249: | Line 1,274: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=64692 Bel-Ami] |
||
| |
| |
||
<div align="right"> |
<div align="right">18</div> |
||
| |
| |
||
<div align="right">18</div> |
|||
| |
| |
||
<div align="right"> |
<div align="right">100</div> |
||
| |
| |
||
Line 1,267: | Line 1,292: | ||
| |
| |
||
Fully Subscribed |
|||
Open |
|||
| |
| |
||
Line 1,274: | Line 1,299: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f= |
[https://forum.librivox.org/viewtopic.php?f=28&t=64803 Concerning Isabel Carnaby] |
||
| |
| |
||
<div align="right"> |
<div align="right">25</div> |
||
| |
| |
||
<div align="right">9</div> |
|||
| |
| |
||
<div align="right"> |
<div align="right">0</div> |
||
| |
| |
||
Line 1,318: | Line 1,343: | ||
| |
| |
||
Fully Subscribed |
Fully Subscribed |
||
| |
|||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?f=28&t=64578 Elsie Venner] |
|||
| |
|||
<div align="right">36</div> |
|||
| |
|||
<div align="right">2</div> |
|||
| |
|||
<div align="right">6</div> |
|||
| |
|||
| |
|||
<div align="right">0</div> |
|||
| |
|||
Open |
|||
| |
| |
||
Line 1,430: | Line 1,430: | ||
| |
| |
||
<div align="right"> |
<div align="right">5</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">22</div> |
||
| |
| |
||
Line 1,474: | Line 1,474: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=64281 Love Affairs of the Courts of Europe] |
||
| |
| |
||
<div align="right"> |
<div align="right">29</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">8</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">28</div> |
||
| |
| |
||
Line 1,499: | Line 1,499: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=64856 Marion Harland's Cookery for Beginners] |
||
| |
| |
||
<div align="right"> |
<div align="right">14</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">13</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">93</div> |
||
| |
| |
||
Line 1,668: | Line 1,668: | ||
| |
| |
||
Fully Subscribed |
Fully Subscribed |
||
| |
|||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?f=19&t=64886 Poems] |
|||
| |
|||
<div align="right">88</div> |
|||
| |
|||
<div align="right">25</div> |
|||
| |
|||
<div align="right">28</div> |
|||
| |
|||
| |
|||
<div align="right">0</div> |
|||
| |
|||
Open |
|||
| |
| |
||
Line 1,705: | Line 1,730: | ||
| |
| |
||
<div align="right">5</div> |
|||
| |
| |
||
<div align="right"> |
<div align="right">38</div> |
||
| |
| |
||
Line 1,724: | Line 1,749: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=64949 The Life Everlasting: A Reality of Romance] |
||
| |
| |
||
<div align="right"> |
<div align="right">21</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">21</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">100</div> |
||
| |
| |
||
Line 1,742: | Line 1,767: | ||
| |
| |
||
Fully Subscribed |
|||
Open |
|||
| |
| |
||
Line 1,824: | Line 1,849: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=64887 The Spook Ballads] |
||
| |
| |
||
<div align="right"> |
<div align="right">62</div> |
||
| |
| |
||
<div align="right">5</div> |
|||
| |
| |
||
<div align="right"> |
<div align="right">8</div> |
||
| |
| |
||
Line 1,874: | Line 1,899: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=64800&p=1339238 The Wheat Princess] |
||
| |
| |
||
<div align="right"> |
<div align="right">27</div> |
||
| |
| |
||
Line 1,899: | Line 1,924: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=64627 The World’s Famous Orations, Vol. II: Rome] |
||
| |
| |
||
Line 1,905: | Line 1,930: | ||
| |
| |
||
<div align="right">1</div> |
|||
| |
| |
||
<div align="right"> |
<div align="right">0</div> |
||
| |
| |
||
Line 1,924: | Line 1,949: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f= |
[https://forum.librivox.org/viewtopic.php?f=28&t=63799&p=1317946 The World's Desire] |
||
| |
| |
||
<div align="right"> |
<div align="right">29</div> |
||
| |
| |
||
<div align="right">3</div> |
|||
| |
| |
||
<div align="right"> |
<div align="right">10</div> |
||
| |
| |
||
Line 1,949: | Line 1,974: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=64846 Thrilling Narratives of Mutiny, Murder and Piracy] |
||
| |
| |
||
<div align="right"> |
<div align="right">47</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">6</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">13</div> |
||
| |
| |
||
Line 1,967: | Line 1,992: | ||
| |
| |
||
Open |
|||
Fully Subscribed |
|||
| |
| |
||
Line 1,974: | Line 1,999: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=64419 Twilight in Italy by DH Lawrence] |
||
| |
| |
||
Line 1,980: | Line 2,005: | ||
| |
| |
||
<div align="right"> |
<div align="right">10</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">100</div> |
||
| |
| |
||
Line 1,992: | Line 2,017: | ||
| |
| |
||
Fully Subscribed |
|||
Open |
|||
| |
| |
||
Line 1,999: | Line 2,024: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=62306 Universal Declaration of Human Rights Volume 4] |
||
| |
| |
||
<div align="right"> |
<div align="right">10</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">1</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">10</div> |
||
| |
| |
Revision as of 21:26, 8 April 2017
How to Use These Tables
Use the PL status table to see which projects do not currently have an assigned Dedicated Proof Listener (DPL).
Use the section status table to see which projects are currently underway, which ones are close to completion, which need just a couple of sections claimed to be fully subscribed, and so on.
For both tables, the project titles are links to the project thread.
To Sort - Click on the icon next to the column title to sort the table by that column. If you sort by sections claimed or completed, it will sort by the NUMBER of sections, not the percentage. Refresh the page to revert it to the default sort.
PL Status Table
Data current as of 08 April 4:00 pm CDT
Project Name | Sections | Assigned | % | Completed | % | Status | DPL Name |
---|---|---|---|---|---|---|---|
40
|
40
|
100
|
39
|
98
|
Fully Subscribed |
| |
Antologia Brasileira, Coletânea em Prosa e Verso de Escritores Nacionais, Volume 1 |
75
|
74
|
99
|
70
|
93
|
Open |
|
39
|
36
|
92
|
35
|
90
|
Open |
| |
17
|
17
|
100
|
15
|
88
|
Fully Subscribed |
| |
30
|
30
|
100
|
25
|
83
|
Fully Subscribed |
| |
51
|
51
|
100
|
40
|
78
|
Fully Subscribed |
| |
8
|
8
|
100
|
6
|
75
|
Fully Subscribed |
| |
75
|
55
|
73
|
55
|
73
|
Open |
| |
24
|
17
|
71
|
17
|
71
|
Open |
| |
25
|
25
|
100
|
17
|
68
|
Fully Subscribed |
| |
37
|
27
|
73
|
24
|
65
|
Open |
| |
283
|
253
|
89
|
169
|
60
|
Open |
| |
6
|
6
|
100
|
3
|
50
|
Fully Subscribed |
| |
36
|
31
|
86
|
18
|
50
|
Open |
| |
14
|
14
|
100
|
7
|
50
|
Fully Subscribed |
| |
22
|
22
|
100
|
11
|
50
|
Fully Subscribed |
| |
25
|
13
|
52
|
12
|
48
|
Open |
| |
15
|
15
|
100
|
7
|
47
|
Fully Subscribed |
| |
15
|
9
|
60
|
7
|
47
|
Open |
| |
20
|
9
|
45
|
9
|
45
|
Open |
| |
20
|
8
|
40
|
8
|
40
|
Open |
| |
23
|
16
|
70
|
9
|
39
|
Open |
| |
14
|
14
|
100
|
5
|
36
|
Fully Subscribed |
| |
14
|
14
|
100
|
5
|
36
|
Fully Subscribed |
| |
11
|
11
|
100
|
4
|
36
|
Fully Subscribed |
| |
52
|
28
|
54
|
18
|
35
|
Open |
| |
70
|
30
|
43
|
22
|
31
|
Open |
| |
11
|
10
|
91
|
3
|
27
|
Open |
| |
110
|
33
|
30
|
23
|
21
|
Open |
| |
15
|
5
|
33
|
3
|
20
|
Open |
| |
20
|
4
|
20
|
4
|
20
|
Open |
| |
30
|
11
|
37
|
5
|
17
|
Open |
| |
156
|
39
|
25
|
25
|
16
|
Open |
| |
7
|
7
|
100
|
1
|
14
|
Fully Subscribed |
| |
Corporal Cameron of the North West Mounted Police--A Tale of the Macleod Trial |
25
|
7
|
28
|
3
|
12
|
Open |
|
90
|
90
|
100
|
11
|
12
|
Fully Subscribed |
| |
58
|
18
|
31
|
6
|
10
|
Open |
| |
30
|
3
|
10
|
3
|
10
|
Open |
| |
20
|
5
|
25
|
2
|
10
|
Open |
| |
82
|
70
|
85
|
7
|
9
|
Open |
| |
12
|
12
|
100
|
1
|
8
|
Fully Subscribed |
| |
15
|
1
|
7
|
1
|
7
|
Open |
| |
36
|
2
|
6
|
2
|
6
|
Open |
| |
18
|
10
|
56
|
1
|
6
|
Open |
| |
20
|
14
|
70
|
1
|
5
|
Open |
| |
78
|
3
|
4
|
1
|
1
|
Open |
| |
18
|
18
|
100
|
|
0
|
Fully Subscribed |
| |
6
|
5
|
83
|
|
0
|
Open |
| |
36
|
12
|
33
|
|
0
|
Open |
| |
8
|
8
|
100
|
|
0
|
Fully Subscribed |
| |
18
|
18
|
100
|
|
0
|
Fully Subscribed |
| |
25
|
|
0
|
|
0
|
Open |
| |
El Libro de Las Mil Noches y Una Noche Volumen 3 |
10
|
10
|
100
|
|
0
|
Fully Subscribed |
|
17
|
17
|
100
|
|
0
|
Fully Subscribed |
| |
4
|
4
|
100
|
|
0
|
Fully Subscribed |
| |
25
|
25
|
100
|
|
0
|
Fully Subscribed |
| |
23
|
5
|
22
|
|
0
|
Open |
| |
Little Busybodies: The Life of Crickets, Ants, Bees, and Others |
17
|
|
0
|
|
0
|
Open |
|
29
|
8
|
28
|
|
0
|
Open |
| |
14
|
13
|
93
|
|
0
|
Open |
| |
Memoirs of the Author of A Vindication of the Rights of Woman |
10
|
10
|
100
|
|
0
|
Fully Subscribed |
|
241
|
241
|
100
|
|
0
|
Fully Subscribed |
| |
36
|
36
|
100
|
|
0
|
Fully Subscribed |
| |
48
|
|
0
|
|
0
|
Open |
| |
30
|
30
|
100
|
|
0
|
Fully Subscribed |
| |
14
|
14
|
100
|
|
0
|
Fully Subscribed |
| |
88
|
25
|
28
|
|
0
|
Open |
| |
63
|
|
0
|
|
0
|
Open |
| |
13
|
5
|
38
|
|
0
|
Open |
| |
21
|
21
|
100
|
|
0
|
Fully Subscribed |
| |
46
|
2
|
4
|
|
0
|
Open |
| |
20
|
|
0
|
|
0
|
Open |
| |
19
|
19
|
100
|
|
0
|
Fully Subscribed |
| |
62
|
5
|
8
|
|
0
|
Open |
| |
33
|
33
|
100
|
|
0
|
Fully Subscribed |
| |
27
|
|
0
|
|
0
|
Open |
| |
29
|
|
0
|
|
0
|
Open |
| |
29
|
3
|
10
|
|
0
|
Open |
| |
47
|
6
|
13
|
|
0
|
Open |
| |
10
|
10
|
100
|
|
0
|
Fully Subscribed |
| |
10
|
1
|
10
|
|
0
|
Open |
|
Section Status Table
Data current as of 29 March 8:30 pm CST
Project Name | Sections | Assigned | % | Completed | % | Status |
---|---|---|---|---|---|---|
Antologia Brasileira, Coletânea em Prosa e Verso de Escritores Nacionais, Volume 1 |
75
|
74
|
99
|
69
|
92
|
Open |
84
|
81
|
96
|
81
|
96
|
Open | |
48
|
46
|
96
|
43
|
90
|
Open | |
150
|
142
|
95
|
127
|
85
|
Open | |
20
|
19
|
95
|
17
|
85
|
Open | |
62
|
58
|
94
|
53
|
85
|
Open | |
81
|
76
|
94
|
59
|
73
|
Open | |
87
|
81
|
93
|
73
|
84
|
Open | |
88
|
82
|
93
|
71
|
81
|
Open | |
113
|
105
|
93
|
86
|
76
|
Open | |
Abraham Lincoln and the Abolition of Slavery in the United States |
14
|
13
|
93
|
10
|
71
|
Open |
28
|
26
|
93
|
20
|
71
|
Open | |
54
|
50
|
93
|
38
|
70
|
Open | |
29
|
27
|
93
|
18
|
62
|
Open | |
39
|
36
|
92
|
35
|
90
|
Open | |
89
|
81
|
91
|
77
|
87
|
Open | |
22
|
20
|
91
|
17
|
77
|
Open | |
67
|
60
|
90
|
58
|
87
|
Open | |
125
|
113
|
90
|
101
|
81
|
Open | |
30
|
27
|
90
|
19
|
63
|
Open | |
60
|
54
|
90
|
38
|
63
|
Open | |
102
|
91
|
89
|
67
|
66
|
Open | |
283
|
253
|
89
|
169
|
60
|
Open | |
Potash and Perlmutter: Their Copartnership Ventures and Adventures |
17
|
15
|
88
|
14
|
82
|
Open |
8
|
7
|
88
|
4
|
50
|
Open | |
127
|
111
|
87
|
92
|
72
|
Open | |
23
|
20
|
87
|
15
|
65
|
Open | |
14
|
12
|
86
|
12
|
86
|
Open | |
Lives of the Most Eminent Painters, Sculptors and Architects Volume 5 |
28
|
24
|
86
|
21
|
75
|
Open |
36
|
31
|
86
|
17
|
47
|
Open | |
The Poems of Sappho: An Interpretative Rendition into English |
7
|
6
|
86
|
1
|
14
|
Open |
20
|
17
|
85
|
17
|
85
|
Open | |
41
|
35
|
85
|
26
|
63
|
Open | |
82
|
69
|
84
|
68
|
83
|
Open | |
123
|
103
|
84
|
94
|
76
|
Open | |
38
|
32
|
84
|
20
|
53
|
Open | |
12
|
10
|
83
|
3
|
25
|
Open | |
PEEPS AT PEOPLE - Being Certain Papers from the Writings of ANNE WARRINGTON WITHERUP |
12
|
10
|
83
|
2
|
17
|
Open |
250
|
206
|
82
|
188
|
75
|
Open | |
Little Busybodies: The Life of Crickets, Ants, Bees, and Others |
17
|
14
|
82
|
11
|
65
|
Open |
17
|
14
|
82
|
11
|
65
|
Open | |
67
|
55
|
82
|
35
|
52
|
Open | |
33
|
27
|
82
|
8
|
24
|
Open | |
11
|
9
|
82
|
2
|
18
|
Open | |
16
|
13
|
81
|
9
|
56
|
Open | |
43
|
35
|
81
|
22
|
51
|
Open | |
312
|
254
|
81
|
134
|
43
|
Open | |
49
|
39
|
80
|
27
|
55
|
Open | |
226
|
181
|
80
|
120
|
53
|
Open | |
42
|
33
|
79
|
25
|
60
|
Open | |
120
|
95
|
79
|
54
|
45
|
Open | |
104
|
81
|
78
|
71
|
68
|
Open | |
50
|
39
|
78
|
28
|
56
|
Open | |
132
|
101
|
77
|
84
|
64
|
Open | |
26
|
20
|
77
|
12
|
46
|
Open | |
112
|
84
|
75
|
64
|
57
|
Open | |
48
|
36
|
75
|
19
|
40
|
Open | |
914
|
681
|
75
|
305
|
33
|
Open | |
151
|
111
|
74
|
98
|
65
|
Open | |
27
|
20
|
74
|
16
|
59
|
Open | |
75
|
55
|
73
|
55
|
73
|
Open | |
30
|
22
|
73
|
21
|
70
|
Open | |
37
|
27
|
73
|
24
|
65
|
Open | |
22
|
16
|
73
|
7
|
32
|
Open | |
25
|
18
|
72
|
17
|
68
|
Open | |
24
|
17
|
71
|
17
|
71
|
Open | |
28
|
20
|
71
|
15
|
54
|
Open | |
24
|
17
|
71
|
12
|
50
|
Open | |
35
|
25
|
71
|
13
|
37
|
Open | |
54
|
38
|
70
|
35
|
65
|
Open | |
Criminal Investigation: a Practical Handbook for Magistrates, Police Officers and Lawyers, Volume 3 |
33
|
23
|
70
|
15
|
45
|
Open |
39
|
27
|
69
|
15
|
38
|
Open | |
25
|
17
|
68
|
14
|
56
|
Open | |
25
|
17
|
68
|
11
|
44
|
Open | |
69
|
46
|
67
|
37
|
54
|
Open | |
27
|
18
|
67
|
13
|
48
|
Open | |
61
|
41
|
67
|
26
|
43
|
Open | |
43
|
29
|
67
|
13
|
30
|
Open | |
180
|
118
|
66
|
103
|
57
|
Open | |
83
|
55
|
66
|
34
|
41
|
Open | |
41
|
27
|
66
|
6
|
15
|
Open | |
82
|
53
|
65
|
6
|
7
|
Open | |
20
|
13
|
65
|
1
|
5
|
Open | |
25
|
16
|
64
|
10
|
40
|
Open | |
43
|
27
|
63
|
23
|
53
|
Open | |
63
|
40
|
63
|
29
|
46
|
Open | |
16
|
10
|
63
|
6
|
38
|
Open | |
26
|
16
|
62
|
15
|
58
|
Open | |
13
|
8
|
62
|
7
|
54
|
Open | |
26
|
16
|
62
|
8
|
31
|
Open | |
41
|
25
|
61
|
10
|
24
|
Open | |
31
|
19
|
61
|
7
|
23
|
Open | |
5
|
3
|
60
|
3
|
60
|
Open | |
15
|
9
|
60
|
7
|
47
|
Open | |
10
|
6
|
60
|
3
|
30
|
Open | |
59
|
34
|
58
|
34
|
58
|
Open | |
12
|
7
|
58
|
7
|
58
|
Open | |
Melor of the Silver Hand; and Other Stories of the Bright Ages |
19
|
11
|
58
|
4
|
21
|
Open |
79
|
46
|
58
|
|
0
|
Open | |
14
|
8
|
57
|
4
|
29
|
Open | |
27
|
15
|
56
|
13
|
48
|
Open | |
41
|
23
|
56
|
18
|
44
|
Open | |
36
|
20
|
56
|
13
|
36
|
Open | |
18
|
10
|
56
|
1
|
6
|
Open | |
20
|
11
|
55
|
11
|
55
|
Open | |
33
|
18
|
55
|
13
|
39
|
Open | |
11
|
6
|
55
|
|
0
|
Open | |
52
|
28
|
54
|
16
|
31
|
Open | |
50
|
27
|
54
|
6
|
12
|
Open | |
30
|
16
|
53
|
12
|
40
|
Open | |
118
|
62
|
53
|
23
|
19
|
Open | |
25
|
13
|
52
|
12
|
48
|
Open | |
60
|
31
|
52
|
25
|
42
|
Open | |
25
|
13
|
52
|
7
|
28
|
Open | |
82
|
42
|
51
|
24
|
29
|
Open | |
39
|
20
|
51
|
9
|
23
|
Open | |
32
|
16
|
50
|
14
|
44
|
Open | |
21
|
10
|
48
|
1
|
5
|
Open | |
20
|
9
|
45
|
8
|
40
|
Open | |
42
|
19
|
45
|
13
|
31
|
Open | |
48
|
21
|
44
|
16
|
33
|
Open | |
70
|
30
|
43
|
21
|
30
|
Open | |
35
|
15
|
43
|
4
|
11
|
Open | |
Meridiana: The adventures of three Englishmen and three Russians in South Africa |
23
|
10
|
43
|
2
|
9
|
Open |
28
|
12
|
43
|
1
|
4
|
Open | |
23
|
10
|
43
|
|
0
|
Open | |
33
|
14
|
42
|
8
|
24
|
Open | |
22
|
9
|
41
|
6
|
27
|
Open | |
5
|
2
|
40
|
1
|
20
|
Open | |
31
|
12
|
39
|
6
|
19
|
Open | |
40
|
15
|
38
|
15
|
38
|
Open | |
55
|
21
|
38
|
18
|
33
|
Open | |
13
|
5
|
38
|
2
|
15
|
Open | |
30
|
11
|
37
|
5
|
17
|
Open | |
27
|
10
|
37
|
|
0
|
Open | |
25
|
9
|
36
|
4
|
16
|
Open | |
25
|
9
|
36
|
2
|
8
|
Open | |
44
|
16
|
36
|
|
0
|
Open | |
20
|
7
|
35
|
|
0
|
Open | |
100
|
34
|
34
|
24
|
24
|
Open | |
180
|
60
|
33
|
45
|
25
|
Open | |
15
|
5
|
33
|
3
|
20
|
Open | |
18
|
6
|
33
|
2
|
11
|
Open | |
31
|
10
|
32
|
9
|
29
|
Open | |
76
|
24
|
32
|
7
|
9
|
Open | |
58
|
18
|
31
|
5
|
9
|
Open | |
20
|
6
|
30
|
6
|
30
|
Open | |
20
|
6
|
30
|
5
|
25
|
Open | |
110
|
33
|
30
|
23
|
21
|
Open | |
56
|
16
|
29
|
9
|
16
|
Open | |
109
|
30
|
28
|
26
|
24
|
Open | |
18
|
5
|
28
|
3
|
17
|
Open | |
Corporal Cameron of the North West Mounted Police--A Tale of the Macleod Trial |
25
|
7
|
28
|
3
|
12
|
Open |
37
|
10
|
27
|
10
|
27
|
Open | |
15
|
4
|
27
|
4
|
27
|
Open | |
45
|
12
|
27
|
|
0
|
Open | |
47
|
12
|
26
|
|
0
|
Open | |
8
|
2
|
25
|
2
|
25
|
Open | |
20
|
5
|
25
|
2
|
10
|
Open | |
13
|
3
|
23
|
1
|
8
|
Open | |
44
|
10
|
23
|
3
|
7
|
Open | |
33
|
7
|
21
|
1
|
3
|
Open | |
156
|
33
|
21
|
|
0
|
Open | |
15
|
3
|
20
|
|
0
|
Open | |
48
|
9
|
19
|
|
0
|
Open | |
33
|
6
|
18
|
6
|
18
|
Open | |
40
|
7
|
18
|
3
|
8
|
Open | |
11
|
2
|
18
|
|
0
|
Open | |
29
|
5
|
17
|
|
0
|
Open | |
61
|
10
|
16
|
9
|
15
|
Open | |
38
|
6
|
16
|
4
|
11
|
Open | |
14
|
2
|
14
|
2
|
14
|
Open | |
22
|
3
|
14
|
1
|
5
|
Open | |
63
|
9
|
14
|
|
0
|
Open | |
102
|
13
|
13
|
12
|
12
|
Open | |
27
|
3
|
11
|
|
0
|
Open | |
30
|
3
|
10
|
3
|
10
|
Open | |
10
|
1
|
10
|
|
0
|
Open | |
23
|
2
|
9
|
|
0
|
Open | |
15
|
1
|
7
|
1
|
7
|
Open | |
36
|
2
|
6
|
|
0
|
Open | |
44
|
2
|
5
|
1
|
2
|
Open | |
75
|
3
|
4
|
|
0
|
Open | |
46
|
2
|
4
|
|
0
|
Open | |
28
|
1
|
4
|
|
0
|
Open | |
33
|
1
|
3
|
1
|
3
|
Open | |
29
|
1
|
3
|
|
0
|
Open | |
59
|
1
|
2
|
|
0
|
Open | |
78
|
1
|
1
|
|
0
|
Open | |
16
|
|
0
|
|
0
|
Open | |
63
|
|
0
|
|
0
|
Open | |
Little Busybodies: The Life of Crickets, Ants, Bees, and Others |
17
|
|
0
|
|
0
|
Open |
13
|
|
0
|
|
0
|
Open | |
13
|
|
0
|
|
0
|
Open | |
26
|
|
0
|
|
0
|
Open | |
34
|
|
0
|
|
0
|
Open | |
13
|
|
0
|
|
0
|
Open | |
20
|
|
0
|
|
0
|
Open | |
The Lane that had no Turning, and Other Tales concerning the People of Pontiac |
29
|
|
0
|
|
0
|
Open |
25
|
|
0
|
|
0
|
Open | |
48
|
|
0
|
|
0
|
Open | |
13
|
|
0
|
|
0
|
Open | |
6
|
|
0
|
|
0
|
Open | |
29
|
|
0
|
|
0
|
Open | |
20
|
|
0
|
|
0
|
Open | |
20
|
|
0
|
|
0
|
Open | |
18
|
18
|
100
|
18
|
100
|
Fully Subscribed | |
91
|
91
|
100
|
90
|
99
|
Fully Subscribed | |
75
|
75
|
100
|
73
|
97
|
Fully Subscribed | |
142
|
142
|
100
|
138
|
97
|
Fully Subscribed | |
26
|
26
|
100
|
25
|
96
|
Fully Subscribed | |
24
|
24
|
100
|
23
|
96
|
Fully Subscribed | |
21
|
21
|
100
|
20
|
95
|
Fully Subscribed | |
51
|
51
|
100
|
48
|
94
|
Fully Subscribed | |
33
|
33
|
100
|
31
|
94
|
Fully Subscribed | |
40
|
40
|
100
|
37
|
93
|
Fully Subscribed | |
27
|
27
|
100
|
25
|
93
|
Fully Subscribed | |
41
|
41
|
100
|
38
|
93
|
Fully Subscribed | |
15
|
15
|
100
|
14
|
93
|
Fully Subscribed | |
126
|
126
|
100
|
116
|
92
|
Fully Subscribed | |
261
|
260
|
100
|
238
|
91
|
Fully Subscribed | |
22
|
22
|
100
|
20
|
91
|
Fully Subscribed | |
33
|
33
|
100
|
30
|
91
|
Fully Subscribed | |
31
|
31
|
100
|
28
|
90
|
Fully Subscribed | |
71
|
71
|
100
|
64
|
90
|
Fully Subscribed | |
10
|
10
|
100
|
9
|
90
|
Fully Subscribed | |
37
|
37
|
100
|
33
|
89
|
Fully Subscribed | |
35
|
35
|
100
|
31
|
89
|
Fully Subscribed | |
35
|
35
|
100
|
31
|
89
|
Fully Subscribed | |
18
|
18
|
100
|
16
|
89
|
Fully Subscribed | |
40
|
40
|
100
|
35
|
88
|
Fully Subscribed | |
84
|
84
|
100
|
74
|
88
|
Fully Subscribed | |
17
|
17
|
100
|
15
|
88
|
Fully Subscribed | |
24
|
24
|
100
|
21
|
88
|
Fully Subscribed | |
31
|
31
|
100
|
27
|
87
|
Fully Subscribed | |
31
|
31
|
100
|
27
|
87
|
Fully Subscribed | |
23
|
23
|
100
|
20
|
87
|
Fully Subscribed | |
128
|
128
|
100
|
111
|
87
|
Fully Subscribed | |
23
|
23
|
100
|
20
|
87
|
Fully Subscribed | |
45
|
45
|
100
|
38
|
84
|
Fully Subscribed | |
House, Garden and Field: A Collection of Short Nature Studies |
56
|
56
|
100
|
47
|
84
|
Fully Subscribed |
30
|
30
|
100
|
25
|
83
|
Fully Subscribed | |
69
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69
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18
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Fully Subscribed | |
36
|
36
|
100
|
6
|
17
|
Fully Subscribed | |
36
|
36
|
100
|
6
|
17
|
Fully Subscribed | |
6
|
6
|
100
|
1
|
17
|
Fully Subscribed | |
35
|
35
|
100
|
6
|
17
|
Fully Subscribed | |
6
|
6
|
100
|
1
|
17
|
Fully Subscribed | |
30
|
30
|
100
|
5
|
17
|
Fully Subscribed | |
182
|
182
|
100
|
28
|
15
|
Fully Subscribed | |
39
|
39
|
100
|
6
|
15
|
Fully Subscribed | |
20
|
20
|
100
|
3
|
15
|
Fully Subscribed | |
100
|
100
|
100
|
15
|
15
|
Fully Subscribed | |
7
|
7
|
100
|
1
|
14
|
Fully Subscribed | |
16
|
16
|
100
|
2
|
13
|
Fully Subscribed | |
Canzoniere (Rerum vulgarium fragmenta), vol 2, di Francesco Petrarca (1304-1374) . |
183
|
183
|
100
|
24
|
13
|
Fully Subscribed |
69
|
69
|
100
|
9
|
13
|
Fully Subscribed | |
90
|
90
|
100
|
11
|
12
|
Fully Subscribed | |
170
|
170
|
100
|
20
|
12
|
Fully Subscribed | |
49
|
49
|
100
|
6
|
12
|
Fully Subscribed | |
25
|
25
|
100
|
3
|
12
|
Fully Subscribed | |
19
|
19
|
100
|
2
|
11
|
Fully Subscribed | |
18
|
18
|
100
|
2
|
11
|
Fully Subscribed | |
19
|
19
|
100
|
2
|
11
|
Fully Subscribed | |
21
|
21
|
100
|
2
|
10
|
Fully Subscribed | |
11
|
11
|
100
|
1
|
9
|
Fully Subscribed | |
11
|
11
|
100
|
1
|
9
|
Fully Subscribed | |
11
|
11
|
100
|
1
|
9
|
Fully Subscribed | |
12
|
12
|
100
|
1
|
8
|
Fully Subscribed | |
30
|
30
|
100
|
2
|
7
|
Fully Subscribed | |
15
|
15
|
100
|
1
|
7
|
Fully Subscribed | |
42
|
42
|
100
|
3
|
7
|
Fully Subscribed | |
30
|
30
|
100
|
2
|
7
|
Fully Subscribed | |
34
|
34
|
100
|
2
|
6
|
Fully Subscribed | |
55
|
55
|
100
|
3
|
5
|
Fully Subscribed | |
88
|
88
|
100
|
4
|
5
|
Fully Subscribed | |
39
|
39
|
100
|
2
|
5
|
Fully Subscribed | |
39
|
39
|
100
|
2
|
5
|
Fully Subscribed | |
56
|
56
|
100
|
3
|
5
|
Fully Subscribed | |
24
|
24
|
100
|
1
|
4
|
Fully Subscribed | |
Heimskringla: The Stories of the Kings of Norway, Called The Round World |
77
|
77
|
100
|
1
|
1
|
Fully Subscribed |
When Lighthouses are Dark: a Story of a Lake Superior Island |
33
|
33
|
100
|
|
0
|
Fully Subscribed |
14
|
14
|
100
|
|
0
|
Fully Subscribed | |
4
|
4
|
100
|
|
0
|
Fully Subscribed | |
18
|
18
|
100
|
|
0
|
Fully Subscribed | |
11
|
11
|
100
|
|
0
|
Fully Subscribed | |
36
|
36
|
100
|
|
0
|
Fully Subscribed | |
Old New Zealand: Being Incidents of Native Customs and Character in the Old Times |
17
|
17
|
100
|
|
0
|
Fully Subscribed |
33
|
33
|
100
|
|
0
|
Fully Subscribed | |
25
|
25
|
100
|
|
0
|
Fully Subscribed | |
10
|
10
|
100
|
|
0
|
Fully Subscribed | |
6
|
6
|
100
|
|
0
|
Fully Subscribed | |
241
|
241
|
100
|
|
0
|
Fully Subscribed | |
8
|
8
|
100
|
|
0
|
Fully Subscribed | |
35
|
35
|
100
|
|
0
|
Fully Subscribed | |
16
|
16
|
100
|
|
0
|
Fully Subscribed | |
30
|
30
|
100
|
|
0
|
Fully Subscribed | |
11
|
11
|
100
|
|
0
|
Fully Subscribed | |
5
|
5
|
100
|
|
0
|
Fully Subscribed | |
11
|
11
|
100
|
|
0
|
Fully Subscribed | |
19
|
19
|
100
|
|
0
|
Fully Subscribed | |
13
|
13
|
100
|
|
0
|
Fully Subscribed | |
32
|
32
|
100
|
|
0
|
Fully Subscribed | |
6
|
6
|
100
|
|
0
|
Fully Subscribed | |
13
|
13
|
100
|
|
0
|
Fully Subscribed | |
11
|
11
|
100
|
|
0
|
Fully Subscribed | |
9
|
9
|
100
|
|
0
|
Fully Subscribed | |
10
|
10
|
100
|
|
0
|
Fully Subscribed | |
29
|
29
|
100
|
|
0
|
Fully Subscribed | |
The Suppression of the African Slave-Trade to the United States of America, 1638-1870 |
13
|
13
|
100
|
|
0
|
Fully Subscribed |
6
|
6
|
100
|
|
0
|
Fully Subscribed | |
10
|
10
|
100
|
|
0
|
Fully Subscribed | |
8
|
8
|
100
|
|
0
|
Fully Subscribed | |
Memoirs of the Author of A Vindication of the Rights of Woman |
10
|
10
|
100
|
|
0
|
Fully Subscribed |
17
|
17
|
100
|
|
0
|
Fully Subscribed | |
The World's Best Poetry, Volume 1: Home and Friendship (Part 1) |
138
|
138
|
100
|
|
0
|
Fully Subscribed |
58
|
58
|
100
|
|
0
|
Fully Subscribed | |
18
|
18
|
100
|
|
0
|
Fully Subscribed | |
24
|
24
|
100
|
|
0
|
Fully Subscribed | |
40
|
40
|
100
|
|
0
|
Fully Subscribed | |
400
|
391
|
98
|
376
|
94
|
Fully Subscribed | |
123
|
114
|
93
|
98
|
80
|
Fully Subscribed |
How to Update This Status Table
(Instructions are using Windows, Excel and OpenOffice.)
- Go to the Stats / Status Table report (link in MC/admin area)
- Sort the status table by "status"
- Copy the open and fully subscribed lines (not the HTML, but simply the page with Ctrl+A Ctrl+C) into an Excel document
- Delete any unwanted columns (DPL / MC) and rows
- Make all other columns (except Title) center (select columns and then click the paragraph centering button)
- Top justify all cells
- Sort by title column
- Copy data to Open Office
- Export it to MediaWiki.txt (File/Export)
- Open the txt file in Notepad
- Replace all 100 with <font color="#00cc00">100%</font> (optional)
- Copy everything AFTER <center>Status</center>
- Highlight the Wiki code AFTER <center>Status</center>
- Paste into the Wiki
- Change data date and time to reflect current update
- Preview to make sure non-English characters show up all right. If they don't, repeat from step 8, as this is usually where the error happens.