Project Status Table: Difference between revisions
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== PL Status Table == |
== PL Status Table == |
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Data current as of |
Data current as of 29 March 8:30 pm CST |
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=61979 Social Statics] |
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<div align="right"> |
<div align="right">40</div> |
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<div align="right"> |
<div align="right">40</div> |
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Line 36: | Line 36: | ||
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<div align="right"> |
<div align="right">37</div> |
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<div align="right"> |
<div align="right">93</div> |
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Fully Subscribed |
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[https://forum.librivox.org/viewtopic.php?f=28&t=60062 One-Act Play Collection 009] |
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<div align="right">78</div> |
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<div align="right">78</div> |
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<div align="right">100</div> |
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<div align="right">74</div> |
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<div align="right">95</div> |
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Line 80: | Line 55: | ||
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<div align="right"> |
<div align="right">74</div> |
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<div align="right"> |
<div align="right">99</div> |
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<div align="right"> |
<div align="right">69</div> |
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<div align="right"> |
<div align="right">92</div> |
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Open |
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Fully Subscribed |
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Line 111: | Line 86: | ||
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<div align="right"> |
<div align="right">35</div> |
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<div align="right"> |
<div align="right">90</div> |
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Line 124: | Line 99: | ||
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=61784 The New Physics and Its Evolution] |
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<div align="right"> |
<div align="right">17</div> |
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Line 133: | Line 108: | ||
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<div align="right"> |
<div align="right">100</div> |
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<div align="right"> |
<div align="right">15</div> |
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<div align="right"> |
<div align="right">88</div> |
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Fully Subscribed |
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Open |
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Line 174: | Line 149: | ||
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=62644 Miss Sara Sampson] |
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<div align="right"> |
<div align="right">51</div> |
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<div align="right"> |
<div align="right">51</div> |
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<div align="right">94</div> |
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<div align="right">15</div> |
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<div align="right">83</div> |
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Open |
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[https://forum.librivox.org/viewtopic.php?f=28&t=61784 The New Physics and Its Evolution] |
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<div align="right">17</div> |
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<div align="right">17</div> |
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<div align="right">100</div> |
<div align="right">100</div> |
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<div align="right">13</div> |
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<div align="right">76</div> |
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Fully Subscribed |
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[https://forum.librivox.org/viewtopic.php?f=28&t=61979 Social Statics] |
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<div align="right"> |
<div align="right">78</div> |
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<div align="right">100</div> |
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<div align="right">30</div> |
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<div align="right">75</div> |
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Line 286: | Line 211: | ||
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<div align="right"> |
<div align="right">55</div> |
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<div align="right"> |
<div align="right">73</div> |
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Line 386: | Line 311: | ||
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<div align="right"> |
<div align="right">169</div> |
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<div align="right"> |
<div align="right">60</div> |
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Open |
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[https://forum.librivox.org/viewtopic.php?f=28&t=62644 Miss Sara Sampson] |
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<div align="right">51</div> |
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<div align="right">49</div> |
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<div align="right">96</div> |
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<div align="right">26</div> |
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<div align="right">51</div> |
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Line 443: | Line 343: | ||
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Fully Subscribed |
Fully Subscribed |
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[https://forum.librivox.org/viewtopic.php?f=28&t=64033 To His Mistress Going to Bed] |
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<div align="right">20</div> |
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<div align="right">10</div> |
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<div align="right">50</div> |
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<div align="right">10</div> |
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<div align="right">50</div> |
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Open |
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Line 524: | Line 399: | ||
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=63913 The Fireside Chats] |
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<div align="right"> |
<div align="right">36</div> |
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<div align="right"> |
<div align="right">31</div> |
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<div align="right"> |
<div align="right">86</div> |
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<div align="right"> |
<div align="right">17</div> |
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Line 549: | Line 424: | ||
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=62136 The Little Colonel's Knight Comes Riding] |
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<div align="right"> |
<div align="right">15</div> |
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<div align="right"> |
<div align="right">9</div> |
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<div align="right"> |
<div align="right">60</div> |
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<div align="right"> |
<div align="right">7</div> |
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<div align="right"> |
<div align="right">47</div> |
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Line 599: | Line 474: | ||
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=62165&p=1275901 Conversations on the Plurality of Worlds] |
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<div align="right"> |
<div align="right">14</div> |
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<div align="right"> |
<div align="right">14</div> |
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<div align="right"> |
<div align="right">100</div> |
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<div align="right"> |
<div align="right">5</div> |
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<div align="right"> |
<div align="right">36</div> |
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Fully Subscribed |
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Open |
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Line 624: | Line 499: | ||
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[https://forum.librivox.org/viewtopic.php? |
[https://forum.librivox.org/viewtopic.php?p=952636 Niels Lyhne] |
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[https://forum.librivox.org/viewtopic.php?t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=39205 Wandering (彷徨)] |
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[https://forum.librivox.org/viewtopic.php? |
[https://forum.librivox.org/viewtopic.php?f=28&t=64315 Bible (YLT) 09: 1 Samuel] |
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<div align="right"> |
<div align="right">6</div> |
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<div align="right"> |
<div align="right">6</div> |
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Line 686: | Line 561: | ||
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<div align="right"> |
<div align="right">2</div> |
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<div align="right"> |
<div align="right">33</div> |
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Line 699: | Line 574: | ||
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[https://forum.librivox.org/viewtopic.php? |
[https://forum.librivox.org/viewtopic.php?f=28&t=64434 The Old Old Fairy Tales] |
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<div align="right"> |
<div align="right">22</div> |
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<div align="right"> |
<div align="right">16</div> |
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<div align="right"> |
<div align="right">73</div> |
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<div align="right"> |
<div align="right">7</div> |
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<div align="right"> |
<div align="right">32</div> |
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Line 730: | Line 605: | ||
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<div align="right"> |
<div align="right">28</div> |
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<div align="right"> |
<div align="right">54</div> |
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<div align="right"> |
<div align="right">16</div> |
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<div align="right"> |
<div align="right">31</div> |
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Line 749: | Line 624: | ||
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[https://forum.librivox.org/viewtopic.php? |
[https://forum.librivox.org/viewtopic.php?p=1327040 One Act Play Collection 010] |
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<div align="right"> |
<div align="right">70</div> |
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<div align="right"> |
<div align="right">30</div> |
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<div align="right"> |
<div align="right">43</div> |
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<div align="right"> |
<div align="right">21</div> |
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<div align="right"> |
<div align="right">30</div> |
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Open |
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[https://forum.librivox.org/viewtopic.php?f=26&t=64696 The Bamboo Garden] |
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<div align="right">20</div> |
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<div align="right">6</div> |
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<div align="right">30</div> |
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<div align="right">6</div> |
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<div align="right">30</div> |
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Line 777: | Line 677: | ||
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<div align="right"> |
<div align="right">110</div> |
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<div align="right"> |
<div align="right">33</div> |
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<div align="right"> |
<div align="right">30</div> |
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Line 805: | Line 705: | ||
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<div align="right"> |
<div align="right">5</div> |
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<div align="right"> |
<div align="right">33</div> |
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Line 824: | Line 724: | ||
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[https://forum.librivox.org/viewtopic.php?f= |
[https://forum.librivox.org/viewtopic.php?f=26&t=63865 Underneath the Bough: A Book of Verses] |
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<div align="right"> |
<div align="right">5</div> |
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<div align="right"> |
<div align="right">2</div> |
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<div align="right"> |
<div align="right">40</div> |
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<div align="right"> |
<div align="right">1</div> |
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<div align="right"> |
<div align="right">20</div> |
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=52351 Tabai al-Istibdad wa-Masari al-Isti’bad] |
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<div align="right"> |
<div align="right">11</div> |
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<div align="right"> |
<div align="right">9</div> |
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<div align="right"> |
<div align="right">82</div> |
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<div align="right"> |
<div align="right">2</div> |
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<div align="right"> |
<div align="right">18</div> |
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Open |
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Fully Subscribed |
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[https://forum.librivox.org/viewtopic.php?f= |
[https://forum.librivox.org/viewtopic.php?f=28&t=62794 The Child of the Moat] |
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<div align="right"> |
<div align="right">30</div> |
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<div align="right"> |
<div align="right">11</div> |
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<div align="right"> |
<div align="right">37</div> |
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<div align="right"> |
<div align="right">5</div> |
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<div align="right"> |
<div align="right">17</div> |
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Open |
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Fully Subscribed |
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Line 905: | Line 805: | ||
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<div align="right"> |
<div align="right">7</div> |
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<div align="right"> |
<div align="right">28</div> |
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=42569 Recollections of Old Liverpool by a Nonagenarian] |
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<div align="right"> |
<div align="right">20</div> |
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<div align="right"> |
<div align="right">5</div> |
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<div align="right"> |
<div align="right">25</div> |
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<div align="right"> |
<div align="right">2</div> |
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<div align="right">10</div> |
<div align="right">10</div> |
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Open |
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[https://forum.librivox.org/viewtopic.php?f=28&t=62832 Le Piacevoli Notti, Libro 2] |
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<div align="right">58</div> |
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<div align="right">18</div> |
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<div align="right">31</div> |
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<div align="right">5</div> |
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<div align="right">9</div> |
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Line 1,024: | Line 949: | ||
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=64619 Jo's Boys] |
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<div align="right"> |
<div align="right">82</div> |
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<div align="right"> |
<div align="right">53</div> |
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<div align="right"> |
<div align="right">65</div> |
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<div align="right"> |
<div align="right">6</div> |
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Line 1,105: | Line 1,030: | ||
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<div align="right"> |
<div align="right">13</div> |
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<div align="right">65</div> |
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Line 1,143: | Line 1,068: | ||
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Fully Subscribed |
Fully Subscribed |
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[https://forum.librivox.org/viewtopic.php?f=12&t=64573 Anything You Can Do] |
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<div align="right">6</div> |
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<div align="right">0</div> |
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<div align="right">0</div> |
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Open |
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=64692 Bel-Ami] |
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<div align="right"> |
<div align="right">18</div> |
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<div align="right"> |
<div align="right">18</div> |
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<div align="right"> |
<div align="right">100</div> |
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Line 1,217: | Line 1,167: | ||
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Fully Subscribed |
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Open |
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=64643 Birds and Nature, Vol. VIII No 3, October 1900] |
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<div align="right">23</div> |
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<div align="right">10</div> |
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<div align="right">43</div> |
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<div align="right">0</div> |
<div align="right">0</div> |
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Open |
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[https://forum.librivox.org/viewtopic.php?f=28&t=64689 Cowboy Songs and Other Frontier Ballads] |
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<div align="right">156</div> |
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<div align="right">33</div> |
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<div align="right">21</div> |
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Line 1,274: | Line 1,249: | ||
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=64166&p=1326320 Different Girls] |
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<div align="right"> |
<div align="right">13</div> |
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[https://forum.librivox.org/viewtopic.php?f= |
[https://forum.librivox.org/viewtopic.php?f=26&t=64006 Easter Hymns] |
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<div align="right"> |
<div align="right">63</div> |
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<div align="right"> |
<div align="right">9</div> |
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<div align="right"> |
<div align="right">14</div> |
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Line 1,324: | Line 1,299: | ||
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El Libro de Las Mil Noches y Una Noche Volumen 3 |
|||
[https://forum.librivox.org/viewtopic.php?f=28&t=64046&p=1323394 Happy Jack] |
|||
| |
| |
||
<div align="right"> |
<div align="right">10</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">10</div> |
||
| |
| |
||
Line 1,349: | Line 1,324: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=64578 Elsie Venner] |
||
| |
| |
||
<div align="right"> |
<div align="right">36</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">2</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">6</div> |
||
| |
| |
||
Line 1,367: | Line 1,342: | ||
| |
| |
||
Open |
|||
Fully Subscribed |
|||
| |
| |
||
Line 1,374: | Line 1,349: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f= |
[https://forum.librivox.org/viewtopic.php?f=28&t=64691 Het leven van Johannes Wouter Blommesteyn - deel 2] |
||
| |
| |
||
<div align="right"> |
<div align="right">17</div> |
||
| |
|||
<div align="right">17</div> |
|||
| |
|||
<div align="right">100</div> |
|||
| |
| |
||
Line 1,384: | Line 1,365: | ||
| |
| |
||
<div align="right">0</div> |
<div align="right">0</div> |
||
| |
|||
Fully Subscribed |
|||
| |
|||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?f=28&t=58013 History of the Thirty Years War, Volume 4] |
|||
| |
|||
<div align="right">4</div> |
|||
| |
|||
<div align="right">4</div> |
|||
| |
|||
<div align="right">100</div> |
|||
| |
| |
||
Line 1,392: | Line 1,392: | ||
| |
| |
||
Fully Subscribed |
|||
Open |
|||
| |
| |
||
Line 1,418: | Line 1,418: | ||
| |
| |
||
Fully Subscribed |
Fully Subscribed |
||
| |
|||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?f=28&t=64450 Lady Jane Grey and Her Times] |
|||
| |
|||
<div align="right">23</div> |
|||
| |
|||
<div align="right">2</div> |
|||
| |
|||
<div align="right">9</div> |
|||
| |
|||
| |
|||
<div align="right">0</div> |
|||
| |
|||
Open |
|||
| |
| |
||
Line 1,449: | Line 1,474: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=64745 Lost Diaries] |
||
| |
| |
||
<div align="right"> |
<div align="right">20</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">7</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">35</div> |
||
| |
| |
||
Line 1,467: | Line 1,492: | ||
| |
| |
||
Open |
|||
Fully Subscribed |
|||
| |
| |
||
Line 1,474: | Line 1,499: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=64281 Love Affairs of the Courts of Europe] |
||
| |
| |
||
<div align="right"> |
<div align="right">29</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">5</div> |
||
| |
|||
<div align="right">17</div> |
|||
| |
|||
| |
|||
<div align="right">0</div> |
|||
| |
|||
Open |
|||
| |
|||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?f=28&t=64694 Memoirs of the Author of A Vindication of the Rights of Woman] |
|||
| |
|||
<div align="right">10</div> |
|||
| |
|||
<div align="right">10</div> |
|||
| |
| |
||
Line 1,543: | Line 1,593: | ||
| |
| |
||
Fully Subscribed |
Fully Subscribed |
||
| |
|||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?f=28&t=64297 Mrs. Dymond] |
|||
| |
|||
<div align="right">48</div> |
|||
| |
|||
| |
|||
<div align="right">0</div> |
|||
| |
|||
| |
|||
<div align="right">0</div> |
|||
| |
|||
Open |
|||
| |
| |
||
Line 1,599: | Line 1,674: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f= |
[https://forum.librivox.org/viewtopic.php?f=26&t=64706 The Dream of the Red Chamber Book II] |
||
| |
| |
||
<div align="right"> |
<div align="right">63</div> |
||
| |
| |
||
<div align="right">11</div> |
|||
| |
| |
||
<div align="right"> |
<div align="right">0</div> |
||
| |
| |
||
Line 1,617: | Line 1,692: | ||
| |
| |
||
Open |
|||
Fully Subscribed |
|||
| |
| |
||
Line 1,624: | Line 1,699: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=64235&p=1328352 THE GOLD OF FAIRNILEE] |
||
| |
| |
||
<div align="right"> |
<div align="right">13</div> |
||
| |
| |
||
Line 1,649: | Line 1,724: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=64574 The History of Pendennis] |
||
| |
| |
||
<div align="right"> |
<div align="right">78</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">1</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">1</div> |
||
| |
| |
||
Line 1,667: | Line 1,742: | ||
| |
| |
||
Open |
|||
Fully Subscribed |
|||
| |
| |
||
Line 1,674: | Line 1,749: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=64433 The Little Minister] |
||
| |
| |
||
<div align="right"> |
<div align="right">46</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">2</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">4</div> |
||
| |
| |
||
Line 1,692: | Line 1,767: | ||
| |
| |
||
Open |
|||
Fully Subscribed |
|||
| |
| |
||
Line 1,699: | Line 1,774: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=64261 The Man Who Ended War] |
||
| |
| |
||
<div align="right"> |
<div align="right">20</div> |
||
| |
| |
||
Line 1,718: | Line 1,793: | ||
| |
| |
||
Open |
Open |
||
| |
|||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?f=28&t=64104&p=1324892 The Picture of Dorian Gray (version 4)] |
|||
| |
|||
<div align="right">19</div> |
|||
| |
|||
<div align="right">19</div> |
|||
| |
|||
<div align="right">100</div> |
|||
| |
|||
| |
|||
<div align="right">0</div> |
|||
| |
|||
Fully Subscribed |
|||
| |
| |
||
Line 1,768: | Line 1,868: | ||
| |
| |
||
Fully Subscribed |
Fully Subscribed |
||
| |
|||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?f=28&t=64627 The World’s Famous Orations, Vol. II: Rome] |
|||
| |
|||
<div align="right">29</div> |
|||
| |
|||
| |
|||
<div align="right">0</div> |
|||
| |
|||
| |
|||
<div align="right">0</div> |
|||
| |
|||
Open |
|||
| |
| |
||
Line 1,799: | Line 1,924: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f= |
[https://forum.librivox.org/viewtopic.php?f=26&t=64697 To The Common Golfer] |
||
| |
| |
||
<div align="right"> |
<div align="right">20</div> |
||
| |
| |
||
Line 1,824: | Line 1,949: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=64419 Twilight in Italy by DH Lawrence] |
||
| |
| |
||
Line 1,830: | Line 1,955: | ||
| |
| |
||
<div align="right"> |
<div align="right">10</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">100</div> |
||
| |
| |
||
Line 1,842: | Line 1,967: | ||
| |
| |
||
Fully Subscribed |
|||
Open |
|||
| |
| |
||
Line 1,849: | Line 1,974: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=62306 Universal Declaration of Human Rights Volume 4] |
||
| |
| |
||
<div align="right"> |
<div align="right">10</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">1</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">10</div> |
||
| |
| |
||
Line 1,867: | Line 1,992: | ||
| |
| |
||
Open |
|||
Fully Subscribed |
|||
| |
| |
||
Line 1,880: | Line 2,005: | ||
| |
| |
||
<div align="right">12</div> |
|||
| |
| |
||
<div align="right"> |
<div align="right">26</div> |
||
| |
| |
Revision as of 02:57, 30 March 2017
How to Use These Tables
Use the PL status table to see which projects do not currently have an assigned Dedicated Proof Listener (DPL).
Use the section status table to see which projects are currently underway, which ones are close to completion, which need just a couple of sections claimed to be fully subscribed, and so on.
For both tables, the project titles are links to the project thread.
To Sort - Click on the icon next to the column title to sort the table by that column. If you sort by sections claimed or completed, it will sort by the NUMBER of sections, not the percentage. Refresh the page to revert it to the default sort.
PL Status Table
Data current as of 29 March 8:30 pm CST
Project Name | Sections | Assigned | % | Completed | % | Status | DPL Name |
---|---|---|---|---|---|---|---|
40
|
40
|
100
|
37
|
93
|
Fully Subscribed |
| |
Antologia Brasileira, Coletânea em Prosa e Verso de Escritores Nacionais, Volume 1 |
75
|
74
|
99
|
69
|
92
|
Open |
|
39
|
36
|
92
|
35
|
90
|
Open |
| |
17
|
17
|
100
|
15
|
88
|
Fully Subscribed |
| |
30
|
30
|
100
|
25
|
83
|
Fully Subscribed |
| |
51
|
51
|
100
|
40
|
78
|
Fully Subscribed |
| |
8
|
8
|
100
|
6
|
75
|
Fully Subscribed |
| |
75
|
55
|
73
|
55
|
73
|
Open |
| |
24
|
17
|
71
|
17
|
71
|
Open |
| |
25
|
25
|
100
|
17
|
68
|
Fully Subscribed |
| |
37
|
27
|
73
|
24
|
65
|
Open |
| |
283
|
253
|
89
|
169
|
60
|
Open |
| |
14
|
14
|
100
|
7
|
50
|
Fully Subscribed |
| |
25
|
13
|
52
|
12
|
48
|
Open |
| |
15
|
15
|
100
|
7
|
47
|
Fully Subscribed |
| |
36
|
31
|
86
|
17
|
47
|
Open |
| |
15
|
9
|
60
|
7
|
47
|
Open |
| |
20
|
9
|
45
|
8
|
40
|
Open |
| |
14
|
14
|
100
|
5
|
36
|
Fully Subscribed |
| |
14
|
14
|
100
|
5
|
36
|
Fully Subscribed |
| |
11
|
11
|
100
|
4
|
36
|
Fully Subscribed |
| |
6
|
6
|
100
|
2
|
33
|
Fully Subscribed |
| |
22
|
16
|
73
|
7
|
32
|
Open |
| |
52
|
28
|
54
|
16
|
31
|
Open |
| |
70
|
30
|
43
|
21
|
30
|
Open |
| |
20
|
6
|
30
|
6
|
30
|
Open |
| |
110
|
33
|
30
|
23
|
21
|
Open |
| |
15
|
5
|
33
|
3
|
20
|
Open |
| |
5
|
2
|
40
|
1
|
20
|
Open |
| |
11
|
9
|
82
|
2
|
18
|
Open |
| |
30
|
11
|
37
|
5
|
17
|
Open |
| |
Corporal Cameron of the North West Mounted Police--A Tale of the Macleod Trial |
25
|
7
|
28
|
3
|
12
|
Open |
|
90
|
90
|
100
|
11
|
12
|
Fully Subscribed |
| |
30
|
3
|
10
|
3
|
10
|
Open |
| |
20
|
5
|
25
|
2
|
10
|
Open |
| |
58
|
18
|
31
|
5
|
9
|
Open |
| |
12
|
12
|
100
|
1
|
8
|
Fully Subscribed |
| |
82
|
53
|
65
|
6
|
7
|
Open |
| |
15
|
1
|
7
|
1
|
7
|
Open |
| |
18
|
10
|
56
|
1
|
6
|
Open |
| |
20
|
13
|
65
|
1
|
5
|
Open |
| |
18
|
18
|
100
|
|
0
|
Fully Subscribed |
| |
6
|
|
0
|
|
0
|
Open |
| |
59
|
1
|
2
|
|
0
|
Open |
| |
8
|
8
|
100
|
|
0
|
Fully Subscribed |
| |
18
|
18
|
100
|
|
0
|
Fully Subscribed |
| |
23
|
10
|
43
|
|
0
|
Open |
| |
156
|
33
|
21
|
|
0
|
Open |
| |
13
|
|
0
|
|
0
|
Open |
| |
13
|
|
0
|
|
0
|
Open |
| |
63
|
9
|
14
|
|
0
|
Open |
| |
El Libro de Las Mil Noches y Una Noche Volumen 3 |
10
|
10
|
100
|
|
0
|
Fully Subscribed |
|
36
|
2
|
6
|
|
0
|
Open |
| |
17
|
17
|
100
|
|
0
|
Fully Subscribed |
| |
4
|
4
|
100
|
|
0
|
Fully Subscribed |
| |
25
|
25
|
100
|
|
0
|
Fully Subscribed |
| |
23
|
2
|
9
|
|
0
|
Open |
| |
Little Busybodies: The Life of Crickets, Ants, Bees, and Others |
17
|
|
0
|
|
0
|
Open |
|
20
|
7
|
35
|
|
0
|
Open |
| |
29
|
5
|
17
|
|
0
|
Open |
| |
Memoirs of the Author of A Vindication of the Rights of Woman |
10
|
10
|
100
|
|
0
|
Fully Subscribed |
|
241
|
241
|
100
|
|
0
|
Fully Subscribed |
| |
36
|
36
|
100
|
|
0
|
Fully Subscribed |
| |
48
|
|
0
|
|
0
|
Open |
| |
30
|
30
|
100
|
|
0
|
Fully Subscribed |
| |
14
|
14
|
100
|
|
0
|
Fully Subscribed |
| |
63
|
|
0
|
|
0
|
Open |
| |
13
|
|
0
|
|
0
|
Open |
| |
78
|
1
|
1
|
|
0
|
Open |
| |
46
|
2
|
4
|
|
0
|
Open |
| |
20
|
|
0
|
|
0
|
Open |
| |
19
|
19
|
100
|
|
0
|
Fully Subscribed |
| |
34
|
|
0
|
|
0
|
Open |
| |
33
|
33
|
100
|
|
0
|
Fully Subscribed |
| |
29
|
|
0
|
|
0
|
Open |
| |
29
|
1
|
3
|
|
0
|
Open |
| |
20
|
|
0
|
|
0
|
Open |
| |
10
|
10
|
100
|
|
0
|
Fully Subscribed |
| |
10
|
1
|
10
|
|
0
|
Open |
| |
47
|
12
|
26
|
|
0
|
Open |
|
Section Status Table
Data current as of 25 February 7.00 pm CST
Project Name | Sections | Assigned | % | Completed | % | Status |
---|---|---|---|---|---|---|
15
|
15
|
100
|
13
|
87
|
Proof Listening | |
1
|
1
|
100
|
|
0
|
Proof Listening | |
28
|
28
|
100
|
26
|
93
|
Proof Listening | |
4
|
4
|
100
|
4
|
100
|
Proof Listening | |
16
|
16
|
100
|
7
|
44
|
Proof Listening | |
39
|
39
|
100
|
39
|
100
|
Proof Listening | |
18
|
18
|
100
|
14
|
78
|
Proof Listening | |
89
|
89
|
100
|
42
|
47
|
Proof Listening | |
25
|
25
|
100
|
23
|
92
|
Proof Listening | |
28
|
27
|
96
|
15
|
54
|
Open | |
25
|
24
|
96
|
11
|
44
|
Open | |
51
|
49
|
96
|
26
|
51
|
Open | |
113
|
107
|
95
|
74
|
65
|
Open | |
84
|
80
|
95
|
80
|
95
|
Open | |
40
|
38
|
95
|
35
|
88
|
Open | |
150
|
142
|
95
|
125
|
83
|
Open | |
66
|
62
|
94
|
21
|
32
|
Open | |
36
|
34
|
94
|
29
|
81
|
Open | |
18
|
17
|
94
|
15
|
83
|
Open | |
88
|
82
|
93
|
70
|
80
|
Open | |
28
|
26
|
93
|
15
|
54
|
Open | |
81
|
75
|
93
|
59
|
73
|
Open | |
26
|
24
|
92
|
19
|
73
|
Open | |
39
|
36
|
92
|
33
|
85
|
Open | |
226
|
209
|
92
|
99
|
44
|
Open | |
12
|
11
|
92
|
2
|
17
|
Open | |
312
|
284
|
91
|
137
|
44
|
Open | |
51
|
46
|
90
|
45
|
88
|
Open | |
18
|
16
|
89
|
15
|
83
|
Open | |
37
|
33
|
89
|
28
|
76
|
Open | |
283
|
253
|
89
|
167
|
59
|
Open | |
26
|
23
|
88
|
15
|
58
|
Open | |
16
|
14
|
88
|
8
|
50
|
Open | |
Potash and Perlmutter: Their Copartnership Ventures and Adventures |
17
|
15
|
88
|
13
|
76
|
Open |
48
|
42
|
88
|
33
|
69
|
Open | |
17
|
15
|
88
|
13
|
76
|
Open | |
Abraham Lincoln and the Abolition of Slavery in the United States |
14
|
12
|
86
|
10
|
71
|
Open |
Lives of the Most Eminent Painters, Sculptors and Architects Volume 5 |
28
|
24
|
86
|
21
|
75
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Open |
88
|
76
|
86
|
66
|
75
|
Open | |
36
|
31
|
86
|
8
|
22
|
Open | |
20
|
17
|
85
|
17
|
85
|
Open | |
250
|
212
|
85
|
187
|
75
|
Open | |
20
|
17
|
85
|
17
|
85
|
Open | |
38
|
32
|
84
|
17
|
45
|
Open | |
24
|
20
|
83
|
14
|
58
|
Open | |
41
|
34
|
83
|
22
|
54
|
Open | |
23
|
19
|
83
|
7
|
30
|
Open | |
11
|
9
|
82
|
2
|
18
|
Open | |
67
|
55
|
82
|
34
|
51
|
Open | |
33
|
27
|
82
|
8
|
24
|
Open | |
120
|
97
|
81
|
27
|
23
|
Open | |
62
|
50
|
81
|
44
|
71
|
Open | |
27
|
22
|
81
|
6
|
22
|
Open | |
20
|
16
|
80
|
6
|
30
|
Open | |
45
|
36
|
80
|
19
|
42
|
Open | |
25
|
20
|
80
|
17
|
68
|
Open | |
14
|
11
|
79
|
8
|
57
|
Open | |
82
|
65
|
79
|
52
|
63
|
Open | |
26
|
20
|
77
|
12
|
46
|
Open | |
30
|
23
|
77
|
19
|
63
|
Open | |
132
|
101
|
77
|
83
|
63
|
Open | |
87
|
67
|
77
|
54
|
62
|
Open | |
25
|
19
|
76
|
6
|
24
|
Open | |
25
|
19
|
76
|
8
|
32
|
Open | |
Little Busybodies: The Life of Crickets, Ants, Bees, and Others |
17
|
13
|
76
|
10
|
59
|
Open |
20
|
15
|
75
|
10
|
50
|
Open | |
48
|
36
|
75
|
19
|
40
|
Open | |
123
|
92
|
75
|
75
|
61
|
Open | |
151
|
111
|
74
|
86
|
57
|
Open | |
27
|
20
|
74
|
19
|
70
|
Open | |
75
|
55
|
73
|
54
|
72
|
Open | |
37
|
27
|
73
|
24
|
65
|
Open | |
25
|
18
|
72
|
15
|
60
|
Open | |
24
|
17
|
71
|
17
|
71
|
Open | |
42
|
30
|
71
|
25
|
60
|
Open | |
102
|
72
|
71
|
62
|
61
|
Open | |
7
|
5
|
71
|
3
|
43
|
Open | |
10
|
7
|
70
|
6
|
60
|
Open | |
23
|
16
|
70
|
12
|
52
|
Open | |
69
|
48
|
70
|
37
|
54
|
Open | |
125
|
88
|
70
|
63
|
50
|
Open | |
39
|
27
|
69
|
14
|
36
|
Open | |
25
|
17
|
68
|
13
|
52
|
Open | |
50
|
34
|
68
|
25
|
50
|
Open | |
12
|
8
|
67
|
1
|
8
|
Open | |
914
|
611
|
67
|
299
|
33
|
Open | |
18
|
12
|
67
|
7
|
39
|
Open | |
104
|
69
|
66
|
56
|
54
|
Open | |
180
|
118
|
66
|
90
|
50
|
Open | |
17
|
11
|
65
|
2
|
12
|
Open | |
20
|
13
|
65
|
13
|
65
|
Open | |
14
|
9
|
64
|
9
|
64
|
Open | |
72
|
46
|
64
|
38
|
53
|
Open | |
67
|
42
|
63
|
37
|
55
|
Open | |
112
|
71
|
63
|
64
|
57
|
Open | |
27
|
17
|
63
|
13
|
48
|
Open | |
43
|
27
|
63
|
23
|
53
|
Open | |
24
|
15
|
63
|
11
|
46
|
Open | |
26
|
16
|
62
|
15
|
58
|
Open | |
29
|
18
|
62
|
15
|
52
|
Open | |
59
|
36
|
61
|
26
|
44
|
Open | |
28
|
17
|
61
|
9
|
32
|
Open | |
41
|
25
|
61
|
10
|
24
|
Open | |
5
|
3
|
60
|
1
|
20
|
Open | |
25
|
15
|
60
|
10
|
40
|
Open | |
43
|
26
|
60
|
22
|
51
|
Open | |
15
|
9
|
60
|
7
|
47
|
Open | |
54
|
32
|
59
|
24
|
44
|
Open | |
83
|
49
|
59
|
13
|
16
|
Open | |
12
|
7
|
58
|
1
|
8
|
Open | |
27
|
15
|
56
|
12
|
44
|
Open | |
36
|
20
|
56
|
12
|
33
|
Open | |
41
|
23
|
56
|
5
|
12
|
Open | |
48
|
27
|
56
|
|
0
|
Open | |
39
|
22
|
56
|
9
|
23
|
Open | |
18
|
10
|
56
|
1
|
6
|
Open | |
49
|
27
|
55
|
19
|
39
|
Open | |
20
|
11
|
55
|
|
0
|
Open | |
20
|
11
|
55
|
11
|
55
|
Open | |
13
|
7
|
54
|
1
|
8
|
Open | |
24
|
13
|
54
|
7
|
29
|
Open | |
13
|
7
|
54
|
2
|
15
|
Open | |
26
|
14
|
54
|
5
|
19
|
Open | |
59
|
31
|
53
|
28
|
47
|
Open | |
30
|
16
|
53
|
12
|
40
|
Open | |
127
|
67
|
53
|
60
|
47
|
Open | |
25
|
13
|
52
|
12
|
48
|
Open | |
12
|
6
|
50
|
5
|
42
|
Open | |
20
|
10
|
50
|
10
|
50
|
Open | |
50
|
24
|
48
|
3
|
6
|
Open | |
Criminal Investigation: a Practical Handbook for Magistrates, Police Officers and Lawyers, Volume 3 |
33
|
16
|
48
|
11
|
33
|
Open |
58
|
28
|
48
|
20
|
34
|
Open | |
31
|
15
|
48
|
9
|
29
|
Open | |
20
|
9
|
45
|
8
|
40
|
Open | |
60
|
27
|
45
|
3
|
5
|
Open | |
20
|
9
|
45
|
8
|
40
|
Open | |
16
|
7
|
44
|
|
0
|
Open | |
60
|
25
|
42
|
22
|
37
|
Open | |
Melor of the Silver Hand; and Other Stories of the Bright Ages |
19
|
8
|
42
|
2
|
11
|
Open |
43
|
17
|
40
|
3
|
7
|
Open | |
31
|
12
|
39
|
3
|
10
|
Open | |
55
|
21
|
38
|
13
|
24
|
Open | |
27
|
10
|
37
|
|
0
|
Open | |
52
|
18
|
35
|
13
|
25
|
Open | |
51
|
17
|
33
|
5
|
10
|
Open | |
30
|
10
|
33
|
3
|
10
|
Open | |
76
|
24
|
32
|
7
|
9
|
Open | |
22
|
7
|
32
|
2
|
9
|
Open | |
58
|
18
|
31
|
4
|
7
|
Open | |
70
|
22
|
31
|
18
|
26
|
Open | |
20
|
6
|
30
|
1
|
5
|
Open | |
100
|
29
|
29
|
20
|
20
|
Open | |
109
|
30
|
28
|
19
|
17
|
Open | |
109
|
31
|
28
|
23
|
21
|
Open | |
15
|
4
|
27
|
3
|
20
|
Open | |
33
|
9
|
27
|
8
|
24
|
Open | |
180
|
48
|
27
|
41
|
23
|
Open | |
27
|
7
|
26
|
3
|
11
|
Open | |
8
|
2
|
25
|
2
|
25
|
Open | |
22
|
5
|
23
|
1
|
5
|
Open | |
18
|
4
|
22
|
3
|
17
|
Open | |
28
|
6
|
21
|
|
0
|
Open | |
Corporal Cameron of the North West Mounted Police--A Tale of the Macleod Trial |
25
|
5
|
20
|
3
|
12
|
Open |
20
|
4
|
20
|
3
|
15
|
Open | |
25
|
5
|
20
|
3
|
12
|
Open | |
48
|
9
|
19
|
9
|
19
|
Open | |
11
|
2
|
18
|
|
0
|
Open | |
Meridiana: The adventures of three Englishmen and three Russians in South Africa |
23
|
4
|
17
|
|
0
|
Open |
118
|
20
|
17
|
2
|
2
|
Open | |
25
|
4
|
16
|
|
0
|
Open | |
56
|
9
|
16
|
1
|
2
|
Open | |
61
|
10
|
16
|
9
|
15
|
Open | |
44
|
6
|
14
|
2
|
5
|
Open | |
14
|
2
|
14
|
2
|
14
|
Open | |
35
|
5
|
14
|
4
|
11
|
Open | |
102
|
12
|
12
|
2
|
2
|
Open | |
33
|
4
|
12
|
|
0
|
Open | |
18
|
2
|
11
|
1
|
6
|
Open | |
30
|
3
|
10
|
3
|
10
|
Open | |
10
|
1
|
10
|
|
0
|
Open | |
13
|
1
|
8
|
1
|
8
|
Open | |
PEEPS AT PEOPLE - Being Certain Papers from the Writings of ANNE WARRINGTON WITHERUP |
12
|
1
|
8
|
|
0
|
Open |
38
|
3
|
8
|
2
|
5
|
Open | |
15
|
1
|
7
|
|
0
|
Open | |
15
|
1
|
7
|
1
|
7
|
Open | |
33
|
2
|
6
|
1
|
3
|
Open | |
44
|
2
|
5
|
1
|
2
|
Open | |
75
|
3
|
4
|
|
0
|
Open | |
25
|
1
|
4
|
|
0
|
Open | |
33
|
1
|
3
|
|
0
|
Open | |
29
|
1
|
3
|
|
0
|
Open | |
59
|
1
|
2
|
|
0
|
Open | |
13
|
|
0
|
|
0
|
Open | |
13
|
|
0
|
|
0
|
Open | |
16
|
|
0
|
|
0
|
Open | |
33
|
|
0
|
|
0
|
Open | |
82
|
|
0
|
|
0
|
Open | |
Little Busybodies: The Life of Crickets, Ants, Bees, and Others |
17
|
|
0
|
|
0
|
Open |
25
|
|
0
|
|
0
|
Open | |
77
|
|
0
|
|
0
|
Open | |
26
|
|
0
|
|
0
|
Open | |
14
|
|
0
|
|
0
|
Open | |
34
|
|
0
|
|
0
|
Open | |
31
|
|
0
|
|
0
|
Open | |
47
|
|
0
|
|
0
|
Open | |
35
|
35
|
100
|
6
|
17
|
Fully Subscribed | |
15
|
15
|
100
|
1
|
7
|
Fully Subscribed | |
28
|
28
|
100
|
9
|
32
|
Fully Subscribed | |
88
|
88
|
100
|
4
|
5
|
Fully Subscribed | |
11
|
11
|
100
|
|
0
|
Fully Subscribed | |
18
|
18
|
100
|
|
0
|
Fully Subscribed | |
20
|
20
|
100
|
14
|
70
|
Fully Subscribed | |
71
|
71
|
100
|
58
|
82
|
Fully Subscribed | |
20
|
20
|
100
|
1
|
5
|
Fully Subscribed | |
52
|
52
|
100
|
51
|
98
|
Fully Subscribed | |
24
|
24
|
100
|
15
|
63
|
Fully Subscribed | |
30
|
30
|
100
|
7
|
23
|
Fully Subscribed | |
20
|
20
|
100
|
|
0
|
Fully Subscribed | |
30
|
30
|
100
|
13
|
43
|
Fully Subscribed | |
30
|
30
|
100
|
2
|
7
|
Fully Subscribed | |
40
|
40
|
100
|
35
|
88
|
Fully Subscribed | |
4
|
4
|
100
|
2
|
50
|
Fully Subscribed | |
Anting-Anting Stories And Other Strange Tales of the Filipinos |
13
|
13
|
100
|
7
|
54
|
Fully Subscribed |
Antologia Brasileira, Coletânea em Prosa e Verso de Escritores Nacionais, Volume 1 |
75
|
75
|
100
|
67
|
89
|
Fully Subscribed |
8
|
8
|
100
|
4
|
50
|
Fully Subscribed | |
8
|
8
|
100
|
|
0
|
Fully Subscribed | |
45
|
45
|
100
|
14
|
31
|
Fully Subscribed | |
21
|
21
|
100
|
8
|
38
|
Fully Subscribed | |
53
|
53
|
100
|
32
|
60
|
Fully Subscribed | |
30
|
30
|
100
|
8
|
27
|
Fully Subscribed | |
Beacon Lights of History, Volume 6: Renaissance and Reformation |
25
|
25
|
100
|
9
|
36
|
Fully Subscribed |
261
|
260
|
100
|
233
|
89
|
Fully Subscribed | |
27
|
27
|
100
|
15
|
56
|
Fully Subscribed | |
150
|
150
|
100
|
33
|
22
|
Fully Subscribed | |
24
|
24
|
100
|
16
|
67
|
Fully Subscribed | |
21
|
21
|
100
|
11
|
52
|
Fully Subscribed | |
44
|
44
|
100
|
43
|
98
|
Fully Subscribed | |
35
|
35
|
100
|
6
|
17
|
Fully Subscribed | |
59
|
59
|
100
|
37
|
63
|
Fully Subscribed | |
67
|
67
|
100
|
48
|
72
|
Fully Subscribed | |
49
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|
100
|
13
|
57
|
Fully Subscribed | |
14
|
14
|
100
|
8
|
57
|
Fully Subscribed | |
31
|
31
|
100
|
29
|
94
|
Fully Subscribed | |
24
|
24
|
100
|
12
|
50
|
Fully Subscribed | |
21
|
21
|
100
|
6
|
29
|
Fully Subscribed | |
19
|
19
|
100
|
2
|
11
|
Fully Subscribed | |
48
|
48
|
100
|
45
|
94
|
Fully Subscribed | |
The Mummy and Miss Nitocris: A Phantasy of the Fourth Dimension |
27
|
27
|
100
|
5
|
19
|
Fully Subscribed |
The National Geographic Magazine Vol. 07 - 11. November 1896 |
5
|
5
|
100
|
3
|
60
|
Fully Subscribed |
12
|
12
|
100
|
1
|
8
|
Fully Subscribed | |
17
|
17
|
100
|
13
|
76
|
Fully Subscribed | |
39
|
39
|
100
|
7
|
18
|
Fully Subscribed | |
124
|
124
|
100
|
113
|
91
|
Fully Subscribed | |
19
|
19
|
100
|
|
0
|
Fully Subscribed | |
25
|
25
|
100
|
5
|
20
|
Fully Subscribed | |
33
|
33
|
100
|
7
|
21
|
Fully Subscribed | |
10
|
10
|
100
|
7
|
70
|
Fully Subscribed | |
20
|
20
|
100
|
17
|
85
|
Fully Subscribed | |
8
|
8
|
100
|
3
|
38
|
Fully Subscribed | |
25
|
25
|
100
|
19
|
76
|
Fully Subscribed | |
22
|
22
|
100
|
17
|
77
|
Fully Subscribed | |
27
|
27
|
100
|
24
|
89
|
Fully Subscribed | |
8
|
8
|
100
|
5
|
63
|
Fully Subscribed | |
54
|
54
|
100
|
31
|
57
|
Fully Subscribed | |
10
|
10
|
100
|
4
|
40
|
Fully Subscribed | |
The Sikh Religion: Its Gurus, Sacred Writings and Authors, Volume 4 |
44
|
44
|
100
|
6
|
14
|
Fully Subscribed |
73
|
73
|
100
|
62
|
85
|
Fully Subscribed | |
The Sorrows of Satan - Or, the Strange Experience of One Geoffrey Tempest, Millionaire |
42
|
42
|
100
|
19
|
45
|
Fully Subscribed |
26
|
26
|
100
|
10
|
38
|
Fully Subscribed | |
49
|
49
|
100
|
48
|
98
|
Fully Subscribed | |
22
|
22
|
100
|
20
|
91
|
Fully Subscribed | |
The Stories Polly Pepper Told to the Five Little Peppers in the Little Brown House |
26
|
26
|
100
|
16
|
62
|
Fully Subscribed |
35
|
35
|
100
|
|
0
|
Fully Subscribed | |
41
|
41
|
100
|
30
|
73
|
Fully Subscribed | |
91
|
91
|
100
|
87
|
96
|
Fully Subscribed | |
31
|
31
|
100
|
27
|
87
|
Fully Subscribed | |
11
|
11
|
100
|
1
|
9
|
Fully Subscribed | |
18
|
18
|
100
|
14
|
78
|
Fully Subscribed | |
34
|
34
|
100
|
26
|
76
|
Fully Subscribed | |
23
|
23
|
100
|
20
|
87
|
Fully Subscribed | |
5
|
5
|
100
|
|
0
|
Fully Subscribed | |
109
|
109
|
100
|
61
|
56
|
Fully Subscribed | |
12
|
12
|
100
|
10
|
83
|
Fully Subscribed | |
33
|
33
|
100
|
|
0
|
Fully Subscribed | |
The Well at the World's End: Book 3: The Road to The Well at the World's End |
22
|
22
|
100
|
17
|
77
|
Fully Subscribed |
142
|
142
|
100
|
13
|
9
|
Fully Subscribed | |
26
|
26
|
100
|
7
|
27
|
Fully Subscribed | |
12
|
12
|
100
|
4
|
33
|
Fully Subscribed | |
17
|
17
|
100
|
7
|
41
|
Fully Subscribed | |
90
|
90
|
100
|
11
|
12
|
Fully Subscribed | |
16
|
16
|
100
|
2
|
13
|
Fully Subscribed | |
67
|
67
|
100
|
40
|
60
|
Fully Subscribed | |
39
|
39
|
100
|
|
0
|
Fully Subscribed | |
10
|
10
|
100
|
5
|
50
|
Fully Subscribed | |
45
|
45
|
100
|
4
|
9
|
Fully Subscribed | |
13
|
13
|
100
|
7
|
54
|
Fully Subscribed | |
71
|
71
|
100
|
26
|
37
|
Fully Subscribed | |
96
|
96
|
100
|
37
|
39
|
Fully Subscribed | |
24
|
24
|
100
|
3
|
13
|
Fully Subscribed | |
29
|
29
|
100
|
22
|
76
|
Fully Subscribed | |
55
|
55
|
100
|
3
|
5
|
Fully Subscribed | |
When Lighthouses are Dark: a Story of a Lake Superior Island |
33
|
33
|
100
|
|
0
|
Fully Subscribed |
28
|
28
|
100
|
20
|
71
|
Fully Subscribed | |
30
|
30
|
100
|
27
|
90
|
Fully Subscribed | |
68
|
68
|
100
|
53
|
78
|
Fully Subscribed | |
33
|
33
|
100
|
29
|
88
|
Fully Subscribed | |
9
|
9
|
100
|
3
|
33
|
Fully Subscribed | |
22
|
22
|
100
|
4
|
18
|
Fully Subscribed | |
Разсказы для детей и взрослых (Short Stories for Children and Adults) |
22
|
22
|
100
|
5
|
23
|
Fully Subscribed |
8
|
8
|
100
|
6
|
75
|
Fully Subscribed | |
400
|
391
|
98
|
376
|
94
|
Fully Subscribed | |
123
|
114
|
93
|
98
|
80
|
Fully Subscribed | |
141
|
74
|
52
|
72
|
51
|
Fully Subscribed |
How to Update This Status Table
(Instructions are using Windows, Excel and OpenOffice.)
- Go to the Stats / Status Table report (link in MC/admin area)
- Sort the status table by "status"
- Copy the open and fully subscribed lines (not the HTML, but simply the page with Ctrl+A Ctrl+C) into an Excel document
- Delete any unwanted columns (DPL / MC) and rows
- Make all other columns (except Title) center (select columns and then click the paragraph centering button)
- Top justify all cells
- Sort by title column
- Copy data to Open Office
- Export it to MediaWiki.txt (File/Export)
- Open the txt file in Notepad
- Replace all 100 with <font color="#00cc00">100%</font> (optional)
- Copy everything AFTER <center>Status</center>
- Highlight the Wiki code AFTER <center>Status</center>
- Paste into the Wiki
- Change data date and time to reflect current update
- Preview to make sure non-English characters show up all right. If they don't, repeat from step 8, as this is usually where the error happens.