Project Status Table: Difference between revisions
Line 11: | Line 11: | ||
== PL Status Table == |
== PL Status Table == |
||
Data current as of |
Data current as of 18 February 5.00 pm CST |
||
{| class="wikitable sortable" |
{| class="wikitable sortable" |
||
Line 24: | Line 24: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t=63144 Het leven van Johannes Wouter Blommesteyn - deel 1] |
|||
Antologia Brasileira, Coletânea em Prosa e Verso de Escritores Nacionais, Volume 1 |
|||
| |
| |
||
<div align="right"> |
<div align="right">21</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">21</div> |
||
| |
| |
||
Line 36: | Line 36: | ||
| |
| |
||
<div align="right"> |
<div align="right">20</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">95</div> |
||
| |
| |
||
Line 49: | Line 49: | ||
|- |
|- |
||
| |
| |
||
Antologia Brasileira, Coletânea em Prosa e Verso de Escritores Nacionais, Volume 1 |
|||
[https://forum.librivox.org/viewtopic.php?f=28&t=63144 Het leven van Johannes Wouter Blommesteyn - deel 1] |
|||
| |
| |
||
<div align="right"> |
<div align="right">75</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">75</div> |
||
| |
| |
||
Line 61: | Line 61: | ||
| |
| |
||
<div align="right"> |
<div align="right">67</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">89</div> |
||
| |
| |
||
Line 74: | Line 74: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=63358 Biographia Literaria] |
||
| |
| |
||
<div align="right"> |
<div align="right">26</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">26</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">100</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">23</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">88</div> |
||
| |
| |
||
Fully Subscribed |
|||
Open |
|||
| |
| |
||
Line 99: | Line 99: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=60062 One-Act Play Collection 009] |
||
| |
| |
||
<div align="right"> |
<div align="right">77</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">77</div> |
||
| |
| |
||
Line 111: | Line 111: | ||
| |
| |
||
<div align="right"> |
<div align="right">67</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">87</div> |
||
| |
| |
||
Line 174: | Line 174: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=61784 The New Physics and Its Evolution] |
||
| |
| |
||
<div align="right"> |
<div align="right">17</div> |
||
| |
| |
||
Line 183: | Line 183: | ||
| |
| |
||
<div align="right"> |
<div align="right">100</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">13</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">76</div> |
||
| |
| |
||
Fully Subscribed |
|||
Open |
|||
| |
| |
||
Line 199: | Line 199: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=62850 סיפורים (Stories)] |
||
| |
| |
||
<div align="right"> |
<div align="right">8</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">8</div> |
||
| |
| |
||
Line 211: | Line 211: | ||
| |
| |
||
<div align="right"> |
<div align="right">6</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">75</div> |
||
| |
| |
||
Line 224: | Line 224: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=58691 Microphone Showdown 3] |
||
| |
| |
||
<div align="right"> |
<div align="right">75</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">55</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">73</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">54</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">72</div> |
||
| |
| |
||
Open |
|||
Fully Subscribed |
|||
| |
| |
||
Line 249: | Line 249: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=61979 Social Statics] |
||
| |
| |
||
<div align="right"> |
<div align="right">40</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">36</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">90</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">28</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">70</div> |
||
| |
| |
||
Line 274: | Line 274: | ||
|- |
|- |
||
| |
| |
||
[ |
[https://forum.librivox.org/viewtopic.php?f=28&t=64032 The New Colossus, Version 2] |
||
| |
| |
||
<div align="right"> |
<div align="right">20</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">14</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">70</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">14</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">70</div> |
||
| |
| |
||
Open |
|||
Fully Subscribed |
|||
| |
| |
||
Line 299: | Line 299: | ||
|- |
|- |
||
| |
| |
||
[ |
[http://librivox.org/forum/viewtopic.php?p=335808 The Great Stone of Sardis] |
||
| |
| |
||
<div align="right"> |
<div align="right">25</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">25</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">100</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">17</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">68</div> |
||
| |
| |
||
Fully Subscribed |
|||
Open |
|||
| |
| |
||
Line 324: | Line 324: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=60354 Hunting In Many Lands] |
||
| |
| |
||
<div align="right"> |
<div align="right">24</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">19</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">79</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">16</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">67</div> |
||
| |
| |
||
Line 374: | Line 374: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=59471 The Spanish Brothers] |
||
| |
| |
||
<div align="right"> |
<div align="right">283</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">253</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">89</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">158</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">56</div> |
||
| |
| |
||
Open |
|||
Fully Subscribed |
|||
| |
| |
||
Line 399: | Line 399: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=52101 The Betrothed (version 2 Dramatic Reading)] |
||
| |
| |
||
<div align="right"> |
<div align="right">180</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">107</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">59</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">90</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">50</div> |
||
| |
| |
||
Line 424: | Line 424: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=43453 The Journal of John Woolman] |
||
| |
| |
||
<div align="right"> |
<div align="right">14</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">14</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">100</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">7</div> |
||
| |
| |
||
Line 442: | Line 442: | ||
| |
| |
||
Fully Subscribed |
|||
Open |
|||
| |
| |
||
Line 449: | Line 449: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=49287 I Racconti delle Fate] |
||
| |
| |
||
<div align="right"> |
<div align="right">15</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">15</div> |
||
| |
| |
||
Line 464: | Line 464: | ||
| |
| |
||
<div align="right"> |
<div align="right">47</div> |
||
| |
| |
||
Line 474: | Line 474: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=62644 Miss Sara Sampson] |
||
| |
| |
||
<div align="right"> |
<div align="right">51</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">43</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">84</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">24</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">47</div> |
||
| |
| |
||
Line 499: | Line 499: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=62136 The Little Colonel's Knight Comes Riding] |
||
| |
| |
||
Line 505: | Line 505: | ||
| |
| |
||
<div align="right"> |
<div align="right">9</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">60</div> |
||
| |
| |
||
Line 517: | Line 517: | ||
| |
| |
||
Open |
|||
Fully Subscribed |
|||
| |
| |
||
Line 549: | Line 549: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=63420 Short Story Collection Vol 066] |
||
| |
| |
||
<div align="right"> |
<div align="right">20</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">8</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">40</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">8</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">40</div> |
||
| |
| |
||
Open |
Open |
||
| |
|||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?t=63238 The Princess Pourquoi] |
|||
| |
|||
<div align="right">10</div> |
|||
| |
|||
<div align="right">10</div> |
|||
| |
|||
<div align="right">100</div> |
|||
| |
|||
<div align="right">4</div> |
|||
| |
|||
<div align="right">40</div> |
|||
| |
|||
Fully Subscribed |
|||
| |
| |
||
Line 674: | Line 699: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=63850 Women of Achievement] |
||
| |
| |
||
<div align="right"> |
<div align="right">7</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">4</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">57</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">2</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">29</div> |
||
| |
| |
||
Line 699: | Line 724: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=64033 To His Mistress Going to Bed] |
||
| |
| |
||
<div align="right"> |
<div align="right">20</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">5</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">25</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">5</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">25</div> |
||
| |
| |
||
Line 774: | Line 799: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=61525 Leonorenlieder] |
||
| |
| |
||
<div align="right"> |
<div align="right">52</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">18</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">35</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">10</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">19</div> |
||
| |
| |
||
Open |
|||
Fully Subscribed |
|||
| |
| |
||
Line 968: | Line 993: | ||
| |
| |
||
Fully Subscribed |
Fully Subscribed |
||
| |
|||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?f=28&t=63111&p=1301528 Why do we need a public library?] |
|||
| |
|||
<div align="right">25</div> |
|||
| |
|||
<div align="right">5</div> |
|||
| |
|||
<div align="right">20</div> |
|||
| |
|||
<div align="right">2</div> |
|||
| |
|||
<div align="right">8</div> |
|||
| |
|||
Open |
|||
| |
| |
||
Line 1,005: | Line 1,005: | ||
| |
| |
||
<div align="right"> |
<div align="right">18</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">31</div> |
||
| |
| |
||
Line 1,074: | Line 1,074: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=63913 The Fireside Chats] |
||
| |
| |
||
<div align="right"> |
<div align="right">36</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">10</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">28</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">2</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">6</div> |
||
| |
| |
||
Line 1,105: | Line 1,105: | ||
| |
| |
||
<div align="right"> |
<div align="right">6</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">30</div> |
||
| |
| |
||
Line 1,124: | Line 1,124: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php? |
[https://forum.librivox.org/viewtopic.php?p=1170142 A Prefect's Uncle] |
||
| |
| |
||
<div align="right"> |
<div align="right">18</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">18</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">100</div> |
||
| |
| |
||
<div align="right">1</div> |
|||
| |
| |
||
<div align="right"> |
<div align="right">0</div> |
||
| |
| |
||
Fully Subscribed |
|||
Open |
|||
| |
| |
||
Line 1,149: | Line 1,149: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php? |
[https://forum.librivox.org/viewtopic.php?f=28&t=64137 An Entirely New Feature of a Thrilling Novel! Entitled, The Social War of the year 1900; or, The Conspirators and Lovers!] |
||
| |
| |
||
<div align="right"> |
<div align="right">101</div> |
||
| |
| |
||
<div align="right">18</div> |
|||
| |
| |
||
<div align="right"> |
<div align="right">0</div> |
||
| |
| |
||
Line 1,167: | Line 1,167: | ||
| |
| |
||
Open |
|||
Fully Subscribed |
|||
| |
| |
||
Line 1,174: | Line 1,174: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f= |
[https://forum.librivox.org/viewtopic.php?f=28&t=63430 Animal Heroes] |
||
| |
| |
||
<div align="right"> |
<div align="right">27</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">9</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">33</div> |
||
| |
| |
||
Line 1,199: | Line 1,199: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=64080 April's Lady: A Novel] |
||
| |
| |
||
<div align="right"> |
<div align="right">59</div> |
||
| |
| |
||
<div align="right">7</div> |
|||
| |
| |
||
<div align="right"> |
<div align="right">0</div> |
||
| |
| |
||
Line 1,249: | Line 1,249: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=64106 Der Doppelgänger] |
||
| |
| |
||
<div align="right"> |
<div align="right">13</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">13</div> |
||
| |
| |
||
Line 1,274: | Line 1,274: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=64078 Edmond Dantès] |
||
| |
| |
||
<div align="right"> |
<div align="right">33</div> |
||
| |
| |
||
<div align="right">21</div> |
|||
| |
| |
||
<div align="right"> |
<div align="right">0</div> |
||
| |
| |
||
Line 1,292: | Line 1,292: | ||
| |
| |
||
Open |
|||
Fully Subscribed |
|||
| |
| |
||
Line 1,299: | Line 1,299: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=64131 Eleven Possible Cases] |
||
| |
| |
||
<div align="right"> |
<div align="right">28</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">6</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">21</div> |
||
| |
| |
||
Line 1,324: | Line 1,324: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f= |
[https://forum.librivox.org/viewtopic.php?f=28&t=64046&p=1323394 Happy Jack] |
||
| |
| |
||
<div align="right"> |
<div align="right">11</div> |
||
| |
|||
<div align="right">11</div> |
|||
| |
|||
<div align="right">100</div> |
|||
| |
| |
||
Line 1,334: | Line 1,340: | ||
| |
| |
||
<div align="right">0</div> |
<div align="right">0</div> |
||
| |
|||
Fully Subscribed |
|||
| |
|||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?f=28&t=58013 History of the Thirty Years War, Volume 4] |
|||
| |
|||
<div align="right">4</div> |
|||
| |
|||
<div align="right">4</div> |
|||
| |
|||
<div align="right">100</div> |
|||
| |
| |
||
Line 1,342: | Line 1,367: | ||
| |
| |
||
Fully Subscribed |
|||
Open |
|||
| |
| |
||
Line 1,349: | Line 1,374: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=64007 Hofgedachten] |
||
| |
| |
||
<div align="right"> |
<div align="right">42</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">42</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">100</div> |
||
| |
| |
||
Line 1,367: | Line 1,392: | ||
| |
| |
||
Fully Subscribed |
|||
Open |
|||
| |
| |
||
Line 1,374: | Line 1,399: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=62411 Klaasje Zevenster, deel 3] |
||
| |
| |
||
<div align="right"> |
<div align="right">25</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">25</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">100</div> |
||
| |
| |
||
Line 1,392: | Line 1,417: | ||
| |
| |
||
Fully Subscribed |
|||
Open |
|||
| |
| |
||
Line 1,399: | Line 1,424: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=62861 Little Busybodies: The Life of Crickets, Ants, Bees, and Others] |
||
| |
| |
||
Line 1,405: | Line 1,430: | ||
| |
| |
||
<div align="right">17</div> |
|||
| |
| |
||
<div align="right"> |
<div align="right">0</div> |
||
| |
| |
||
Line 1,417: | Line 1,442: | ||
| |
| |
||
Open |
|||
Fully Subscribed |
|||
| |
| |
||
Line 1,424: | Line 1,449: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=62624 Metaphysical Elements] |
||
| |
| |
||
<div align="right"> |
<div align="right">241</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">241</div> |
||
| |
| |
||
Line 1,449: | Line 1,474: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=60398 Micah Clarke] |
||
| |
| |
||
<div align="right"> |
<div align="right">36</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">36</div> |
||
| |
| |
||
Line 1,474: | Line 1,499: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=64026 Nature and Art, Vol. VIII, No 1, June 1990] |
||
| |
| |
||
<div align="right"> |
<div align="right">16</div> |
||
| |
| |
||
<div align="right">11</div> |
|||
| |
| |
||
<div align="right"> |
<div align="right">69</div> |
||
| |
| |
||
Line 1,499: | Line 1,524: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=63796 Norwegische Volksmährchen] |
||
| |
| |
||
<div align="right"> |
<div align="right">30</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">30</div> |
||
| |
| |
||
Line 1,524: | Line 1,549: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=53201 Opuscula] |
||
| |
| |
||
<div align="right"> |
<div align="right">14</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">14</div> |
||
| |
| |
||
Line 1,549: | Line 1,574: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php? |
[https://forum.librivox.org/viewtopic.php?p=1325228 Pollyanna (version 4)] |
||
| |
| |
||
<div align="right"> |
<div align="right">32</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">32</div> |
||
| |
| |
||
Line 1,574: | Line 1,599: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=64081 The Adventures of Tommy Postoffice, the True Story of a Cat] |
||
| |
| |
||
<div align="right"> |
<div align="right">11</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">11</div> |
||
| |
| |
||
Line 1,599: | Line 1,624: | ||
|- |
|- |
||
| |
| |
||
[https://librivox.org/ |
[https://forum.librivox.org/viewtopic.php?t=64110 The Life Triumphant: Mastering the Heart and Mind] |
||
| |
| |
||
<div align="right"> |
<div align="right">11</div> |
||
| |
| |
||
<div align="right">11</div> |
|||
| |
| |
||
<div align="right"> |
<div align="right">100</div> |
||
| |
| |
||
Line 1,617: | Line 1,642: | ||
| |
| |
||
Fully Subscribed |
|||
Open |
|||
| |
| |
||
Line 1,624: | Line 1,649: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=64104&p=1324892 The Picture of Dorian Gray (version 4)] |
||
| |
| |
||
<div align="right"> |
<div align="right">19</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">19</div> |
||
| |
| |
||
Line 1,649: | Line 1,674: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f= |
[https://forum.librivox.org/viewtopic.php?f=26&t=63535 The Talking Handkerchief, and Other Stories] |
||
| |
| |
||
<div align="right"> |
<div align="right">22</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">2</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">9</div> |
||
| |
| |
||
Line 1,674: | Line 1,699: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php? |
[https://forum.librivox.org/viewtopic.php?f=28&t=63635 The Taming of the Shrew (version 3)] |
||
| |
| |
||
<div align="right"> |
<div align="right">5</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">5</div> |
||
| |
| |
||
Line 1,699: | Line 1,724: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f= |
[https://forum.librivox.org/viewtopic.php?f=28&t=64131 The Terror: A Mystery] |
||
| |
| |
||
<div align="right"> |
<div align="right">14</div> |
||
| |
| |
||
<div align="right">1</div> |
|||
| |
| |
||
<div align="right"> |
<div align="right">0</div> |
||
| |
| |
Revision as of 23:04, 18 February 2017
How to Use These Tables
Use the PL status table to see which projects do not currently have an assigned Dedicated Proof Listener (DPL).
Use the section status table to see which projects are currently underway, which ones are close to completion, which need just a couple of sections claimed to be fully subscribed, and so on.
For both tables, the project titles are links to the project thread.
To Sort - Click on the icon next to the column title to sort the table by that column. If you sort by sections claimed or completed, it will sort by the NUMBER of sections, not the percentage. Refresh the page to revert it to the default sort.
PL Status Table
Data current as of 18 February 5.00 pm CST
Project Name | Sections | Assigned | % | Completed | % | Status | DPL Name |
---|---|---|---|---|---|---|---|
21
|
21
|
100
|
20
|
95
|
Fully Subscribed |
| |
Antologia Brasileira, Coletânea em Prosa e Verso de Escritores Nacionais, Volume 1 |
75
|
75
|
100
|
67
|
89
|
Fully Subscribed |
|
26
|
26
|
100
|
23
|
88
|
Fully Subscribed |
| |
77
|
77
|
100
|
67
|
87
|
Fully Subscribed |
| |
39
|
36
|
92
|
33
|
85
|
Open |
| |
30
|
30
|
100
|
25
|
83
|
Fully Subscribed |
| |
17
|
17
|
100
|
13
|
76
|
Fully Subscribed |
| |
8
|
8
|
100
|
6
|
75
|
Fully Subscribed |
| |
75
|
55
|
73
|
54
|
72
|
Open |
| |
40
|
36
|
90
|
28
|
70
|
Open |
| |
20
|
14
|
70
|
14
|
70
|
Open |
| |
25
|
25
|
100
|
17
|
68
|
Fully Subscribed |
| |
24
|
19
|
79
|
16
|
67
|
Open |
| |
37
|
27
|
73
|
24
|
65
|
Open |
| |
283
|
253
|
89
|
158
|
56
|
Open |
| |
180
|
107
|
59
|
90
|
50
|
Open |
| |
14
|
14
|
100
|
7
|
50
|
Fully Subscribed |
| |
15
|
15
|
100
|
7
|
47
|
Fully Subscribed |
| |
51
|
43
|
84
|
24
|
47
|
Open |
| |
15
|
9
|
60
|
7
|
47
|
Open |
| |
20
|
9
|
45
|
8
|
40
|
Open |
| |
20
|
8
|
40
|
8
|
40
|
Open |
| |
10
|
10
|
100
|
4
|
40
|
Fully Subscribed |
| |
25
|
9
|
36
|
9
|
36
|
Open |
| |
14
|
14
|
100
|
5
|
36
|
Fully Subscribed |
| |
14
|
14
|
100
|
5
|
36
|
Fully Subscribed |
| |
25
|
16
|
64
|
9
|
36
|
Open |
| |
7
|
4
|
57
|
2
|
29
|
Open |
| |
20
|
5
|
25
|
5
|
25
|
Open |
| |
109
|
31
|
28
|
23
|
21
|
Open |
| |
15
|
4
|
27
|
3
|
20
|
Open |
| |
52
|
18
|
35
|
10
|
19
|
Open |
| |
11
|
9
|
82
|
2
|
18
|
Open |
| |
43
|
43
|
100
|
6
|
14
|
Fully Subscribed |
| |
Corporal Cameron of the North West Mounted Police--A Tale of the Macleod Trial |
25
|
5
|
20
|
3
|
12
|
Open |
|
90
|
90
|
100
|
11
|
12
|
Fully Subscribed |
| |
30
|
3
|
10
|
3
|
10
|
Open |
| |
30
|
10
|
33
|
3
|
10
|
Open |
| |
12
|
12
|
100
|
1
|
8
|
Fully Subscribed |
| |
58
|
18
|
31
|
4
|
7
|
Open |
| |
15
|
1
|
7
|
1
|
7
|
Open |
| |
18
|
10
|
56
|
1
|
6
|
Open |
| |
36
|
10
|
28
|
2
|
6
|
Open |
| |
20
|
6
|
30
|
1
|
5
|
Open |
| |
18
|
18
|
100
|
|
0
|
Fully Subscribed |
| |
101
|
|
0
|
|
0
|
Open |
| |
27
|
9
|
33
|
|
0
|
Open |
| |
59
|
|
0
|
|
0
|
Open |
| |
8
|
8
|
100
|
|
0
|
Fully Subscribed |
| |
13
|
13
|
100
|
|
0
|
Fully Subscribed |
| |
33
|
|
0
|
|
0
|
Open |
| |
28
|
6
|
21
|
|
0
|
Open |
| |
11
|
11
|
100
|
|
0
|
Fully Subscribed |
| |
4
|
4
|
100
|
|
0
|
Fully Subscribed |
| |
42
|
42
|
100
|
|
0
|
Fully Subscribed |
| |
25
|
25
|
100
|
|
0
|
Fully Subscribed |
| |
Little Busybodies: The Life of Crickets, Ants, Bees, and Others |
17
|
|
0
|
|
0
|
Open |
|
241
|
241
|
100
|
|
0
|
Fully Subscribed |
| |
36
|
36
|
100
|
|
0
|
Fully Subscribed |
| |
16
|
11
|
69
|
|
0
|
Open |
| |
30
|
30
|
100
|
|
0
|
Fully Subscribed |
| |
14
|
14
|
100
|
|
0
|
Fully Subscribed |
| |
32
|
32
|
100
|
|
0
|
Fully Subscribed |
| |
11
|
11
|
100
|
|
0
|
Fully Subscribed |
| |
11
|
11
|
100
|
|
0
|
Fully Subscribed |
| |
19
|
19
|
100
|
|
0
|
Fully Subscribed |
| |
22
|
2
|
9
|
|
0
|
Open |
| |
5
|
5
|
100
|
|
0
|
Fully Subscribed |
| |
14
|
|
0
|
|
0
|
Open |
| |
33
|
33
|
100
|
|
0
|
Fully Subscribed |
| |
29
|
|
0
|
|
0
|
Open |
| |
10
|
1
|
10
|
|
0
|
Open |
| |
39
|
39
|
100
|
|
0
|
Fully Subscribed |
|
Section Status Table
Data current as of 10 February 8.30 pm CST
Project Name | Sections | Assigned | % | Completed | % | Status |
---|---|---|---|---|---|---|
40
|
39
|
98
|
35
|
88
|
Open | |
38
|
37
|
97
|
15
|
39
|
Open | |
77
|
74
|
96
|
66
|
86
|
Open | |
84
|
80
|
95
|
80
|
95
|
Open | |
149
|
141
|
95
|
124
|
83
|
Open | |
88
|
83
|
94
|
67
|
76
|
Open | |
66
|
62
|
94
|
21
|
32
|
Open | |
18
|
17
|
94
|
15
|
83
|
Open | |
225
|
209
|
93
|
76
|
34
|
Open | |
81
|
75
|
93
|
59
|
73
|
Open | |
26
|
24
|
92
|
13
|
50
|
Open | |
106
|
98
|
92
|
87
|
82
|
Open | |
26
|
24
|
92
|
18
|
69
|
Open | |
39
|
36
|
92
|
33
|
85
|
Open | |
39
|
36
|
92
|
8
|
21
|
Open | |
39
|
36
|
92
|
29
|
74
|
Open | |
312
|
284
|
91
|
137
|
44
|
Open | |
32
|
29
|
91
|
17
|
53
|
Open | |
34
|
31
|
91
|
28
|
82
|
Open | |
20
|
18
|
90
|
18
|
90
|
Open | |
51
|
46
|
90
|
45
|
88
|
Open | |
283
|
255
|
90
|
156
|
55
|
Open | |
John Deane of Nottingham: Historic Adventures by Land and Sea |
38
|
34
|
89
|
28
|
74
|
Open |
47
|
42
|
89
|
34
|
72
|
Open | |
113
|
100
|
88
|
66
|
58
|
Open | |
Potash and Perlmutter: Their Copartnership Ventures and Adventures |
17
|
15
|
88
|
13
|
76
|
Open |
48
|
42
|
88
|
33
|
69
|
Open | |
Abraham Lincoln and the Abolition of Slavery in the United States |
14
|
12
|
86
|
10
|
71
|
Open |
Lives of the Most Eminent Painters, Sculptors and Architects Volume 5 |
28
|
24
|
86
|
21
|
75
|
Open |
51
|
44
|
86
|
25
|
49
|
Open | |
20
|
17
|
85
|
17
|
85
|
Open | |
40
|
34
|
85
|
26
|
65
|
Open | |
249
|
212
|
85
|
176
|
71
|
Open | |
38
|
32
|
84
|
16
|
42
|
Open | |
51
|
43
|
84
|
20
|
39
|
Open | |
18
|
15
|
83
|
15
|
83
|
Open | |
18
|
15
|
83
|
9
|
50
|
Open | |
11
|
9
|
82
|
2
|
18
|
Open | |
88
|
72
|
82
|
62
|
70
|
Open | |
33
|
27
|
82
|
8
|
24
|
Open | |
62
|
50
|
81
|
44
|
71
|
Open | |
27
|
22
|
81
|
17
|
63
|
Open | |
41
|
33
|
80
|
22
|
54
|
Open | |
28
|
22
|
79
|
14
|
50
|
Open | |
24
|
19
|
79
|
16
|
67
|
Open | |
45
|
35
|
78
|
18
|
40
|
Open | |
37
|
29
|
78
|
27
|
73
|
Open | |
26
|
20
|
77
|
12
|
46
|
Open | |
132
|
101
|
77
|
83
|
63
|
Open | |
73
|
56
|
77
|
46
|
63
|
Open | |
Little Busybodies: The Life of Crickets, Ants, Bees, and Others |
17
|
13
|
76
|
9
|
53
|
Open |
82
|
62
|
76
|
40
|
49
|
Open | |
25
|
19
|
76
|
10
|
40
|
Open | |
17
|
13
|
76
|
12
|
71
|
Open | |
24
|
18
|
75
|
8
|
33
|
Open | |
151
|
111
|
74
|
86
|
57
|
Open | |
75
|
55
|
73
|
54
|
72
|
Open | |
37
|
27
|
73
|
24
|
65
|
Open | |
48
|
35
|
73
|
5
|
10
|
Open | |
15
|
11
|
73
|
10
|
67
|
Open | |
25
|
18
|
72
|
11
|
44
|
Open | |
67
|
48
|
72
|
22
|
33
|
Open | |
25
|
18
|
72
|
9
|
36
|
Open | |
30
|
21
|
70
|
18
|
60
|
Open | |
20
|
14
|
70
|
14
|
70
|
Open | |
27
|
19
|
70
|
12
|
44
|
Open | |
42
|
29
|
69
|
25
|
60
|
Open | |
102
|
68
|
67
|
61
|
60
|
Open | |
146
|
98
|
67
|
94
|
64
|
Open | |
914
|
611
|
67
|
299
|
33
|
Open | |
50
|
33
|
66
|
18
|
36
|
Open | |
23
|
15
|
65
|
8
|
35
|
Open | |
14
|
9
|
64
|
9
|
64
|
Open | |
14
|
9
|
64
|
8
|
57
|
Open | |
25
|
16
|
64
|
9
|
36
|
Open | |
112
|
71
|
63
|
62
|
55
|
Open | |
19
|
12
|
63
|
1
|
5
|
Open | |
27
|
17
|
63
|
13
|
48
|
Open | |
43
|
27
|
63
|
22
|
51
|
Open | |
26
|
16
|
62
|
13
|
50
|
Open | |
69
|
43
|
62
|
37
|
54
|
Open | |
87
|
54
|
62
|
38
|
44
|
Open | |
29
|
18
|
62
|
11
|
38
|
Open | |
59
|
36
|
61
|
26
|
44
|
Open | |
43
|
26
|
60
|
22
|
51
|
Open | |
44
|
26
|
59
|
6
|
14
|
Open | |
180
|
107
|
59
|
90
|
50
|
Open | |
39
|
23
|
59
|
5
|
13
|
Open | |
23
|
13
|
57
|
3
|
13
|
Open | |
25
|
14
|
56
|
10
|
40
|
Open | |
27
|
15
|
56
|
11
|
41
|
Open | |
36
|
20
|
56
|
12
|
33
|
Open | |
41
|
23
|
56
|
5
|
12
|
Open | |
18
|
10
|
56
|
1
|
6
|
Open | |
41
|
23
|
56
|
10
|
24
|
Open | |
13
|
7
|
54
|
1
|
8
|
Open | |
54
|
29
|
54
|
20
|
37
|
Open | |
15
|
8
|
53
|
5
|
33
|
Open | |
104
|
53
|
51
|
44
|
42
|
Open | |
127
|
65
|
51
|
58
|
46
|
Open | |
123
|
63
|
51
|
18
|
15
|
Open | |
30
|
15
|
50
|
12
|
40
|
Open | |
120
|
60
|
50
|
23
|
19
|
Open | |
20
|
10
|
50
|
10
|
50
|
Open | |
125
|
62
|
50
|
49
|
39
|
Open | |
18
|
9
|
50
|
5
|
28
|
Open | |
24
|
12
|
50
|
6
|
25
|
Open | |
49
|
24
|
49
|
17
|
35
|
Open | |
25
|
12
|
48
|
5
|
20
|
Open | |
23
|
11
|
48
|
10
|
43
|
Open | |
27
|
13
|
48
|
2
|
7
|
Open | |
13
|
6
|
46
|
2
|
15
|
Open | |
26
|
12
|
46
|
2
|
8
|
Open | |
28
|
13
|
46
|
9
|
32
|
Open | |
20
|
9
|
45
|
8
|
40
|
Open | |
20
|
9
|
45
|
5
|
25
|
Open | |
31
|
14
|
45
|
9
|
29
|
Open | |
48
|
21
|
44
|
|
0
|
Open | |
7
|
3
|
43
|
2
|
29
|
Open | |
60
|
25
|
42
|
22
|
37
|
Open | |
12
|
5
|
42
|
|
0
|
Open | |
12
|
5
|
42
|
5
|
42
|
Open | |
50
|
20
|
40
|
2
|
4
|
Open | |
5
|
2
|
40
|
|
0
|
Open | |
43
|
17
|
40
|
2
|
5
|
Open | |
Criminal Investigation: a Practical Handbook for Magistrates, Police Officers and Lawyers, Volume 3 |
33
|
13
|
39
|
11
|
33
|
Open |
25
|
9
|
36
|
9
|
36
|
Open | |
58
|
21
|
36
|
14
|
24
|
Open | |
36
|
13
|
36
|
|
0
|
Open | |
20
|
7
|
35
|
6
|
30
|
Open | |
72
|
25
|
35
|
11
|
15
|
Open | |
83
|
28
|
34
|
1
|
1
|
Open | |
59
|
20
|
34
|
20
|
34
|
Open | |
24
|
8
|
33
|
|
0
|
Open | |
55
|
18
|
33
|
12
|
22
|
Open | |
30
|
10
|
33
|
3
|
10
|
Open | |
Melor of the Silver Hand; and Other Stories of the Bright Ages |
19
|
6
|
32
|
1
|
5
|
Open |
67
|
21
|
31
|
12
|
18
|
Open | |
35
|
11
|
31
|
5
|
14
|
Open | |
10
|
3
|
30
|
2
|
20
|
Open | |
100
|
29
|
29
|
20
|
20
|
Open | |
58
|
17
|
29
|
4
|
7
|
Open | |
109
|
30
|
28
|
19
|
17
|
Open | |
109
|
31
|
28
|
23
|
21
|
Open | |
18
|
5
|
28
|
3
|
17
|
Open | |
15
|
4
|
27
|
3
|
20
|
Open | |
33
|
9
|
27
|
8
|
24
|
Open | |
27
|
7
|
26
|
|
0
|
Open | |
76
|
20
|
26
|
7
|
9
|
Open | |
20
|
5
|
25
|
|
0
|
Open | |
52
|
13
|
25
|
10
|
19
|
Open | |
8
|
2
|
25
|
2
|
25
|
Open | |
12
|
3
|
25
|
|
0
|
Open | |
180
|
42
|
23
|
40
|
22
|
Open | |
31
|
7
|
23
|
1
|
3
|
Open | |
22
|
5
|
23
|
1
|
5
|
Open | |
Corporal Cameron of the North West Mounted Police--A Tale of the Macleod Trial |
25
|
5
|
20
|
3
|
12
|
Open |
25
|
5
|
20
|
2
|
8
|
Open | |
11
|
2
|
18
|
|
0
|
Open | |
PEEPS AT PEOPLE - Being Certain Papers from the Writings of ANNE WARRINGTON WITHERUP |
12
|
2
|
17
|
|
0
|
Open |
61
|
10
|
16
|
9
|
15
|
Open | |
20
|
3
|
15
|
1
|
5
|
Open | |
13
|
2
|
15
|
2
|
15
|
Open | |
118
|
16
|
14
|
2
|
2
|
Open | |
14
|
2
|
14
|
|
0
|
Open | |
35
|
5
|
14
|
4
|
11
|
Open | |
Meridiana: The adventures of three Englishmen and three Russians in South Africa |
23
|
3
|
13
|
|
0
|
Open |
27
|
3
|
11
|
|
0
|
Open | |
18
|
2
|
11
|
|
0
|
Open | |
30
|
3
|
10
|
3
|
10
|
Open | |
10
|
1
|
10
|
|
0
|
Open | |
25
|
2
|
8
|
|
0
|
Open | |
48
|
4
|
8
|
|
0
|
Open | |
15
|
1
|
7
|
|
0
|
Open | |
15
|
1
|
7
|
1
|
7
|
Open | |
44
|
2
|
5
|
1
|
2
|
Open | |
20
|
1
|
5
|
1
|
5
|
Open | |
44
|
2
|
5
|
|
0
|
Open | |
22
|
1
|
5
|
|
0
|
Open | |
56
|
2
|
4
|
|
0
|
Open | |
75
|
1
|
1
|
|
0
|
Open | |
1
|
|
0
|
|
0
|
Open | |
59
|
|
0
|
|
0
|
Open | |
20
|
|
0
|
|
0
|
Open | |
Little Busybodies: The Life of Crickets, Ants, Bees, and Others |
17
|
|
0
|
|
0
|
Open |
25
|
|
0
|
|
0
|
Open | |
25
|
|
0
|
|
0
|
Open | |
16
|
|
0
|
|
0
|
Open | |
29
|
|
0
|
|
0
|
Open | |
35
|
35
|
100
|
4
|
11
|
Fully Subscribed | |
15
|
15
|
100
|
1
|
7
|
Fully Subscribed | |
28
|
28
|
100
|
3
|
11
|
Fully Subscribed | |
88
|
88
|
100
|
3
|
3
|
Fully Subscribed | |
11
|
11
|
100
|
|
0
|
Fully Subscribed | |
18
|
18
|
100
|
|
0
|
Fully Subscribed | |
A Soldier Of The Legion; An Englishman's Adventures Under The French Flag in Algeria And Tonquin |
13
|
13
|
100
|
10
|
77
|
Fully Subscribed |
20
|
20
|
100
|
11
|
55
|
Fully Subscribed | |
71
|
71
|
100
|
56
|
79
|
Fully Subscribed | |
51
|
51
|
100
|
42
|
82
|
Fully Subscribed | |
24
|
24
|
100
|
14
|
58
|
Fully Subscribed | |
30
|
30
|
100
|
7
|
23
|
Fully Subscribed | |
30
|
30
|
100
|
13
|
43
|
Fully Subscribed | |
30
|
30
|
100
|
2
|
7
|
Fully Subscribed | |
40
|
40
|
100
|
35
|
88
|
Fully Subscribed | |
3
|
3
|
100
|
1
|
33
|
Fully Subscribed | |
Anting-Anting Stories And Other Strange Tales of the Filipinos |
13
|
13
|
100
|
7
|
54
|
Fully Subscribed |
Antologia Brasileira, Coletânea em Prosa e Verso de Escritores Nacionais, Volume 1 |
75
|
75
|
100
|
67
|
89
|
Fully Subscribed |
8
|
8
|
100
|
4
|
50
|
Fully Subscribed | |
8
|
8
|
100
|
|
0
|
Fully Subscribed | |
45
|
45
|
100
|
14
|
31
|
Fully Subscribed | |
21
|
21
|
100
|
|
0
|
Fully Subscribed | |
15
|
15
|
100
|
6
|
40
|
Fully Subscribed | |
53
|
53
|
100
|
31
|
58
|
Fully Subscribed | |
30
|
30
|
100
|
8
|
27
|
Fully Subscribed | |
Beacon Lights of History, Volume 6: Renaissance and Reformation |
25
|
25
|
100
|
7
|
28
|
Fully Subscribed |
19
|
19
|
100
|
17
|
89
|
Fully Subscribed | |
261
|
260
|
100
|
231
|
89
|
Fully Subscribed | |
27
|
27
|
100
|
9
|
33
|
Fully Subscribed | |
Bible (DBY) 01-05 : Pentateuque (Genèse, Exode, Lévitique, Nombres et Deutéronome) |
66
|
66
|
100
|
59
|
89
|
Fully Subscribed |
Bible (Fenton) 08, 13-14, 16-22, 25, 27: Holy Bible in Modern English, The: Psalms to 2 Chronicles |
39
|
39
|
100
|
37
|
95
|
Fully Subscribed |
150
|
150
|
100
|
33
|
22
|
Fully Subscribed | |
24
|
24
|
100
|
15
|
63
|
Fully Subscribed | |
21
|
21
|
100
|
|
0
|
Fully Subscribed | |
26
|
26
|
100
|
22
|
85
|
Fully Subscribed | |
44
|
44
|
100
|
34
|
77
|
Fully Subscribed | |
35
|
35
|
100
|
4
|
11
|
Fully Subscribed | |
59
|
59
|
100
|
32
|
54
|
Fully Subscribed | |
67
|
67
|
100
|
43
|
64
|
Fully Subscribed | |
49
|
49
|
100
|
45
|
92
|
Fully Subscribed | |
31
|
31
|
100
|
17
|
55
|
Fully Subscribed | |
11
|
11
|
100
|
3
|
27
|
Fully Subscribed | |
Canzoniere (Rerum vulgarium fragmenta), vol 2, di Francesco Petrarca (1304-1374) . |
183
|
183
|
100
|
18
|
10
|
Fully Subscribed |
16
|
16
|
100
|
8
|
50
|
Fully Subscribed | |
63
|
63
|
100
|
47
|
75
|
Fully Subscribed | |
25
|
25
|
100
|
14
|
56
|
Fully Subscribed | |
37
|
37
|
100
|
33
|
89
|
Fully Subscribed | |
12
|
12
|
100
|
3
|
25
|
Fully Subscribed | |
17
|
17
|
100
|
4
|
24
|
Fully Subscribed | |
30
|
30
|
100
|
25
|
83
|
Fully Subscribed | |
14
|
14
|
100
|
5
|
36
|
Fully Subscribed | |
32
|
32
|
100
|
26
|
81
|
Fully Subscribed | |
11
|
11
|
100
|
1
|
9
|
Fully Subscribed | |
69
|
69
|
100
|
3
|
4
|
Fully Subscribed | |
70
|
70
|
100
|
34
|
49
|
Fully Subscribed | |
14
|
14
|
100
|
11
|
79
|
Fully Subscribed | |
10
|
10
|
100
|
3
|
30
|
Fully Subscribed | |
36
|
36
|
100
|
6
|
17
|
Fully Subscribed | |
211
|
212
|
100
|
65
|
31
|
Fully Subscribed | |
35
|
35
|
100
|
17
|
49
|
Fully Subscribed | |
10
|
10
|
100
|
5
|
50
|
Fully Subscribed | |
39
|
39
|
100
|
6
|
15
|
Fully Subscribed | |
53
|
53
|
100
|
30
|
57
|
Fully Subscribed | |
218
|
218
|
100
|
216
|
99
|
Fully Subscribed | |
17
|
17
|
100
|
11
|
65
|
Fully Subscribed | |
22
|
22
|
100
|
16
|
73
|
Fully Subscribed | |
52
|
52
|
100
|
19
|
37
|
Fully Subscribed | |
71
|
71
|
100
|
32
|
45
|
Fully Subscribed | |
16
|
16
|
100
|
6
|
38
|
Fully Subscribed | |
22
|
22
|
100
|
4
|
18
|
Fully Subscribed | |
75
|
75
|
100
|
73
|
97
|
Fully Subscribed | |
22
|
22
|
100
|
5
|
23
|
Fully Subscribed | |
29
|
29
|
100
|
20
|
69
|
Fully Subscribed | |
Full Revelations of a Professional Rat-catcher After 25 Years' Experience |
6
|
6
|
100
|
4
|
67
|
Fully Subscribed |
12
|
12
|
100
|
1
|
8
|
Fully Subscribed | |
11
|
11
|
100
|
7
|
64
|
Fully Subscribed | |
40
|
40
|
100
|
21
|
53
|
Fully Subscribed | |
24
|
24
|
100
|
14
|
58
|
Fully Subscribed | |
30
|
30
|
100
|
27
|
90
|
Fully Subscribed | |
25
|
25
|
100
|
9
|
36
|
Fully Subscribed | |
60
|
60
|
100
|
25
|
42
|
Fully Subscribed | |
36
|
36
|
100
|
6
|
17
|
Fully Subscribed | |
10
|
10
|
100
|
2
|
20
|
Fully Subscribed | |
Heimskringla: The Stories of the Kings of Norway, Called The Round World |
77
|
77
|
100
|
1
|
1
|
Fully Subscribed |
21
|
21
|
100
|
18
|
86
|
Fully Subscribed | |
50
|
50
|
100
|
10
|
20
|
Fully Subscribed | |
25
|
25
|
100
|
20
|
80
|
Fully Subscribed | |
17
|
17
|
100
|
|
0
|
Fully Subscribed | |
213
|
214
|
100
|
81
|
38
|
Fully Subscribed | |
16
|
16
|
100
|
5
|
31
|
Fully Subscribed | |
24
|
24
|
100
|
10
|
42
|
Fully Subscribed | |
75
|
75
|
100
|
23
|
31
|
Fully Subscribed | |
History of the Reformation in the Sixteenth Century, Volume 1 |
43
|
43
|
100
|
10
|
23
|
Fully Subscribed |
4
|
4
|
100
|
|
0
|
Fully Subscribed | |
18
|
18
|
100
|
14
|
78
|
Fully Subscribed | |
46
|
46
|
100
|
34
|
74
|
Fully Subscribed | |
House, Garden and Field: A Collection of Short Nature Studies |
56
|
56
|
100
|
33
|
59
|
Fully Subscribed |
27
|
27
|
100
|
2
|
7
|
Fully Subscribed | |
15
|
15
|
100
|
7
|
47
|
Fully Subscribed | |
11
|
11
|
100
|
4
|
36
|
Fully Subscribed | |
6
|
6
|
100
|
2
|
33
|
Fully Subscribed | |
8
|
8
|
100
|
1
|
13
|
Fully Subscribed | |
19
|
19
|
100
|
18
|
95
|
Fully Subscribed | |
109
|
109
|
100
|
10
|
9
|
Fully Subscribed | |
18
|
18
|
100
|
8
|
44
|
Fully Subscribed | |
25
|
25
|
100
|
|
0
|
Fully Subscribed | |
28
|
28
|
100
|
3
|
11
|
Fully Subscribed | |
54
|
54
|
100
|
51
|
94
|
Fully Subscribed | |
100
|
100
|
100
|
54
|
54
|
Fully Subscribed | |
15
|
15
|
100
|
6
|
40
|
Fully Subscribed | |
33
|
33
|
100
|
10
|
30
|
Fully Subscribed | |
16
|
16
|
100
|
3
|
19
|
Fully Subscribed | |
101
|
101
|
100
|
23
|
23
|
Fully Subscribed | |
19
|
19
|
100
|
9
|
47
|
Fully Subscribed | |
61
|
61
|
100
|
34
|
56
|
Fully Subscribed | |
32
|
32
|
100
|
11
|
34
|
Fully Subscribed | |
100
|
100
|
100
|
11
|
11
|
Fully Subscribed | |
20
|
20
|
100
|
3
|
15
|
Fully Subscribed | |
30
|
30
|
100
|
4
|
13
|
Fully Subscribed | |
15
|
15
|
100
|
10
|
67
|
Fully Subscribed | |
25
|
25
|
100
|
18
|
72
|
Fully Subscribed | |
35
|
35
|
100
|
11
|
31
|
Fully Subscribed | |
42
|
42
|
100
|
3
|
7
|
Fully Subscribed | |
24
|
24
|
100
|
11
|
46
|
Fully Subscribed | |
18
|
18
|
100
|
2
|
11
|
Fully Subscribed | |
105
|
105
|
100
|
32
|
30
|
Fully Subscribed | |
25
|
25
|
100
|
4
|
16
|
Fully Subscribed | |
16
|
16
|
100
|
8
|
50
|
Fully Subscribed | |
46
|
46
|
100
|
20
|
43
|
Fully Subscribed | |
127
|
127
|
100
|
73
|
57
|
Fully Subscribed | |
Mary's Grammar: Interspersed with Stories and Intended for the Use of Children |
20
|
20
|
100
|
6
|
30
|
Fully Subscribed |
39
|
39
|
100
|
11
|
28
|
Fully Subscribed | |
241
|
241
|
100
|
|
0
|
Fully Subscribed | |
36
|
36
|
100
|
|
0
|
Fully Subscribed | |
30
|
30
|
100
|
|
0
|
Fully Subscribed | |
24
|
24
|
100
|
7
|
29
|
Fully Subscribed | |
27
|
27
|
100
|
17
|
63
|
Fully Subscribed | |
18
|
18
|
100
|
7
|
39
|
Fully Subscribed | |
Musings of a Chinese Mystic: Selections from the Philosophy of Chuang Tzu |
14
|
14
|
100
|
14
|
100
|
Fully Subscribed |
20
|
20
|
100
|
11
|
55
|
Fully Subscribed | |
25
|
25
|
100
|
11
|
44
|
Fully Subscribed | |
17
|
17
|
100
|
3
|
18
|
Fully Subscribed | |
21
|
21
|
100
|
1
|
5
|
Fully Subscribed | |
30
|
30
|
100
|
12
|
40
|
Fully Subscribed | |
66
|
66
|
100
|
44
|
67
|
Fully Subscribed | |
14
|
14
|
100
|
5
|
36
|
Fully Subscribed | |
33
|
33
|
100
|
12
|
36
|
Fully Subscribed | |
30
|
30
|
100
|
|
0
|
Fully Subscribed | |
6
|
6
|
100
|
|
0
|
Fully Subscribed | |
20
|
20
|
100
|
6
|
30
|
Fully Subscribed | |
6
|
6
|
100
|
1
|
17
|
Fully Subscribed | |
24
|
24
|
100
|
1
|
4
|
Fully Subscribed | |
Old New Zealand: Being Incidents of Native Customs and Character in the Old Times |
17
|
17
|
100
|
|
0
|
Fully Subscribed |
17
|
17
|
100
|
3
|
18
|
Fully Subscribed | |
14
|
14
|
100
|
|
0
|
Fully Subscribed | |
Perfect Behavior: A Guide for Ladies and Gentlemen in All Social Crises |
9
|
9
|
100
|
2
|
22
|
Fully Subscribed |
53
|
53
|
100
|
47
|
89
|
Fully Subscribed | |
34
|
34
|
100
|
7
|
21
|
Fully Subscribed | |
22
|
22
|
100
|
8
|
36
|
Fully Subscribed | |
80
|
80
|
100
|
62
|
78
|
Fully Subscribed | |
59
|
59
|
100
|
53
|
90
|
Fully Subscribed | |
24
|
24
|
100
|
7
|
29
|
Fully Subscribed | |
58
|
58
|
100
|
19
|
33
|
Fully Subscribed | |
16
|
16
|
100
|
|
0
|
Fully Subscribed | |
20
|
20
|
100
|
8
|
40
|
Fully Subscribed | |
70
|
70
|
100
|
50
|
71
|
Fully Subscribed | |
28
|
28
|
100
|
15
|
54
|
Fully Subscribed | |
21
|
21
|
100
|
18
|
86
|
Fully Subscribed | |
55
|
55
|
100
|
54
|
98
|
Fully Subscribed | |
Reminiscences and Table-Talk of Samuel Rogers - Banker, Poet and Patron of the Arts (1763-1855) |
25
|
25
|
100
|
13
|
52
|
Fully Subscribed |
22
|
22
|
100
|
20
|
91
|
Fully Subscribed | |
18
|
18
|
100
|
|
0
|
Fully Subscribed | |
11
|
11
|
100
|
2
|
18
|
Fully Subscribed | |
23
|
23
|
100
|
7
|
30
|
Fully Subscribed | |
Satires of Circumstance, Lyrics and Reveries, with Miscellaneous Pieces |
107
|
107
|
100
|
60
|
56
|
Fully Subscribed |
82
|
82
|
100
|
60
|
73
|
Fully Subscribed | |
35
|
35
|
100
|
27
|
77
|
Fully Subscribed | |
182
|
182
|
100
|
25
|
14
|
Fully Subscribed | |
126
|
126
|
100
|
84
|
67
|
Fully Subscribed | |
29
|
29
|
100
|
13
|
45
|
Fully Subscribed | |
31
|
31
|
100
|
28
|
90
|
Fully Subscribed | |
15
|
15
|
100
|
|
0
|
Fully Subscribed | |
54
|
54
|
100
|
45
|
83
|
Fully Subscribed | |
32
|
32
|
100
|
22
|
69
|
Fully Subscribed | |
133
|
133
|
100
|
50
|
38
|
Fully Subscribed | |
Summa Theologica - 13 Tertia Pars, The Saviour: His Incarnation and His Salvific Acts |
70
|
70
|
100
|
14
|
20
|
Fully Subscribed |
27
|
27
|
100
|
22
|
81
|
Fully Subscribed | |
39
|
39
|
100
|
16
|
41
|
Fully Subscribed | |
4
|
4
|
100
|
|
0
|
Fully Subscribed | |
45
|
45
|
100
|
6
|
13
|
Fully Subscribed | |
30
|
30
|
100
|
14
|
47
|
Fully Subscribed | |
17
|
17
|
100
|
8
|
47
|
Fully Subscribed | |
137
|
137
|
100
|
94
|
69
|
Fully Subscribed | |
The Adventures of Huckleberry Finn (version 5 Dramatic Reading) |
228
|
228
|
100
|
174
|
76
|
Fully Subscribed |
43
|
43
|
100
|
6
|
14
|
Fully Subscribed | |
9
|
9
|
100
|
8
|
89
|
Fully Subscribed | |
23
|
23
|
100
|
4
|
17
|
Fully Subscribed | |
10
|
10
|
100
|
|
0
|
Fully Subscribed | |
21
|
21
|
100
|
14
|
67
|
Fully Subscribed | |
The Australian Explorers - Their Labours, Perils, and Achievements |
20
|
20
|
100
|
6
|
30
|
Fully Subscribed |
The Bible (Fenton) NT06-NT27: Holy Bible in Modern English, The: Romans to Revelation |
27
|
27
|
100
|
1
|
4
|
Fully Subscribed |
20
|
20
|
100
|
6
|
30
|
Fully Subscribed | |
32
|
32
|
100
|
29
|
91
|
Fully Subscribed | |
20
|
20
|
100
|
14
|
70
|
Fully Subscribed | |
18
|
18
|
100
|
14
|
78
|
Fully Subscribed | |
20
|
20
|
100
|
7
|
35
|
Fully Subscribed | |
27
|
27
|
100
|
10
|
37
|
Fully Subscribed | |
15
|
15
|
100
|
6
|
40
|
Fully Subscribed | |
9
|
9
|
100
|
|
0
|
Fully Subscribed | |
29
|
29
|
100
|
16
|
55
|
Fully Subscribed | |
31
|
31
|
100
|
21
|
68
|
Fully Subscribed | |
The Crook in the Lot; or, The Sovereignty and Wisdom of God , in the Afflictions of Men, Displayed |
10
|
10
|
100
|
2
|
20
|
Fully Subscribed |
24
|
24
|
100
|
10
|
42
|
Fully Subscribed | |
87
|
87
|
100
|
71
|
82
|
Fully Subscribed | |
9
|
9
|
100
|
8
|
89
|
Fully Subscribed | |
28
|
28
|
100
|
11
|
39
|
Fully Subscribed | |
44
|
44
|
100
|
24
|
55
|
Fully Subscribed | |
26
|
26
|
100
|
3
|
12
|
Fully Subscribed | |
19
|
19
|
100
|
5
|
26
|
Fully Subscribed | |
25
|
25
|
100
|
17
|
68
|
Fully Subscribed | |
30
|
30
|
100
|
7
|
23
|
Fully Subscribed | |
28
|
28
|
100
|
27
|
96
|
Fully Subscribed | |
30
|
30
|
100
|
15
|
50
|
Fully Subscribed | |
69
|
69
|
100
|
57
|
83
|
Fully Subscribed | |
22
|
22
|
100
|
9
|
41
|
Fully Subscribed | |
33
|
33
|
100
|
30
|
91
|
Fully Subscribed | |
The Jefferson Bible - The Life and Morals of Jesus of Nazareth |
7
|
7
|
100
|
|
0
|
Fully Subscribed |
21
|
21
|
100
|
14
|
67
|
Fully Subscribed | |
14
|
14
|
100
|
7
|
50
|
Fully Subscribed | |
84
|
84
|
100
|
82
|
98
|
Fully Subscribed | |
34
|
34
|
100
|
19
|
56
|
Fully Subscribed | |
26
|
26
|
100
|
4
|
15
|
Fully Subscribed | |
84
|
84
|
100
|
67
|
80
|
Fully Subscribed | |
132
|
132
|
100
|
130
|
98
|
Fully Subscribed | |
50
|
50
|
100
|
18
|
36
|
Fully Subscribed | |
22
|
22
|
100
|
20
|
91
|
Fully Subscribed | |
24
|
24
|
100
|
16
|
67
|
Fully Subscribed | |
20
|
20
|
100
|
13
|
65
|
Fully Subscribed | |
33
|
33
|
100
|
15
|
45
|
Fully Subscribed | |
18
|
18
|
100
|
9
|
50
|
Fully Subscribed | |
36
|
36
|
100
|
27
|
75
|
Fully Subscribed | |
14
|
14
|
100
|
8
|
57
|
Fully Subscribed | |
31
|
31
|
100
|
29
|
94
|
Fully Subscribed | |
24
|
24
|
100
|
4
|
17
|
Fully Subscribed | |
25
|
25
|
100
|
19
|
76
|
Fully Subscribed | |
21
|
21
|
100
|
5
|
24
|
Fully Subscribed | |
19
|
19
|
100
|
2
|
11
|
Fully Subscribed | |
24
|
24
|
100
|
21
|
88
|
Fully Subscribed | |
The Mummy and Miss Nitocris: A Phantasy of the Fourth Dimension |
27
|
27
|
100
|
5
|
19
|
Fully Subscribed |
The National Geographic Magazine Vol. 07 - 11. November 1896 |
5
|
5
|
100
|
3
|
60
|
Fully Subscribed |
12
|
12
|
100
|
1
|
8
|
Fully Subscribed | |
17
|
17
|
100
|
13
|
76
|
Fully Subscribed | |
39
|
39
|
100
|
1
|
3
|
Fully Subscribed | |
22
|
22
|
100
|
|
0
|
Fully Subscribed | |
123
|
123
|
100
|
112
|
91
|
Fully Subscribed | |
25
|
25
|
100
|
5
|
20
|
Fully Subscribed | |
33
|
33
|
100
|
7
|
21
|
Fully Subscribed | |
10
|
10
|
100
|
2
|
20
|
Fully Subscribed | |
20
|
20
|
100
|
15
|
75
|
Fully Subscribed | |
8
|
8
|
100
|
3
|
38
|
Fully Subscribed | |
25
|
25
|
100
|
2
|
8
|
Fully Subscribed | |
22
|
22
|
100
|
16
|
73
|
Fully Subscribed | |
8
|
8
|
100
|
4
|
50
|
Fully Subscribed | |
54
|
54
|
100
|
24
|
44
|
Fully Subscribed | |
10
|
10
|
100
|
3
|
30
|
Fully Subscribed | |
The Sikh Religion: Its Gurus, Sacred Writings and Authors, Volume 4 |
44
|
44
|
100
|
6
|
14
|
Fully Subscribed |
The Sorrows of Satan - Or, the Strange Experience of One Geoffrey Tempest, Millionaire |
42
|
42
|
100
|
14
|
33
|
Fully Subscribed |
26
|
26
|
100
|
10
|
38
|
Fully Subscribed | |
49
|
49
|
100
|
48
|
98
|
Fully Subscribed | |
22
|
22
|
100
|
14
|
64
|
Fully Subscribed | |
The Stories Polly Pepper Told to the Five Little Peppers in the Little Brown House |
26
|
26
|
100
|
16
|
62
|
Fully Subscribed |
35
|
35
|
100
|
|
0
|
Fully Subscribed | |
41
|
41
|
100
|
25
|
61
|
Fully Subscribed | |
91
|
91
|
100
|
85
|
93
|
Fully Subscribed | |
31
|
31
|
100
|
25
|
81
|
Fully Subscribed | |
11
|
11
|
100
|
1
|
9
|
Fully Subscribed | |
34
|
34
|
100
|
26
|
76
|
Fully Subscribed | |
23
|
23
|
100
|
20
|
87
|
Fully Subscribed | |
109
|
109
|
100
|
53
|
49
|
Fully Subscribed | |
9
|
9
|
100
|
8
|
89
|
Fully Subscribed | |
33
|
33
|
100
|
|
0
|
Fully Subscribed | |
8
|
8
|
100
|
7
|
88
|
Fully Subscribed | |
The Well at the World's End: Book 3: The Road to The Well at the World's End |
22
|
22
|
100
|
17
|
77
|
Fully Subscribed |
171
|
171
|
100
|
156
|
91
|
Fully Subscribed | |
26
|
26
|
100
|
7
|
27
|
Fully Subscribed | |
18
|
18
|
100
|
11
|
61
|
Fully Subscribed | |
17
|
17
|
100
|
7
|
41
|
Fully Subscribed | |
90
|
90
|
100
|
11
|
12
|
Fully Subscribed | |
16
|
16
|
100
|
2
|
13
|
Fully Subscribed | |
31
|
31
|
100
|
30
|
97
|
Fully Subscribed | |
67
|
67
|
100
|
32
|
48
|
Fully Subscribed | |
39
|
39
|
100
|
|
0
|
Fully Subscribed | |
10
|
10
|
100
|
2
|
20
|
Fully Subscribed | |
45
|
45
|
100
|
4
|
9
|
Fully Subscribed | |
13
|
13
|
100
|
7
|
54
|
Fully Subscribed | |
71
|
71
|
100
|
17
|
24
|
Fully Subscribed | |
96
|
96
|
100
|
37
|
39
|
Fully Subscribed | |
24
|
24
|
100
|
3
|
13
|
Fully Subscribed | |
93
|
93
|
100
|
76
|
82
|
Fully Subscribed | |
29
|
29
|
100
|
17
|
59
|
Fully Subscribed | |
55
|
55
|
100
|
3
|
5
|
Fully Subscribed | |
28
|
28
|
100
|
11
|
39
|
Fully Subscribed | |
30
|
30
|
100
|
27
|
90
|
Fully Subscribed | |
68
|
68
|
100
|
53
|
78
|
Fully Subscribed | |
100
|
100
|
100
|
27
|
27
|
Fully Subscribed | |
33
|
33
|
100
|
20
|
61
|
Fully Subscribed | |
9
|
9
|
100
|
3
|
33
|
Fully Subscribed | |
22
|
22
|
100
|
4
|
18
|
Fully Subscribed | |
Разсказы для детей и взрослых (Short Stories for Children and Adults) |
22
|
22
|
100
|
5
|
23
|
Fully Subscribed |
8
|
8
|
100
|
5
|
63
|
Fully Subscribed | |
400
|
391
|
98
|
376
|
94
|
Fully Subscribed | |
123
|
114
|
93
|
98
|
80
|
Fully Subscribed | |
141
|
74
|
52
|
72
|
51
|
Fully Subscribed | |
55
|
12
|
22
|
|
0
|
Fully Subscribed |
How to Update This Status Table
(Instructions are using Windows, Excel and OpenOffice.)
- Go to the Stats / Status Table report (link in MC/admin area)
- Sort the status table by "status"
- Copy the open and fully subscribed lines (not the HTML, but simply the page with Ctrl+A Ctrl+C) into an Excel document
- Delete any unwanted columns (DPL / MC) and rows
- Make all other columns (except Title) center (select columns and then click the paragraph centering button)
- Top justify all cells
- Sort by title column
- Copy data to Open Office
- Export it to MediaWiki.txt (File/Export)
- Open the txt file in Notepad
- Replace all 100 with <font color="#00cc00">100%</font> (optional)
- Copy everything AFTER <center>Status</center>
- Highlight the Wiki code AFTER <center>Status</center>
- Paste into the Wiki
- Change data date and time to reflect current update
- Preview to make sure non-English characters show up all right. If they don't, repeat from step 8, as this is usually where the error happens.