Project Status Table: Difference between revisions
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== PL Status Table == |
== PL Status Table == |
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Data current as of |
Data current as of 31 January 7.30 pm CST |
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{| class="wikitable sortable" |
{| class="wikitable sortable" |
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! style="width=50%"| Project Name |
! style="width=50%"| Project Name |
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! Sections |
! Sections |
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! Status |
! Status |
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! DPL Name |
! DPL Name |
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[https://forum.librivox.org/viewtopic.php?f=28&t=56983 Le Piacevoli Notti] |
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<div align="right">30</div> |
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<div align="right">30</div> |
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<div align="right">100</div> |
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<div align="right">30</div> |
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<div align="right">100</div> |
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Fully Subscribed |
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Line 81: | Line 55: | ||
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<div align="right"> |
<div align="right">73</div> |
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<div align="right"> |
<div align="right">95</div> |
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=62785&p=1291973 Two 1 Act Farces (for the One Act Play Collection)] |
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<div align="right"> |
<div align="right">18</div> |
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Line 159: | Line 133: | ||
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<div align="right"> |
<div align="right">94</div> |
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<div align="right"> |
<div align="right">15</div> |
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<div align="right"> |
<div align="right">83</div> |
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Open |
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Fully Subscribed |
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Line 175: | Line 149: | ||
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[ |
[https://forum.librivox.org/viewtopic.php?f=28&t=61784 The New Physics and Its Evolution] |
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<div align="right"> |
<div align="right">17</div> |
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<div align="right"> |
<div align="right">17</div> |
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Line 187: | Line 161: | ||
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<div align="right"> |
<div align="right">13</div> |
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<div align="right"> |
<div align="right">76</div> |
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Line 200: | Line 174: | ||
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[https://forum.librivox.org/viewtopic.php?t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=58691 Microphone Showdown 3] |
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<div align="right"> |
<div align="right">75</div> |
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<div align="right"> |
<div align="right">55</div> |
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<div align="right"> |
<div align="right">73</div> |
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<div align="right"> |
<div align="right">54</div> |
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<div align="right"> |
<div align="right">72</div> |
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[ |
[http://librivox.org/forum/viewtopic.php?p=335808 The Great Stone of Sardis] |
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<div align="right"> |
<div align="right">25</div> |
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<div align="right"> |
<div align="right">25</div> |
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<div align="right"> |
<div align="right">100</div> |
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<div align="right"> |
<div align="right">17</div> |
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<div align="right"> |
<div align="right">68</div> |
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Fully Subscribed |
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Open |
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<div align="right"> |
<div align="right">17</div> |
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<div align="right"> |
<div align="right">68</div> |
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<div align="right"> |
<div align="right">16</div> |
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<div align="right"> |
<div align="right">67</div> |
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[https://forum.librivox.org/viewtopic.php? |
[https://forum.librivox.org/viewtopic.php?t=54943 T. De Witt Talmage As I Knew Him] |
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<div align="right"> |
<div align="right">37</div> |
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<div align="right"> |
<div align="right">24</div> |
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<div align="right"> |
<div align="right">65</div> |
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<div align="right"> |
<div align="right">24</div> |
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<div align="right"> |
<div align="right">65</div> |
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Open |
Open |
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[https://forum.librivox.org/viewtopic.php?f=28&t=61979 Social Statics] |
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<div align="right">40</div> |
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<div align="right">28</div> |
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<div align="right">70</div> |
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<div align="right">21</div> |
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<div align="right">53</div> |
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Open |
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[https://forum.librivox.org/viewtopic.php?f=28&t=43453 The Journal of John Woolman] |
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<div align="right">14</div> |
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<div align="right">14</div> |
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<div align="right">100</div> |
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<div align="right">7</div> |
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<div align="right">50</div> |
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Fully Subscribed |
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<div align="right"> |
<div align="right">5</div> |
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<div align="right"> |
<div align="right">63</div> |
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Line 400: | Line 324: | ||
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=63358 Biographia Literaria] |
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<div align="right"> |
<div align="right">26</div> |
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<div align="right"> |
<div align="right">26</div> |
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Line 412: | Line 336: | ||
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<div align="right"> |
<div align="right">16</div> |
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<div align="right"> |
<div align="right">62</div> |
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=61979 Social Statics] |
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<div align="right"> |
<div align="right">40</div> |
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<div align="right"> |
<div align="right">32</div> |
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<div align="right"> |
<div align="right">80</div> |
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<div align="right"> |
<div align="right">24</div> |
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<div align="right"> |
<div align="right">60</div> |
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Line 450: | Line 374: | ||
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=63144 Het leven van Johannes Wouter Blommesteyn - deel 1] |
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<div align="right"> |
<div align="right">19</div> |
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<div align="right"> |
<div align="right">19</div> |
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Line 462: | Line 386: | ||
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<div align="right"> |
<div align="right">11</div> |
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<div align="right"> |
<div align="right">58</div> |
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Line 475: | Line 399: | ||
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=43453 The Journal of John Woolman] |
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Line 487: | Line 411: | ||
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<div align="right"> |
<div align="right">7</div> |
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<div align="right"> |
<div align="right">50</div> |
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Line 500: | Line 424: | ||
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[https://forum.librivox.org/viewtopic.php? |
[https://forum.librivox.org/viewtopic.php?f=28&t=49287 I Racconti delle Fate] |
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<div align="right"> |
<div align="right">15</div> |
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<div align="right"> |
<div align="right">15</div> |
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Line 512: | Line 436: | ||
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<div align="right"> |
<div align="right">7</div> |
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<div align="right"> |
<div align="right">47</div> |
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=59471 The Spanish Brothers] |
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<div align="right"> |
<div align="right">283</div> |
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<div align="right"> |
<div align="right">255</div> |
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<div align="right"> |
<div align="right">90</div> |
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<div align="right"> |
<div align="right">131</div> |
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<div align="right"> |
<div align="right">46</div> |
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Line 550: | Line 474: | ||
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=60530 A Cruising Voyage Around the World] |
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<div align="right"> |
<div align="right">20</div> |
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<div align="right"> |
<div align="right">9</div> |
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<div align="right"> |
<div align="right">45</div> |
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<div align="right"> |
<div align="right">8</div> |
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<div align="right"> |
<div align="right">40</div> |
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=62644 Miss Sara Sampson] |
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<div align="right"> |
<div align="right">51</div> |
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<div align="right"> |
<div align="right">39</div> |
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<div align="right"> |
<div align="right">76</div> |
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<div align="right"> |
<div align="right">20</div> |
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<div align="right"> |
<div align="right">39</div> |
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Line 612: | Line 536: | ||
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<div align="right"> |
<div align="right">9</div> |
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<div align="right"> |
<div align="right">36</div> |
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Line 625: | Line 549: | ||
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=61121 Parodies on Tennyson's Charge of the Light Brigade] |
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<div align="right"> |
<div align="right">25</div> |
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<div align="right"> |
<div align="right">16</div> |
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<div align="right"> |
<div align="right">64</div> |
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<div align="right"> |
<div align="right">9</div> |
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<div align="right"> |
<div align="right">36</div> |
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=63420 Short Story Collection Vol 066] |
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<div align="right">19</div> |
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<div align="right">19</div> |
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<div align="right">100</div> |
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<div align="right">5</div> |
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<div align="right">26</div> |
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Fully Subscribed |
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[https://forum.librivox.org/viewtopic.php?f=26&t=63604 <nowiki>''In Re a Gentleman, One''</nowiki>] |
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Line 681: | Line 580: | ||
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<div align="right"> |
<div align="right">7</div> |
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<div align="right"> |
<div align="right">35</div> |
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<div align="right">5</div> |
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<div align="right">25</div> |
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Open |
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[https://forum.librivox.org/viewtopic.php?f=28&t=63420 Short Story Collection Vol 066] |
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<div align="right">20</div> |
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<div align="right">30</div> |
<div align="right">30</div> |
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<div align="right">5</div> |
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<div align="right">25</div> |
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Line 725: | Line 599: | ||
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=63167 The Strange Adventures of Eric Blackburn] |
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<div align="right"> |
<div align="right">18</div> |
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<div align="right"> |
<div align="right">12</div> |
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<div align="right"> |
<div align="right">67</div> |
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<div align="right"> |
<div align="right">5</div> |
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<div align="right"> |
<div align="right">28</div> |
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<div align="right"> |
<div align="right">23</div> |
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<div align="right"> |
<div align="right">21</div> |
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[https:// |
[https://librivox.org/stats/active_projects Children's Short Works Collection, Vol. 024] |
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<div align="right"> |
<div align="right">15</div> |
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<div align="right"> |
<div align="right">4</div> |
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<div align="right"> |
<div align="right">27</div> |
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<div align="right"> |
<div align="right">3</div> |
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<div align="right">20</div> |
<div align="right">20</div> |
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Fully Subscribed |
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[https://forum.librivox.org/viewtopic.php?f=28&t=52351 Tabai al-Istibdad wa-Masari al-Isti’bad] |
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<div align="right">11</div> |
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<div align="right">9</div> |
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<div align="right">82</div> |
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<div align="right">2</div> |
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<div align="right">18</div> |
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Line 825: | Line 674: | ||
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=63810 To His Coy Mistress (version 2)] |
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Line 831: | Line 680: | ||
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<div align="right"> |
<div align="right">4</div> |
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<div align="right"> |
<div align="right">20</div> |
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<div align="right"> |
<div align="right">4</div> |
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<div align="right"> |
<div align="right">20</div> |
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Line 850: | Line 699: | ||
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[https://forum.librivox.org/viewtopic.php?f= |
[https://forum.librivox.org/viewtopic.php?f=28&t=52351 Tabai al-Istibdad wa-Masari al-Isti’bad] |
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<div align="right"> |
<div align="right">11</div> |
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<div align="right"> |
<div align="right">9</div> |
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<div align="right"> |
<div align="right">82</div> |
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<div align="right">6</div> |
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<div align="right">14</div> |
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Fully Subscribed |
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[https://librivox.org/stats/active_projects Children's Short Works Collection, Vol. 024] |
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<div align="right">15</div> |
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<div align="right">3</div> |
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<div align="right">20</div> |
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<div align="right"> |
<div align="right">18</div> |
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=62794 The Child of the Moat] |
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<div align="right"> |
<div align="right">30</div> |
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<div align="right"> |
<div align="right">9</div> |
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<div align="right"> |
<div align="right">30</div> |
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<div align="right"> |
<div align="right">3</div> |
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Line 968: | Line 792: | ||
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Open |
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Fully Subscribed |
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=62832 Le Piacevoli Notti, Libro 2] |
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<div align="right"> |
<div align="right">58</div> |
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<div align="right"> |
<div align="right">15</div> |
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<div align="right"> |
<div align="right">26</div> |
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<div align="right"> |
<div align="right">4</div> |
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<div align="right"> |
<div align="right">7</div> |
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Open |
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Fully Subscribed |
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Line 1,025: | Line 849: | ||
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=63315 <nowiki>The Enterprise of the ''Mayflower''</nowiki>] |
||
| |
| |
||
<div align="right"> |
<div align="right">18</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">10</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">56</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">1</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">6</div> |
||
| |
| |
||
Line 1,100: | Line 924: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=63118 The Purple Land] |
||
| |
| |
||
<div align="right"> |
<div align="right">31</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">2</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">6</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">1</div> |
||
| |
| |
||
Line 1,125: | Line 949: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php? |
[https://forum.librivox.org/viewtopic.php?t=63786 A Daughter of the Land (version 2)] |
||
| |
| |
||
<div align="right"> |
<div align="right">28</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">28</div> |
||
| |
| |
||
Line 1,169: | Line 993: | ||
| |
| |
||
Fully Subscribed |
Fully Subscribed |
||
| |
|||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?f=28&t=63498 A Woman's Love Letters] |
|||
| |
|||
<div align="right">30</div> |
|||
| |
|||
<div align="right">13</div> |
|||
| |
|||
<div align="right">43</div> |
|||
| |
|||
| |
|||
<div align="right">0</div> |
|||
| |
|||
Open |
|||
| |
| |
||
Line 1,244: | Line 1,043: | ||
| |
| |
||
Fully Subscribed |
Fully Subscribed |
||
| |
|||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?f=28&t=63730 Birds and All Nature, Vol. VII, No 5, May 1900] |
|||
| |
|||
<div align="right">44</div> |
|||
| |
|||
<div align="right">16</div> |
|||
| |
|||
<div align="right">36</div> |
|||
| |
|||
| |
|||
<div align="right">0</div> |
|||
| |
|||
Open |
|||
| |
|||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?f=26&t=63527 Carry On!] |
|||
| |
|||
<div align="right">16</div> |
|||
| |
|||
| |
|||
<div align="right">0</div> |
|||
| |
|||
| |
|||
<div align="right">0</div> |
|||
| |
|||
Open |
|||
| |
| |
||
Line 1,310: | Line 1,059: | ||
| |
| |
||
<div align="right">6</div> |
<div align="right">6</div> |
||
| |
|||
| |
|||
<div align="right">0</div> |
|||
| |
|||
Open |
|||
| |
|||
|- |
|||
| |
|||
[https://librivox.org/stats/active_projects Curiosities of Literature, Vol. 2] |
|||
| |
|||
<div align="right">83</div> |
|||
| |
|||
| |
|||
<div align="right">0</div> |
|||
| |
| |
||
Line 1,425: | Line 1,149: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=63823 In The Workhouse: Christmas Day] |
||
| |
| |
||
<div align="right"> |
<div align="right">20</div> |
||
| |
|||
<div align="right">14</div> |
|||
| |
|||
<div align="right">12</div> |
|||
| |
| |
||
Line 1,441: | Line 1,159: | ||
| |
| |
||
<div align="right">0</div> |
<div align="right">0</div> |
||
| |
|||
Open |
|||
| |
|||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?f=28&t=62874 Iracema] |
|||
| |
|||
<div align="right">8</div> |
|||
| |
|||
<div align="right">8</div> |
|||
| |
|||
<div align="right">100</div> |
|||
| |
| |
||
Line 1,468: | Line 1,167: | ||
| |
| |
||
Open |
|||
Fully Subscribed |
|||
| |
| |
||
Line 1,494: | Line 1,193: | ||
| |
| |
||
Fully Subscribed |
Fully Subscribed |
||
| |
|||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?f=26&t=63526 Leaves from Australian Forests] |
|||
| |
|||
<div align="right">44</div> |
|||
| |
|||
<div align="right">10</div> |
|||
| |
|||
<div align="right">23</div> |
|||
| |
|||
| |
|||
<div align="right">0</div> |
|||
| |
|||
Open |
|||
| |
| |
||
Line 1,606: | Line 1,280: | ||
| |
| |
||
<div align="right"> |
<div align="right">3</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">15</div> |
||
| |
| |
||
Line 1,625: | Line 1,299: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f= |
[https://forum.librivox.org/viewtopic.php?f=28&t=53201 Opuscula] |
||
| |
| |
||
<div align="right"> |
<div align="right">14</div> |
||
| |
| |
||
<div align="right">14</div> |
|||
| |
| |
||
<div align="right"> |
<div align="right">100</div> |
||
| |
| |
||
Line 1,643: | Line 1,317: | ||
| |
| |
||
Fully Subscribed |
|||
Open |
|||
| |
| |
||
Line 1,650: | Line 1,324: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f= |
[https://forum.librivox.org/viewtopic.php?f=26&t=63529 Rebel Verses] |
||
| |
| |
||
<div align="right"> |
<div align="right">35</div> |
||
| |
| |
||
<div align="right">27</div> |
|||
| |
| |
||
<div align="right"> |
<div align="right">0</div> |
||
| |
| |
||
Line 1,668: | Line 1,342: | ||
| |
| |
||
Open |
|||
Fully Subscribed |
|||
| |
| |
||
Line 1,675: | Line 1,349: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php? |
[https://forum.librivox.org/viewtopic.php?t=63787 State of the Union Addresses (1829 - 1836)] |
||
| |
| |
||
Line 1,681: | Line 1,355: | ||
| |
| |
||
<div align="right"> |
<div align="right">2</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">11</div> |
||
| |
| |
||
Line 1,700: | Line 1,374: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=63606 The Bible (Fenton) NT06-NT27: Holy Bible in Modern English, The: Romans to Revelation] |
||
| |
| |
||
<div align="right"> |
<div align="right">27</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">27</div> |
||
| |
| |
||
Line 1,719: | Line 1,393: | ||
| |
| |
||
Fully Subscribed |
Fully Subscribed |
||
| |
|||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?f=26&t=63534 The Man who Understood Women, and Other Stories] |
|||
| |
|||
<div align="right">21</div> |
|||
| |
|||
<div align="right">6</div> |
|||
| |
|||
<div align="right">29</div> |
|||
| |
|||
| |
|||
<div align="right">0</div> |
|||
| |
|||
Open |
|||
| |
| |
||
Line 1,775: | Line 1,424: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f= |
[https://forum.librivox.org/viewtopic.php?f=26&t=63535 The Talking Handkerchief, and Other Stories] |
||
| |
| |
||
<div align="right"> |
<div align="right">22</div> |
||
| |
|||
<div align="right">2</div> |
|||
| |
|||
<div align="right">6</div> |
|||
| |
|||
| |
|||
<div align="right">0</div> |
|||
| |
|||
Open |
|||
| |
|||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?f=26&t=63530 The Snowflake and Other Poems] |
|||
| |
|||
<div align="right">72</div> |
|||
| |
| |
||
Line 1,825: | Line 1,449: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f= |
[https://forum.librivox.org/viewtopic.php?f=28&t=62102 The Voyage Out (version 2)] |
||
| |
| |
||
<div align="right"> |
<div align="right">33</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">33</div> |
||
| |
|||
<div align="right">53</div> |
|||
| |
|||
| |
|||
<div align="right">0</div> |
|||
| |
|||
Open |
|||
| |
|||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?f=28&t=63714 The Sorrows of Satan - Or, the Strange Experience of One Geoffrey Tempest, Millionaire] |
|||
| |
|||
<div align="right">42</div> |
|||
| |
|||
<div align="right">42</div> |
|||
| |
| |
||
Line 1,875: | Line 1,474: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?f= |
[https://forum.librivox.org/viewtopic.php?f=28&t=63799&p=1317946 The World's Desire] |
||
| |
| |
||
<div align="right"> |
<div align="right">29</div> |
||
| |
| |
||
Line 1,894: | Line 1,493: | ||
| |
| |
||
Open |
Open |
||
| |
|||
|- |
|||
| |
|||
[https://forum.librivox.org/viewtopic.php?f=28&t=62102 The Voyage Out (version 2)] |
|||
| |
|||
<div align="right">33</div> |
|||
| |
|||
<div align="right">33</div> |
|||
| |
|||
<div align="right">100</div> |
|||
| |
|||
| |
|||
<div align="right">0</div> |
|||
| |
|||
Fully Subscribed |
|||
| |
| |
||
Line 1,975: | Line 1,549: | ||
|- |
|- |
||
| |
| |
||
[https://forum.librivox.org/viewtopic.php?t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=63850 Women of Achievement] |
||
| |
| |
||
<div align="right"> |
<div align="right">6</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">2</div> |
||
| |
| |
||
<div align="right"> |
<div align="right">33</div> |
||
| |
| |
||
Line 1,993: | Line 1,567: | ||
| |
| |
||
Open |
|||
Fully Subscribed |
|||
| |
| |
Revision as of 01:25, 1 February 2017
How to Use These Tables
Use the PL status table to see which projects do not currently have an assigned Dedicated Proof Listener (DPL).
Use the section status table to see which projects are currently underway, which ones are close to completion, which need just a couple of sections claimed to be fully subscribed, and so on.
For both tables, the project titles are links to the project thread.
To Sort - Click on the icon next to the column title to sort the table by that column. If you sort by sections claimed or completed, it will sort by the NUMBER of sections, not the percentage. Refresh the page to revert it to the default sort.
PL Status Table
Data current as of 31 January 7.30 pm CST
Project Name | Sections | Assigned | % | Completed | % | Status | DPL Name |
---|---|---|---|---|---|---|---|
Antologia Brasileira, Coletânea em Prosa e Verso de Escritores Nacionais, Volume 1 |
75
|
75
|
100
|
67
|
89
|
Fully Subscribed |
|
77
|
73
|
95
|
66
|
86
|
Open |
| |
39
|
35
|
90
|
33
|
85
|
Open |
| |
30
|
30
|
100
|
25
|
83
|
Fully Subscribed |
| |
18
|
17
|
94
|
15
|
83
|
Open |
| |
17
|
17
|
100
|
13
|
76
|
Fully Subscribed |
| |
75
|
55
|
73
|
54
|
72
|
Open |
| |
25
|
25
|
100
|
17
|
68
|
Fully Subscribed |
| |
25
|
22
|
88
|
17
|
68
|
Open |
| |
24
|
19
|
79
|
16
|
67
|
Open |
| |
37
|
24
|
65
|
24
|
65
|
Open |
| |
8
|
8
|
100
|
5
|
63
|
Fully Subscribed |
| |
26
|
26
|
100
|
16
|
62
|
Fully Subscribed |
| |
40
|
32
|
80
|
24
|
60
|
Open |
| |
19
|
19
|
100
|
11
|
58
|
Fully Subscribed |
| |
14
|
14
|
100
|
7
|
50
|
Fully Subscribed |
| |
15
|
15
|
100
|
7
|
47
|
Fully Subscribed |
| |
283
|
255
|
90
|
131
|
46
|
Open |
| |
20
|
9
|
45
|
8
|
40
|
Open |
| |
51
|
39
|
76
|
20
|
39
|
Open |
| |
25
|
9
|
36
|
9
|
36
|
Open |
| |
25
|
16
|
64
|
9
|
36
|
Open |
| |
20
|
7
|
35
|
6
|
30
|
Open |
| |
18
|
12
|
67
|
5
|
28
|
Open |
| |
109
|
31
|
28
|
23
|
21
|
Open |
| |
15
|
4
|
27
|
3
|
20
|
Open |
| |
20
|
4
|
20
|
4
|
20
|
Open |
| |
11
|
9
|
82
|
2
|
18
|
Open |
| |
Corporal Cameron of the North West Mounted Police--A Tale of the Macleod Trial |
25
|
3
|
12
|
3
|
12
|
Open |
|
30
|
3
|
10
|
3
|
10
|
Open |
| |
30
|
9
|
30
|
3
|
10
|
Open |
| |
58
|
15
|
26
|
4
|
7
|
Open |
| |
15
|
1
|
7
|
1
|
7
|
Open |
| |
18
|
10
|
56
|
1
|
6
|
Open |
| |
19
|
8
|
42
|
1
|
5
|
Open |
| |
25
|
4
|
16
|
1
|
4
|
Open |
| |
31
|
2
|
6
|
1
|
3
|
Open |
| |
28
|
28
|
100
|
|
0
|
Fully Subscribed |
| |
18
|
18
|
100
|
|
0
|
Fully Subscribed |
| |
27
|
4
|
15
|
|
0
|
Open |
| |
21
|
21
|
100
|
|
0
|
Fully Subscribed |
| |
48
|
3
|
6
|
|
0
|
Open |
| |
24
|
3
|
13
|
|
0
|
Open |
| |
17
|
17
|
100
|
|
0
|
Fully Subscribed |
| |
4
|
4
|
100
|
|
0
|
Fully Subscribed |
| |
20
|
|
0
|
|
0
|
Open |
| |
25
|
25
|
100
|
|
0
|
Fully Subscribed |
| |
Little Busybodies: The Life of Crickets, Ants, Bees, and Others |
17
|
|
0
|
|
0
|
Open |
|
241
|
241
|
100
|
|
0
|
Fully Subscribed |
| |
36
|
36
|
100
|
|
0
|
Fully Subscribed |
| |
20
|
3
|
15
|
|
0
|
Open |
| |
14
|
14
|
100
|
|
0
|
Fully Subscribed |
| |
35
|
|
0
|
|
0
|
Open |
| |
18
|
2
|
11
|
|
0
|
Open |
| |
The Bible (Fenton) NT06-NT27: Holy Bible in Modern English, The: Romans to Revelation |
27
|
27
|
100
|
|
0
|
Fully Subscribed |
|
10
|
|
0
|
|
0
|
Open |
| |
22
|
|
0
|
|
0
|
Open |
| |
33
|
33
|
100
|
|
0
|
Fully Subscribed |
| |
29
|
|
0
|
|
0
|
Open |
| |
10
|
1
|
10
|
|
0
|
Open |
| |
39
|
39
|
100
|
|
0
|
Fully Subscribed |
| |
6
|
2
|
33
|
|
0
|
Open |
|
Section Status Table
Data current as of 22 January 7.30 pm CST
Project Name | Sections | Assigned | % | Completed | % | Status |
---|---|---|---|---|---|---|
187
|
185
|
99
|
39
|
21
|
Open | |
32
|
31
|
97
|
26
|
81
|
Open | |
35
|
34
|
97
|
33
|
94
|
Open | |
36
|
35
|
97
|
25
|
69
|
Open | |
51
|
49
|
96
|
28
|
55
|
Open | |
56
|
53
|
95
|
48
|
86
|
Open | |
149
|
141
|
95
|
124
|
83
|
Open | |
88
|
83
|
94
|
47
|
53
|
Open | |
77
|
72
|
94
|
66
|
86
|
Open | |
64
|
60
|
94
|
52
|
81
|
Open | |
18
|
17
|
94
|
10
|
56
|
Open | |
93
|
87
|
94
|
64
|
69
|
Open | |
28
|
26
|
93
|
13
|
46
|
Open | |
54
|
49
|
91
|
31
|
57
|
Open | |
91
|
83
|
91
|
71
|
78
|
Open | |
20
|
18
|
90
|
17
|
85
|
Open | |
39
|
35
|
90
|
33
|
85
|
Open | |
39
|
35
|
90
|
7
|
18
|
Open | |
84
|
76
|
90
|
76
|
90
|
Open | |
51
|
46
|
90
|
45
|
88
|
Open | |
The Lion of Saint Mark: A Story of Venice in the Fourteenth Century |
21
|
19
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90
|
13
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62
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Open |
39
|
35
|
90
|
26
|
67
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Open | |
81
|
72
|
89
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58
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72
|
Open | |
25
|
22
|
88
|
16
|
64
|
Open | |
312
|
271
|
87
|
125
|
40
|
Open | |
Abraham Lincoln and the Abolition of Slavery in the United States |
14
|
12
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86
|
10
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71
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Open |
66
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57
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86
|
21
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32
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Open | |
Lives of the Most Eminent Painters, Sculptors and Architects Volume 5 |
28
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24
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86
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21
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75
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26
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22
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85
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10
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38
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20
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17
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85
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17
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85
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Open | |
106
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90
|
85
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81
|
76
|
Open | |
40
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34
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85
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31
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78
|
Open | |
38
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32
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84
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15
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39
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Open | |
48
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40
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83
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31
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65
|
Open | |
22
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18
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82
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13
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59
|
Open | |
34
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28
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82
|
20
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59
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Open | |
11
|
9
|
82
|
2
|
18
|
Open | |
33
|
27
|
82
|
8
|
24
|
Open | |
283
|
233
|
82
|
131
|
46
|
Open | |
20
|
16
|
80
|
16
|
80
|
Open | |
24
|
19
|
79
|
15
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63
|
Open | |
113
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89
|
79
|
56
|
50
|
Open | |
62
|
49
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79
|
41
|
66
|
Open | |
38
|
30
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79
|
9
|
24
|
Open | |
51
|
40
|
78
|
19
|
37
|
Open | |
37
|
29
|
78
|
25
|
68
|
Open | |
26
|
20
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77
|
12
|
46
|
Open | |
Little Busybodies: The Life of Crickets, Ants, Bees, and Others |
17
|
13
|
76
|
7
|
41
|
Open |
41
|
31
|
76
|
19
|
46
|
Open | |
132
|
100
|
76
|
80
|
61
|
Open | |
17
|
13
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76
|
12
|
71
|
Open | |
28
|
21
|
75
|
12
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43
|
Open | |
249
|
184
|
74
|
142
|
57
|
Open | |
51
|
37
|
73
|
18
|
35
|
Open | |
15
|
11
|
73
|
9
|
60
|
Open | |
18
|
13
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72
|
6
|
33
|
Open | |
18
|
13
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72
|
13
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72
|
Open | |
Potash and Perlmutter: Their Copartnership Ventures and Adventures |
17
|
12
|
71
|
12
|
71
|
Open |
45
|
32
|
71
|
8
|
18
|
Open | |
66
|
47
|
71
|
18
|
27
|
Open | |
63
|
44
|
70
|
20
|
32
|
Open | |
20
|
14
|
70
|
14
|
70
|
Open | |
40
|
28
|
70
|
21
|
53
|
Open | |
47
|
33
|
70
|
24
|
51
|
Open | |
20
|
14
|
70
|
6
|
30
|
Open | |
54
|
38
|
70
|
1
|
2
|
Open | |
26
|
18
|
69
|
13
|
50
|
Open | |
42
|
29
|
69
|
25
|
60
|
Open | |
25
|
17
|
68
|
11
|
44
|
Open | |
102
|
69
|
68
|
59
|
58
|
Open | |
146
|
99
|
68
|
91
|
62
|
Open | |
151
|
100
|
66
|
86
|
57
|
Open | |
914
|
599
|
66
|
299
|
33
|
Open | |
75
|
49
|
65
|
48
|
64
|
Open | |
37
|
24
|
65
|
24
|
65
|
Open | |
14
|
9
|
64
|
9
|
64
|
Open | |
25
|
16
|
64
|
9
|
36
|
Open | |
John Deane of Nottingham: Historic Adventures by Land and Sea |
38
|
24
|
63
|
19
|
50
|
Open |
43
|
27
|
63
|
19
|
44
|
Open | |
69
|
43
|
62
|
37
|
54
|
Open | |
112
|
69
|
62
|
62
|
55
|
Open | |
59
|
36
|
61
|
23
|
39
|
Open | |
43
|
26
|
60
|
22
|
51
|
Open | |
30
|
18
|
60
|
17
|
57
|
Open | |
The National Geographic Magazine Vol. 07 - 11. November 1896 |
5
|
3
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60
|
2
|
40
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Open |
29
|
17
|
59
|
11
|
38
|
Open | |
24
|
14
|
58
|
2
|
8
|
Open | |
25
|
14
|
56
|
10
|
40
|
Open | |
87
|
49
|
56
|
29
|
33
|
Open | |
18
|
10
|
56
|
5
|
28
|
Open | |
41
|
23
|
56
|
10
|
24
|
Open | |
13
|
7
|
54
|
1
|
8
|
Open | |
32
|
17
|
53
|
7
|
22
|
Open | |
180
|
95
|
53
|
90
|
50
|
Open | |
73
|
39
|
53
|
|
0
|
Open | |
27
|
14
|
52
|
11
|
41
|
Open | |
82
|
43
|
52
|
27
|
33
|
Open | |
25
|
13
|
52
|
10
|
40
|
Open | |
27
|
14
|
52
|
10
|
37
|
Open | |
30
|
15
|
50
|
12
|
40
|
Open | |
14
|
7
|
50
|
4
|
29
|
Open | |
20
|
10
|
50
|
10
|
50
|
Open | |
18
|
9
|
50
|
|
0
|
Open | |
25
|
12
|
48
|
3
|
12
|
Open | |
27
|
13
|
48
|
7
|
26
|
Open | |
15
|
7
|
47
|
4
|
27
|
Open | |
127
|
59
|
46
|
53
|
42
|
Open | |
28
|
13
|
46
|
9
|
32
|
Open | |
20
|
9
|
45
|
4
|
20
|
Open | |
36
|
16
|
44
|
11
|
31
|
Open | |
30
|
13
|
43
|
|
0
|
Open | |
26
|
11
|
42
|
11
|
42
|
Open | |
60
|
25
|
42
|
18
|
30
|
Open | |
12
|
5
|
42
|
5
|
42
|
Open | |
19
|
8
|
42
|
1
|
5
|
Open | |
20
|
8
|
40
|
3
|
15
|
Open | |
23
|
9
|
39
|
9
|
39
|
Open | |
23
|
9
|
39
|
3
|
13
|
Open | |
104
|
39
|
38
|
33
|
32
|
Open | |
13
|
5
|
38
|
2
|
15
|
Open | |
49
|
18
|
37
|
17
|
35
|
Open | |
73
|
27
|
37
|
26
|
36
|
Open | |
27
|
10
|
37
|
8
|
30
|
Open | |
44
|
16
|
36
|
|
0
|
Open | |
25
|
9
|
36
|
7
|
28
|
Open | |
125
|
45
|
36
|
42
|
34
|
Open | |
55
|
19
|
35
|
9
|
16
|
Open | |
59
|
20
|
34
|
2
|
3
|
Open | |
Criminal Investigation: a Practical Handbook for Magistrates, Police Officers and Lawyers, Volume 3 |
33
|
11
|
33
|
11
|
33
|
Open |
24
|
8
|
33
|
6
|
25
|
Open | |
20
|
6
|
30
|
5
|
25
|
Open | |
123
|
37
|
30
|
9
|
7
|
Open | |
21
|
6
|
29
|
|
0
|
Open | |
109
|
30
|
28
|
6
|
6
|
Open | |
109
|
31
|
28
|
22
|
20
|
Open | |
18
|
5
|
28
|
3
|
17
|
Open | |
30
|
8
|
27
|
2
|
7
|
Open | |
100
|
26
|
26
|
16
|
16
|
Open | |
76
|
20
|
26
|
7
|
9
|
Open | |
Melor of the Silver Hand; and Other Stories of the Bright Ages |
19
|
5
|
26
|
|
0
|
Open |
31
|
8
|
26
|
2
|
6
|
Open | |
20
|
5
|
25
|
5
|
25
|
Open | |
52
|
13
|
25
|
10
|
19
|
Open | |
8
|
2
|
25
|
2
|
25
|
Open | |
67
|
16
|
24
|
|
0
|
Open | |
33
|
8
|
24
|
7
|
21
|
Open | |
44
|
10
|
23
|
|
0
|
Open | |
58
|
13
|
22
|
2
|
3
|
Open | |
18
|
4
|
22
|
2
|
11
|
Open | |
180
|
40
|
22
|
30
|
17
|
Open | |
15
|
3
|
20
|
2
|
13
|
Open | |
25
|
5
|
20
|
2
|
8
|
Open | |
27
|
5
|
19
|
1
|
4
|
Open | |
11
|
2
|
18
|
|
0
|
Open | |
58
|
10
|
17
|
8
|
14
|
Open | |
35
|
6
|
17
|
4
|
11
|
Open | |
25
|
4
|
16
|
1
|
4
|
Open | |
27
|
4
|
15
|
|
0
|
Open | |
20
|
3
|
15
|
3
|
15
|
Open | |
24
|
3
|
13
|
|
0
|
Open | |
61
|
8
|
13
|
8
|
13
|
Open | |
Corporal Cameron of the North West Mounted Police--A Tale of the Macleod Trial |
25
|
3
|
12
|
3
|
12
|
Open |
120
|
14
|
12
|
|
0
|
Open | |
30
|
3
|
10
|
3
|
10
|
Open | |
20
|
2
|
10
|
|
0
|
Open | |
118
|
12
|
10
|
|
0
|
Open | |
10
|
1
|
10
|
|
0
|
Open | |
56
|
5
|
9
|
|
0
|
Open | |
15
|
1
|
7
|
|
0
|
Open | |
15
|
1
|
7
|
1
|
7
|
Open | |
14
|
1
|
7
|
|
0
|
Open | |
48
|
3
|
6
|
|
0
|
Open | |
31
|
2
|
6
|
|
0
|
Open | |
44
|
2
|
5
|
1
|
2
|
Open | |
44
|
1
|
2
|
|
0
|
Open | |
16
|
|
0
|
|
0
|
Open | |
83
|
|
0
|
|
0
|
Open | |
Little Busybodies: The Life of Crickets, Ants, Bees, and Others |
17
|
|
0
|
|
0
|
Open |
35
|
|
0
|
|
0
|
Open | |
10
|
|
0
|
|
0
|
Open | |
72
|
|
0
|
|
0
|
Open | |
22
|
|
0
|
|
0
|
Open | |
22
|
22
|
100
|
18
|
82
|
Fully Subscribed | |
15
|
15
|
100
|
1
|
7
|
Fully Subscribed | |
88
|
88
|
100
|
|
0
|
Fully Subscribed | |
11
|
11
|
100
|
|
0
|
Fully Subscribed | |
18
|
18
|
100
|
|
0
|
Fully Subscribed | |
A Soldier Of The Legion; An Englishman's Adventures Under The French Flag in Algeria And Tonquin |
10
|
10
|
100
|
5
|
50
|
Fully Subscribed |
20
|
20
|
100
|
2
|
10
|
Fully Subscribed | |
18
|
18
|
100
|
17
|
94
|
Fully Subscribed | |
71
|
71
|
100
|
49
|
69
|
Fully Subscribed | |
30
|
30
|
100
|
11
|
37
|
Fully Subscribed | |
23
|
23
|
100
|
23
|
100
|
Fully Subscribed | |
24
|
24
|
100
|
12
|
50
|
Fully Subscribed | |
30
|
30
|
100
|
5
|
17
|
Fully Subscribed | |
30
|
30
|
100
|
13
|
43
|
Fully Subscribed | |
30
|
30
|
100
|
2
|
7
|
Fully Subscribed | |
40
|
40
|
100
|
33
|
83
|
Fully Subscribed | |
26
|
26
|
100
|
24
|
92
|
Fully Subscribed | |
Anting-Anting Stories And Other Strange Tales of the Filipinos |
13
|
13
|
100
|
6
|
46
|
Fully Subscribed |
Antologia Brasileira, Coletânea em Prosa e Verso de Escritores Nacionais, Volume 1 |
75
|
75
|
100
|
67
|
89
|
Fully Subscribed |
8
|
8
|
100
|
1
|
13
|
Fully Subscribed | |
45
|
45
|
100
|
14
|
31
|
Fully Subscribed | |
21
|
21
|
100
|
|
0
|
Fully Subscribed | |
15
|
15
|
100
|
6
|
40
|
Fully Subscribed | |
53
|
53
|
100
|
29
|
55
|
Fully Subscribed | |
30
|
30
|
100
|
7
|
23
|
Fully Subscribed | |
Beacon Lights of History, Volume 6: Renaissance and Reformation |
25
|
25
|
100
|
|
0
|
Fully Subscribed |
19
|
19
|
100
|
12
|
63
|
Fully Subscribed | |
260
|
259
|
100
|
221
|
85
|
Fully Subscribed | |
27
|
27
|
100
|
|
0
|
Fully Subscribed | |
Bible (DBY) 01-05 : Pentateuque (Genèse, Exode, Lévitique, Nombres et Deutéronome) |
67
|
67
|
100
|
55
|
82
|
Fully Subscribed |
Bible (Fenton) 08, 13-14, 16-22, 25, 27: Holy Bible in Modern English, The: Psalms to 2 Chronicles |
39
|
39
|
100
|
37
|
95
|
Fully Subscribed |
150
|
150
|
100
|
29
|
19
|
Fully Subscribed | |
24
|
24
|
100
|
6
|
25
|
Fully Subscribed | |
26
|
26
|
100
|
10
|
38
|
Fully Subscribed | |
44
|
44
|
100
|
35
|
80
|
Fully Subscribed | |
35
|
35
|
100
|
4
|
11
|
Fully Subscribed | |
59
|
59
|
100
|
26
|
44
|
Fully Subscribed | |
67
|
67
|
100
|
39
|
58
|
Fully Subscribed | |
49
|
49
|
100
|
45
|
92
|
Fully Subscribed | |
31
|
31
|
100
|
13
|
42
|
Fully Subscribed | |
Canzoniere (Rerum vulgarium fragmenta), vol 2, di Francesco Petrarca (1304-1374) . |
183
|
183
|
100
|
13
|
7
|
Fully Subscribed |
16
|
16
|
100
|
4
|
25
|
Fully Subscribed | |
25
|
25
|
100
|
14
|
56
|
Fully Subscribed | |
37
|
37
|
100
|
33
|
89
|
Fully Subscribed | |
13
|
13
|
100
|
12
|
92
|
Fully Subscribed | |
30
|
30
|
100
|
25
|
83
|
Fully Subscribed | |
14
|
14
|
100
|
5
|
36
|
Fully Subscribed | |
32
|
32
|
100
|
24
|
75
|
Fully Subscribed | |
11
|
11
|
100
|
1
|
9
|
Fully Subscribed | |
69
|
69
|
100
|
|
0
|
Fully Subscribed | |
70
|
70
|
100
|
33
|
47
|
Fully Subscribed | |
14
|
14
|
100
|
7
|
50
|
Fully Subscribed | |
10
|
10
|
100
|
2
|
20
|
Fully Subscribed | |
36
|
36
|
100
|
6
|
17
|
Fully Subscribed | |
211
|
212
|
100
|
54
|
26
|
Fully Subscribed | |
35
|
35
|
100
|
13
|
37
|
Fully Subscribed | |
10
|
10
|
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|
Fully Subscribed | |
49
|
49
|
100
|
43
|
88
|
Fully Subscribed | |
22
|
22
|
100
|
14
|
64
|
Fully Subscribed | |
30
|
30
|
100
|
29
|
97
|
Fully Subscribed | |
The Stories Polly Pepper Told to the Five Little Peppers in the Little Brown House |
26
|
26
|
100
|
11
|
42
|
Fully Subscribed |
41
|
41
|
100
|
18
|
44
|
Fully Subscribed | |
31
|
31
|
100
|
24
|
77
|
Fully Subscribed | |
11
|
11
|
100
|
1
|
9
|
Fully Subscribed | |
34
|
34
|
100
|
15
|
44
|
Fully Subscribed | |
23
|
23
|
100
|
20
|
87
|
Fully Subscribed | |
109
|
109
|
100
|
53
|
49
|
Fully Subscribed | |
27
|
27
|
100
|
26
|
96
|
Fully Subscribed | |
9
|
9
|
100
|
6
|
67
|
Fully Subscribed | |
33
|
33
|
100
|
|
0
|
Fully Subscribed | |
8
|
8
|
100
|
4
|
50
|
Fully Subscribed | |
The Well at the World's End: Book 3: The Road to The Well at the World's End |
22
|
22
|
100
|
14
|
64
|
Fully Subscribed |
171
|
171
|
100
|
110
|
64
|
Fully Subscribed | |
26
|
26
|
100
|
6
|
23
|
Fully Subscribed | |
18
|
18
|
100
|
11
|
61
|
Fully Subscribed | |
17
|
17
|
100
|
7
|
41
|
Fully Subscribed | |
90
|
90
|
100
|
9
|
10
|
Fully Subscribed | |
16
|
16
|
100
|
2
|
13
|
Fully Subscribed | |
31
|
31
|
100
|
25
|
81
|
Fully Subscribed | |
67
|
67
|
100
|
32
|
48
|
Fully Subscribed | |
33
|
33
|
100
|
25
|
76
|
Fully Subscribed | |
39
|
39
|
100
|
|
0
|
Fully Subscribed | |
45
|
45
|
100
|
4
|
9
|
Fully Subscribed | |
13
|
13
|
100
|
7
|
54
|
Fully Subscribed | |
71
|
71
|
100
|
5
|
7
|
Fully Subscribed | |
96
|
96
|
100
|
37
|
39
|
Fully Subscribed | |
24
|
24
|
100
|
|
0
|
Fully Subscribed | |
29
|
29
|
100
|
10
|
34
|
Fully Subscribed | |
55
|
55
|
100
|
3
|
5
|
Fully Subscribed | |
28
|
28
|
100
|
8
|
29
|
Fully Subscribed | |
30
|
30
|
100
|
11
|
37
|
Fully Subscribed | |
68
|
68
|
100
|
53
|
78
|
Fully Subscribed | |
100
|
100
|
100
|
|
0
|
Fully Subscribed | |
33
|
33
|
100
|
3
|
9
|
Fully Subscribed | |
9
|
9
|
100
|
3
|
33
|
Fully Subscribed | |
22
|
22
|
100
|
4
|
18
|
Fully Subscribed | |
Разсказы для детей и взрослых (Short Stories for Children and Adults) |
22
|
22
|
100
|
3
|
14
|
Fully Subscribed |
8
|
8
|
100
|
4
|
50
|
Fully Subscribed | |
400
|
391
|
98
|
376
|
94
|
Fully Subscribed | |
123
|
114
|
93
|
98
|
80
|
Fully Subscribed | |
141
|
74
|
52
|
71
|
50
|
Fully Subscribed |
How to Update This Status Table
(Instructions are using Windows, Excel and OpenOffice.)
- Go to the Stats / Status Table report (link in MC/admin area)
- Sort the status table by "status"
- Copy the open and fully subscribed lines (not the HTML, but simply the page with Ctrl+A Ctrl+C) into an Excel document
- Delete any unwanted columns (DPL / MC) and rows
- Make all other columns (except Title) center (select columns and then click the paragraph centering button)
- Top justify all cells
- Sort by title column
- Copy data to Open Office
- Export it to MediaWiki.txt (File/Export)
- Open the txt file in Notepad
- Replace all 100 with <font color="#00cc00">100%</font> (optional)
- Copy everything AFTER <center>Status</center>
- Highlight the Wiki code AFTER <center>Status</center>
- Paste into the Wiki
- Change data date and time to reflect current update
- Preview to make sure non-English characters show up all right. If they don't, repeat from step 8, as this is usually where the error happens.