Librivox Wiki - Recent changes [en]

LibriVox Short Science Fiction Index

2009-11-20T16:31:06Z

Romeo and Juliet

2009-11-20T15:29:10Z

1 - Scene 1:

←Older revision		Revision as of 15:29, 20 November 2009
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	* Sampson (Starlite)- http://upload.librivox.org/share/uploads/ec/romeo/romeo_act1_scene1_sampson.wav		* Sampson (Starlite)- http://upload.librivox.org/share/uploads/ec/romeo/romeo_act1_scene1_sampson.wav
	* Gregory (sarahmac)		* Gregory (sarahmac)
-	* Abraham ~~(Stuart?)~~	+	* Abraham
	* Benvolio (ianish) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act1_benvolio.wav		* Benvolio (ianish) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act1_benvolio.wav
	* Tybalt (Joshua) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act1_scene1_tybalt.wav		* Tybalt (Joshua) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act1_scene1_tybalt.wav

Video Guides

2009-11-20T03:07:10Z

New page: This page links to a series of video guides crated by Daniel (Great Plains). These videos are hosted on YouTube. == 1. Introduction == Covers: Introduction to LibriVox, joining LibriVox,...

New page

This page links to a series of video guides crated by Daniel (Great Plains). These videos are hosted on YouTube.

== 1. Introduction ==
Covers: Introduction to LibriVox, joining LibriVox, and registering for projects.

[http://www.youtube.com/watch?v=M-cUv2yGzAs Video 1]

Main Page

2009-11-20T03:02:23Z

Volunteering:

←Older revision		Revision as of 03:02, 20 November 2009
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	==Volunteering==		==Volunteering==
		+
		+	- <b>[[Video Guides]]</b>: Resources for new volunteers!
		+

	{\| class="infobox" width="100%"		{\| class="infobox" width="100%"

Portuguese Newbie Guide

2009-11-19T10:24:52Z

←Older revision		Revision as of 10:24, 19 November 2009
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	Uma vez satisfeito com seu trabalho, é hora de exportá-lo, ou, simplesmente, salvá-lo como "mp3". Para isso, você deve ter o [http://audacity.sourceforge.net/help/faq?s=install&item=lame-mp3 LAME plugin] instalado corretamente. No Audacity, o processo é feito da seguinte maneira:		Uma vez satisfeito com seu trabalho, é hora de exportá-lo, ou, simplesmente, salvá-lo como "mp3". Para isso, você deve ter o [http://audacity.sourceforge.net/help/faq?s=install&item=lame-mp3 LAME plugin] instalado corretamente. No Audacity, o processo é feito da seguinte maneira:
-	# Arquivo > Exportar...	+	# '''Arquivo > Exportar...'''
	# Uma caixa de diálogo aparecerá para preencher com os dados do arquivo (ID3 tags).		# Uma caixa de diálogo aparecerá para preencher com os dados do arquivo (ID3 tags).
-	## Preencha as informações: Nome do Artista, Nome da Faixa, e Nome do Albúm, EXATAMENTE como apresentado no primeiro recado do projeto.	+	## Preencha as informações: '''Nome do Artista''', '''Nome da Faixa''', e '''Nome do Albúm''', EXATAMENTE como apresentado no primeiro recado do projeto.
-	## Você deve adicionar "Recorded by (seu nome)" no campo dos ~~comentários~~.	+	## Você deve adicionar "Recorded by (seu nome)" no campo dos '''Comentários'''.
	## Clique em OK.		## Clique em OK.
	# Escolha o diretório.		# Escolha o diretório.
-	# Nomeie o arquivo. Esteja certo de seguir exatamente o formato apresentado no primeiro recado do projeto. Escreva tudo em minúcula e NÃO dê espaços.	+	# Nomeie o arquivo. Esteja certo de seguir '''exatamente''' o formato apresentado no primeiro recado do projeto. '''Escreva tudo em minúcula e NÃO dê espaços.'''
-	# Se estiver usando o Audacity 1.3, clique em Opções... e certifique as configurações de exportação:	+	# Se estiver usando o Audacity 1.3, clique em '''Opções...''' e certifique as configurações de exportação:
	## Modo da Taxa de Bits: Constante		## Modo da Taxa de Bits: Constante
	## Qualidade: 128 kbps		## Qualidade: 128 kbps
-	# Clique em Salvar.	+	# Clique em '''Salvar'''.

	Audacity deve então começar a exportação, que demora alguns minutos, dependendo do tempo da sua gravação.		Audacity deve então começar a exportação, que demora alguns minutos, dependendo do tempo da sua gravação.

	=== Passo 5: Transmita suas gravações ===		=== Passo 5: Transmita suas gravações ===
-	Veja o guia [http://librivox.org/wiki/moin.cgi/HowToSendYourRecording “Como Mandar suas Gravações”].	+	Veja o guia [http://librivox.org/wiki/moin.cgi/HowToSendYourRecording “Como Mandar suas Gravações”].
		+	A menos que o primeiro recado do projeto peça diferentemente, use o [http://upload.librivox.org LV Uploader], por favor, com o seguinte "Log in":
		+	[[Image:Login.png]]
		+	* '''Antes de transmitir''', selecione o nome do MC da lista, então seu arquivo irá para a pasta correta. (Este é o Coordenador Geral [MC], não o Coordenador do Projeto [BC] -- eles podem ser pessoas diferentes, apesar de normalmente serem o mesmo).
		+	* Se estiver mandando um teste de gravação, siga as instruções do BC ou nomeie o arquivo para "seu nome.mp3" e selecione "xx - Arquivos que não são Projeto" ("xx - Non-project files"). da lista de transmissão do MC.
		+	* '''Como encontrar o MC''': suas iniciais aparecem no fim do nome do projeto. Exemplo: "[SCIENCE] The Voyage of the Beagle by Darwin - ks" -> O MC é "ks - gypsygirl".
		+	* Quando a transmissão estiver completa, um endereço (url da página) para seu arquivo irá aparecer.

	=== Passo 6: Poste sua contribuição ===		=== Passo 6: Poste sua contribuição ===
-	Para deixar o Coordenador do Projeto (book coordinator - BC) a par de sua parte, pressione '''“Resposta”''' ("Post Reply") no tópico do projeto. Escreva o número da parte, o endereço (url na página que foi informada), a duração (mm:ss) e o tamanho (em MB) da sua gravação. Se for novato no LibriVox, inclua a apelido que você gostará de ser conhecido.	+	Para deixar o Coordenador do Projeto (book coordinator - BC) a par de sua parte, pressione '''“Resposta”''' ("Post Reply") no tópico do projeto. Escreva o número da parte, o endereço (url na página que foi informada), a duração (mm:ss) e o tamanho (em MB) da sua gravação.
		+	'''Se for novato no LibriVox''', inclua a apelido que você gostará de ser conhecido.
		+	O pessoal usará o arquivo para um teste de escuta e, posteriormente, catalogará sua parte.

	=== Passo 7: Edite depois um teste de escuta ===		=== Passo 7: Edite depois um teste de escuta ===
	Todas as gravações são testadas [http://librivox.org/wiki/moin.cgi/GuidesforProoflisteners ("prooflistened")] para encontrar repetições, erros ou pausas. Para alguns projetos, inclusive é testado a veracidade do texto. As observações do teste serão postadas no tópico do projeto ou outro local indicado. Para mais informações, veja Guia para Avaliador http://librivox.org/wiki/moin.cgi/GuidesforProoflisteners (GuidesforProoflisteners)]. Fique atento ao estado de sua gravação e, ocasionalmente, na “Janela Mágica” ("Magic Window") do seu projeto.		Todas as gravações são testadas [http://librivox.org/wiki/moin.cgi/GuidesforProoflisteners ("prooflistened")] para encontrar repetições, erros ou pausas. Para alguns projetos, inclusive é testado a veracidade do texto. As observações do teste serão postadas no tópico do projeto ou outro local indicado. Para mais informações, veja Guia para Avaliador http://librivox.org/wiki/moin.cgi/GuidesforProoflisteners (GuidesforProoflisteners)]. Fique atento ao estado de sua gravação e, ocasionalmente, na “Janela Mágica” ("Magic Window") do seu projeto.
-	Se o avaliador encontrar algum erro, este mandará uma observação. Então, edite sua gravação e mande a nova versão corrigida.	+	* Se o avaliador encontrar algum erro, este mandará uma observação. Então, edite sua gravação e mande a nova versão corrigida.
-	Se marcado com "PL-OK" ou apenas "OK", significa está pronto para catalogação tão logo o projeto estiver pronto. Nada mais é preciso.	+	* Se marcado com "PL-OK" ou apenas "OK", significa está pronto para catalogação tão logo o projeto estiver pronto. Nada mais é preciso.
	Uma vez terminado o projeto, este será catalogado. Você deve saber o que acontecerá com seu arquivo quando mandado! Aqui é apresentado uma visão geral e outras informações: [http://librivox.org/wiki/moin.cgi/HowLibriVoxWorks LibriVox recording process].		Uma vez terminado o projeto, este será catalogado. Você deve saber o que acontecerá com seu arquivo quando mandado! Aqui é apresentado uma visão geral e outras informações: [http://librivox.org/wiki/moin.cgi/HowLibriVoxWorks LibriVox recording process].

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	# Contribuir com outra parte do projeto, como detalhado acima.		# Contribuir com outra parte do projeto, como detalhado acima.
	# Lançar seu próprio projeto – veja [http://librivox.org/forum/viewforum.php?f=28 “Novos Projetos”]. Esse guia explicará o que fazer. Suas opções são:		# Lançar seu próprio projeto – veja [http://librivox.org/forum/viewforum.php?f=28 “Novos Projetos”]. Esse guia explicará o que fazer. Suas opções são:
-	## Fazer sozinho: grave um livro inteiro por si mesmo.	+	## Fazer sozinho: grave um livro inteiro por si mesmo. ('''Observação a novatos''': Ler um livro inteiro, como você vai descobrir, é mais cansativo do que você pensa. Nós recomendamos fortemente que você leia capítulos de seu próprio projeto antes de tentar fazer sozinho.)
-	Observação a novatos: Ler um livro inteiro, como você vai descobrir, é mais cansativo do que você pensa. Nós recomendamos fortemente que você leia capítulos de seu próprio projeto antes de tentar fazer sozinho.	+
	## Seja um Coordenador do Projeto: livro, peça ou pequeno trabalho. Veja também [http://librivox.org/wiki/moin.cgi/HowToBecomeABookCoordinator “Como Ser um Coordenador de Projeto”].		## Seja um Coordenador do Projeto: livro, peça ou pequeno trabalho. Veja também [http://librivox.org/wiki/moin.cgi/HowToBecomeABookCoordinator “Como Ser um Coordenador de Projeto”].

Romeo and Juliet

2009-11-19T03:51:19Z

1 - Scene 1:

←Older revision		Revision as of 03:51, 19 November 2009
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	== 1 - Scene 1 ==		== 1 - Scene 1 ==
	* Narrator (earthcalling)		* Narrator (earthcalling)
-	* Sampson (Starlite)	+	* Sampson (Starlite)- http://upload.librivox.org/share/uploads/ec/romeo/romeo_act1_scene1_sampson.wav
	* Gregory (sarahmac)		* Gregory (sarahmac)
	* Abraham (Stuart?)		* Abraham (Stuart?)
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	* Narrator (earthcalling)		* Narrator (earthcalling)
	* Friar Lawrence (Cloud Mountain) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act3_scene3_friar_lawrence.wav		* Friar Lawrence (Cloud Mountain) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act3_scene3_friar_lawrence.wav
-	* Romeo (Jestermedia) - ~~Done~~	+	* Romeo (Jestermedia) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act3_scene3_romeo.wav
	* Nurse (kristin) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act3_scene3_nurse.wav		* Nurse (kristin) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act3_scene3_nurse.wav

	== 3 - Scene 4 - Fully cast ==		== 3 - Scene 4 - Fully cast ==
	* Narrator (earthcalling)		* Narrator (earthcalling)
-	* Capulet (ExEmGe) - http://upload.librivox.org/share/uploads/ec/romeo/~~romeo_act3_scene4_capulet~~.wav	+	* Capulet (ExEmGe) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act_3_scene_4_capulet.wav
	* Paris (mb) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_allacts_paris.mp3		* Paris (mb) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_allacts_paris.mp3
	* Lady Capulet (Cori)- http://upload.librivox.org/share/uploads/ec/romeo/romeo_act3_scene4_ladycapulet.mp3		* Lady Capulet (Cori)- http://upload.librivox.org/share/uploads/ec/romeo/romeo_act3_scene4_ladycapulet.mp3
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	* Narrator (earthcalling)		* Narrator (earthcalling)
	* Juliet (gloriana) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_3_5_juliet.mp3		* Juliet (gloriana) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_3_5_juliet.mp3
-	* Romeo (Jestermedia) - ~~Done~~	+	* Romeo (Jestermedia) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act3_scene5_romeo.wav
	* Nurse (kristin) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act3_scene5_nurse.wav		* Nurse (kristin) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act3_scene5_nurse.wav
	* Lady Capulet (Cori)- http://upload.librivox.org/share/uploads/ec/romeo/romeo_act3_scene5_ladycapulet.mp3		* Lady Capulet (Cori)- http://upload.librivox.org/share/uploads/ec/romeo/romeo_act3_scene5_ladycapulet.mp3
-	* Capulet (ExEmGe) - http://upload.librivox.org/share/uploads/ec/romeo/~~romeo_act3_scene5_capulet~~.wav	+	* Capulet (ExEmGe) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act_3_scene_5_capulet.wav

	= Act 4 =		= Act 4 =
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	* Lady Capulet (Cori)- http://upload.librivox.org/share/uploads/ec/romeo/romeo_act4_scene4_ladycapulet.mp3		* Lady Capulet (Cori)- http://upload.librivox.org/share/uploads/ec/romeo/romeo_act4_scene4_ladycapulet.mp3
	* Nurse (kristin) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act4_scene4_nurse.wav		* Nurse (kristin) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act4_scene4_nurse.wav
-	* Capulet (ExEmGe) - http://upload.librivox.org/share/uploads/ec/romeo/~~romeo_act4_scene4_capulet~~.wav	+	* Capulet (ExEmGe) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act_4_scene_4_capulet.wav
	* 1 Servant (heatherausten)		* 1 Servant (heatherausten)
	* 2 Servant (Rowen) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act4_scene4_CapuletServant2.wav		* 2 Servant (Rowen) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act4_scene4_CapuletServant2.wav
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	* Nurse (kristin) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act4_scene5_nurse.wav		* Nurse (kristin) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act4_scene5_nurse.wav
	* Lady Capulet (Cori)- http://upload.librivox.org/share/uploads/ec/romeo/romeo_act4_scene5_ladycapulet.mp3		* Lady Capulet (Cori)- http://upload.librivox.org/share/uploads/ec/romeo/romeo_act4_scene5_ladycapulet.mp3
-	* Capulet (ExEmGe) - http://upload.librivox.org/share/uploads/ec/romeo/~~romeo_act4_scene5_capulet~~.wav	+	* Capulet (ExEmGe) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act_4_scene_5_capulet.wav
	* Friar Lawrence (Cloud Mountain) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act4_scene5_friar_lawrence.wav		* Friar Lawrence (Cloud Mountain) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act4_scene5_friar_lawrence.wav
	* Paris (mb) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_allacts_paris.mp3		* Paris (mb) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_allacts_paris.mp3
	* 1 musician (chocoholic) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act4_scene5_1musician.wav		* 1 musician (chocoholic) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act4_scene5_1musician.wav
-	* Peter (Gesine) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act4_scene5_peter.~~wave~~	+	* Peter (Gesine) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act4_scene5_peter.wav
	* 2 musician		* 2 musician
	* 3 musician (chocoholic?) - Done?		* 3 musician (chocoholic?) - Done?
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	== 5 - Scene 1 - Fully cast ==		== 5 - Scene 1 - Fully cast ==
	* Narrator (earthcalling)		* Narrator (earthcalling)
-	* Romeo (Jestermedia) - ~~Done~~	+	* Romeo (Jestermedia) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act5_scene1_romeo.wav
	* Balthasar (composerscott) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act5_scene1_balthasar.wav		* Balthasar (composerscott) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act5_scene1_balthasar.wav
	* Apothecary (ZachBG)		* Apothecary (ZachBG)
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	* Paris (mb) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_allacts_paris.mp3		* Paris (mb) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_allacts_paris.mp3
	* Page (and 'Boy' later) - (CJ Novak - Xrystabelle's son - may not have forum name) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act5_scene3_boy.wav http://upload.librivox.org/share/uploads/ec/romeo/romeo_act5_scene3_page.wav		* Page (and 'Boy' later) - (CJ Novak - Xrystabelle's son - may not have forum name) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act5_scene3_boy.wav http://upload.librivox.org/share/uploads/ec/romeo/romeo_act5_scene3_page.wav
-	* Romeo (Jestermedia)- ~~Done~~	+	* Romeo (Jestermedia)- http://upload.librivox.org/share/uploads/ec/romeo/romeo_act5_scene3_romeo.wav
	* Balthasar (composerscott) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act5_scene3_balthasar.wav		* Balthasar (composerscott) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act5_scene3_balthasar.wav
	* Friar Lawrence (Cloud Mountain)		* Friar Lawrence (Cloud Mountain)
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	* 3 watch (bryfee) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act5_scene3_3watch.wav		* 3 watch (bryfee) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act5_scene3_3watch.wav
	* Prince Escalus (Jefferson) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act5_scene3_escalus.wav		* Prince Escalus (Jefferson) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act5_scene3_escalus.wav
-	* Capulet (ExEmGe) - http://upload.librivox.org/share/uploads/ec/romeo/~~romeo_act5_scene3_capulet~~.wav	+	* Capulet (ExEmGe) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act_5_scene_3_capulet.wav
	* Lady Capulet (Cori)- http://upload.librivox.org/share/uploads/ec/romeo/romeo_act5_scene3_ladycapulet.mp3		* Lady Capulet (Cori)- http://upload.librivox.org/share/uploads/ec/romeo/romeo_act5_scene3_ladycapulet.mp3
-	* Montague (ChrisHughes) - http://upload.librivox.org/share/uploads/ec/romeo/~~romeo_act5__scene3_montague~~.wav	+	* Montague (ChrisHughes) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act5_scene3_montague.wav

Portuguese Newbie Guide

2009-11-18T20:31:04Z

New page

Este guia é para ajudar os voluntários a começarem a nobre tarefa de gravação. Entendemos que o conhecimento técnico entre os volutários é muito variado, então tentaremos fazer este guia o mais claro e compreensivo possível.

Se precisar de uma documentação mais básica, leia [http://librivox.org/about-recording/ "Sobre Gravação"].
Se já sabe como gravar arquivos mp3, é preferível [http://librivox.org/wiki/moin.cgi/HowToRecord "Como gravar"].

== Se quiser gravar... ==
# Tenha um microfone e um programa de edição gratuito.
# Aprenda como usar ambos no nosso tutorial de 23 minutos [http://librivox.org/wiki/moin.cgi/Audacity123#testing Audacity 101 tutorial].
# Então voluntarie-se para um projeto e Leia o Mundo!

== Apresentação ==
'''O objetivo da LibriVox é "Fazer todos os livros do Domínio Público disponíveis, gratuitamente, em formato de áudio pela internet.”''' - About LibriVox Há três maneiras chave para a ajuda.
# '''Gravação''' é fácil, trabalhosa, e mais divertido do que você pensa! Você precisa de equipamento (microfone para computador), um programa (normalmente audacity), um computador e tempo. E gostar de ler alto para os outros. Tudo criado no LibriVox é disponível no Domínio Público.
# '''Edição''', sempre demandando ajuda! Se você gosta de computador e de personalisar coisas, você vais gostar de editar. Muita gente no LV usa um programa aberto e gratuito, o Audacity, que funciona em Windows, Linux, Mac OSX.
# '''Teste de escuta''' deve ser a melhor forma de entender o LibriVox! Quase todas as gravações do LV são testadas (onde é possível remover repetições ou erros antes da catalogação do livro). Mesmo um pequeno teste expõe-no à diversidade de projetos e leituras do LV, dá-lhe ideias para seus próprios projetos, e faz a comunidade do LV tornar-se dinâmica como nenhum outro,
'''Seja bem vindo!''' Agora você faz parte do [http://librivox.org/forum/groupcp.php?g=1803 “Como o LibriVox Funciona”]

== Preparação ==
Já tem tudo? Ótimo!
[http://librivox.org/wiki/moin.cgi/HowToRecord “Como Gravar”] é a página que você deve ver agora.
Não viu ainda? A configuração de gravação padrão usada por muitos voluntários do LibriVox é um microfone conectado por USB em um computador rodando um programa gratuito de áudio (Audacity).

=== Microfones ===
Os equipamentos recomendados podem ser vistos em [http://librivox.org/wiki/moin.cgi/UserRecommendedEquipment User-Recommended Equipment].
Estes podem ser analógicos ou digitais.
# Um analógico será plugado na placa de som (a entrada rosa). O desempenho do microfone será afetado pela qualidade da sua placa de som.
# Um digital tem entrada UBS. Como não tem que passar pela placa de som, a qualidade sonora torna-se superior.

'''Gravador Digital:'''
Quando optar por um gravador digital, preste atenção ao formato que este grava. O formato deve ser lido pelo programa de edição. Portanto, os formatos devem ser compatíveis. Vale lembrar que o gravador deve ter uma boa qualidade de som.

=== Programa de Gravação e Edição ===
Muitos voluntário do LV usam o Audacity – a versão 1.2.6 é a última estável, entretanto a versão beta, 1.3.9, tem muitos recursos vitais e filtros inteligentes que a versão estável não tem.
Recomendamos: baixe ambos e use a versão beta somente quando precisar de recursos extras, e salve frequentemente.
* Audacity 1-2-3 é um guia que irá ajudá-lo passo-a-passo: baixe, instale e teste Audacity com uma primeira gravação. Se você tem microfone integrado, não use. Compre um microfone externo e espere por ele. Enquanto chega, pode ir testanto o Audacity.
Alguns outros usam o [http://wiki.librivox.org/index.php/GarageBand GarageBand] ou o Wavepad.
Veja o [http://librivox.org/wiki/moin.cgi/SoftwareWeUse “Programa que nós usamos”] para mais sugestões e dicas sobre programas que pode ser usado.

=== Para quem se acha muito amador ===
* Muitas pessoas ficam preocupadas por serem amadores e se julgam incapazes de fazer gravação. Porém não é assim difícil – ainda que tenha muito a ser feito! A grande maioria dos voluntários do LibriVox são também amadores.
* Alguns usam outras configurações de gravação, mas esse guia foca no caminho mais fácil para o LibriVox – gravando no computador, editando no computador e mandando arquivos pela Internet.

=== Aprender Como ===
* Na [http://librivox.org/wiki/moin.cgi/Audacity123 Audacity 1-2-3] existe um tutorial triplo chamado [http://librivox.org/wiki/moin.cgi/Audacity123#testing "Testing! Audacity 101"]. Você começará conectando seu microfone (se você não tem um microfone mas quer aprender a usar o Audacity, use o exemplo disponibilizado na página), e você terminará quando mandar um mini-teste completo de sua configuração de gravação.

=== Quando estiver pronto para começar a gravar ===
* Se você quiser ou precisar de um retorno às configurações técnicas... é uma boa ideia começar por mandar um teste de um minuto [http://librivox.org/wiki/moin.cgi/HowToRecord#1minutetest (1-Minute Test)] para o subforum “Ouvintes & Editores desejados” ("Listeners & Editors wanted") para críticas construtivas (constructive criticism - CC) – para entender como fazer isso, veja também [http://librivox.org/forum/viewtopic.php?t=17680 os FAQs].
Quando você tiver todo o equipamento e programa adequando, você estará pronto para uma gravação na prática. Segue alguns passos:

== Gravação ==

=== Passo 1: Encontre um projeto e se inscreva (sign up) para ler uma parte ===
# '''Leia através do subfórum''', na seção “Procura-se Voluntários” ("Volunteers Wanted"), procure um projeto que lhe interessa. Há numerosos projetos abertos à procura de leitores em qualquer hora, de dia ou à noite, em muitas línguas:
## [http://librivox.org/forum/viewforum.php?f=19 Leitores Procurados: Pequenos documentos e Poemas:] inclui-se normalmente uma Coleção de Poesia e uma Coleção de Pequenas Histórias, mas também documentos como Pequenas Coleções de Mistérios, Fanstamagóricas, Não-Ficção, Grandes Poemas, entre outros. Para muitas dessas coleções, leitores escolhem um poema, história ou ensaio de sua própria escolha para contribuir.
## [http://librivox.org/forum/viewforum.php?f=19 Leitores Procurados: Livros:] todos os livros são gravados por diversos leitores, onde você pode contribuir em um ou mais capítulos.
## [http://librivox.org/forum/viewforum.php?f=19 Leitores Procurados: Documentos Dramáticos:] encenar ou dramatizar nos livros, onde você pode contribuir no elenco.
# Cuidadosamente '''leia o primeiro recado do projeto''' que lhe interessa. Aí é contido todos as instruções detalhadas do projeto, e mostra qual parte ainda está disponível.
# Pressione '''“Resposta”''' ("Post Reply") na parte de cima à esquerda da tela. Isso colocará você no jogo. Deixe um recado ao Coordenador do Projeto (Book Coordinator), o qual indica que parte cada um vai ler, além de verificar a resposta de retorno. O Coordenador do Projeto vai lhe responder da mesma forma e lhe confirmará a participação no projeto.
## '''Por favor Observe:''' É recomendado que você '''não''' coloque nenhuma informação importante no título do recado. Você lerá pelo fórum, que o título é tão pequeno que ninguém lê. Se, por exemplo, você colocar o capítulo que quer ler no título, e não no recado, o Coordenador do Projeto não vai ter ideia do que você está falando.
## Para muitas coleções no fórum de “Pequenos Documentos” ("Short Works"), você não precisa “reivindicar” nada. Apenas siga as instruções no primeiro recado (post), pegue um poema, história ou ensaio que quiser (desde que seja de domínio público).

=== Passo 2: Agora você pode criar uma gravação! ===

==== Olhe novamente suas configurações ====

Tire uns minutos (por favor) no começo de cada gravação para checar suas configurações. As configurações do computador voltam ao padrão e as do microfone podem mudar. Normalmente você tem que ajustar alguma coisinha para retornar a melhor configuração (mesmo que não estejamos buscando a perfeição).
# Conecte seu microfone antes de abrir o programa
# Abra o programa
# Confira o volume de entrada e o microfone selecionado
# Confira novamente suas configurações
# Grave alguma coisinha (uma frase, uma estrofe...)
# Observe a formato da onda sonora:
## é muito pequena? (aumente o volume ou fale mais perto do microfone)
## está clipada? (diminua o volume ou se afaste do microfone. Um som clipado é aquele que encosta na limite da tela, o que causa distorção no som)
# Escute a gravação (preferencialmente com fone de ouvido)
## tem pancadas no som? (coloque o microfone num ângulo indireto com a sua boca, de forma que a sua respiração não provoque esses barulhos)

==== Prepare todos os textos a serem gravados ====

Recomendamos que você baixe o texto do site que foi disponibilizado o livro (no primeiro recado do projeto). Isso ajuda no salvar o texto e adicionar alguma informação que precise ser lida; tudo está na internet, mas é muito mais fácil que você copie e cole tudo que você precise gravar num documento simples com o texto. Por exemplo:
* Introdução e encerramento: Capítulo e título, referência ao LibriVox, título do livro e autor completos (e tradutor), número do caítulo e título, e outra importante informação. (É um pouco diferente para poemas!) ... texto... Final de...
* Notas pessoais, como a pronúncia de uma palavra a qual você não está familiarizado
* Referências suas de leitura (quem leu o texto)
* O nome do arquivo que você está gravando
* Onde mandar seu arquivo
* Todas as informações estão no primeiro recado do projeto; se não encontrar ou não entender alguma coisa, pergunte ao Coordenador do Projeto (BC) ou Geral (MC).

==== Gravação ====

Pegue um copo de água (temperatura ambiente) e aproveite (Obrigado por ajudar a LibriVox!) Se você seguiu os passos acima, você deve ter tudo que precisa: todo o texto, introdução, encerramento... (tudo do primeiro recado do projeto).
* Lembre de '''ir salvando sempre''' -- é muito frustrante perder tudo porque o programa parou de funcionar (possível porque o arquivo não foi salvo e está ocupando muita memória) três parágrafos do final. Triste, muito triste.
* Importante: '''leia apenas textos autorizados'''. Outras edições podem estar sob a lei dos direitos autorais, por isso usar versões disponíveis no domínio público.

==== Dicas ====
Existem algumas coisas que você pode fazer na gravação que facilitarão a edição mais tarde.
# Logo que cometeu um erro, bata no microfone três vezes, ou diga alto "ERRO!". Então repita a parte errada. A ideia é criar um sinal visível no formato da onda. Isso torna mais fácil a identificação do erro quando estiver editando.
# Fazça um teste de gravação para se assegurar que seu microfone e programa estão no volume certo antes de começar a gravar o texto. É possível alterar o volume depois, mas aumentar muito o volume, por exemplo, amplificara os ruídos de fundo.
# Não pare a gravação por nada. Se precisar beber água, deixe gravando. Precisa limpar a garganta? Mesma coisa. Isso previne inconsistencias no som e no volume. Se você parar e voltar depois, ficará óbvio para o ouvinte que você parou e começou depois naquele ponto.
Neste site tem mais dicas: [http://wiki.librivox.org/index.php/Improve_Your_Recording "Melhore sua Gravação"].

=== Passo 3: Editando sua gravação ===

Você errará na leitura, sem dúvida. Não se preocupe com isso, porque você pode editá-los. Além disso, é possível ajustar o volume e remover os ruídos de fundo.
* [http://wiki.librivox.org/index.php/Editing_Audio '''Edição:'''] Edite seus erros e corrija as pausas
* [http://wiki.librivox.org/index.php/Audio_Processing_Concepts '''Processamento:'''] Isto se refere aos filtros e outros efeitos que mudam o som de toda a gravação ou de uma parte selecionada.

==== O que procurar? ====
* Há algum som externo no fundo? [http://wiki.librivox.org/index.php/Noise_Cleaning Limpe] com Remoção de Ruído.
* Está num volume bom? [http://wiki.librivox.org/index.php/Amplifying Amplifique-o] se estiver muito baixo.
* O som está num volume constante? [http://wiki.librivox.org/index.php/Levelling Nivele] o som até atingi-lo.

Muitos leitores editam sua própria gravação. Um grande benefício vem disso, além do óbvio benefício de ter o arquivo corrigido: quanto mais você grava e dita, mais (inconscientemente) você se verá fazendo pequenos ajustes no seu estilo de leitura e na sua configuração de gravação que faz todo o trabalho ser mais prazeroso.
* Veja o ótimo [http://www.guidesandtutorials.com/audacity-tutorial.html Tutorial do Audacity] para edição básica.

=== Passo 4: Exportando o arquivo ===

Uma vez satisfeito com seu trabalho, é hora de exportá-lo, ou, simplesmente, salvá-lo como "mp3". Para isso, você deve ter o [http://audacity.sourceforge.net/help/faq?s=install&item=lame-mp3 LAME plugin] instalado corretamente. No Audacity, o processo é feito da seguinte maneira:
# Arquivo > Exportar...
# Uma caixa de diálogo aparecerá para preencher com os dados do arquivo (ID3 tags).
## Preencha as informações: Nome do Artista, Nome da Faixa, e Nome do Albúm, EXATAMENTE como apresentado no primeiro recado do projeto.
## Você deve adicionar "Recorded by (seu nome)" no campo dos comentários.
## Clique em OK.
# Escolha o diretório.
# Nomeie o arquivo. Esteja certo de seguir exatamente o formato apresentado no primeiro recado do projeto. Escreva tudo em minúcula e NÃO dê espaços.
# Se estiver usando o Audacity 1.3, clique em Opções... e certifique as configurações de exportação:
## Modo da Taxa de Bits: Constante
## Qualidade: 128 kbps
# Clique em Salvar.

Audacity deve então começar a exportação, que demora alguns minutos, dependendo do tempo da sua gravação.

=== Passo 5: Transmita suas gravações ===
Veja o guia [http://librivox.org/wiki/moin.cgi/HowToSendYourRecording “Como Mandar suas Gravações”].

=== Passo 6: Poste sua contribuição ===
Para deixar o Coordenador do Projeto (book coordinator - BC) a par de sua parte, pressione '''“Resposta”''' ("Post Reply") no tópico do projeto. Escreva o número da parte, o endereço (url na página que foi informada), a duração (mm:ss) e o tamanho (em MB) da sua gravação. Se for novato no LibriVox, inclua a apelido que você gostará de ser conhecido.

=== Passo 7: Edite depois um teste de escuta ===
Todas as gravações são testadas [http://librivox.org/wiki/moin.cgi/GuidesforProoflisteners ("prooflistened")] para encontrar repetições, erros ou pausas. Para alguns projetos, inclusive é testado a veracidade do texto. As observações do teste serão postadas no tópico do projeto ou outro local indicado. Para mais informações, veja Guia para Avaliador http://librivox.org/wiki/moin.cgi/GuidesforProoflisteners (GuidesforProoflisteners)]. Fique atento ao estado de sua gravação e, ocasionalmente, na “Janela Mágica” ("Magic Window") do seu projeto.
Se o avaliador encontrar algum erro, este mandará uma observação. Então, edite sua gravação e mande a nova versão corrigida.
Se marcado com "PL-OK" ou apenas "OK", significa está pronto para catalogação tão logo o projeto estiver pronto. Nada mais é preciso.
Uma vez terminado o projeto, este será catalogado. Você deve saber o que acontecerá com seu arquivo quando mandado! Aqui é apresentado uma visão geral e outras informações: [http://librivox.org/wiki/moin.cgi/HowLibriVoxWorks LibriVox recording process].

=== Quer saber mais? ===
Contate seu Coordenador via mensagem individual do fórum (private message - PM) ou mandando um recado de retorno no tópico. Ou mande um recado no fórum [http://librivox.org/forum/viewforum.php?f=23 “Precisa de Ajuda?”] e fique certo de receber algum conselho!

== Depois que tiver feito sua primeira contribuição ==
Você fez! Você contribuiu com uma gravação! Se gostou, faça de novo. Há muitas opções:
# Contribuir com outra parte do projeto, como detalhado acima.
# Lançar seu próprio projeto – veja [http://librivox.org/forum/viewforum.php?f=28 “Novos Projetos”]. Esse guia explicará o que fazer. Suas opções são:
## Fazer sozinho: grave um livro inteiro por si mesmo.
Observação a novatos: Ler um livro inteiro, como você vai descobrir, é mais cansativo do que você pensa. Nós recomendamos fortemente que você leia capítulos de seu próprio projeto antes de tentar fazer sozinho.
## Seja um Coordenador do Projeto: livro, peça ou pequeno trabalho. Veja também [http://librivox.org/wiki/moin.cgi/HowToBecomeABookCoordinator “Como Ser um Coordenador de Projeto”].

== Quer saber mais? ==
Porque não navegue pelo Wiki, mais informações são adicionadas o tempo todo. Ou leia o fórum – o FAQ é um bom lugar para começar!
[http://librivox.org/wiki/moin.cgi/ImproveYourRecording "Melhore suas gravações"]
[http://librivox.org/wiki/moin.cgi/AdvicefromReaders "Conselho para Leitores"] – que inclui respostas a problemas (troubleshooting)

== Aprofundando-se ==
Se for curioso e aventureiro, dê uma olhada na seção do fórum do LibriVox onde outros voluntários descrevem suas experiências [http://librivox.org/forum/viewtopic.php?t=6 ("recording studios")]. Você verá uma ampla gama de informação, como equipamento e gastos.
O cabo com 1/8" mini plugs em ambas saídas (dois machos) pode ser usado para outros propósitos. Suponha que você fitas cassetes de músicas ou livros que deseja escutar no computador. Você pode agir da mesma forma, usando um cabo para conectar o toca-fita ao computador.

Main Page

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Misc & Off topic pages of interest to LibriVox volunteers:

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	- [[Archives]]		- [[Archives]]
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		+	- [[Portuguese Newbie Guide]]

	== Getting started ==		== Getting started ==

Newbie Guide to Recording/pt

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deleted "[[Newbie Guide to Recording/pt]]" content was: '{{Languages}} Portuguese translation of the Newbie Guide' (and the only contributor was 'Jc')

New page

Portuguese Homepage Translation

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New page: > Back to Homepage Translation page. ---- ''' Portuguese Translation of the Librivox site ''' This page shall be our worksheet for the various subpages of the librivox homepage. {|...

New page

> Back to [[Homepage Translation]] page.

----
''' Portuguese Translation of the Librivox site '''

This page shall be our worksheet for the various subpages of the librivox homepage.

{| class="tpl" border=1
! WIDTH="50%"| TO BE TRANSLATED || TRANSLATION
|-
| Pages translated into Portuguese

We are on the way to translate important parts of our website to several languages. Please understand that this is work-intensive and difficult to keep the translated pages as current as the original version. Moreover, it is unavoidable that links from the translated websites mostly point to English pages.

| TRANSLATE HERE

|-
| acoustical liberation of books in the public domain
| TRANSLATE HERE
|}

== Frontpage ==
http://www.librivox.org/

{| class="tpl" border=1
! WIDTH="50%"| TO BE TRANSLATED || TRANSLATION
|-
!COLSPAN="2"| Listen
|-
|Listen
| TRANSLATE HERE
|-
|LibriVox provides free audiobooks from the '''public domain'''. There are several options for listening. The first step is to get the mp3 or ogg files into your own computer:
| TRANSLATE HERE

|-
| LibriVox's catalog
| TRANSLATE HERE

|-
| Podcast
| TRANSLATE HERE

|-
!colspan="2"| Read
|-
| Read
| TRANSLATE HERE

|-
| Would you like to record chapters of books in the public domain? It's '''easy to volunteer'''. All you need is a computer, some free recording software, and your own voice.
| TRANSLATE HERE

|-
| Volunteer
| TRANSLATE HERE

|-
| Visit the forums
| TRANSLATE HERE

|-
!colspan="2"| Centered Info:
|-
| Librivox volunteers record chapters of books in the public domain and publish the audiofiles on the internet.Our goal is to record all the books in the public domain.
| TRANSLATE HERE

|-
! colspan="2"| Homepage's sidebar LibriVox free audiobooks
|-
| LibiVox: free audiobooks
| TRANSLATE HERE

|-
| LibriVox volunteers record chapters of books in the public domain and release the audio files back onto the net. Our goal is to make all public domain books available as free audio books.
| TRANSLATE HERE

|-
| More information
| TRANSLATE HERE

|-
| FAQ
| TRANSLATE HERE

|-
| Contact
| TRANSLATE HERE

|-
!colspan="2"| LibriVox Links
|-
| LibriVox Links
| TRANSLATE HERE

|-
| Our catalogue
| TRANSLATE HERE

|-
| How to listen
| TRANSLATE HERE

|-
| How to volunteer
| TRANSLATE HERE

|-
| LibriVox forums
| TRANSLATE HERE

|-
| LibriVox wiki
| TRANSLATE HERE

|-
!colspan="2"| LibriVox Feeds
|-
| LibriVox Feeds
| TRANSLATE HERE

|-
| LibriVox Books Podcast
| TRANSLATE HERE

|-
| LibriVox community Podcast
| TRANSLATE HERE

|-
| New Releases Podcast
| TRANSLATE HERE

|-
| New Releases Feed
| TRANSLATE HERE

|-
| Latest News Feed
| TRANSLATE HERE

|-
!colspan="2"| External Links
|-
| External Links
| TRANSLATE HERE

|-
| Other projects
| TRANSLATE HERE

|-
!colspan="2" | Footer
|-
| Hosting generously provided by '''Project Gutenberg'''
LibriVox is proudly powered by '''WordPress'''
'''Entries (RSS)''' and '''Comments (RSS)'''
| TRANSLATE HERE
|}

== Public Domain ==
{| class="tpl" border=1
! WIDTH="50%"| TO BE TRANSLATED || TRANSLATION
|-
!colspan="2"| Copyright, Public Domain and LibriVox
|-
| Copyright, Public Domain, and LibriVox
| TRANSLATE HERE
|-
| Copyright gives an individual or corporation exclusive rights on a text, for a limited period of time. This means no one else can reproduce the text or make derivative works (such as audio recordings) while the copyright is in force. Copyrights are granted for a limited time, and eventually they expire, and the text enters the “public domain.” Meaning anyone can use that text however they wish.
| TRANSLATE HERE

|-
| LibriVox records only texts that are in the public domain (in the USA – '''see below for why'''), and all our recordings are public domain (definitely in the USA, and maybe in your country as well, '''see below'''). This means anyone can use all our recordings however they wish (even to sell them).
| TRANSLATE HERE

|-
| In addition, book summaries, CD cover art, and any other material that goes into our catalog with the audio recordings are in the public domain.
| TRANSLATE HERE

|-
!colspan="2"| More information
|-
| More information
| TRANSLATE HERE

|-
| Practicalities
| TRANSLATE HERE

|-
| Copyright and Public Domain in the USA
| TRANSLATE HERE

|-
| What can other people do with LibriVox Recordings
| TRANSLATE HERE

|-
| Why We Use the Laws of the USA
| TRANSLATE HERE

|-
| Other Resources
| TRANSLATE HERE

|-
! colspan="2"| Practicalities
|-
| The practical implications of our copyright policies are:
| TRANSLATE HERE

|-
| '''if you record for LibriVox, all your recordings will be donated to the public domain'''
| TRANSLATE HERE

|-
| you may do whatever you like with our recordings - you don’t need permission
| TRANSLATE HERE

|-
| in general, we can only record texts '''published before 1923'''
| TRANSLATE HERE

|-
| we cannot record texts that are still under copyright in the USA, but public domain in another country
| TRANSLATE HERE

|-
| all our recordings are public domain in the USA, but not necessarily in other countries
| TRANSLATE HERE

|-
| if you are outside the USA, we recommend that you check the copyright status of the work in your country before downloading our recording of it
| TRANSLATE HERE

|-
!colspan="2"| Copyright and Public Domain (in the USA)
|-
| Under US law (under which LibriVox operates), public domain includes all works published before 1923. A work published after 1923 is probably not in the public domain and we probably '''cannot record it'''. If a work is published before 1923, then we can record it.
| TRANSLATE HERE

|-
| Note also, that a translation is considered a new work, and its copyright status is determined by the year of publication of the '''translation''', not the original work.
| TRANSLATE HERE

|-
| Theoretically new works should come into the public domain every year (this is what happens in other countries), however in the United States, a number of copyright laws have been passed extending the copyright term. See the '''wikipedia article''' for more info.
| TRANSLATE HERE

|-
| For a detailed flowchart of determining public domain, see: '''copyright flowchart''' (from law firm, Bromberg & Sunstein).
| TRANSLATE HERE

|-
| And for more information, resources, and links see the '''LibriVox wiki'''.
| TRANSLATE HERE

|-
! colspan="2"| What Can Other People Do with LibriVox Recordings
|-
| LibriVox recordings are in the public domain, which means people can do anything they like with them. Mostly this just means people can listen to them for free. But it also means they can: sell them (for instance on ebay), broadcast them, put them in commercials, play them at political rallies, chop them up, remix them, make music recordings of them. The recordings are free, and there is no need to credit LibriVox, although of course we much prefer if you do credit us (with a link to our site).
| TRANSLATE HERE

|-
| Here are some other examples of what people '''might''' do (and would have the right to do) with our recordings (and, if your record for us, your recordings):
| TRANSLATE HERE

|-
| make CDs of Romance of Rubber sold as a fundraiser for a charity you don’t like;
| TRANSLATE HERE

|-
| put Origin of the Species as background atmosphere for a pornographic film;
| TRANSLATE HERE

|-
| sample Fables for the Frivolous in a violent rap song;
| TRANSLATE HERE

|-
| use the summary of Frankenstein to promote a major motion picture.
| TRANSLATE HERE

|-
| Although these examples are far-fetched, they are all acceptable uses of public domain materials. So be aware of what you are doing when you free your recordings and text into the public domain. You really have to let go!
| TRANSLATE HERE

|-
! colspan="2"| Why We Use the Laws of the USA
|-
| LibriVox is an international project, with volunteer readers and listeners from all over the world, and we record and make available texts in many languages. Copyright laws differ from country to country, and a work that is in the public domain in one country is not necessarily public domain in another. Our dependence on US law is a matter of practicalities and the legal suggestions we have received from various people. The main reasons that we must use US laws include:
| TRANSLATE HERE

|-
| the domain name LibriVox.org is registered in the USA
| TRANSLATE HERE

|-
| our website is hosted in the USA
| TRANSLATE HERE

|-
| all our audio files are hosted in the USA
| TRANSLATE HERE

|-
| the vast majority of our source texts come from '''Project Gutenberg''', which does the (arduous) legal work to assure public domain status in the USA
| TRANSLATE HERE

|-
| it is impossible for us to verify the copyright status of every work in every country, or even many countries
| TRANSLATE HERE

|-
| We do our utmost to ensure that all our recordings are public domain in the USA, and we offer them up to the world for free, but if you are in another country, it’s a good idea to check the status of a particular work before downloading, otherwise you *might* be violating copyright laws.
| TRANSLATE HERE

|-
! colspan="2"| Other Resources
|-
| Copyright law is a complicated and important business, and we encourage everyone to read more about it. Here are some resources:
| TRANSLATE HERE

|-
| LibriVox Copright and Public Domain Wiki Page
| TRANSLATE HERE

|-
| Public domain - wikipedia
| TRANSLATE HERE

|-
| Copyright - wikipedia
| TRANSLATE HERE

|-
| Copyleft - wikipedia
| TRANSLATE HERE

|-
| Union for the public domain
| NO NEED TO TRANSLATE

|-
| Creative commons
| NO NEED TO TRANSLATE

|-
| Free software foundation
| NO NEED TO TRANSLATE

|-
| Digital copyright canada
| NO NEED TO TRANSLATE

|-
| Project Gutenberg
| NO NEED TO TRANSLATE
|}

== Podcast ==

{| class="tpl" border=1
! width="50%"| TEXT TO TRANSLATE || TRANSLATION
|-
! colspan="2"| LibriVox Podcasts
|-
| LibriVox podcasts
| TRANSLATE HERE

|-
| A podcast is a way to automatically download audiofiles to your computer from a specific show, or “feed.” You can listen on your computer, on a portable media device such as an ipod, or you can burn the files to a CD and listen on a regular stereo. In order to get podcasts onto your computer, you’ll need some podcatching software, such as '''iTunes''' or '''Juice'''. Alternately, you can listen to podcasts “streaming” in your browser. For more detailed instructions, see our '''Guide for Listeners (wiki)''' '''(in English)'''.
| TRANSLATE HERE

|-
| LibriVox is currently podcasting five different shows:
| TRANSLATE HERE

|-
| LibriVox Books Podcast
| TRANSLATE HERE

|-
| LibriVox Community Podcast
| TRANSLATE HERE

|-
| LibriVox Poetry Podcast
| TRANSLATE HERE

|-
| LibriVox Short Story Podcast
| TRANSLATE HERE

|-
| LibriVox New Releases Podcast
| TRANSLATE HERE

|-
! colspan="2"| LibriVox Books Podcast
|-
| We select a book from our collection and podcast a chapter at a time, three times a week, from start to finish.
| TRANSLATE HERE

|-
| To subscribe to this podcast, copy and paste this URL into your podcatcher:
| TRANSLATE HERE

|-
| http://librivox.org/podcast.xml
| NO NEED TO TRANSLATE

|-
| Or click on the URL below to add the podcast to iTunes automatically (say “yes” if your computer asks):
| TRANSLATE HERE

|-
| itpc://librivox.org/podcast.xml
| NO NEED TO TRANSLATE

|-
! colspan="2"| LibriVox Community Podcast
|-
| A weekly podcast for and by the LibriVox community. Rotating hosts design shows on all sorts of topics, from the latest new projects to technical advice, interviews with readers, listeners, admins, and others. If you’d like to host a show, let us know.
| TRANSLATE HERE

|-
| To subscribe to this podcast, copy and paste this URL into your podcatcher:
| TRANSLATE HERE

|-
|http://feeds.feedburner.com/LibrivoxCommunityPodcast
| NO NEED TO TRANSLATE

|-
| Or click on the URL below to add the podcast to iTunes automatically (say “yes” if your computer asks):
| TRANSLATE HERE

|-
| itpc://feeds.feedburner.com/LibrivoxCommunityPodcast
| NO NEED TO TRANSLATE

|-
! colspan="2"| LibriVox Poetry Podcast
|-
| Every Saturday a new selection of poems randomly selected from LibriVox’s vast catalog of poems short and long, as well as samples from full books of poetry. You will also find here sample(s) from last week’s Poem of the Week.
| TRANSLATE HERE

|-
| To subscribe to this podcast, click the appropriate feed:
| TRANSLATE HERE

|-
| Poetry via FeedBurner
| TRANSLATE HERE

|-
| Poetry via iTunes
| TRANSLATE HERE

|-
! colspan="2"| LibriVox Short Story Podcast
|-
| A growing collection of short stories for easy selection. Viewing this podcast in iTunes will allow you to click on the Name heading so that the entire list of stories will become alphabetized by author’s name. Possibilities abound! A great way to select from stories you’d never thought of before.
| TRANSLATE HERE

|-
| To subscribe to this podcast, click the appropriate feed:
| TRANSLATE HERE

|-
| Short Stories via FeedBurner
| TRANSLATE HERE

|-
| Short Stories via iTunes
| TRANSLATE HERE

|-
! colspan="2"| LibriVox New Releases Podcast
|-
| As we continue to test the waters, the New Releases Podcast is currently appearing only intermittently. '''Alternately''', if you are interested in seeing our very newest releases, they are always available '''on the New Releases page'''; an RSS feed is also available from that page. To sample a recording, simply click the ‘archive.org’ link on its catalogue page — there you will find a streaming media player and can listen immediately to any chapter / section.
| TRANSLATE HERE

|-
| The LibriVox New Releases Podcast is a way for both the general public and LibriVox community members to review and sample the newest LibriVox audiobooks without having to download a series of large, individual audio files. The outward reaching New Releases Podcast appears regularly in the middle and at the end of every month! A listing of the newest releases over the past two weeks, together with a dozen poignant sound samplings from LibriVox volunteer readers, is now available in your earbuds.
| TRANSLATE HERE

|-
| To subscribe to this podcast, copy and paste this URL into your podcatcher:
| TRANSLATE HERE

|-
| http://feeds.feedburner.com/LibrivoxNewReleasesPodcast
| NO NEED TO TRANSLATE

|-
| Or click on the URL below to add the podcast to iTunes automatically (say “yes” if your computer asks):
| TRANSLATE HERE

|-
| itpc://feeds.feedburner.com/LibrivoxNewReleasesPodcast
| TRANSLATE HERE
|}

== It's easy to volunteer / Volunteer ==
{| class="tpl" border=1
! width="50%" | TEXT TO TRANSLATE || TRANSLATION
|-
! colspan="2"| Volunteering for LibriVox
|-
| Volunteering for LibriVox
| TRANSLATE HERE

|-
| LibriVox volunteers read and record chapters of books in the '''public domain''' (books no longer under copyright), and make them available for free on the Internet. Practically, this means we record books '''published before 1923'''. All our recordings (including yours, if you volunteer for us) are also donated into the '''public domain'''.
| TRANSLATE HERE

|-
| We record books in all languages.
| TRANSLATE HERE

|-
| You do not need any prior experience to volunteer for LibriVox, nor do you need to audition or send us samples. All you need is your voice, some free software, your computer, and maybe an inexpensive microphone.
| TRANSLATE HERE

|-
| All LibriVox activity (book selection, project management, discussion, etc) happens on our '''Forum''', and you’ll need to '''register''' there to join us. Our forum members are a friendly bunch, and questions will be answered there quickly (much more quickly than if you send us an email!).
| TRANSLATE HERE

|-
| We do suggest you read the document below, before registering and posting on the '''Forum''', to get an idea of how everything works.
| TRANSLATE HERE

|-
!colspan="2"| More information
|-
| About Recording
| TRANSLATE HERE

|-
| LibriVox Project Types
| TRANSLATE HERE

|-
| Navigating the Forum
| TRANSLATE HERE

|-
| Cast of Characters
| TRANSLATE HERE

|-
| How it Works
| TRANSLATE HERE

|-
| Other Information
| TRANSLATE HERE

|-
! colspan="2" | About Recording
|-
| Many LibriVox volunteers have never recorded anything, certainly not audiobooks. If you are new to recording, you’ll find many helpful people on the forum who will help you get yourself set up. Here is an overview, '''About Recording for LibriVox'''.
| TRANSLATE HERE

|-
! colspan="2" | LibriVox Project Types
|-
| We have a number of different types of projects:
| TRANSLATE HERE

|-
| '''collaborative''': many volunteers contribute chapters of a long text.
| TRANSLATE HERE

|-
| '''solo''': one volunteer reads an entire book.
| TRANSLATE HERE

|-
| '''short works (prose and poetry)''': short works and poetry!
| TRANSLATE HERE

|-
| '''dramatic works''': “actors” record parts, all edited together.
| TRANSLATE HERE

|-
| '''other languages''': projects in languages other than English.
| TRANSLATE HERE

|-
! colspan="2" | Navigating the Forum
|-
| The Forums are split into three main sections:
| TRANSLATE HERE

|-
| About LibriVox
| TRANSLATE HERE

|-
| info about LibriVox, including our FAQ
| TRANSLATE HERE

|-
| Books (Volunteer for Reading & Other Things)
| TRANSLATE HERE

|-
| This section includes:
| TRANSLATE HERE

|-
| Book Suggestions (discuss books you’d like to record)
| TRANSLATE HERE

|-
| Readers Wanted (where projects needing readers are listed)
| TRANSLATE HERE

|-
| Going Solo (you’ll need to do a collaborative recording first)
| TRANSLATE HERE

|-
| Listeners & Editors Wanted (our proof-listening process)
| TRANSLATE HERE

|-
| Volunteer for Other Projects (other types of projects)
| TRANSLATE HERE

|-
| Help, Discussion, & Suggestions
| TRANSLATE HERE

|-
| For your questions, news and general chatter
| TRANSLATE HERE

|-
! colspan="2" | Cast of Characters
|-
| We’re all volunteers, and we’ve flipped traditional hierarchy upside down. The most important people in LibriVox are the readers, and everyone else works hard to help them make more audiobooks. We encourage everyone to do as much or as little as they like, and mostly if you have an idea and want to implement it, you’ll find lots of support. Here is a list of people you will run into and what they do (note: they are all volunteers):
| TRANSLATE HERE

|-
| '''readers''': record chapters of public domain books
| TRANSLATE HERE

|-
| '''book coordinators''': manage production of a particular book
| TRANSLATE HERE

|-
| '''meta coordinators''': catalog completed books on the web
| TRANSLATE HERE

|-
| '''moderators''': help the forum run smoothly
| TRANSLATE HERE

|-
| '''admins''': try to make sure everyone has what they need
| TRANSLATE HERE

|-
! colspan="2" | How it Works
|-
| Practically, here is how things work:
| TRANSLATE HERE

|-
| 1. a book coordinator posts a book in the New Projects Launch Pad Section.
| TRANSLATE HERE

|-
| 2. a meta coordinator claims the project and moves the thread to the appropriate forum.
| TRANSLATE HERE

|-
| 3. volunteers “claim” chapters to read.
| TRANSLATE HERE

|-
| 4. the readers record their chapters in digital format.
| TRANSLATE HERE

|-
| 5. the book coordinator collects all the files of all the chapters.
| TRANSLATE HERE

|-
| 6. the book coordinator sends the collected files to a meta coordinator.
| TRANSLATE HERE

|-
| 7. we check the files for technical problems in the Listeners Wanted section.
| TRANSLATE HERE

|-
| 8. the book coordinator sends the collected, corrected files to a meta coordinator.
| TRANSLATE HERE

|-
| 9. another public domain audiobook is made available for free.
| TRANSLATE HERE

|-
! colspan="2" | Other Information
|-
| There are many, many other things you can do to help, so please feel free to jump into the '''Forums'''.
| TRANSLATE HERE

|-
| See here for a '''more detailed FAQ''' '''(in English)'''.
| TRANSLATE HERE

|-
| See here for a '''Guides for Listeners & Volunteers''' (the LibriVox wiki).
| TRANSLATE HERE

|-
| Contact us by email at: info AT librivox DOT org
| TRANSLATE HERE
|}

== About Recording for LibriVox ==

{| class="tpl" border=1
! WIDTH="50%"| TO BE TRANSLATED || TRANSLATION
|-
| About Recording for LibriVox
| TRANSLATE HERE

|-
| LibriVox is '''always''' looking for more volunteer readers.
See '''How LibriVox Works''', or visit our '''Forum'''.
On this page:
| TRANSLATE HERE

|-
| Bare Basics of Recording for LibriVox
| TRANSLATE HERE

|-
| '''Basic Advice about Reading''' (and links to more advice)
| TRANSLATE HERE

|-
| '''Basic Setup for Recording''' (and links to step-by-step guides)
| TRANSLATE HERE

|-
| The best starting point is '''The Newbie Guide To Recording'''.
| TRANSLATE HERE

|-
! colspan="2" | Bare Basics of Recording for LibriVox
|-
| All the reading projects are organized on the LibriVox '''Forum''' - you can read posts as a “Guest,” but if you want to participate, just register. Then you can post messages, ask questions, introduce yourself, volunteer, and so on.
| TRANSLATE HERE

|-
| Most readers use a microphone plugged into their computer, record with a free program called Audacity, edit out their mistakes and send their files through the Internet (easy instructions and easy uploaders available).
| TRANSLATE HERE

|-
| There aren’t any auditions or quizzes.
| TRANSLATE HERE

|-
| Everyone is welcome!
| TRANSLATE HERE

|-
! colspan="2" | Basic Advice about Reading
|-
| Volunteer for texts that you enjoy. Don’t volunteer out of duty, volunteer for the pleasure of reading a particular thing aloud to the world. Your pleasure will add a special quality to the recording and will increase the chances that you’ll read more!
| TRANSLATE HERE

|-
| Read the text before you record it - it helps to know what you’re reading. If you’re a wonderfully expressive reader who conveys the text well, you’ll also convey your confusion whenever you’re lost. Some folks will read over a page, record it, pause the recorder or save (safer), read over the next page, record that one, and so on. Suit yourself.
| TRANSLATE HERE

|-
| Allow pauses between sentences and paragraphs; take your time. Let your listener visualize.
| TRANSLATE HERE

|-
| Most readers need to e-n-u-n-c-i-a-t-e … every syllable, every letter sound. A relaxed steady pace helps you to form the full sounds of the words. But if you’re one of the exceptions, who naturally hyper-enunciates, then relax into a conversational style, as if the reader is there with you.
| TRANSLATE HERE

|-
| Try for a steady volume level by speaking up, as if your listener is sitting across a table from you, and keeping a steady distance from your mic (not closer, farther, closer). Or if you naturally speak through walls, find the sweet spot in relation to your mic.
| TRANSLATE HERE

|-
| Modulate your voice — give it life! But don’t over-modulate your voice — give it truth! Here’s a tip: Read from the beginning of the story, and when you reach the end, immediately record the first page or so again. Chances are, you’ll begin a bit stiff and self-conscious, but you’ll soon lose yourself in the story and become more naturally animated. By the end, you’re nicely warmed up, and if you record the beginning again right now, it won’t sound at all stiff or self-conscious.
| TRANSLATE HERE

|-
| Test first - make sure you’re not too close or too far from the microphone. Every time you record, say a couple sentences and check how it sounds.
| TRANSLATE HERE

|-
| Put your microphone at an angle to your mouth, so your breath doesn’t hit the mic full on (making p-p-p-plosives).
| TRANSLATE HERE

|-
| Turn off your phone, and shut your door — enjoy!
| TRANSLATE HERE

|-
| You might prefer recordng in short sessions, taking breaks between, to avoid mental and vocal fatigue. (Combine the pieces into a single file during editing.)
| TRANSLATE HERE

|-
| When you make a mistake, pause a moment, and start again at the beginning of the sentence/paragraph — edit the mistake out later, after recording. Don’t just repeat a word or short phrase — that’ll be too hard to cut with during the edit.
| TRANSLATE HERE

|-
| If you want to improve your reading, edit your own work but don’t be a perfectionist, just keep on reading and editing — you’ll naturally begin to make small adjustments in your reading, and the whole process will become more and more enjoyable.
| TRANSLATE HERE

|-
| For more advice and discussions about reading, check out:
| TRANSLATE HERE

|-
| '''The LibriVox Forum''', especially
| TRANSLATE HERE

|-
| '''What if I Suck?''' and
| TRANSLATE HERE

|-
| Making your reading sound Great.
| TRANSLATE HERE

|-
| And check the '''LibriVox wiki pages''', particularly
| TRANSLATE HERE

|-
| How to Improve your Recording and
| TRANSLATE HERE

|-
| Help! What if I Suck?
| TRANSLATE HERE

|-
! colspan="2" | Basic Setup for Recording
|-
| The Newbie Guide To Recording (The Newbie Guide To Recording) — if you’ve never recorded
| The Newbie Guide To Recording (TRANSLATE HERE

|-
| How to Record for LibriVox (How to Record for LibriVox) — if you have
| How to Record for LibriVox (TRANSLATE HERE

|-
| Audio software
| TRANSLATE HERE

|-
| LibriVox projects use .mp3 files (mono, 128Kpbs), and most folks use the free, open-source audio recording-editing software, Audacity. Our '''Audacity FAQ''' walks you through download, installation, and testing. If you already have software that creates .mp3 files, you’re set; you may want to read or even add to our wiki page, '''Software We Use'''.
| TRANSLATE HERE

|-
| Microphone
| TRANSLATE HERE

|-
| Though many computers have built-in microphones, most volunteers find them inadequate. Try yours on '''short texts''' (poems, short stories, prime numbers, etc.) if you want to contribute right away while deciding what you think of the built-in mic quality. Most volunteers use USB microphones (headsets or desk mics) plugged into their computers for a balance of acceptable and affordable. Our wiki page on '''User-Recommended Equipment''' cuts to the chase.
| TRANSLATE HERE

|-
| Project Specifics
| TRANSLATE HERE

|-
| Each project spells out everything you need to know in its top post: names for files and for mp3 tags, the intro and outro for your recording, where to get the free, public domain text online — for each book or collection or poem, the top post is the place.
| TRANSLATE HERE

|-
| '''Need Help? Got Advice?''' '''(Need Help? Got Advice?)''' You’ll find lots of discussion on software and microphones in the back pages of this area of the Forum.
| '''Need Help? Got Advice?''' '''(TRANSLATE HERE

|-
| These '''LibriVox Wiki''' pages (and many more!) are here to help:
| TRANSLATE HERE

|-
| How to Record for LibriVox
| TRANSLATE HERE

|-
| Editing Audio
| TRANSLATE HERE

|-
| How to Send Your Recording
| TRANSLATE HERE

|-
! colspan="2" | A note on copyright etc.
|-
| A note on copyright etc.
| TRANSLATE HERE

|-
| All texts in the LibriVox project are in the '''Public Domain''' texts. All LibriVox recordings will also be in the Public Domain. If you do not wish to liberate your voice recording to the public domain, this is not the project for you.
| TRANSLATE HERE
|}

== More info / about LibriVox ==

{| class="tpl" border=1
! WIDTH="50%"| TO BE TRANSLATED || TRANSLATION
|-
! colspan="2"|LibriVox Objective
|-
| LibriVox Objective
| TRANSLATE HERE

|-
| To make all books in the public domain available, for free, in audio format on the internet.
| TRANSLATE HERE

|-
! colspan="2"|Our Fundamental Principles
|-
| Our Fundamental Principles
| TRANSLATE HERE

|-
| Librivox is a non-commercial, non-profit and ad-free project
| TRANSLATE HERE

|-
| Librivox donates its recordings to the public domain
| TRANSLATE HERE

|-
| Librivox is powered by volunteers
| TRANSLATE HERE

|-
| Librivox maintains a loose and open structure
| TRANSLATE HERE

|-
| Librivox welcomes all volunteers from across the globe, in all languages
| TRANSLATE HERE

|-
! colspan="2"|More Information
|-
| More Information
| TRANSLATE HERE

|-
| What We Do
| TRANSLATE HERE

|-
| Resources and Partners
| TRANSLATE HERE

|-
| In the Press
| TRANSLATE HERE

|-
| Inspirations
| TRANSLATE HERE

|-
| The Beginning
| TRANSLATE HERE

|-
| Contact
| TRANSLATE HERE

|-
! colspan="2"|What We Do
|-
| LibriVox volunteers record chapters of books in the '''public domain''', and then we '''release the audio files''' back onto the net for free. All our audio is in the public domain, so you may use it for whatever purpose you wish.
| TRANSLATE HERE

|-
| '''Volunteering for LibriVox''' is easy and does not require any experience with recording or audio engineering or acting or public speaking. All you need is a computer, some free recording software, and your own voice. We accept all volunteers in all languages, with all kinds of accents. You don’t need to audition or send us samples. We’ll accept you no matter what you sound like.
| TRANSLATE HERE

|-
| We operate almost exclusively through Internet communications on our '''forum''', where all your questions will be answered by our friendly community. We have a flat structure, designed to let people do just what they want to do.
| TRANSLATE HERE

|-
| For more detailed information, see our '''FAQ'''.
| TRANSLATE HERE

|-
| We’d like your help. Click to learn about '''volunteering for LibriVox'''.
| TRANSLATE HERE

|-
! colspan="2"|Resources and Partners
|-
| We get most of our texts from '''Project Gutenberg''', and the '''Internet Archive''' and '''ibiblio.org''' host our audio files (for free!).
| TRANSLATE HERE

|-
| Our annual budget is $0, and for the moment we don’t need any money. We’ll let you know if that changes. In the mean time, perhaps you might consider supporting our partners: '''Project Gutenberg''', '''Internet Archive'''.
| TRANSLATE HERE

|-
! colspan="2"|In the Press
|-
| Some press articles about LibriVox:
| TRANSLATE HERE

|-
| Reason Magazine
Los Angeles Times
Montreal Gazette
New York Times
red hat magazine
The World - BBC Radio
wired.com
IT conversations (audio)
creative commons
wikinews
Les Echos (fr)
| NO NEED TO TRANSLATE

|-
! colspan="2"|Inspirations
|-
| LibriVox was inspired by '''AKMA’s audio volunteer project''' that brought '''Lawrence Lessig’s''' book, '''Free Culture''', to your ears.
| TRANSLATE HERE

|-
| Other inspirations include:
| TRANSLATE HERE

|-
| '''Urban Art Adventures’''' and '''the podchef'''
| Translate « and » :

|-
| Wikipedia
Richard Stallman & the Free Software movement
Project Gutenberg
Creative Commons
Internet Archive
| NO NEED TO TRANSLATE

|-
| Brewster Kahle’s talk:
| TRANSLATE HERE

|-
| Universal Access to All Human Knowledge
| NO NEED TO TRANSLATE

|-
! colspan="2"|The Beginning
|-
| LibriVox was started in August 2005, by Hugh McGuire, a Montreal-based writer and web developer. More about him can be found at '''hughmcguire.net'''. An interview with Paula B from '''The Writing Show''' describing the '''project in its earliest days can be found here'''.
| TRANSLATE HERE

|-
! colspan="2"|Contact
|-
| If you want to give feedback, please '''read this first'''.
| TRANSLATE HERE

|-
| The best way to get in touch is on our '''Forum'''.
| TRANSLATE HERE

|-
| Send us an email at: '''info[AT]librivox[DOT]org'''
| TRANSLATE HERE
|}

== About Listening to LibriVox / release the audio files ==

{| class="tpl" border=1
! WIDTH="50%"| TO BE TRANSLATED || TRANSLATION
|-
| About Listening to LibriVox
| TRANSLATE HERE

|-
| LibriVox audiobooks are free ('''*'''). You may use them for whatever purpose you like. Click here for information about our '''public domain license'''. Click here to '''hear some samples''' of LibriVox recordings.
| TRANSLATE HERE

|-
| There are several options for listening. The first step is to get the audio files (mp3 or ogg vorbis) into your own computer. There are two main ways to do this:
| TRANSLATE HERE

|-
! colspan="2"|Thrice-weekly Podcast
|-
| 1. Thrice-weekly Podcast
| TRANSLATE HERE

|-
| We podcast one book at a time, with three audio installments a week. To subscribe to our podcast, copy and paste this URL into your podcatcher:
| TRANSLATE HERE

|-
| http://librivox.org/podcast.xml
|- NO NEED TO TRANSLATE

|-
| If you use iTunes, the subscription will happen automatically if you click on this URL:
| TRANSLATE HERE

|-
| itpc://librivox.org/podcast.xml
| TRANSLATE HERE

|-
! colspan="2"|Catalog
|-
| 2. Catalog
| TRANSLATE HERE

|-
| Visit our catalog and download books you wish to listen to. You can search the '''catalog''' page, '''browse the catalog''', or use our '''advanced search options'''.
| TRANSLATE HERE

|-
| Once you find a book you like, there are a few options to listen, including:
| TRANSLATE HERE

|-
| Download the zip file of the entire book
| TRANSLATE HERE

|-
| You can download a “zip” file that contains all the individual files of an entire book. To do that:
| TRANSLATE HERE

|-
| “right-click/save as” the “zip file of the entire book” onto your hard drive
| TRANSLATE HERE

|-
| once it is downloaded (it might take a while) double click the zip file, to open it
| TRANSLATE HERE

|-
| then use a media player ('''itunes''', '''winamp''', '''windows media player''') to play the files
| TRANSLATE HERE

|-
| Subscribe in itunes
| TRANSLATE HERE

|-
| You can download an entire book using the subscribe feature in iTunes. To do that:
| TRANSLATE HERE

|-
| click on the “subscribe in iTunes” link from the catalog page
| TRANSLATE HERE

|-
| this will launch itunes (say “yes” if your computer asks), and import the whole book into iTunes
| TRANSLATE HERE

|-
| In iTunes, under “Podcasts,” you should see: “LibriVox: the-book-title …” Click the little black triangle to the left of the title to see all the chapters. Click the “get” button by each to download it.
| TRANSLATE HERE

|-
| For more detailed instructions, see '''Subscribe in iTunes'''
| TRANSLATE HERE

|-
| Now that you’ve got some of the mp3 or ogg files in your computer, you can listen to them in several ways. You can listen through your computer speakers using your favorite audio player. You can load the files into an iPod or other portable audio player and listen when and where you like. You can burn the '''files to an audio cd''' and listen to them in the car or on your home stereo.
| TRANSLATE HERE

|-
| For more detailed instructions, see our '''User Guide to Listening'''.
| TRANSLATE HERE

|-
| If you have any troubles, please contact '''kayray''', with subject line: “'''LibriVox help'''.”
| TRANSLATE HERE
In the translation, please leave “LibriVox help” as such.

|-
| *NOTE that our files are free and public domain in the USA, but not necessarily everywhere in the world. To read more about why that is, see our '''Public Domain''' page.
| TRANSLATE HERE
|}

== LibriVox Samples (hear some samples) ==

{| class="tpl" border=1
! WIDTH="50%"| TO BE TRANSLATED || TRANSLATION
|-
| LibriVox Samples
| TRANSLATE HERE

|-
| So how good are the LibriVox readers? We’ll be honest: some are better than others, but what some of us lack in voice modulation skills, we usually make up for in love for the text we are reading. But, remember, we are all volunteers. Before we get to the samples, here is one of the best descriptions, we think, of what’s special about LibriVox (from '''Institute of the Future of the Book'''):
| TRANSLATE HERE

|-
| As a regular audiobook listener, I was struck by the fact that while most literary audiobooks are read by authors who tend to work hard at conveying a sense of character, the Librivox selections seemed to convey, more than anything, the reader’s passion for the text itself; ie, for the written word. Here at the Institute we’ve been spending a fair amount of time trying to figure out when a book loses it’s book-ness, and I’d argue that while some audiobooks blur the boundary between book and performance, the Librivox books remind us that a book reduced to a stream of digitally produced sound can still be very much a book.
| TRANSLATE HERE

|-
| So, judge for yourself. These are random samples (honest … OK randomish):
| TRANSLATE HERE

|-
| Kara reads: '''A Little Princess, Chapter 5''' 
Branko reads: '''Secret Agent, Chapter 5''' 
John reads: '''A Modest Proposal''' 
Cori reads: '''Sonnet 23''' 
Tuija reads: '''Helsinkiin, Chapter 3''' 
Greg reads: '''Notes from the Underground, Chapter 2''' 
Grace & Brad read: '''Twas the Night Before Christmas''' … (I admit: that one wasn’t random). 
Gord reads: '''Frankenstein, Chapter 17''' 
Acrobatty reads: '''Northanger Abbey, chapter 14''' 
| TRANSLATE HERE
|}

== Feedback / read this first ==

{| class="tpl" border=1
! WIDTH="50%"| TO BE TRANSLATED || TRANSLATION
|-
! colspan="2" |Listener Feedback
|-
| Listener Feedback
| TRANSLATE HERE

|-
| Firstly, please remember that all LibriVox recordings are done by volunteers. No one is paid for recordings, no one is paid for editing, or cataloging or managing the project. Everything here is done by volunteers.
| TRANSLATE HERE

|-
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Science Fiction Novels

2009-11-15T16:36:05Z

And a few more of these, too!

←Older revision		Revision as of 16:36, 15 November 2009
Line 34:		Line 34:

	Berryman, John - ''Vigorish'' (83KB) at http://www.gutenberg.org/etext/24382		Berryman, John - ''Vigorish'' (83KB) at http://www.gutenberg.org/etext/24382
		+
		+	Berryman, John, 1919-1988 - ''Modus Vivendi'' (78KB) at http://www.gutenberg.org/etext/30311

	Bloch, Robert - ''This Crowded Earth'' (235KB) at http://www.gutenberg.org/etext/25776		Bloch, Robert - ''This Crowded Earth'' (235KB) at http://www.gutenberg.org/etext/25776
Line 114:		Line 116:

	Del Rey, Lester - ''Victory'' (118KB) at http://www.gutenberg.org/etext/24196		Del Rey, Lester - ''Victory'' (118KB) at http://www.gutenberg.org/etext/24196
		+
		+	Diffin, Charles Willard, 1884-1966 - ''The Finding of Haldgren'' (193KB) at http://www.gutenberg.org/etext/29717
		+
		+	Diffin, Charles Willard, 1884-1966 - ''Two Thousand Miles Below'' (338KB) at http://www.gutenberg.org/etext/29965

	Douglass, Ellsworth - ''Pharaoh's Broker--Being the Very Remarkable Experiences in Another World of Isidor Werner'' (409KB) at http://www.gutenberg.org/etext/25295		Douglass, Ellsworth - ''Pharaoh's Broker--Being the Very Remarkable Experiences in Another World of Isidor Werner'' (409KB) at http://www.gutenberg.org/etext/25295

	Ernst, Paul - ''The Raid on the Termites'' (171KB) at http://www.gutenberg.org/etext/27248		Ernst, Paul - ''The Raid on the Termites'' (171KB) at http://www.gutenberg.org/etext/27248
		+
		+	Ernst, Paul, 1899-1985 - ''The Red Hell of Jupiter'' (158KB) at http://www.gutenberg.org/etext/30214

	Gallun, Raymond Z. - ''The Planet Strappers'' (404KB) at http://www.gutenberg.org/etext/25067		Gallun, Raymond Z. - ''The Planet Strappers'' (404KB) at http://www.gutenberg.org/etext/25067
Line 148:		Line 156:

	Garrett, Randall - ''What The Left Hand Was Doing'' (79KB) at http://www.gutenberg.org/etext/25166		Garrett, Randall - ''What The Left Hand Was Doing'' (79KB) at http://www.gutenberg.org/etext/25166
		+
		+	Gilmore, Anthony - ''Hawk Carse'' (126KB) at http://www.gutenberg.org/etext/30307

	Gilmore, Anthony - ''The Affair of the Brains'' (161KB) at http://www.gutenberg.org/etext/29310		Gilmore, Anthony - ''The Affair of the Brains'' (161KB) at http://www.gutenberg.org/etext/29310

	Gilmore, Anthony - ''The Bluff of the Hawk'' (94KB) at http://www.gutenberg.org/etext/29298		Gilmore, Anthony - ''The Bluff of the Hawk'' (94KB) at http://www.gutenberg.org/etext/29298
		+
		+	Gilmore, Anthony - ''The Passing of Ku Sui'' (210KB) at http://www.gutenberg.org/etext/30303

	Graffigny, H. de (Henry) - ''Aventures Extraordinaires d'un Savant Russe; III. Les Planètes Géantes et les Comètes'' (544KB) at http://www.gutenberg.org/etext/22078		Graffigny, H. de (Henry) - ''Aventures Extraordinaires d'un Savant Russe; III. Les Planètes Géantes et les Comètes'' (544KB) at http://www.gutenberg.org/etext/22078
Line 262:		Line 274:

	Nowlan, Philip Francis - ''The Airlords of Han'' (196KB) at http://www.gutenberg.org/etext/25438		Nowlan, Philip Francis - ''The Airlords of Han'' (196KB) at http://www.gutenberg.org/etext/25438
		+
		+	Osório, Ana de Castro, 1872-1935 - ''Quatro Novelas'' (306KB) at http://www.gutenberg.org/etext/29968

	Peyton, Green - ''The Chamber of Life'' (82KB) at http://www.gutenberg.org/etext/25862		Peyton, Green - ''The Chamber of Life'' (82KB) at http://www.gutenberg.org/etext/25862
Line 284:		Line 298:

	Reynolds, Mack - ''The Common Man'' (105KB) at http://www.gutenberg.org/etext/23194		Reynolds, Mack - ''The Common Man'' (105KB) at http://www.gutenberg.org/etext/23194
		+
		+	Reynolds, Mack, 1917-1983 - ''Status Quo'' (174KB) at http://www.gutenberg.org/etext/30339
		+
		+	Reynolds, Mack, 1917-1983 - ''Ultima Thule'' (173KB) at http://www.gutenberg.org/etext/30334

	Rhodes, W. H. (William Henry) - ''The Case of Summerfield'' (81KB) at http://www.gutenberg.org/etext/5191		Rhodes, W. H. (William Henry) - ''The Case of Summerfield'' (81KB) at http://www.gutenberg.org/etext/5191
		+
		+	Richmond, Leigh, 1911-1996 - ''Prologue to an Analogue'' (80KB) at http://www.gutenberg.org/etext/30242

	Schachner, Nathan - ''Pirates of the Gorm'' (78KB) at http://www.gutenberg.org/etext/29299		Schachner, Nathan - ''Pirates of the Gorm'' (78KB) at http://www.gutenberg.org/etext/29299
		+
		+	Schachner, Nathan, 1895-1955 - ''Slaves of Mercury'' (201KB) at http://www.gutenberg.org/etext/29966

	Schmitz, James H. - ''The Star Hyacinths'' (110KB) at http://www.gutenberg.org/etext/26292		Schmitz, James H. - ''The Star Hyacinths'' (110KB) at http://www.gutenberg.org/etext/26292

	Schmitz, James H. - ''The Winds of Time'' (89KB) at http://www.gutenberg.org/etext/24395		Schmitz, James H. - ''The Winds of Time'' (89KB) at http://www.gutenberg.org/etext/24395
		+
		+	Schmitz, James H., 1911-1981 - ''Gone Fishing'' (116KB) at http://www.gutenberg.org/etext/30140

	Sheckley, Robert - ''Bad Medicine'' (999KB) at http://www.gutenberg.org/etext/9056		Sheckley, Robert - ''Bad Medicine'' (999KB) at http://www.gutenberg.org/etext/9056
Line 342:		Line 366:

	Various - ''Astounding Stories of Super-Science February 1930'' (538KB) at http://www.gutenberg.org/etext/28617		Various - ''Astounding Stories of Super-Science February 1930'' (538KB) at http://www.gutenberg.org/etext/28617
		+
		+	Various - ''Astounding Stories of Super-Science January 1931'' (478KB) at http://www.gutenberg.org/etext/30177

	Various - ''Astounding Stories of Super-Science July 1930'' (480KB) at http://www.gutenberg.org/etext/29198		Various - ''Astounding Stories of Super-Science July 1930'' (480KB) at http://www.gutenberg.org/etext/29198

	Various - ''Astounding Stories of Super-Science September 1930'' (479KB) at http://www.gutenberg.org/etext/29255		Various - ''Astounding Stories of Super-Science September 1930'' (479KB) at http://www.gutenberg.org/etext/29255
		+
		+	Various - ''Astounding Stories of Super-Science, August 1930'' (492KB) at http://www.gutenberg.org/etext/29768
		+
		+	Various - ''Astounding Stories of Super-Science, June, 1930'' (481KB) at http://www.gutenberg.org/etext/29848
		+
		+	Various - ''Astounding Stories of Super-Science, March 1930'' (449KB) at http://www.gutenberg.org/etext/29607
		+
		+	Various - ''Astounding Stories of Super-Science, May, 1930'' (475KB) at http://www.gutenberg.org/etext/29809
		+
		+	Various - ''Astounding Stories of Super-Science, November, 1930'' (464KB) at http://www.gutenberg.org/etext/29919
		+
		+	Various - ''Astounding Stories of Super-Science, October, 1930'' (480KB) at http://www.gutenberg.org/etext/29882
		+
		+	Various - ''Astounding Stories, February, 1931'' (471KB) at http://www.gutenberg.org/etext/30124
		+
		+	Various - ''Astounding Stories, March, 1931'' (493KB) at http://www.gutenberg.org/etext/30166

	Verne, Jules - ''20000 Lieues Sous Les Mers — Complete'' (894KB) at http://www.gutenberg.org/etext/5097		Verne, Jules - ''20000 Lieues Sous Les Mers — Complete'' (894KB) at http://www.gutenberg.org/etext/5097

Science Fiction Shortish Stories

2009-11-15T16:33:05Z

Plonking in a few new specimens

←Older revision		Revision as of 16:33, 15 November 2009
Line 19:		Line 19:
	Budrys, Algis - ''Citadel'' (71KB) at http://www.gutenberg.org/etext/26191		Budrys, Algis - ''Citadel'' (71KB) at http://www.gutenberg.org/etext/26191

-	~~<u>~~Cox, Irving E. - ''Impact''~~</u>~~ (64KB) at http://www.gutenberg.org/etext/25567	+	Cox, Irving E. - ''Impact'' (64KB) at http://www.gutenberg.org/etext/25567

	Dick, Philip K. - ''The Defenders'' (69KB) at http://www.gutenberg.org/etext/28767		Dick, Philip K. - ''The Defenders'' (69KB) at http://www.gutenberg.org/etext/28767

	Diffin, Charles Willard - ''The Hammer of Thor'' (75KB) at http://www.gutenberg.org/etext/29202		Diffin, Charles Willard - ''The Hammer of Thor'' (75KB) at http://www.gutenberg.org/etext/29202
		+
		+	Ernst, Paul - ''The Planetoid of Peril'' (68KB) at http://www.gutenberg.org/etext/29771

	Garrett, Randall - ''Cum Grano Salis'' (68KB) at http://www.gutenberg.org/etext/25234		Garrett, Randall - ''Cum Grano Salis'' (68KB) at http://www.gutenberg.org/etext/25234

	Garrett, Randall - ''Dead Giveaway'' (73KB) at http://www.gutenberg.org/etext/24054		Garrett, Randall - ''Dead Giveaway'' (73KB) at http://www.gutenberg.org/etext/24054
		+
		+	Garrett, Randall - ''Fifty Per Cent Prophet'' (65KB) at http://www.gutenberg.org/etext/30337
		+
		+	Garrett, Randall - ''Hanging by a Thread'' (73KB) at http://www.gutenberg.org/etext/30308
		+
		+	Garrett, Randall - ''Psichopath'' (73KB) at http://www.gutenberg.org/etext/30304

	Garrett, Randall - ''The Destroyers'' (75KB) at http://www.gutenberg.org/etext/24166		Garrett, Randall - ''The Destroyers'' (75KB) at http://www.gutenberg.org/etext/24166

	Garrett, Randall - ''The Unnecessary Man'' (65KB) at http://www.gutenberg.org/etext/24529		Garrett, Randall - ''The Unnecessary Man'' (65KB) at http://www.gutenberg.org/etext/24529
		+
		+	Godwin, Tom - ''The Helpful Hand of God'' (66KB) at http://www.gutenberg.org/etext/30322

	Hamilton, Edmond - ''The Sargasso of Space'' (71KB) at http://www.gutenberg.org/etext/28832		Hamilton, Edmond - ''The Sargasso of Space'' (71KB) at http://www.gutenberg.org/etext/28832

-	~~<u>~~Herbert, Frank Patrick - ''Operation Haystack''~~</u>~~ (66KB) at http://www.gutenberg.org/etext/24721	+	Herbert, Frank Patrick - ''Operation Haystack'' (66KB) at http://www.gutenberg.org/etext/24721

	Janifer, Laurence M. - ''Hex'' (75KB) at http://www.gutenberg.org/etext/24397		Janifer, Laurence M. - ''Hex'' (75KB) at http://www.gutenberg.org/etext/24397
Line 41:		Line 51:
	Jones, Neil Ronald - ''The Jameson Satellite'' (70KB) at http://www.gutenberg.org/etext/26906		Jones, Neil Ronald - ''The Jameson Satellite'' (70KB) at http://www.gutenberg.org/etext/26906

-	~~<u>~~''Gambler's World'' by John Keith Laumer~~</u>~~ (68KB) http://www.gutenberg.org/etext/21627	+	''Gambler's World'' by John Keith Laumer (68KB) http://www.gutenberg.org/etext/21627

	Leinster, Murray - ''Invasion'' (76KB) at http://www.gutenberg.org/etext/29455		Leinster, Murray - ''Invasion'' (76KB) at http://www.gutenberg.org/etext/29455
Line 58:		Line 68:

	Piper, H. Beam - ''The Keeper'' (71KB) at http://www.gutenberg.org/etext/19338		Piper, H. Beam - ''The Keeper'' (71KB) at http://www.gutenberg.org/etext/19338
		+
		+	Reynolds, Mack, 1917-1983 - ''Freedom'' (76KB) at http://www.gutenberg.org/etext/30338

	Rich, H. Thompson (Harold Thompson) - ''Spawn of the Comet'' (71KB) at http://www.gutenberg.org/etext/29027		Rich, H. Thompson (Harold Thompson) - ''Spawn of the Comet'' (71KB) at http://www.gutenberg.org/etext/29027
		+
		+	Saphro, Charles - ''Zero Data'' (71KB) at http://www.gutenberg.org/etext/29727

	Schmitz, James H. - ''Watch the Sky'' (67KB) at http://www.gutenberg.org/etext/24558		Schmitz, James H. - ''Watch the Sky'' (67KB) at http://www.gutenberg.org/etext/24558
Line 67:		Line 81:
	Sloat, Edwin K. - ''Loot of the Void'' (69KB) at http://www.gutenberg.org/etext/29457		Sloat, Edwin K. - ''Loot of the Void'' (69KB) at http://www.gutenberg.org/etext/29457

-	~~<u>~~Smith, E. E. (Edward Elmer) - ''The Vortex Blaster''~~</u>~~ (67KB) at http://www.gutenberg.org/etext/22629	+	Sloat, Edwin K. - ''The Space Rover'' (72KB) at http://www.gutenberg.org/etext/29702
		+
		+	Smith, E. E. (Edward Elmer) - ''The Vortex Blaster'' (67KB) at http://www.gutenberg.org/etext/22629

	Starzl, Roman Frederick - ''In the Orbit of Saturn'' (74KB) at http://www.gutenberg.org/etext/29038		Starzl, Roman Frederick - ''In the Orbit of Saturn'' (74KB) at http://www.gutenberg.org/etext/29038

	Stuart, William W. - ''Inside John Barth'' (66KB) at http://www.gutenberg.org/etext/28608		Stuart, William W. - ''Inside John Barth'' (66KB) at http://www.gutenberg.org/etext/28608
		+
		+	Vance, Jack - ''Sjambak'' (75KB) at http://www.gutenberg.org/etext/30002

	Vincent, Harl - ''Vulcan's Workshop'' (74KB) at http://www.gutenberg.org/etext/29321		Vincent, Harl - ''Vulcan's Workshop'' (74KB) at http://www.gutenberg.org/etext/29321

Science Fiction Short Stories p2

2009-11-15T16:22:27Z

Second half of the short stories page. Neutrally named in case we need to grow even more!

New page

= Science Fiction Short Stories -- page 2 =
All these are available from Project Gutenberg, and are likely, in Cori's opinion, to be under an hour in finished recording time<big>'''*'''</big>. The advantage of using PG texts is that they have already been carefully copyright checked, so unlikely to give us legal problems in that respect! (Though a few books there are copyrighted - double-check the licence text before recording.)

Longer books and more short stories and novellas can be found on the [http://www.gutenberg.org/wiki/Science_Fiction_(Bookshelf) Science Fiction Bookshelf] at PG, or search there for your favourite authors -- you may be surprised!

Multiple versions are very welcome - however, if you want to read something for the first time, please cross-reference with the [[LibriVox Short Science Fiction Index]].

Word counts are only rough estimates of total words in each story. Another loose rule-of-thumb is 1 min per KB.

<big>*</big> Longer stories -- but which may still fit within the 70min limit of the Short Story collection,
depending on how fast you read -- may now be found at [[Science Fiction Shortish Stories]].
Stories which turn out longer than 70mins can be split into more than one file and catalogued as a solo.
See also [[Science Fiction Novels]].

----

== Authors Surname A-K ==

[[Science Fiction Short Stories]]

== Authors Surname L-Z ==

Listed Below

''Sodom and Gomorrah, Texas'' by Raphael Aloysius Lafferty http://www.gutenberg.org/etext/23161 ''~2666words''

''Slingshot'' by Irving W. Lande http://www.gutenberg.org/etext/22462 ''~5033words''

''The Great Potlatch Riots'' by Allen Kim Lang http://www.gutenberg.org/etext/24864 ''~7328words''

''Join Our Gang?'' by Sterling E. Lanier (41KB) at http://www.gutenberg.org/etext/29987

''The Yillian Way'' by John Keith Laumer http://www.gutenberg.org/etext/21782 ''~5166words''

''One Martian Afternoon'' by Tom Leahy (31KB) at http://www.gutenberg.org/etext/29975

''Junior Achievement'' by William M. Lee - http://www.gutenberg.org/etext/27665 - 47KB

''The Bell Tone'' by Edmund H. Leftwich http://www.gutenberg.org/etext/22470 ''~1764words''

''Bread Overhead'' by Fritz Leiber http://www.gutenberg.org/etext/22579 ''~5079words''

''The Moon is Green'' by Fritz Leiber (53KB) at http://www.gutenberg.org/etext/29662

''What's He Doing in There?'' by Fritz Leiber - http://www.gutenberg.org/etext/29504 - 31KB

''Attention Saint Patrick'' by [pseud.] Murray Leinster http://www.gutenberg.org/etext/23439 ''~7822words''

''A Bottle of Old Wine'' by Richard O. Lewis (40KB) at http://www.gutenberg.org/etext/30004

Linebarger, Paul Myron Anthony, 1913-1966 - ''The Game of Rat and Dragon'' (51KB) at http://www.gutenberg.org/etext/29614

''Daughters of Doom'' by Herbert B. Livingston http://www.gutenberg.org/etext/25094 ''~6551words''

''G-r-r-r...!'' by Robert Donald Locke - http://www.gutenberg.org/etext/29194 - 36KB

''Mex'' by William Logan http://www.gutenberg.org/etext/28518 ''~849words''

''The Big Tomorrow'' by Paul Lohrman (50KB) at http://www.gutenberg.org/etext/29931

''The Calm Man'' by Frank Belknap Long http://www.gutenberg.org/etext/28583 ''~ 6278 words''

''The Man from Time'' by Frank Belknap Long - http://www.gutenberg.org/etext/29418 - 48KB

''The Man the Martians Made'' by Frank Belknap Long - http://www.gutenberg.org/etext/29432 - 60KB

''The Mississippi Saucer'' by Frank Belknap Long http://www.gutenberg.org/etext/23568 ''~6008words''

''The Sky Trap'' by Frank Belknap Long http://www.gutenberg.org/etext/24151 ''~5663words''

''When I Grow Up'' by Richard E. Lowe - http://www.gutenberg.org/etext/28953 - 39KB

''Troubadour'' by Robert Augustine Ward Lowndes http://www.gutenberg.org/etext/23091 ''~1431words''

''Tulan'' by C.C. MacApp - http://www.gutenberg.org/etext/27968 59KB

''The Carnivore'' by Katherine MacLean (31KB) at http://www.gutenberg.org/etext/30044

''The Alternate Plan'' by Gerry Maddren http://www.gutenberg.org/etext/24792 ''~2062words''

''The Deadly Daughters'' by Winston K. Marks http://www.gutenberg.org/etext/24965 ''~3647words''

''Black Eyes and the Daily Grind'' by Stephen Marlowe (49KB) at http://www.gutenberg.org/etext/30329

''The One and the Many'' by Stephen Marlowe (32KB) at http://www.gutenberg.org/etext/30386

''Summer Snow Storm'' by Stephen Marlowe http://www.gutenberg.org/etext/26968 ''~4649words''

''Spies Die Hard!'' by Arnold Marmor (25KB) at http://www.gutenberg.org/etext/30383

''Beyond Pandora'' by Robert J. Martin http://www.gutenberg.org/etext/23930 ''~880words''

''Pushbutton War'' by Joseph P. Martino http://www.gutenberg.org/etext/24122 ''~7640words''

''Something Will Turn Up'' by David Mason http://www.gutenberg.org/etext/24189 ''~2187words''

''Shepherd of the Planets'' by Alan Mattox http://www.gutenberg.org/etext/28048 ''~4236words''

''Rex Ex Machina'' by Frederic Max http://www.gutenberg.org/etext/28543 ''~ 1161 words''

''On Handling the Data'' by M. I. Mayfield http://www.gutenberg.org/etext/23429 ''~6063words''

''Mother America'' by Sam McClatchie http://www.gutenberg.org/etext/26180 ''~5361words''

''Criminal Negligence'' by J. Francis McComas http://www.gutenberg.org/etext/24399 ''~6880words''

''Life Sentence'' by James V. McConnell (47KB) at http://www.gutenberg.org/etext/29889

''Celebrity'' by James McKimmey (25KB) at http://www.gutenberg.org/etext/29962

''Pipe of Peace'' by James McKimmey (27KB) at http://www.gutenberg.org/etext/30380

''Planet of Dreams'' by James McKimmey (35KB) at http://www.gutenberg.org/etext/30045

''It's All Yours'' by Sam Merwin - http://www.gutenberg.org/etext/29195 - 40KB

''Reel Life Films'' by Sam Merwin - http://www.gutenberg.org/etext/29209 - 36KB

''Death of a Spaceman'' by Walter M. Miller (56KB) at http://www.gutenberg.org/etext/29643

''The Hoofer'' by Walter M. Miller - http://www.gutenberg.org/etext/29170 - 41KB

''In the Control Tower'' by Will Mohler http://www.gutenberg.org/etext/23149 ''~5790words''

''Song in a Minor Key'' by Catherine Lucille Moore http://www.gutenberg.org/etext/28550 ''~ 964 words''

''Divinity'' by William Douglas Morrison http://www.gutenberg.org/etext/22623 ''~6807words''

''The Hunters'' by William Douglas Morrison http://www.gutenberg.org/etext/22524 ''~5355words''

''General Max Shorter'' by Kris Ottman Neville http://www.gutenberg.org/etext/23571 ''~7354words''

''Of Time and Texas'' by William F. Nolan - http://www.gutenberg.org/etext/28893 - 23KB

''Small World'' by William F. Nolan - http://www.gutenberg.org/etext/29308 - 41KB

''All Cats Are Gray'' by Andre Norton - http://www.gutenberg.org/etext/29019 - 36KB

''The Gifts of Asti'' by Andre Norton http://www.gutenberg.org/etext/19029 ''~6155words''

''An Ounce of Cure'' by Alan Edward Nourse http://www.gutenberg.org/etext/22866 ''~1444words''

''Circus'' by Alan Edward Nourse http://www.gutenberg.org/etext/22875 ''~2557words''

''Coffin Cure'' by Alan Edward Nourse http://www.gutenberg.org/etext/24276 ''~5649words''

''Image of the Gods'' by Alan Edward Nourse http://www.gutenberg.org/etext/22882 ''~6414words''

''Letter of the Law'' by Alan Edward Nourse http://www.gutenberg.org/etext/24275 ''~5842words''

''Meeting of the Board'' by Alan Edward Nourse http://www.gutenberg.org/etext/22867 ''~5899words''

''My Friend Bobby'' by Alan Edward Nourse http://www.gutenberg.org/etext/22881 ''~4962words''

''PRoblem'' by Alan Edward Nourse at http://www.gutenberg.org/etext/24290 47KB

''Second Sight'' by Alan Edward Nourse http://www.gutenberg.org/etext/22997 ''~8164words''

''The Dark Door'' by Alan Edward Nourse http://www.gutenberg.org/etext/22869 ''~8944words''

''The Link'' by Alan Edward Nourse http://www.gutenberg.org/etext/22876 ''~6045words''

''The Native Soil'' by Alan Edward Nourse http://www.gutenberg.org/etext/24274 ''~7311words''

O'Hara, Thomas J. - ''Rescue Squad'' (47KB) at http://www.gutenberg.org/etext/29822

''As Long As You Wish'' by John O'Keefe http://www.gutenberg.org/etext/24121 ''~1811words''

''The Diamond Lens'' by Fitz-James O'Brien http://www.gutenberg.org/etext/23169 ''~9251words''

''The Good Neighbors'' by Edgar Pangborn http://www.gutenberg.org/etext/26536 - 31KB

''This One Problem'' by M. C. Pease - http://www.gutenberg.org/etext/29354 - 38KB

''Lost in the Future'' by John Victor Peterson http://www.gutenberg.org/etext/28645 ''~ 1102 words''

''The White Feather Hex'' by Don Peterson http://www.gutenberg.org/etext/23308 ''~4989words''

''Dearest'' by H. Beam Piper http://www.gutenberg.org/etext/19102 ''~6657words''

''Crossroads of Destiny'' by H. Beam Piper http://www.gutenberg.org/etext/18632 ''~4676words''

''Operation R.S.V.P.'' by H. Beam Piper http://www.gutenberg.org/etext/18261 ''~2941words''

''The Answer'' by H. Beam Piper http://www.gutenberg.org/etext/18342 ''~4677words''

''Time and Time Again'' by H. Beam Piper http://www.gutenberg.org/etext/18831 ''~7112words''

''The Day of the Boomer Dukes'' by Frederik Pohl http://www.gutenberg.org/etext/22559 ''~8308words''

''The Hated'' by Frederik Pohl - http://www.gutenberg.org/etext/29503 - 41KB

''Pythias'' by Frederik Pohl (30KB) at http://www.gutenberg.org/etext/30399

''Revenge'' by Arthur Porges - http://www.gutenberg.org/etext/27756 - 36KB

''The Hohokam Dig'' by Theodore Pratt (45KB) at http://www.gutenberg.org/etext/29793

''The Green Beret'' by Thomas Edward Purdom http://www.gutenberg.org/etext/24278 ''~4724words''

''A Filbert Is a Nut'' by Rick Raphael http://www.gutenberg.org/etext/23588 ''~2991words''

''Dogfight—1973'' by Dallas McCord (Mack) Reynolds (24KB) at http://www.gutenberg.org/etext/29940

''Gun for Hire'' by Dallas McCord (Mack) Reynolds http://www.gutenberg.org/etext/24247 ''~5037words''

''Happy Ending'' by Dallas McCord (Mack) Reynolds and Fredric Brown - http://www.gutenberg.org/etext/29206 - 50KB

''I'm a Stranger Here Myself'' by Dallas McCord (Mack) Reynolds http://www.gutenberg.org/etext/26741 ''~2023words''

''Off Course'' by Dallas McCord (Mack) Reynolds (35KB) at http://www.gutenberg.org/etext/30035

''Summit'' by Dallas McCord (Mack) Reynolds http://www.gutenberg.org/etext/23669 ''~1949words''

''Subversive'' by Dallas McCord (Mack) Reynolds http://www.gutenberg.org/etext/23197 ''~7109words''

''Unborn Tomorrow'' by Dallas McCord (Mack) Reynolds http://www.gutenberg.org/etext/23942 ''~4480words''

''Such Blooming Talk'' by L. Major Reynolds - http://www.gutenberg.org/etext/29356 - 24KB

''Disturbing Sun'' by Robert Shirley Richardson http://www.gutenberg.org/etext/24150 ''~4091words''

''Decision'' by Frank M. Robinson (46KB) at http://www.gutenberg.org/etext/29680

''See?'' by Edward G. Robles (28KB) at http://www.gutenberg.org/etext/29601

''Sorry: Wrong Dimension'' by Ross Rocklynne (36KB) at http://www.gutenberg.org/etext/29620

''The Second Voice'' by Mann Rubin (46KB) at http://www.gutenberg.org/etext/29910

''The Premiere'' by Richard Sabia http://www.gutenberg.org/etext/24865 ''~5766words''

''Operation Lorelie'' by William P. Salton - http://www.gutenberg.org/etext/29160 - 28KB

''Divinity'' by Joseph Samachson http://www.gutenberg.org/etext/22623 - 56KB

''The Hunters'' by Joseph Samachson http://www.gutenberg.org/etext/22524 - 49KB

''Runaway'' by Joseph Samachson (45KB) at http://www.gutenberg.org/etext/29897

''DP'' by Arthur Dekker Savage (50KB) at http://www.gutenberg.org/etext/30305

''Trees Are Where You Find Them'' by Arthur Dekker Savage (33KB) at http://www.gutenberg.org/etext/30010

''An Incident on Route 12'' by James H. Schmitz http://www.gutenberg.org/etext/21897 ''~5087words''

''The Other Likeness'' by James H. Schmitz (57KB) at http://www.gutenberg.org/etext/30398

''Watch the Sky'' by James H. Schmitz http://www.gutenberg.org/etext/24558 ''~8380words''

''Quiet, Please'' by Kevin Scott http://www.gutenberg.org/etext/21541 ''~970words''

''Alien Offer'' by Al Sevcik http://www.gutenberg.org/etext/26956 ''~5320words''

''A Matter of Magnitude'' by Al Sevcik http://www.gutenberg.org/etext/24927 ''~2097words''

''Survival Tactics'' by Al Sevcik http://www.gutenberg.org/etext/24966 ''~4183words''

''The Dope on Mars'' by Jack Sharkey http://www.gutenberg.org/etext/26843 ''~5629words''

''Minor Detail'' by John Michael Sharkey http://www.gutenberg.org/etext/28156 ''~ 3713 words''

''Stairway to the Stars'' by Larry Shaw http://www.gutenberg.org/etext/23159 ''~6193words''

''The Helpful Robots'' by Robert J. Shea http://www.gutenberg.org/etext/28438 ''~ 1301 words''

''Mutineer'' by Robert Shea - http://www.gutenberg.org/etext/29196 - 40KB

''Resurrection'' by Robert J. Shea http://www.gutenberg.org/etext/28031 ''~679words''

''Bad Medicine'' by Robert Sheckley - http://www.gutenberg.org/etext/9055 - 47KB

''Beside Still Waters'' by Robert Sheckley - http://www.gutenberg.org/etext/29446 - 27KB

''Cost of Living'' by Robert Sheckley - http://www.gutenberg.org/etext/29458 - 38KB

''Death Wish'' by Robert Sheckley (39KB) at http://www.gutenberg.org/etext/29876

''Forever'' by Robert Sheckley - http://www.gutenberg.org/etext/29487 - 39KB

''The Hour of Battle'' by Robert Sheckley - http://www.gutenberg.org/etext/29445 - 31KB

''The Leech'' by Robert Sheckley - http://www.gutenberg.org/etext/29525 - 53KB

''Warm'' by Robert Sheckley - http://www.gutenberg.org/etext/29509 - 37KB

''Warrior Race'' by Robert Sheckley - http://www.gutenberg.org/etext/29548 - 43KB

''Houlihan's Equation'' by Walter J. Sheldon - http://www.gutenberg.org/etext/29168 - 39KB

''This is Klon Calling'' by Walter J. Sheldon - http://www.gutenberg.org/etext/28954 - 29KB

''Two Plus Two Makes Crazy'' by Walter J. Sheldon - http://www.gutenberg.org/etext/28894 - 28KB

''The Happy Unfortunate'' by Robert Silverberg http://www.gutenberg.org/etext/25035 ''~7373words''

''The Hunted Heroes'' by Robert Silverberg http://www.gutenberg.org/etext/25627 ''~5181words''

''Postmark Ganymede'' by Robert Silverberg http://www.gutenberg.org/etext/25629 ''~2854words''

''The Street That Wasn't There'' by Carl Richard Jacobi and Clifford Donald Simak http://www.gutenberg.org/etext/22218 ''~5994words''

''The Delegate from Venus'' by Henry Slesar http://www.gutenberg.org/etext/25086 ''~4655words''

''Dream Town'' by Henry Slesar - http://www.gutenberg.org/etext/29193 - 42KB

''My Father, the Cat'' by Henry Slesar http://www.gutenberg.org/etext/28119 ''~ 3080 words''

''Reluctant Genius'' by Henry Slesar http://www.gutenberg.org/etext/28030 ''~1109words''

''The Success Machine'' by Henry Slesar http://www.gutenberg.org/etext/26168 ''~4016words''

''The Doorway'' by Evelyn E. Smith - http://www.gutenberg.org/etext/29138 - 29KB

''The Blue Tower'' by Evelyn E. Smith http://www.gutenberg.org/etext/23104 ''~5266words''

''Benefactor'' by George H. Smith - http://www.gutenberg.org/etext/28892 - 24KB

''History Repeats'' by George Oliver Smith http://www.gutenberg.org/etext/23884 ''~4367words''

''Instinct'' by George Oliver Smith http://www.gutenberg.org/etext/23931 ''~4623words''

''Stop Look and Dig'' by George Oliver Smith http://www.gutenberg.org/etext/19963 ''~9722words''

''Compatible'' by Richard R. Smith - http://www.gutenberg.org/etext/28922 - 26KB

''No Hiding Place'' by Richard R. Smith - http://www.gutenberg.org/etext/29272 - 38KB

''Old Mr. Wiley'' by Fanny Greye la Spina http://www.gutenberg.org/etext/23379 ''~9823words''

''The Marooner'' by Charles A. Stearns http://www.gutenberg.org/etext/24791 ''~4412words''

''Upstarts'' by L. J. Stecher http://www.gutenberg.org/etext/27492 ''~5370words''

''The Hands'' by Richard Sternbach - http://www.gutenberg.org/etext/29535 - 21KB

''Solar Stiff'' by Chas. A. Stopher http://www.gutenberg.org/etext/28646 ''~ 2341 words''

''Faithfully Yours'' by Lou Tabakow http://www.gutenberg.org/etext/24566 ''~6921words''

''Far from Home'' by J.A. Taylor http://www.gutenberg.org/etext/23408 ''~6644words''

''Cerebrum'' by Albert Teichner http://www.gutenberg.org/etext/26761 ''~6971words''

''Man Made'' by Albert Teichner http://www.gutenberg.org/etext/24955 ''~3646words''

''Sweet Their Blood and Sticky'' by Albert Teichner http://www.gutenberg.org/etext/21568 ''~2024words''

''The Big Bounce'' by Walter S. Tevis http://www.gutenberg.org/etext/23153 ''~6930words''

''Pleasant Journey'' by Richard F. Thieme (30KB) at http://www.gutenberg.org/etext/29790

''There Will Be School Tomorrow'' by V. E. Thiessen - http://www.gutenberg.org/etext/29317 - 37KB

''The Professional Approach'' by Harness and Thomas http://www.gutenberg.org/etext/23872 ''~8172words''

''High Dragon Bump'' by Don Thompson (44KB) at http://www.gutenberg.org/etext/30330

''Tinker's Dam'' by Joseph Tinker http://www.gutenberg.org/etext/24655 ''~7669words''

''The Glory of Ippling'' by Helen M. Urban http://www.gutenberg.org/etext/23185 ''~4668words''

''Vital Ingredient'' by Gerald Vance http://www.gutenberg.org/etext/27797 ''~3637words''

''Jubilation, U.S.A.'' by G.L. Vandenburg http://www.gutenberg.org/etext/22589 ''~3664words''

''Martian V.F.W.'' by G.L. Vandenburg http://www.gutenberg.org/etext/22110 ''~2584words''

''Grove of the Unborn'' by Lyn Venable - http://www.gutenberg.org/etext/29205 - 43KB

''Monkey On His Back'' by Charles V. De Vet http://www.gutenberg.org/etext/26569 ''~4848words''

''2 B R 0 2 B'' by Kurt Vonnegut http://www.gutenberg.org/etext/21279 ''~2675words''

''The Big Trip Up Yonder'' by Kurt Vonnegut(41KB) at http://www.gutenberg.org/etext/30240

''Shock Absorber'' by E. G. von Wald http://www.gutenberg.org/etext/24380 ''~8714words''

''The 4-D Doodler'' by Graph Waldeyer http://www.gutenberg.org/etext/22227 ''~5506words''

''A Matter of Proportion'' by Anne Walker http://www.gutenberg.org/etext/23920 ''~5660words''

''Bolden's Pets'' by Floyd Wallace http://www.gutenberg.org/etext/28460 - 57KB

''Second Landing'' by Floyd Wallace http://www.gutenberg.org/etext/24958 ''~2666words''

''Has Anyone Here Seen Kelly?'' by Bryce Walton (40KB) at http://www.gutenberg.org/etext/30086

''Strange Alliance'' by Bryce Walton http://www.gutenberg.org/etext/28047 ''~3890words''

''The Ideal'' by Stanley Grauman Weinbaum http://www.gutenberg.org/etext/22897 ''~8112words''

''Pygmalion's Spectacles'' by Stanley Grauman Weinbaum http://www.gutenberg.org/etext/22893 ''~7129words''

''The Point of View'' by Stanley Grauman Weinbaum http://www.gutenberg.org/etext/22895 ''~6745words''

''The Worlds of If'' by Stanley Grauman Weinbaum http://www.gutenberg.org/etext/22890 ''~6309words''

''Moment of Truth'' by Basil Eugene Wells http://www.gutenberg.org/etext/28111 ''~ 1628 words''

''Second Sight'' by Basil Eugene Wells (44KB) at http://www.gutenberg.org/etext/29832

''The Coming of the Ice'' by G. Peyton Wertenbaker http://www.gutenberg.org/etext/26967 ''~6328words''

''Cogito, Ergo Sum'' by John Foster West - http://www.gutenberg.org/etext/29149 - 36KB

''Upstarts'' by Joseph Wesley (50KB) at http://www.gutenberg.org/etext/27492

''The Risk Profession'' by Donald E. Westlake http://www.gutenberg.org/etext/27089 ''~11227words''

''The Quantum Jump'' by Robert Wicks http://www.gutenberg.org/etext/24418 ''~3785words''

''Be It Ever Thus'' by Robert Moore Williams - http://www.gutenberg.org/etext/29240 - 46KB

''The Cosmic Express'' by John Stewart Williamson http://www.gutenberg.org/etext/26066 ''~4984words''

''Double Take'' by Richard Wilson (41KB) at http://www.gutenberg.org/etext/30063

''Out Around Rigel'' by Robert H. Wilson http://www.gutenberg.org/etext/20553 ''~8351words''

''Lonesome Hearts'' by R. R. Winterbotham (29KB) at http://www.gutenberg.org/etext/30170

''Longevity'' by Therese Windser - http://www.gutenberg.org/etext/24928 - 22KB

''The Infra-Medians'' by Sewell Peaslee Wright http://www.gutenberg.org/etext/20838 ''~9988words''

''The Terror from the Depths'' by Sewell Peaslee Wright - http://www.gutenberg.org/etext/29118 - 63KB

''Unspecialist'' by Murray F. Yaco http://www.gutenberg.org/etext/23443 ''~4532words''

''No Moving Parts'' by Murray F. Yaco http://www.gutenberg.org/etext/25078 ''~6405words''

''Collector's Item by'' Robert F. Young - http://www.gutenberg.org/etext/28924 - 27KB

''Star Mother'' by Robert F. Young http://www.gutenberg.org/etext/26957 ''~1897words''

Science Fiction Short Stories

2009-11-15T16:19:14Z

Chopping the page in half and tweaking formatting

Show changes

Romeo and Juliet

2009-11-14T20:21:54Z

4 - Scene 2 - Fully cast:

←Older revision		Revision as of 20:21, 14 November 2009
(12 intermediate revisions not shown.)
Line 66:		Line 66:
	* Narrator (earthcalling)		* Narrator (earthcalling)
	* Romeo (Jestermedia) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act2_scene2_romeo.wav		* Romeo (Jestermedia) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act2_scene2_romeo.wav
-	* Juliet (gloriana) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_2_2_juliet.mp3	+	* Juliet (gloriana) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_2_2_juliet.mp3
	* Nurse (kristin) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act2_nurse.wav		* Nurse (kristin) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act2_nurse.wav

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	== 2 - Scene 5 - Ready to edit ==		== 2 - Scene 5 - Ready to edit ==
	* Narrator (earthcalling)		* Narrator (earthcalling)
-	* Juliet (~~frenchaudrey~~) - http://upload.librivox.org/share/uploads/ec/romeo/~~romeo_act2_scene5_juliet~~.~~wav~~	+	* Juliet (gloriana) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_2_5_juliet.mp3
	* Nurse (kristin) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act2_nurse.wav		* Nurse (kristin) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act2_nurse.wav

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	* Friar Lawrence (Cloud Mountain) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_actII_scenevi_friar_lawrence.wav		* Friar Lawrence (Cloud Mountain) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_actII_scenevi_friar_lawrence.wav
	* Romeo (Jestermedia) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act2_scene6_romeo.wav		* Romeo (Jestermedia) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act2_scene6_romeo.wav
-	* Juliet (~~frenchaudrey~~) - http://upload.librivox.org/share/uploads/ec/romeo/~~romeo_act2_scene6_juliet~~.~~wav~~	+	* Juliet (gloriana) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_2_6_juliet.mp3

	= Act 3 =		= Act 3 =
Line 105:		Line 105:
	* Montague (ChrisHughes) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act3_scene1_montague.wav		* Montague (ChrisHughes) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act3_scene1_montague.wav

-	== 3 - Scene 2 - Editing complete - http://upload.librivox.org/share/uploads/ec/romeo/romeo_3_2.mp3==	+	== 3 - Scene 2 - Editing complete - http://upload.librivox.org/share/uploads/ec/romeo/romeo_3_2.mp3== Note - needs Juliet's lines replaced
	* Narrator (earthcalling) - Done		* Narrator (earthcalling) - Done
-	* Juliet (~~frenchaudrey~~) - http://upload.librivox.org/share/uploads/ec/romeo/~~romeo_act3_scene2_juliet~~.~~wav~~	+	* Juliet (gloriana) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_3_2_juliet.mp3
	* Nurse (kristin) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act3_scene2_nurse.wav		* Nurse (kristin) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act3_scene2_nurse.wav

Line 124:		Line 124:
	== 3 - Scene 5 - Fully cast ==		== 3 - Scene 5 - Fully cast ==
	* Narrator (earthcalling)		* Narrator (earthcalling)
-	* Juliet (~~frenchaudrey~~) - http://upload.librivox.org/share/uploads/ec/romeo/~~romeo_act3_scene5_juliet~~.~~wav~~	+	* Juliet (gloriana) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_3_5_juliet.mp3
	* Romeo (Jestermedia) - Done		* Romeo (Jestermedia) - Done
	* Nurse (kristin) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act3_scene5_nurse.wav		* Nurse (kristin) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act3_scene5_nurse.wav
Line 135:		Line 135:
	* Friar Lawrence (Cloud Mountain) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_actIV_sceneI_friar_laurence.wav		* Friar Lawrence (Cloud Mountain) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_actIV_sceneI_friar_laurence.wav
	* Paris (mb) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_allacts_paris.mp3		* Paris (mb) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_allacts_paris.mp3
-	* Juliet (~~frenchaudrey~~)	+	* Juliet (gloriana) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_4_1_juliet.mp3

	== 4 - Scene 2 - Fully cast ==		== 4 - Scene 2 - Fully cast ==
	* Narrator (earthcalling)		* Narrator (earthcalling)
-	* Capulet (ExEmGe) - ~~Done~~	+	* Capulet (ExEmGe) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act_4_scene_2_capulet.wav
	* 2 Servant (Rowen) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act4_scene2_CapuletServant2.wav		* 2 Servant (Rowen) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act4_scene2_CapuletServant2.wav
	* Nurse (kristin) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act4_scene2_nurse.wav		* Nurse (kristin) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act4_scene2_nurse.wav
-	* Juliet (~~frenchaudrey~~)	+	* Juliet (gloriana) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_4_2_juliet.mp3
	* Lady Capulet (Cori)- http://upload.librivox.org/share/uploads/ec/romeo/romeo_act4_scene2_ladycapulet.mp3		* Lady Capulet (Cori)- http://upload.librivox.org/share/uploads/ec/romeo/romeo_act4_scene2_ladycapulet.mp3

	== 4 - Scene 3 - Fully cast ==		== 4 - Scene 3 - Fully cast ==
	* Narrator (earthcalling)		* Narrator (earthcalling)
-	* Juliet (~~frenchaudrey~~)	+	* Juliet (gloriana) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_4_3_juliet.mp3
	* Lady Capulet (Cori)- http://upload.librivox.org/share/uploads/ec/romeo/romeo_act4_scene3_ladycapulet.mp3		* Lady Capulet (Cori)- http://upload.librivox.org/share/uploads/ec/romeo/romeo_act4_scene3_ladycapulet.mp3

Line 168:		Line 168:
	* Peter (Gesine) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act4_scene5_peter.wave		* Peter (Gesine) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act4_scene5_peter.wave
	* 2 musician		* 2 musician
-	* 3 musician (chocoholic) - Done	+	* 3 musician (chocoholic?) - Done?

	= Act 5 =		= Act 5 =
Line 186:		Line 186:
	* Paris (mb) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_allacts_paris.mp3		* Paris (mb) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_allacts_paris.mp3
	* Page (and 'Boy' later) - (CJ Novak - Xrystabelle's son - may not have forum name) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act5_scene3_boy.wav http://upload.librivox.org/share/uploads/ec/romeo/romeo_act5_scene3_page.wav		* Page (and 'Boy' later) - (CJ Novak - Xrystabelle's son - may not have forum name) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act5_scene3_boy.wav http://upload.librivox.org/share/uploads/ec/romeo/romeo_act5_scene3_page.wav
-	* Romeo (Jestermedia)	+	* Romeo (Jestermedia)- Done
	* Balthasar (composerscott) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act5_scene3_balthasar.wav		* Balthasar (composerscott) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act5_scene3_balthasar.wav
	* Friar Lawrence (Cloud Mountain)		* Friar Lawrence (Cloud Mountain)
-	* Juliet (~~frenchaudrey~~) - http://upload.librivox.org/share/uploads/ec/romeo/~~romeo_act5_scene3_juliet~~.~~wav~~	+	* Juliet (gloriana) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_5_3_juliet.mp3
	* 1 watch - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act5_scene3_1watch.wav http://upload.librivox.org/share/uploads/ec/romeo/romeo_act5_scene3_1stWatchman.wav		* 1 watch - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act5_scene3_1watch.wav http://upload.librivox.org/share/uploads/ec/romeo/romeo_act5_scene3_1stWatchman.wav
	* 2 watch (Gesine) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act5_scene3_watch2.wav		* 2 watch (Gesine) - http://upload.librivox.org/share/uploads/ec/romeo/romeo_act5_scene3_watch2.wav