Project Status Table: Difference between revisions
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== PL Status Table == |
== PL Status Table == |
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Data current as of |
Data current as of 22 November 8 pm CST |
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{| class="wikitable sortable" |
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! DPL Name |
! DPL Name |
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[https://forum.librivox.org/viewtopic.php?t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=56983 Le Piacevoli Notti] |
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<div align="right"> |
<div align="right">30</div> |
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<div align="right"> |
<div align="right">30</div> |
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<div align="right"> |
<div align="right">27</div> |
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<div align="right"> |
<div align="right">90</div> |
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Antologia Brasileira, Coletânea em Prosa e Verso de Escritores Nacionais, Volume 1 |
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[https://forum.librivox.org/viewtopic.php?f=28&t=56983 Le Piacevoli Notti] |
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<div align="right"> |
<div align="right">75</div> |
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<div align="right"> |
<div align="right">72</div> |
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<div align="right"> |
<div align="right">96</div> |
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<div align="right"> |
<div align="right">63</div> |
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<div align="right"> |
<div align="right">84</div> |
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Open |
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Fully Subscribed |
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Fully Subscribed |
Fully Subscribed |
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Antologia Brasileira, Coletânea em Prosa e Verso de Escritores Nacionais, Volume 1 |
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<div align="right">75</div> |
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<div align="right">68</div> |
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<div align="right">91</div> |
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<div align="right">59</div> |
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<div align="right">79</div> |
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Open |
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Line 132: | Line 106: | ||
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<div align="right"> |
<div align="right">37</div> |
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<div align="right"> |
<div align="right">95</div> |
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<div align="right"> |
<div align="right">32</div> |
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<div align="right"> |
<div align="right">82</div> |
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Line 163: | Line 137: | ||
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<div align="right"> |
<div align="right">59</div> |
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<div align="right"> |
<div align="right">77</div> |
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<div align="right"> |
<div align="right">21</div> |
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<div align="right"> |
<div align="right">84</div> |
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[https://forum.librivox.org/viewtopic.php? |
[https://forum.librivox.org/viewtopic.php?t=54943 T. De Witt Talmage As I Knew Him] |
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<div align="right"> |
<div align="right">37</div> |
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<div align="right"> |
<div align="right">24</div> |
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<div align="right"> |
<div align="right">65</div> |
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<div align="right"> |
<div align="right">20</div> |
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<div align="right"> |
<div align="right">54</div> |
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[https://forum.librivox.org/viewtopic.php?t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=62788 Het Leven van Hillegonda Buisman - deel 4] |
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<div align="right"> |
<div align="right">19</div> |
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<div align="right"> |
<div align="right">19</div> |
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<div align="right"> |
<div align="right">100</div> |
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<div align="right"> |
<div align="right">10</div> |
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<div align="right"> |
<div align="right">53</div> |
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Fully Subscribed |
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Open |
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Line 301: | Line 275: | ||
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=60354 Hunting In Many Lands] |
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<div align="right"> |
<div align="right">24</div> |
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<div align="right"> |
<div align="right">17</div> |
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<div align="right"> |
<div align="right">71</div> |
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<div align="right"> |
<div align="right">50</div> |
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=60578 The Mentor 1] |
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<div align="right"> |
<div align="right">25</div> |
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<div align="right"> |
<div align="right">14</div> |
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<div align="right"> |
<div align="right">56</div> |
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<div align="right"> |
<div align="right">12</div> |
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<div align="right"> |
<div align="right">48</div> |
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Open |
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Fully Subscribed |
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Line 351: | Line 325: | ||
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=49287 I Racconti delle Fate] |
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<div align="right"> |
<div align="right">15</div> |
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<div align="right"> |
<div align="right">15</div> |
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<div align="right"> |
<div align="right">100</div> |
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<div align="right"> |
<div align="right">7</div> |
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<div align="right"> |
<div align="right">47</div> |
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Fully Subscribed |
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Open |
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Line 376: | Line 350: | ||
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=62898 In November] |
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Line 488: | Line 462: | ||
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<div align="right"> |
<div align="right">16</div> |
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<div align="right">31</div> |
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Open |
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[https://forum.librivox.org/viewtopic.php?f=28&t=60816 The Story of Old France] |
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<div align="right">91</div> |
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<div align="right">60</div> |
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<div align="right">66</div> |
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<div align="right">24</div> |
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<div align="right">26</div> |
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Open |
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[https://forum.librivox.org/viewtopic.php?f=28&t=62785&p=1291973 Two 1 Act Farces (for the One Act Play Collection)] |
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<div align="right">18</div> |
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<div align="right">10</div> |
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<div align="right">56</div> |
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<div align="right">4</div> |
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Line 557: | Line 581: | ||
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<div align="right"> |
<div align="right">9</div> |
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<div align="right"> |
<div align="right">45</div> |
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Line 576: | Line 600: | ||
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[https://forum.librivox.org/viewtopic.php?f= |
[https://forum.librivox.org/viewtopic.php?f=26&t=62955 The Old Inn] |
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<div align="right"> |
<div align="right">20</div> |
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<div align="right"> |
<div align="right">3</div> |
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<div align="right"> |
<div align="right">15</div> |
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<div align="right"> |
<div align="right">3</div> |
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<div align="right"> |
<div align="right">15</div> |
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Open |
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Fully Subscribed |
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Line 601: | Line 625: | ||
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[https://forum.librivox.org/viewtopic.php?f= |
[https://forum.librivox.org/viewtopic.php?f=28&t=61234 Ensimmäiset novellit] |
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<div align="right"> |
<div align="right">7</div> |
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<div align="right"> |
<div align="right">7</div> |
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<div align="right"> |
<div align="right">1</div> |
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[https://forum.librivox.org/viewtopic.php?f= |
[https://forum.librivox.org/viewtopic.php?f=12&t=55864 The Adventures of Huckleberry Finn (Version 6)] |
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<div align="right"> |
<div align="right">43</div> |
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<div align="right"> |
<div align="right">43</div> |
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Line 638: | Line 662: | ||
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<div align="right"> |
<div align="right">6</div> |
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<div align="right"> |
<div align="right">14</div> |
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Line 651: | Line 675: | ||
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=58043 Los Cuatro Jinetes del Apocalipsis] |
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<div align="right"> |
<div align="right">30</div> |
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<div align="right"> |
<div align="right">30</div> |
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<div align="right"> |
<div align="right">100</div> |
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<div align="right"> |
<div align="right">3</div> |
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<div align="right"> |
<div align="right">10</div> |
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Fully Subscribed |
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Open |
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Line 732: | Line 756: | ||
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<div align="right"> |
<div align="right">7</div> |
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<div align="right"> |
<div align="right">13</div> |
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Line 826: | Line 850: | ||
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=62794 The Child of the Moat] |
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<div align="right"> |
<div align="right">30</div> |
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<div align="right"> |
<div align="right">5</div> |
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<div align="right"> |
<div align="right">17</div> |
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Line 841: | Line 865: | ||
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<div align="right"> |
<div align="right">3</div> |
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=62947 Cassell's Vegetarian Cookery] |
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<div align="right"> |
<div align="right">26</div> |
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<div align="right"> |
<div align="right">9</div> |
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<div align="right"> |
<div align="right">35</div> |
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Line 944: | Line 968: | ||
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Open |
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Fully Subscribed |
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[https://forum.librivox.org/viewtopic.php?f=28&t=62965 Charlotte's Inheritance] |
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<div align="right">48</div> |
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<div align="right">0</div> |
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<div align="right">0</div> |
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Open |
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Line 1,001: | Line 1,050: | ||
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=62889 Die toten Seelen] |
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<div align="right"> |
<div align="right">35</div> |
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<div align="right"> |
<div align="right">35</div> |
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<div align="right"> |
<div align="right">100</div> |
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Line 1,019: | Line 1,068: | ||
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Fully Subscribed |
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Open |
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Line 1,026: | Line 1,075: | ||
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[https://forum.librivox.org/viewtopic.php? |
[https://forum.librivox.org/viewtopic.php?p=1297186 Ghost Beyond the Gate] |
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<div align="right"> |
<div align="right">25</div> |
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<div align="right"> |
<div align="right">25</div> |
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Line 1,132: | Line 1,181: | ||
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<div align="right"> |
<div align="right">12</div> |
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<div align="right"> |
<div align="right">21</div> |
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Line 1,170: | Line 1,219: | ||
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Open |
Open |
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[https://forum.librivox.org/viewtopic.php?t=62870 Los Eddas] |
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<div align="right">30</div> |
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<div align="right">30</div> |
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<div align="right">100</div> |
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<div align="right">0</div> |
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Fully Subscribed |
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Line 1,233: | Line 1,257: | ||
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<div align="right">36</div> |
<div align="right">36</div> |
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<div align="right">100</div> |
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<div align="right">0</div> |
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Fully Subscribed |
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[https://forum.librivox.org/viewtopic.php?f=28&t=62815 Niebla] |
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<div align="right">35</div> |
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<div align="right">35</div> |
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Line 1,295: | Line 1,294: | ||
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Fully Subscribed |
Fully Subscribed |
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[https://forum.librivox.org/viewtopic.php?f=28&t=62888 Reminiscences and Table-Talk of Samuel Rogers - Banker, Poet and Patron of the Arts (1763-1855)] |
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<div align="right">25</div> |
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<div align="right">25</div> |
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<div align="right">100</div> |
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<div align="right">0</div> |
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Fully Subscribed |
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[https://forum.librivox.org/viewtopic.php?f=28&t=62794 The Child of the Moat] |
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<div align="right">30</div> |
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<div align="right">3</div> |
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<div align="right">10</div> |
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<div align="right">0</div> |
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Open |
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[https://forum.librivox.org/viewtopic.php?f=28&t=62854 The Englishman and Other Poems] |
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<div align="right">52</div> |
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<div align="right">14</div> |
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<div align="right">27</div> |
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<div align="right">0</div> |
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Open |
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Line 1,407: | Line 1,331: | ||
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<div align="right"> |
<div align="right">8</div> |
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<div align="right"> |
<div align="right">17</div> |
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Line 1,426: | Line 1,350: | ||
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[https://forum.librivox.org/viewtopic.php?f=28&t= |
[https://forum.librivox.org/viewtopic.php?f=28&t=62912 The Story of King Arthur and his Knights] |
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<div align="right"> |
<div align="right">41</div> |
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<div align="right"> |
<div align="right">12</div> |
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<div align="right"> |
<div align="right">29</div> |
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Line 1,444: | Line 1,368: | ||
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Open |
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Fully Subscribed |
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Revision as of 02:03, 23 November 2016
How to Use These Tables
Use the PL status table to see which projects do not currently have an assigned Dedicated Proof Listener (DPL).
Use the section status table to see which projects are currently underway, which ones are close to completion, which need just a couple of sections claimed to be fully subscribed, and so on.
For both tables, the project titles are links to the project thread.
To Sort - Click on the icon next to the column title to sort the table by that column. If you sort by sections claimed or completed, it will sort by the NUMBER of sections, not the percentage. Refresh the page to revert it to the default sort.
PL Status Table
Data current as of 22 November 8 pm CST
Project Name | Sections | Assigned | % | Completed | % | Status | DPL Name |
---|---|---|---|---|---|---|---|
30
|
30
|
100
|
27
|
90
|
Fully Subscribed |
| |
Antologia Brasileira, Coletânea em Prosa e Verso de Escritores Nacionais, Volume 1 |
75
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72
|
96
|
63
|
84
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Open |
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30
|
30
|
100
|
25
|
83
|
Fully Subscribed |
| |
39
|
37
|
95
|
32
|
82
|
Open |
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77
|
68
|
88
|
59
|
77
|
Open |
| |
25
|
21
|
84
|
18
|
72
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Open |
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25
|
25
|
100
|
17
|
68
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Fully Subscribed |
| |
75
|
48
|
64
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47
|
63
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Open |
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37
|
24
|
65
|
20
|
54
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Open |
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19
|
19
|
100
|
10
|
53
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Fully Subscribed |
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24
|
17
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71
|
12
|
50
|
Open |
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25
|
14
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56
|
12
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48
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Open |
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15
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15
|
100
|
7
|
47
|
Fully Subscribed |
| |
20
|
9
|
45
|
8
|
40
|
Open |
| |
14
|
14
|
100
|
5
|
36
|
Fully Subscribed |
| |
25
|
12
|
48
|
9
|
36
|
Open |
| |
283
|
233
|
82
|
97
|
34
|
Open |
| |
51
|
31
|
61
|
16
|
31
|
Open |
| |
91
|
60
|
66
|
24
|
26
|
Open |
| |
18
|
10
|
56
|
4
|
22
|
Open |
| |
109
|
30
|
28
|
20
|
18
|
Open |
| |
11
|
8
|
73
|
2
|
18
|
Open |
| |
20
|
9
|
45
|
3
|
15
|
Open |
| |
20
|
3
|
15
|
3
|
15
|
Open |
| |
7
|
7
|
100
|
1
|
14
|
Fully Subscribed |
| |
43
|
43
|
100
|
6
|
14
|
Fully Subscribed |
| |
30
|
30
|
100
|
3
|
10
|
Fully Subscribed |
| |
90
|
90
|
100
|
8
|
9
|
Fully Subscribed |
| |
Corporal Cameron of the North West Mounted Police--A Tale of the Macleod Trial |
25
|
2
|
8
|
2
|
8
|
Open |
|
52
|
7
|
13
|
4
|
8
|
Open |
| |
12
|
12
|
100
|
1
|
8
|
Fully Subscribed |
| |
15
|
2
|
13
|
1
|
7
|
Open |
| |
17
|
17
|
100
|
1
|
6
|
Fully Subscribed |
| |
30
|
5
|
17
|
1
|
3
|
Open |
| |
30
|
|
0
|
|
0
|
Open |
| |
88
|
88
|
100
|
|
0
|
Fully Subscribed |
| |
18
|
18
|
100
|
|
0
|
Fully Subscribed |
| |
26
|
9
|
35
|
|
0
|
Open |
| |
48
|
|
0
|
|
0
|
Open |
| |
26
|
26
|
100
|
|
0
|
Fully Subscribed |
| |
14
|
14
|
100
|
|
0
|
Fully Subscribed |
| |
35
|
35
|
100
|
|
0
|
Fully Subscribed |
| |
25
|
25
|
100
|
|
0
|
Fully Subscribed |
| |
4
|
4
|
100
|
|
0
|
Fully Subscribed |
| |
8
|
8
|
100
|
|
0
|
Fully Subscribed |
| |
25
|
25
|
100
|
|
0
|
Fully Subscribed |
| |
58
|
12
|
21
|
|
0
|
Open |
| |
Little Busybodies: The Life of Crickets, Ants, Bees, and Others |
17
|
|
0
|
|
0
|
Open |
|
241
|
241
|
100
|
|
0
|
Fully Subscribed |
| |
36
|
36
|
100
|
|
0
|
Fully Subscribed |
| |
3
|
3
|
100
|
|
0
|
Fully Subscribed |
| |
25
|
25
|
100
|
|
0
|
Fully Subscribed |
| |
47
|
8
|
17
|
|
0
|
Open |
| |
41
|
12
|
29
|
|
0
|
Open |
| |
33
|
33
|
100
|
|
0
|
Fully Subscribed |
| |
10
|
1
|
10
|
|
0
|
Open |
| |
5
|
5
|
100
|
|
0
|
Fully Subscribed |
|
Section Status Table
Data current as of 22 November 8 pm CST
Project Name | Sections | Assigned | % | Completed | % | Status |
---|---|---|---|---|---|---|
914
|
592
|
65
|
286
|
31
|
Open | |
312
|
259
|
83
|
107
|
34
|
Open | |
283
|
233
|
82
|
97
|
34
|
Open | |
250
|
169
|
68
|
110
|
44
|
Open | |
149
|
145
|
97
|
116
|
78
|
Open | |
140
|
114
|
81
|
101
|
72
|
Open | |
113
|
101
|
89
|
40
|
35
|
Open | |
151
|
100
|
66
|
86
|
57
|
Open | |
146
|
99
|
68
|
91
|
62
|
Open | |
134
|
95
|
71
|
79
|
59
|
Open | |
180
|
94
|
52
|
90
|
50
|
Open | |
132
|
93
|
70
|
80
|
61
|
Open | |
132
|
89
|
67
|
61
|
46
|
Open | |
85
|
76
|
89
|
48
|
56
|
Open | |
87
|
75
|
86
|
60
|
69
|
Open | |
112
|
73
|
65
|
51
|
46
|
Open | |
Antologia Brasileira, Coletânea em Prosa e Verso de Escritores Nacionais, Volume 1 |
75
|
72
|
96
|
63
|
84
|
Open |
82
|
72
|
88
|
31
|
38
|
Open | |
106
|
70
|
66
|
43
|
41
|
Open | |
84
|
70
|
83
|
51
|
61
|
Open | |
81
|
70
|
86
|
50
|
62
|
Open | |
77
|
68
|
88
|
59
|
77
|
Open | |
88
|
64
|
73
|
30
|
34
|
Open | |
66
|
64
|
97
|
18
|
27
|
Open | |
100
|
64
|
64
|
51
|
51
|
Open | |
91
|
60
|
66
|
24
|
26
|
Open | |
93
|
60
|
65
|
44
|
47
|
Open | |
83
|
58
|
70
|
48
|
58
|
Open | |
60
|
57
|
95
|
16
|
27
|
Open | |
76
|
56
|
74
|
47
|
62
|
Open | |
59
|
55
|
93
|
52
|
88
|
Open | |
75
|
48
|
64
|
47
|
63
|
Open | |
64
|
48
|
75
|
34
|
53
|
Open | |
56
|
48
|
86
|
43
|
77
|
Open | |
53
|
47
|
89
|
36
|
68
|
Open | |
51
|
47
|
92
|
47
|
92
|
Open | |
51
|
46
|
90
|
38
|
75
|
Open | |
69
|
43
|
62
|
37
|
54
|
Open | |
62
|
43
|
69
|
38
|
61
|
Open | |
46
|
42
|
91
|
32
|
70
|
Open | |
51
|
42
|
82
|
29
|
57
|
Open | |
55
|
38
|
69
|
32
|
58
|
Open | |
39
|
37
|
95
|
32
|
82
|
Open | |
46
|
37
|
80
|
28
|
61
|
Open | |
54
|
36
|
67
|
30
|
56
|
Open | |
59
|
36
|
61
|
22
|
37
|
Open | |
52
|
35
|
67
|
16
|
31
|
Open | |
37
|
33
|
89
|
25
|
68
|
Open | |
82
|
33
|
40
|
12
|
15
|
Open | |
39
|
33
|
85
|
5
|
13
|
Open | |
127
|
32
|
25
|
28
|
22
|
Open | |
100
|
31
|
31
|
10
|
10
|
Open | |
51
|
31
|
61
|
16
|
31
|
Open | |
109
|
30
|
28
|
20
|
18
|
Open | |
48
|
29
|
60
|
19
|
40
|
Open | |
42
|
28
|
67
|
21
|
50
|
Open | |
54
|
28
|
52
|
22
|
41
|
Open | |
35
|
28
|
80
|
28
|
80
|
Open | |
37
|
28
|
76
|
24
|
65
|
Open | |
104
|
27
|
26
|
19
|
18
|
Open | |
33
|
27
|
82
|
8
|
24
|
Open | |
43
|
26
|
60
|
19
|
44
|
Open | |
43
|
25
|
58
|
22
|
51
|
Open | |
41
|
25
|
61
|
17
|
41
|
Open | |
51
|
25
|
49
|
10
|
20
|
Open | |
125
|
25
|
20
|
24
|
19
|
Open | |
30
|
25
|
83
|
24
|
80
|
Open | |
37
|
24
|
65
|
20
|
54
|
Open | |
36
|
24
|
67
|
13
|
36
|
Open | |
24
|
23
|
96
|
16
|
67
|
Open | |
28
|
23
|
82
|
23
|
82
|
Open | |
38
|
22
|
58
|
10
|
26
|
Open | |
28
|
22
|
79
|
10
|
36
|
Open | |
41
|
22
|
54
|
7
|
17
|
Open | |
25
|
21
|
84
|
18
|
72
|
Open | |
Lives of the Most Eminent Painters, Sculptors and Architects Volume 5 |
28
|
21
|
75
|
19
|
68
|
Open |
43
|
21
|
49
|
4
|
9
|
Open | |
46
|
21
|
46
|
14
|
30
|
Open | |
The Stories Polly Pepper Told to the Five Little Peppers in the Little Brown House |
26
|
21
|
81
|
8
|
31
|
Open |
26
|
20
|
77
|
14
|
54
|
Open | |
76
|
20
|
26
|
7
|
9
|
Open | |
79
|
20
|
25
|
14
|
18
|
Open | |
40
|
20
|
50
|
20
|
50
|
Open | |
25
|
19
|
76
|
10
|
40
|
Open | |
30
|
19
|
63
|
17
|
57
|
Open | |
60
|
19
|
32
|
14
|
23
|
Open | |
26
|
19
|
73
|
12
|
46
|
Open | |
22
|
18
|
82
|
13
|
59
|
Open | |
20
|
18
|
90
|
9
|
45
|
Open | |
48
|
18
|
38
|
12
|
25
|
Open | |
25
|
17
|
68
|
8
|
32
|
Open | |
41
|
17
|
41
|
3
|
7
|
Open | |
24
|
17
|
71
|
12
|
50
|
Open | |
30
|
16
|
53
|
15
|
50
|
Open | |
22
|
16
|
73
|
11
|
50
|
Open | |
40
|
16
|
40
|
14
|
35
|
Open | |
32
|
16
|
50
|
11
|
34
|
Open | |
24
|
15
|
63
|
10
|
42
|
Open | |
26
|
15
|
58
|
12
|
46
|
Open | |
15
|
14
|
93
|
11
|
73
|
Open | |
20
|
14
|
70
|
14
|
70
|
Open | |
20
|
14
|
70
|
14
|
70
|
Open | |
25
|
14
|
56
|
10
|
40
|
Open | |
30
|
14
|
47
|
8
|
27
|
Open | |
Potash and Perlmutter: Their Copartnership Ventures and Adventures |
17
|
14
|
82
|
11
|
65
|
Open |
19
|
14
|
74
|
6
|
32
|
Open | |
20
|
14
|
70
|
11
|
55
|
Open | |
25
|
14
|
56
|
12
|
48
|
Open | |
Abraham Lincoln and the Abolition of Slavery in the United States |
14
|
13
|
93
|
9
|
64
|
Open |
14
|
13
|
93
|
9
|
64
|
Open | |
15
|
13
|
87
|
9
|
60
|
Open | |
55
|
13
|
24
|
4
|
7
|
Open | |
34
|
13
|
38
|
11
|
32
|
Open | |
17
|
13
|
76
|
12
|
71
|
Open | |
27
|
13
|
48
|
8
|
30
|
Open | |
John Deane of Nottingham: Historic Adventures by Land and Sea |
38
|
12
|
32
|
10
|
26
|
Open |
58
|
12
|
21
|
|
0
|
Open | |
25
|
12
|
48
|
9
|
36
|
Open | |
20
|
12
|
60
|
11
|
55
|
Open | |
29
|
12
|
41
|
10
|
34
|
Open | |
41
|
12
|
29
|
|
0
|
Open | |
33
|
12
|
36
|
8
|
24
|
Open | |
19
|
11
|
58
|
|
0
|
Open | |
20
|
11
|
55
|
11
|
55
|
Open | |
36
|
11
|
31
|
7
|
19
|
Open | |
14
|
11
|
79
|
8
|
57
|
Open | |
17
|
11
|
65
|
6
|
35
|
Open | |
27
|
10
|
37
|
3
|
11
|
Open | |
19
|
10
|
53
|
2
|
11
|
Open | |
18
|
10
|
56
|
4
|
22
|
Open | |
20
|
9
|
45
|
1
|
5
|
Open | |
26
|
9
|
35
|
|
0
|
Open | |
Criminal Investigation: a Practical Handbook for Magistrates, Police Officers and Lawyers, Volume 3 |
33
|
9
|
27
|
7
|
21
|
Open |
10
|
9
|
90
|
|
0
|
Open | |
20
|
9
|
45
|
8
|
40
|
Open | |
20
|
9
|
45
|
3
|
15
|
Open | |
20
|
9
|
45
|
9
|
45
|
Open | |
33
|
9
|
27
|
2
|
6
|
Open | |
23
|
8
|
35
|
7
|
30
|
Open | |
15
|
8
|
53
|
6
|
40
|
Open | |
11
|
8
|
73
|
2
|
18
|
Open | |
87
|
8
|
9
|
7
|
8
|
Open | |
23
|
8
|
35
|
3
|
13
|
Open | |
47
|
8
|
17
|
|
0
|
Open | |
61
|
8
|
13
|
8
|
13
|
Open | |
27
|
8
|
30
|
6
|
22
|
Open | |
9
|
8
|
89
|
4
|
44
|
Open | |
17
|
8
|
47
|
5
|
29
|
Open | |
13
|
7
|
54
|
1
|
8
|
Open | |
52
|
7
|
13
|
4
|
8
|
Open | |
27
|
7
|
26
|
4
|
15
|
Open | |
15
|
7
|
47
|
4
|
27
|
Open | |
49
|
6
|
12
|
4
|
8
|
Open | |
56
|
6
|
11
|
|
0
|
Open | |
20
|
6
|
30
|
6
|
30
|
Open | |
28
|
6
|
21
|
4
|
14
|
Open | |
26
|
5
|
19
|
2
|
8
|
Open | |
12
|
5
|
42
|
5
|
42
|
Open | |
30
|
5
|
17
|
1
|
3
|
Open | |
30
|
5
|
17
|
3
|
10
|
Open | |
18
|
4
|
22
|
4
|
22
|
Open | |
State of the Union Addresses by United States Presidents (1817 - 1828) |
13
|
4
|
31
|
4
|
31
|
Open |
25
|
3
|
12
|
|
0
|
Open | |
18
|
3
|
17
|
3
|
17
|
Open | |
20
|
3
|
15
|
3
|
15
|
Open | |
24
|
3
|
13
|
3
|
13
|
Open | |
15
|
3
|
20
|
3
|
20
|
Open | |
14
|
2
|
14
|
2
|
14
|
Open | |
Corporal Cameron of the North West Mounted Police--A Tale of the Macleod Trial |
25
|
2
|
8
|
2
|
8
|
Open |
44
|
2
|
5
|
|
0
|
Open | |
20
|
2
|
10
|
2
|
10
|
Open | |
15
|
2
|
13
|
1
|
7
|
Open | |
11
|
2
|
18
|
|
0
|
Open | |
38
|
2
|
5
|
1
|
3
|
Open | |
Little Busybodies: The Life of Crickets, Ants, Bees, and Others |
17
|
1
|
6
|
1
|
6
|
Open |
15
|
1
|
7
|
|
0
|
Open | |
The Lion of Saint Mark: A Story of Venice in the Fourteenth Century |
21
|
1
|
5
|
|
0
|
Open |
14
|
1
|
7
|
|
0
|
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|
22
|
100
|
20
|
91
|
Fully Subscribed | |
22
|
22
|
100
|
4
|
18
|
Fully Subscribed | |
Разсказы для детей и взрослых (Short Stories for Children and Adults) |
22
|
22
|
100
|
|
0
|
Fully Subscribed |
21
|
21
|
100
|
1
|
5
|
Fully Subscribed | |
21
|
21
|
100
|
11
|
52
|
Fully Subscribed | |
21
|
21
|
100
|
13
|
62
|
Fully Subscribed | |
21
|
21
|
100
|
|
0
|
Fully Subscribed | |
21
|
21
|
100
|
13
|
62
|
Fully Subscribed | |
21
|
21
|
100
|
18
|
86
|
Fully Subscribed | |
21
|
21
|
100
|
13
|
62
|
Fully Subscribed | |
21
|
21
|
100
|
4
|
19
|
Fully Subscribed | |
20
|
20
|
100
|
3
|
15
|
Fully Subscribed | |
Mary's Grammar: Interspersed with Stories and Intended for the Use of Children |
20
|
20
|
100
|
5
|
25
|
Fully Subscribed |
20
|
20
|
100
|
11
|
55
|
Fully Subscribed | |
20
|
20
|
100
|
|
0
|
Fully Subscribed | |
20
|
20
|
100
|
7
|
35
|
Fully Subscribed | |
20
|
20
|
100
|
8
|
40
|
Fully Subscribed | |
20
|
20
|
100
|
13
|
65
|
Fully Subscribed | |
The Australian Explorers - Their Labours, Perils, and Achievements |
20
|
20
|
100
|
6
|
30
|
Fully Subscribed |
20
|
20
|
100
|
6
|
30
|
Fully Subscribed | |
20
|
20
|
100
|
4
|
20
|
Fully Subscribed | |
20
|
20
|
100
|
1
|
5
|
Fully Subscribed | |
20
|
20
|
100
|
12
|
60
|
Fully Subscribed | |
20
|
20
|
100
|
6
|
30
|
Fully Subscribed | |
20
|
20
|
100
|
19
|
95
|
Fully Subscribed | |
19
|
19
|
100
|
10
|
53
|
Fully Subscribed | |
19
|
19
|
100
|
9
|
47
|
Fully Subscribed | |
19
|
19
|
100
|
5
|
26
|
Fully Subscribed | |
19
|
19
|
100
|
4
|
21
|
Fully Subscribed | |
19
|
19
|
100
|
2
|
11
|
Fully Subscribed | |
18
|
18
|
100
|
|
0
|
Fully Subscribed | |
18
|
18
|
100
|
12
|
67
|
Fully Subscribed | |
18
|
18
|
100
|
8
|
44
|
Fully Subscribed | |
18
|
18
|
100
|
6
|
33
|
Fully Subscribed | |
18
|
18
|
100
|
2
|
11
|
Fully Subscribed | |
18
|
18
|
100
|
6
|
33
|
Fully Subscribed | |
18
|
18
|
100
|
9
|
50
|
Fully Subscribed | |
18
|
18
|
100
|
9
|
50
|
Fully Subscribed | |
18
|
18
|
100
|
14
|
78
|
Fully Subscribed | |
17
|
17
|
100
|
11
|
65
|
Fully Subscribed | |
17
|
17
|
100
|
11
|
65
|
Fully Subscribed | |
17
|
17
|
100
|
1
|
6
|
Fully Subscribed | |
Old New Zealand: Being Incidents of Native Customs and Character in the Old Times |
17
|
17
|
100
|
|
0
|
Fully Subscribed |
17
|
17
|
100
|
10
|
59
|
Fully Subscribed | |
17
|
17
|
100
|
10
|
59
|
Fully Subscribed | |
17
|
17
|
100
|
|
0
|
Fully Subscribed | |
17
|
17
|
100
|
7
|
41
|
Fully Subscribed | |
16
|
16
|
100
|
4
|
25
|
Fully Subscribed | |
16
|
16
|
100
|
1
|
6
|
Fully Subscribed | |
16
|
16
|
100
|
2
|
13
|
Fully Subscribed | |
15
|
15
|
100
|
1
|
7
|
Fully Subscribed | |
15
|
15
|
100
|
13
|
87
|
Fully Subscribed | |
15
|
15
|
100
|
7
|
47
|
Fully Subscribed | |
15
|
15
|
100
|
13
|
87
|
Fully Subscribed | |
15
|
15
|
100
|
2
|
13
|
Fully Subscribed | |
15
|
15
|
100
|
7
|
47
|
Fully Subscribed | |
14
|
14
|
100
|
8
|
57
|
Fully Subscribed | |
14
|
14
|
100
|
|
0
|
Fully Subscribed | |
14
|
14
|
100
|
7
|
50
|
Fully Subscribed | |
14
|
14
|
100
|
5
|
36
|
Fully Subscribed | |
14
|
14
|
100
|
13
|
93
|
Fully Subscribed | |
14
|
14
|
100
|
7
|
50
|
Fully Subscribed | |
Anting-Anting Stories And Other Strange Tales of the Filipinos |
13
|
13
|
100
|
3
|
23
|
Fully Subscribed |
13
|
13
|
100
|
7
|
54
|
Fully Subscribed | |
13
|
13
|
100
|
10
|
77
|
Fully Subscribed | |
13
|
13
|
100
|
7
|
54
|
Fully Subscribed | |
12
|
12
|
100
|
7
|
58
|
Fully Subscribed | |
12
|
12
|
100
|
|
0
|
Fully Subscribed | |
12
|
12
|
100
|
1
|
8
|
Fully Subscribed | |
11
|
11
|
100
|
|
0
|
Fully Subscribed | |
11
|
11
|
100
|
1
|
9
|
Fully Subscribed | |
11
|
11
|
100
|
1
|
9
|
Fully Subscribed | |
11
|
11
|
100
|
|
0
|
Fully Subscribed | |
11
|
11
|
100
|
7
|
64
|
Fully Subscribed | |
11
|
11
|
100
|
4
|
36
|
Fully Subscribed | |
11
|
11
|
100
|
2
|
18
|
Fully Subscribed | |
15
|
11
|
73
|
6
|
40
|
Fully Subscribed | |
11
|
11
|
100
|
10
|
91
|
Fully Subscribed | |
11
|
11
|
100
|
1
|
9
|
Fully Subscribed | |
10
|
10
|
100
|
2
|
20
|
Fully Subscribed | |
10
|
10
|
100
|
5
|
50
|
Fully Subscribed | |
10
|
10
|
100
|
|
0
|
Fully Subscribed | |
The Crook in the Lot; or, The Sovereignty and Wisdom of God , in the Afflictions of Men, Displayed |
10
|
10
|
100
|
2
|
20
|
Fully Subscribed |
10
|
10
|
100
|
9
|
90
|
Fully Subscribed | |
The National Geographic Magazine Vol. 07 - 09. September 1896 |
10
|
10
|
100
|
8
|
80
|
Fully Subscribed |
10
|
10
|
100
|
2
|
20
|
Fully Subscribed | |
10
|
10
|
100
|
8
|
80
|
Fully Subscribed | |
9
|
9
|
100
|
8
|
89
|
Fully Subscribed | |
9
|
9
|
100
|
8
|
89
|
Fully Subscribed | |
9
|
9
|
100
|
3
|
33
|
Fully Subscribed | |
Perfect Behavior: A Guide for Ladies and Gentlemen in All Social Crises |
9
|
9
|
100
|
2
|
22
|
Fully Subscribed |
9
|
9
|
100
|
|
0
|
Fully Subscribed | |
9
|
9
|
100
|
1
|
11
|
Fully Subscribed | |
8
|
8
|
100
|
1
|
13
|
Fully Subscribed | |
8
|
8
|
100
|
|
0
|
Fully Subscribed | |
8
|
8
|
100
|
2
|
25
|
Fully Subscribed | |
7
|
7
|
100
|
4
|
57
|
Fully Subscribed | |
7
|
7
|
100
|
1
|
14
|
Fully Subscribed | |
7
|
7
|
100
|
|
0
|
Fully Subscribed | |
Bible (Reina Valera) NT 10: La Epistola del Apostol San Pablo a los Efesios |
6
|
6
|
100
|
6
|
100
|
Fully Subscribed |
6
|
6
|
100
|
|
0
|
Fully Subscribed | |
6
|
6
|
100
|
1
|
17
|
Fully Subscribed | |
6
|
6
|
100
|
3
|
50
|
Fully Subscribed | |
5
|
5
|
100
|
2
|
40
|
Fully Subscribed | |
5
|
5
|
100
|
2
|
40
|
Fully Subscribed | |
5
|
5
|
100
|
|
0
|
Fully Subscribed | |
4
|
4
|
100
|
1
|
25
|
Fully Subscribed | |
4
|
4
|
100
|
|
0
|
Fully Subscribed | |
An Inquiry into the Causes and Effects of the Variolae Vaccinae |
3
|
3
|
100
|
|
0
|
Fully Subscribed |
3
|
3
|
100
|
|
0
|
Fully Subscribed | |
3
|
3
|
100
|
|
0
|
Fully Subscribed | |
3
|
3
|
100
|
|
0
|
Fully Subscribed | |
3
|
3
|
100
|
|
0
|
Fully Subscribed | |
3
|
3
|
100
|
|
0
|
Fully Subscribed |
How to Update This Status Table
(Instructions are using Windows, Excel and OpenOffice.)
- Go to the Stats / Status Table report (link in MC/admin area)
- Sort the status table by "status"
- Copy the open and fully subscribed lines (not the HTML, but simply the page with Ctrl+A Ctrl+C) into an Excel document
- Delete any unwanted columns (DPL / MC) and rows
- Make all other columns (except Title) center (select columns and then click the paragraph centering button)
- Top justify all cells
- Sort by title column
- Copy data to Open Office
- Export it to MediaWiki.txt (File/Export)
- Open the txt file in Notepad
- Replace all 100 with <font color="#00cc00">100%</font> (optional)
- Copy everything AFTER <center>Status</center>
- Highlight the Wiki code AFTER <center>Status</center>
- Paste into the Wiki
- Change data date and time to reflect current update
- Preview to make sure non-English characters show up all right. If they don't, repeat from step 8, as this is usually where the error happens.